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--INSTRUMENTS--
ACCORDEON
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Pat-a-pan, Piano and Recorder
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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HARPE
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LUTH
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Crtitères actifs :
Pat-a-pan, Piano and Recorder
Partitions à imprimer
16 partitions trouvées
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1
Pat-a-pan, Piano and Recorder
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Flûte à Bec
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INTERMÉDIAIRE
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Noël
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Traditional English
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Cindy Blevins
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Pat-a-pan, Piano and Recorder
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Cindy Blevins
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SheetMusicPlus
Recorder Solo - Level 3 - SKU: A0.545526 Composed by Traditional English. Arranged by Cindy Blevins. Christmas. Individual part. 7 pages. Cindy Blevins ...
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Recorder Solo - Level 3 - SKU: A0.545526 Composed by Traditional English. Arranged by Cindy Blevins. Christmas. Individual part. 7 pages. Cindy Blevins #6140273. Published by Cindy Blevins (A0.545526). This song is beautifully arranged for piano and recorder. It is suitable for soprano, alto or tenor recorder. With this download, you receive the score, the piano part and the recorder part. The recorder adds a delightful voice, adding melody, harmony, and counter-melody to the piano part.
$4.99
Piano and Recorder, Christmas, Set 3
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Flûte à Bec
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INTERMÉDIAIRE
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Noël
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Various
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Cindy Blevins
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Piano and Recorder, Christmas,
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Cindy Blevins
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SheetMusicPlus
Recorder Solo - Level 3 - SKU: A0.545527 Composed by Various. Arranged by Cindy Blevins. Christmas. Individual part. 41 pages. Cindy Blevins #6140295. P...
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Recorder Solo - Level 3 - SKU: A0.545527 Composed by Various. Arranged by Cindy Blevins. Christmas. Individual part. 41 pages. Cindy Blevins #6140295. Published by Cindy Blevins (A0.545527). This is a set of five songs, beautifully arranged for piano and recorder. With this download, you receive the scores, the piano parts and the recorder parts. The recorder parts can be played by Soprano, Alto or Tenor recorder. The recorder adds a delightful voice, adding melody, harmony, and counter-melody to the piano part. The audio sample is an excerpt of Pat-a-pan. This set includes: Angels From the Realms of Glory, Ding Dong! Merrily On High, Infant Holy, Pat-a-pan and Silent Night.
$14.95
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Piano and Recorder For Christmas, Vol. 1, Piano and Recorder
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Flûte à Bec
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INTERMÉDIAIRE
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Noël
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Various
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Cindy Blevins
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Piano and Recorder For Christm
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Cindy Blevins
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SheetMusicPlus
Recorder Solo - Level 3 - SKU: A0.545561 Composed by Various. Arranged by Cindy Blevins. Christmas. Individual part. 97 pages. Cindy Blevins #6199203. P...
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Recorder Solo - Level 3 - SKU: A0.545561 Composed by Various. Arranged by Cindy Blevins. Christmas. Individual part. 97 pages. Cindy Blevins #6199203. Published by Cindy Blevins (A0.545561). Piano and Recorder For Christmas, Vol. I, contains 14 arrangements for piano and recorder. You can use Soprano, Alto or Tenor recorder. You receive the scores, the piano parts and the recorder parts. You can view the first page of several of the scores. The audio sample is an excerpt from Here We Come A-Wassailing. The songs included in this book are: Away In A Manger, Greensleeves, Here We Come A-Wassailing, In Dulci Jubilo, In the Bleak Midwinter, Infant Holy, It Came Upon the Midnight Clear, Lo, How A Rose E'er Blooming, O Holy Night, Pat-a-pan, Silent Night Sussex Carol, The First Noel and The Son Of Mary..
$18.95
Pat-a-Pan
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Chorale SATB
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Noël
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Stephanie K
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Pat-a-Pan
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.990678 Arranged by Stephanie K. Andrews. Christmas,Sacred. Octavo. 12 pages. Stephanie K Andrews #3685881. Published by St...
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Choral Choir (SATB) - SKU: A0.990678 Arranged by Stephanie K. Andrews. Christmas,Sacred. Octavo. 12 pages. Stephanie K Andrews #3685881. Published by Stephanie K Andrews (A0.990678). 2018 Holiday Contest Entry. For SATB, piano, hand drum, soprano recorder, and alto recorder. This traditional Christmas Carol is from the Burgundian region of France and tells the story of shepherds visiting the newborn Christ Child and playing a simple flute and drum in celebration. .
$2.00
Down by the Riverside - Traditional - 2 Alto Recorders; Piano and Drum Set - Intermediate level
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Traditional
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Raymond Fenech
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Down by the Riverside - Tradit
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Raymond Fenech
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SheetMusicPlus
Recorder Duet Recorder - Level 3 - SKU: A0.760371 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 20 pag...
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Recorder Duet Recorder - Level 3 - SKU: A0.760371 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 20 pages. Raymond Fenech #3601995. Published by Raymond Fenech (A0.760371). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
Happy Birthday - For alto recorder (solo) and piano (Easy/Beginner)
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Flûte à bec Alto
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DÉBUTANT
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Milldred J
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Levy Nunes
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Happy Birthday - For alto reco
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Cambiata
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SheetMusicPlus
Alto Recorder,Recorder Solo - Level 1 - SKU: A0.518116 Composed by Milldred J. Hill and Patty Hill. Arranged by Levy Nunes. Holiday,Multicultural,Standa...
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Alto Recorder,Recorder Solo - Level 1 - SKU: A0.518116 Composed by Milldred J. Hill and Patty Hill. Arranged by Levy Nunes. Holiday,Multicultural,Standards,Traditional,World. Individual part. 3 pages. Cambiata #128833. Published by Cambiata (A0.518116). That must-have song on your birthday. This version is a duet for contralto recorder accompanied on the piano. Surprise the birthday boy and play this version to celebrate together. Easy/Beginner. Accompany score and parts.
$2.99
24 Favourite Songs of Ireland, for Descant or Soprano Recorder
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Traditional
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David McKeown
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24 Favourite Songs of Ireland,
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David McKeown
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SheetMusicPlus
Small Ensemble Recorder Solo - Level 2 - SKU: A0.587937 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Irish,Multicultural,Patr...
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Small Ensemble Recorder Solo - Level 2 - SKU: A0.587937 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Irish,Multicultural,Patriotic,World. Individual part. 25 pages. David McKeown #5191361. Published by David McKeown (A0.587937). 24 Favourite Songs of Ireland for Descant or Soprano Recorder contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Recorder. The music includes chord symbols to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Descant or Soprano Recorderare ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
Deck the halls. Piano 4 hands
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1 Piano, 4 mains
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DÉBUTANT
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Noël
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Anonimo
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Deck the halls. Piano 4 hands
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ester
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SheetMusicPlus
Composed by Anonimo. Arranged by Ester Alessandrini. General Instructional, Folk, Christmas, Children's Music, Recital. Score, Sheet Music Single...
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Composed by Anonimo. Arranged by Ester Alessandrini. General Instructional, Folk, Christmas, Children's Music, Recital. Score, Sheet Music Single. 4 pages. Published by ester
Collection of 50 Christmas Carols for solo Soprano Recorder, comfortable range and key, easy for beginners.
Contents: A la nanita nana - Adeste Fideles - Angels from the Realms of Glory - As Lately We Watched, As with Gladness Men of Old - Auld Lang Syne - Away in a Manger - Bring a Torch, Jeanette, Isabelle - Carol of the bells - Children, Go Where I Send Thee - O Christmas Tree - Coventry Carol - The Deck the Halls - Ding Dong Merrily on High - First Noel - The Friendly Beasts - The Gloucestershire Wassail - Go Tell it on the Mountain - God Rest Ye Merry,Gentlemen - Good King Wenceslas - Hark! The Herald Angels Sing - Holly and the Ivy - The Huron Carol - I saw three ships - In dulci Jubilo - In Notte Placida - In the Bleak Midwinter - It Came Upon the Midnight Clear - Jingle Bells - Joy to The World - Lullaby - O Holy Night - O Little Town of Bethlehem - O Sanctissima - Oh, come, little children - Once in Royal David's City - Over the river and through the woods - Patapan - Quanno Nascette Ninno - Ring Out, Wild Bells - Rise Up Shepherd And Follow - Sans Day Carol - Silent Night - Toyland - The Twelve Days of Christmas - Up on the Housetop - We Three Kings of Orient Are - We Wish you a Merry Christmas - What Child Is This? - Winter's Snow.
$6.00
The Star Spangled Banner Key of D Alphanote Lead Sheet
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Americana
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Patriotique
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Francis Scott Key and John Sta
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Edna J
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The Star Spangled Banner Key o
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Bloom Musicnotes
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Flute,Guitar,Marimba,Oboe,Piano,Recorder,Soprano Saxophone,Tenor Saxophone,Vibraphone,Violin,Voice,Xylophone - ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Flute,Guitar,Marimba,Oboe,Piano,Recorder,Soprano Saxophone,Tenor Saxophone,Vibraphone,Violin,Voice,Xylophone - Level 1 - SKU: A0.836213 Composed by Francis Scott Key and John Stafford Smith. Arranged by Edna J. Bloom. Folk,Holiday,Instructional,Patriotic,Standards. Score and parts. 3 pages. Bloom Musicnotes #5025297. Published by Bloom Musicnotes (A0.836213). This Star Spangled Banner download uses alphanotes to boost beginners. It includes a legend listing the chord tones in piano-friendly inversions. This arrangement is also available in the keys of C and G.
$1.99
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Rather Be
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Contemporain
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Clean Bandit Feat
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Susie Winkworth winkmusic
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Rather Be
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winkmusic.co.uk
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.847136 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arrange...
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Small Ensemble - Level 1 - SKU: A0.847136 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 108 pages. Winkmusic.co.uk #4810857. Published by winkmusic.co.uk (A0.847136). Clean Bandit's super-catchy hit Rather Be, arranged for Flexemble - a student or school ensemble. Designed to be flexible, there are several possibilities for using a smaller or expanded group, with something for students of any level to play. As with all Flexemble arrangements, there are also optional Teacher Guide parts. A perfect track for learning some more interesting rhythms, with the energy of the original!Note: There are two sets of Easy Violin and Cello parts which are the same in sound, one in 2/4 for extra easy readingViolin 1: intermediate or teacherViolin 2: fairly easy/intermediateViolin 3/Viola: easyEasy Violin 4: open strings and 1st fingers onlyCello 1: fairly easy (4th position 1st fingers, 1st finger back)Cello 2/Bass: easy Easy Cello 3: easy (open strings and 1st fingers only)Flute 1: intermediate or teacherDescant Recorder 1: intermediate or teacherFlute/Recorder 2: easy (B A G only)Oboe: fairly easyClarinet in Bb 1: fairly easy/intermediateClarinet in Bb 2: easyAlto Sax 1: fairly easyAlto Sax 2: easyTrumpet: fairly easyGuitar (notation): easyGuitar (chords): fairly easyKeyboard: fairly easyPercussion - low drum, shakers, glockenspiel: easyTeacher Guide in CTeacher Guide in BbTeacher Guide in Bass ClefTeacher Guide PianoCore ScoreFull ScoreWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contem...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Angela
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Bob James
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Patrick Sheehan
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Angela
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.1040813 By Bob James. By Bob James. Arranged by Patrick Sheehan. Film/TV,Jazz. Score and parts. 13 pages. Patrick She...
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Small Ensemble - Level 5 - SKU: A0.1040813 By Bob James. By Bob James. Arranged by Patrick Sheehan. Film/TV,Jazz. Score and parts. 13 pages. Patrick Sheehan #645581. Published by Patrick Sheehan (A0.1040813). Transcription as recorded for the theme to the television series “Taxiâ€. INSTRUMENTATION: Soprano Recorder (Eb) & Flute, Tenor Saxophone (Bb), Flugelhorn (Bb), Fender Rhodes Electric Piano, Electric Guitar, Electric Bass, Bongo Drums, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
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