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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Passages - Trombone 2
Non classifié
119
Piano & claviers
Piano seul
120
Piano Facile
30
Instruments en Do
20
Piano, Voix
8
Orgue
6
1 Piano, 4 mains
6
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
+ 7 instrumentations
Retracter
Guitares
Guitare
8
2 Guitares (duo)
7
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
39
Chorale 2 parties
29
Chorale 3 parties
10
Voix Soprano, Piano
8
Chorale TTBB
8
Chorale Unison
8
Chorale SSAA
5
Chorale SSAB, Piano
2
Chorale SSAATTBB
2
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
45
2 Flûtes traversières (duo)
26
2 Clarinettes (duo)
24
Flûte traversière
16
Clarinette
16
Hautbois (partie séparée)
12
Saxophone Alto
11
2 Hautbois (duo)
10
Flûte traversière et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor
7
Clarinette (partie séparée)
6
Clarinette et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
3 Clarinettes (trio)
5
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
4
Ensemble de saxophones
4
Saxophone (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Clarinette et Basson
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
2
2 Cors Anglais Et Pianoforte
2
Flute (partie séparée)
2
Hautbois, Piano (duo)
2
Ensemble de Flûtes
1
Ensemble de Clarinettes
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Piccolo
1
2 Saxophones, Piano
1
Clarinette, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Basson
1
Saxophone Soprano et Piano
1
Hautbois
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes à bec
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone Alto et Piano
1
Flûte et Trio à cordes
1
Flûte, Harpe et Violoncelle
1
Ensemble De Flûte à bec
1
Saxophone Tenor et Piano
1
Hautbois, Flûte
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
+ 47 instrumentations
Retracter
Cuivres
Trompette
17
2 Trompettes (duo)
13
Cor
9
Trompette (partie séparée)
8
Tuba
8
Cor (partie séparée)
5
2 Cors (duo)
3
Trompette, Piano
3
2 Euphoniums (duo)
2
Tuba et Piano
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
2 Tubas (duo)
2
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
96
Violon et Piano
21
Violon
20
Violoncelle
19
2 Violons (duo)
17
2 Violoncelles (duo)
11
Alto seul
11
Violoncelle, Piano
7
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Contre Basse
6
Violon, Violoncelle (duo)
6
Violon (partie séparée)
4
Contrebasse, Piano (duo)
3
Alto, Piano
3
2 Contrebasses (duo)
3
Alto (partie séparée)
2
4 Violoncelles
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
154
Orchestre à Cordes
42
Cloches
18
Orchestre
17
Ensemble de Percussions
8
Percussion (partie séparée)
4
Orchestre de chambre
3
Ensemble de cuivres
3
Marimba
1
Fanfare
1
Timbales
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Passages - Trombone 2
Partitions à imprimer
1 334 partitions trouvées
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1326
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Pedro Nunes
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Concerto in D minor, BWV 974
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Pedro Nunes
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and par...
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
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String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Sammartini: Sonata Op. 1 No. 2 for Baritone Sax Duo
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2 Saxophones (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone Duet Baritone Saxophone - Level 2 - SKU: A0.1081929 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroqu...
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Baritone Saxophone Duet Baritone Saxophone - Level 2 - SKU: A0.1081929 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Instructional,Standards,Wedding. 2 scores. 12 pages. Jmsgu3 #686059. Published by jmsgu3 (A0.1081929). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$26.95
Big Buck (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) 2-Part Mixed
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Chorale 2 parties
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FACILE
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Carol Troutman Wiggins
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Big Buck
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.727281 Composed by Carol Troutman Wiggins. Children,Comedy,Country,Instructional,Rock. Octavo. 17 pages. Carol Tro...
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Choral Choir (SA) - Level 2 - SKU: A0.727281 Composed by Carol Troutman Wiggins. Children,Comedy,Country,Instructional,Rock. Octavo. 17 pages. Carol Troutman Wiggins #3430817. Published by Carol Troutman Wiggins (A0.727281). BIG BUCK (My Eighteen-Wheelin', Mud-Flappin' Diesel Truck) 2-Part Mixed VoicesThis is that different high-energy song for the guys (and girls!) that you have been looking for!!! Written especially in the interest of young male singers, this upbeat, foot-stomping country song about an eighteen-wheeler is sure to please all of your truck lovers, girls or boys! (And . . . it's not about a pirate! Ha!)Excellent for upper elementary, middle school, and high school male voicesKey of C - shouldn't be too high or too low for any voice rangeA bit wordy, but has a great description of a truck driver's lifeLot of eighth notes and intervals of 4ths & 5thsAdd thigh slaps (or hand claps)Some spoken passagesUse of fermatasOptional action cues included in scoreChords included for additional instrumentsAdd guitar, bass, fiddle, and drums for a make-shift country band.
$2.50
Sammartini: Sonata Op. 1 No. 2 for French Horn Duo
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2 Cors (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.1082241 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,F...
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French Horn Duet Horn - Level 2 - SKU: A0.1082241 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686386. Published by jmsgu3 (A0.1082241). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Euphonium Duo
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2 Euphoniums (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.1081938 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Bar...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.1081938 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686071. Published by jmsgu3 (A0.1081938). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Trumpet Duo
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2 Trompettes (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1081961 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Fe...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1081961 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686086. Published by jmsgu3 (A0.1081961). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Alto Flute Duo
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2 Flûtes traversières (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1082316 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festiv...
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Flute Duet Flute - Level 2 - SKU: A0.1082316 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686468. Published by jmsgu3 (A0.1082316). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Bass Flute Duo
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2 Flûtes traversières (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bass Flute,Instrumental Duet - Level 2 - SKU: A0.1082331 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Ba...
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Instrumental Duet Bass Flute,Instrumental Duet - Level 2 - SKU: A0.1082331 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686481. Published by jmsgu3 (A0.1082331). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$26.95
Sammartini: Sonata Op. 1 No. 2 for Bass Clarinet Duo
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2 Clarinettes (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - SKU: A0.1082643 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - SKU: A0.1082643 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686856. Published by jmsgu3 (A0.1082643). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$26.95
Sammartini: Sonata Op. 1 No. 2 for Alto Clarinet Duo
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2 Clarinettes (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - SKU: A0.1082638 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthri...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 2 - SKU: A0.1082638 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686850. Published by jmsgu3 (A0.1082638). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Soprano Sax Duo
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2 Saxophones (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 2 - SKU: A0.1079342 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,...
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Soprano Saxophone Duet Soprano Saxophone - Level 2 - SKU: A0.1079342 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #683540. Published by jmsgu3 (A0.1079342). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
La Torello (from "9 Fantasies for 2")
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Thomas Morley
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Wendolien Krul
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La Torello
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Wendolien Krul
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.1237716 Composed by Thomas Morley. Arranged by Wendolien Krul. Chamber,Classical,Early Music,Re...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.1237716 Composed by Thomas Morley. Arranged by Wendolien Krul. Chamber,Classical,Early Music,Renaissance,Traditional. Score. 4 pages. Wendolien Krul #833219. Published by Wendolien Krul (A0.1237716). Discover the beautiful sheet music of composer Thomas Morley (1557-1602) with our arrangement for La Torello, the ninth part of the enchanting series 9 Fantasies for Two.Originally written for 2 viola da gambas, it's carefully crafted into a unique arrangement for 2 tenor saxophones. This allows saxophonists of all levels to enjoy Morley's immersive music.La Torello takes you on a musical journey full of liveliness and rhythmic energy. This piece exudes a cheerful and vibrant atmosphere, with its playful melodies and virtuosic passages. This piece offers an excellent opportunity for more expressive freedom and exploration of the most beautiful way to play the melody, as there are no precise indications in the original work.Our sheet music is of high quality, thoughtfully compiled, with clear notation that allows for artistic interpretation. This empowers you to explore and express your own unique musicality while playing Thomas Morley's music.Don't miss this chance to immerse yourself in the masterpieces of this renowned composer. Get your copy of the sheet music for La Torello today and let the vibrant sounds of Morley come to life on your tenor saxophone.
$5.99
Sammartini: Sonata Op. 1 No. 2 for Tenor Sax Duo
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2 Saxophones (duo)
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FACILE
#
Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 2 - SKU: A0.1079757 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Chri...
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Tenor Saxophone Duet Tenor Saxophone - Level 2 - SKU: A0.1079757 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Christmas,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #683945. Published by jmsgu3 (A0.1079757). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op.1 No.2 for Oboe Duo
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2 Hautbois (duo)
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FACILE
#
Giuseppe Sammartini
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James M
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Sammartini: Sonata Op.1 No.2 f
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jmsgu3
#
SheetMusicPlus
Oboe Duet Oboe - Level 2 - SKU: A0.1078950 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Tr...
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Oboe Duet Oboe - Level 2 - SKU: A0.1078950 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Traditional,Wedding. Score. 12 pages. Jmsgu3 #683143. Published by jmsgu3 (A0.1078950). Sammartini Sonata Op. 1 No. 2. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/Grazioso Giuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Flurry, Flurry Down (2-Part)
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Chorale 2 parties
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INTERMÉDIAIRE
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Carol Troutman Wiggins
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Flurry, Flurry Down
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.727279 Composed by Carol Troutman Wiggins. Children,Christmas,Contemporary,Holiday,Instructional. Octavo. 7 pages....
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Choral Choir (SA) - Level 3 - SKU: A0.727279 Composed by Carol Troutman Wiggins. Children,Christmas,Contemporary,Holiday,Instructional. Octavo. 7 pages. Carol Troutman Wiggins #3429549. Published by Carol Troutman Wiggins (A0.727279). FLURRY, FLURRY DOWNSA/2-Part Mixed VoicesThis gentle, flowing two part anthem describes the beauty of snow falling from the sky.Excellent for advanced upper elementary, middle school, or high school studentsGreat to include in a winter program or concertFlowing melody and accompanimentIntermediate level accompanimentQuestion/answer-type passagesUse of accidentals in vocal lineLots of Oo'sChords included for additional instrumentsPiano Accompaniment/Rehearssal Track available on thjis site.
$2.50
TWO BEATS (2 violins)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.799546 Composed by Drake Mabry. Contemporary. 6 pages. Drake Mabry #3859411. Published by Drake Mabry (A0.799546)...
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Violin Duet Violin - Level 4 - SKU: A0.799546 Composed by Drake Mabry. Contemporary. 6 pages. Drake Mabry #3859411. Published by Drake Mabry (A0.799546). TWO BEATS, in this version for 2 violins, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
TWO BEATS (2 horns)
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2 Cors (duo)
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AVANCÉ
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Contemporain
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 5 - SKU: A0.799552 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Drake Mabry #385993...
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Instrumental Duet Horn,Instrumental Duet - Level 5 - SKU: A0.799552 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Drake Mabry #3859933. Published by Drake Mabry (A0.799552). TWO BEATS, in this version for 2 horns, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
Sammartini: Sonata Op. 1 No. 2 for Tuba Duo
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2 Tubas (duo)
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INTERMÉDIAIRE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - Level 3 - SKU: A0.1082293 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,...
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Instrumental Duet Instrumental Duet,Tuba - Level 3 - SKU: A0.1082293 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686441. Published by jmsgu3 (A0.1082293). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Synergy - Duet for 2 Alto Flutes
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2 Flûtes traversières (duo)
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AVANCÉ
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Monash Lal
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Synergy - Duet for 2 Alto Flut
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Monash M Lal
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SheetMusicPlus
Flute Duet Alto Flute - Level 5 - SKU: A0.1297370 Composed by Monash Lal. 21st Century,Classical,Contemporary,Multicultural,World. Score. 14 pages. Mona...
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Flute Duet Alto Flute - Level 5 - SKU: A0.1297370 Composed by Monash Lal. 21st Century,Classical,Contemporary,Multicultural,World. Score. 14 pages. Monash M Lal #886911. Published by Monash M Lal (A0.1297370). Duet for two Alto Flutes.This piece if composed for 2 Alto Flutes, however it may be performed on any pair of Flutes in the same pitch.Synergy is a physically demanding work that requires stamina in articulation and breath. The heavy breath accents articulated passagesshould push the player to the limits of their phrasing capabilities. This work is inspired by the many collaborations I have had with otherflute players who share similar enthusiasm and energy towards flute playing as I do.
$25.00
Sammartini: Sonata Op. 1 No. 2 for Double Bass Duo
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2 Contrebasses (duo)
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INTERMÉDIAIRE
#
Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 3 - SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. B...
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Instrumental Duet Double Bass,Instrumental Duet - Level 3 - SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686449. Published by jmsgu3 (A0.1082300). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
TWO BEATS (2 cellos)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.799553 Composed by Drake Mabry. Contemporary. Score. 6 pages. Drake Mabry #3859937. Published by Drake Mabry (A0.79...
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Cello Duet Cello - Level 4 - SKU: A0.799553 Composed by Drake Mabry. Contemporary. Score. 6 pages. Drake Mabry #3859937. Published by Drake Mabry (A0.799553). TWO BEATS, in this version for 2 cellos, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
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Passages - Trombone 2
