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Vous avez sélectionné:
Pat-a-pan, for Two Clarinets and Bass Clarinet
Partitions à imprimer
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Pat-a-pan, for Two Clarinets and Bass Clarinet
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.5447…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.544743 Composed by French. Arranged by Cindy Blevins. Christmas. 7 pages. Cindy Blevins #3674205. Published by Cindy Blevins (A0.544743). This is a beautiful, playable arrangement for two Bb clarinets and 1 Bb Bass Clarinet. You receive the score, the Clarinet 1, Clarinet 2 and the Bass Clarinet parts. My website: https://www.blevinsmusic.com
$5.99
5.61 €
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3 Clarinettes (trio)
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French
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Cindy Blevins
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Pat-a-pan, for Two Clarinets and Bass Clarinet
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Cindy Blevins
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SheetMusicPlus
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
Clarinette, Basson (duo)
Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Vario…
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Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical Period, Baroque Period, Sacred, Christmas, Hanukkah. Score. 130 pages. Published by Last Resort Music Publishing
This complete set of Music for Two Clarinets, Christmas features 61 selections, including favorites like Jingle Bells, music from the Nutcracker, and more! Includes Sets 1 through 6 all together Each duet book is published in score form (both parts on the same page) so that the players can play from the same part.<br> <br> TABLE OF CONTENTS<br> A Caroling We Go (Johnny Marks)<br> A Holly Jolly Christmas (Johnny Marks)<br> A La Nanita Nana (Spanish Traditional)<br> Angels From The Realm Of Glory (J. Montgomery and H. Smart)<br> Angels We Have Heard on High (Traditional)<br> Away in a Manger (Traditional)<br> The Boar's Head Carol (English Traditional)<br> Break Forth, O Beauteous, Heavenly Light from the Christmas Oratorio (J.S. Bach)<br> Bring Your Torch, Jeanette Isabella (French Traditional)<br> Christ-Child is Born, The Der Heiland is Geboren (German Traditional)<br> Third Movement from Christmas Concerto (Corelli)<br> Fourth Movement from Christmas Concerto (Corelli)<br> Christmas Day in the Morning (Old English Carol)<br> Coventry Carol (Traditional)<br> Deck the Halls (Welsh Traditional)<br> Ding Dong Merrily on High (Traditional)<br> The First Noel (Traditional)<br> Fum, Fum, Fum (Catalan Carol)<br> Gesu Bambino (Pietro A. Yon)<br> God Rest Ye, Merry Gentlemen (Traditional)<br> Good Christian Men, Rejoice (Traditional)<br> Good King Wenceslas (Piae Cantiones)<br> Greensleeves (Traditional)<br> Hanukkah Medley Hanukkah, S'Vivon, My Dreidel, Rock of Ages (Traditional Jewish)<br> Hark! The Herald Angels Sing (Mendelssohn)<br> He Is Born, The Divine Christ Child Il est ne, Le Divin Enfant (French Traditional)<br> The Holly and the Ivy (Traditional)<br> I Heard the Bells on Christmas Day (John Calkin & Longfellow)<br> I Saw Three Ships (Traditional)<br> It Came Upon a Midnight Clear (Richard S. Willis)<br> Jingle Bells (J. Pierpont)<br> Jolly Old Saint Nicholas (Traditional)<br> Joy To The World (Handel)<br> Lo, How a Rose E'er Bloooming (Traditional)<br> The For Unto Us a Child Is Born from The Messiah (Handel)<br> The Hallejah Chorus from The Messiah (Handel)<br> He Shall Feed His Flock Like A Shepherd from The Messiah (Handel)<br> The Pastoral Symphony "Pifa" from The Messiah (Handel)<br> The Chinese Dance from The Nutcracker (Tschaikovsky)<br> The Dance of the Reed Flutes from The Nutcracker (Tschaikovsky)<br> The Dance of the Sugar-Plum Fairy from The Nutcracker(Tschaikovsky)<br> The Overture from The Nutcracker (Tschaikovsky)<br> The Trepak from The Nutcracker (Tschaikovsky)<br> O Christmas Tree (Traditional)<br> O Come, All Ye Faithful Adeste Fideles (Traditional)<br> O Come, O Come, Emmanuel (Traditional)<br> O Holy Night Cantique de Noel (Adolphe Adam)<br> O Little Town of Bethlehem (Lewis H. Redner)<br> Pat-a-Pan (Traditional)<br> Rockin' Around The Christmas Tree (Johnny Marks)<br> Rudolph The Red-Nosed Reindeer (Johnny Marks)<br> Silent Night (Franz Gruber and Rev. Joseph Mohr)<br> Sing We Now of Christmas Noel Nouvelet (French Traditional)<br> Sleigh Ride from German Dance, K. 605 # 3 (Mozart)<br> The Twelve Days of Christmas (Traditional)<br> Up On The Housetop (Traditional)<br> Wassail Song (Traditional)<br> We Three Kings of Orient Are (John Henry Hopkins)<br> We Wish You a Merry Christmas (Traditional)<br> Wexford Carol (Irish Traditional)<br> While Shepherds Watched Their Flocks By Night (Handel).
$54.00
50.53 €
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Clarinette, Basson (duo)
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Various, Tschaikovsky, Handel, Corelli, Mozart
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Daniel Kelley
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Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
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SheetMusicPlus
Two Clarinets and Bass Clarinet for Christmas, Vol. I
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1140086 Compos…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1140086 Composed by Various. Arranged by Cindy Blevins. Christian. 87 pages. Cindy Blevins #740342. Published by Cindy Blevins (A0.1140086). Two Clarinets and Bass Clarinet for Christmas, Vol. I contains 12 beautiful arrangements for two Bb clarinets and one Bb bass clarinet. You will receive the scores and the separate parts. The audio sample is an excerpt from Carol of the Bells. The songs included in this book are: Angels From the Realms of Glory, Away in a Manger, Carol of the Bells, Ding! Dong! Merrily On High, Hark! the Herald Angels Sing, In Dulci Jubilo, It Came Upon the Midnight Clear, O Holy Night, Pachelbel's Canon, Pat-a-pan, The First Noel and While Shepherds Watched Their Flocks. Â
$18.95
17.73 €
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Various
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Cindy Blevins
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Two Clarinets and Bass Clarinet for Christmas, Vol. I
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Cindy Blevins
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SheetMusicPlus
Your Favourite Easter Hymns for Clarinet Choir
Ensemble de Clarinettes
Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Int…
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Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications
YourFavourite Easter Hymns for Clarinet Choir<br> <br> Arranged by ColinKirkpatrick<br> <br> Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb’s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love’s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).<br> <br> <br> <br> Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There’s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.
$25.99
24.32 €
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Ensemble de Clarinettes
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Various
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Your Favourite Easter Hymns for Clarinet Choir
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.87 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Clarinet & Bass Clarinet
2 Clarinettes (duo)
Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed b…
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Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 2 scores. 50 pages. Jmsgu3 #678286. Published by jmsgu3 (A0.1074017). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.83 €
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2 Clarinettes (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet & Bass Clarinet
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jmsgu3
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SheetMusicPlus
A Christmas Modal Medley
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1314454 By Paul Hemmer. By Paul H…
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Concert Band - Level 2 - Digital Download SKU: A0.1314454 By Paul Hemmer. By Paul Hemmer. Arranged by Paul Hemmer. Christmas,Holiday. 55 pages. PJMS MUSIC #903207. Published by PJMS MUSIC (A0.1314454). This medley of two familiar carols - O Come Emmanuel & Pat a Pan is scored for a small concert band and is of medium difficulty. Many lines are doubled in other instruments so bands without a full complement of instruments may play it effectively.Piccolo, flute, oboe, 2 Bb clarinets, Bassoon, 2 trumpets, 2 trombones, 2 horns in F, Alto Sax (1-2), Tenor Sax, Baritone Sax, Baritone Horn (BC) Tuba, snare and bass drums, cymbals, xylophone, and timpani.
$50.00
46.79 €
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Orchestre d'harmonie
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Paul Hemmer
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Paul Hemmer
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A Christmas Modal Medley
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PJMS MUSIC
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SheetMusicPlus
On the Seashore of Endless Worlds (Orchestral score and parts)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #6028589. Published by Colin Kirkpatrick Publications (A0.522061). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple groups of two and three beats.The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. The full score and all the orchestral parts are contained in a single PDF file. A high-quality audio file containing the orchestral accompaniment is also available separately. The choral score with piano reduction is available separately too, from SMP.
$69.95
65.46 €
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Our Flirtations
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
14.03 €
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Orchestre d'harmonie
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
On the Seashore of Endless Worlds (SATB Choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
3.73 €
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Chorale SATB
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brazil
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 117 pages. Matthew Naughtin #862632. Published by Matthew Naughtin (A0.1270201). On a stormy night in early 1939 Ary Barroso looked at a watercolor painting of a rainy landscape in his Rio de Janiero home and decided to stay home an write a song--in fact, he wrote two songs. The first, inspired by the painting, was Aquarela do Brasil ('Watercolor of Brazil'). He also wrote Três lágrimas ('Three Teardrops') that same night, before the rain ended. Aquarela do Brasil gained international fame after it was included in Walt Disney's 1942 cartoon Saludos Amigos, and became the first Brazilian song to be played over a million times on American radio in an English version by songwriter Bob Russell. The song's celebration of Brazil's great qualities marked the creation of a new patriotic genre within samba, known as samba-exaltação (exaltation samba). This rhythmically vibrant arrangement presents the song in all its joyous exhilaration. Score and all parts are included. The instrumentation: 2 Flutes (Fl. 2 d. Piccolo), 2 Oboes, 2 Clarinets in Bb (Cl. 2 d. Bass Clarinet), 2 Bassoons, 4 Horns, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, 3 Percussion, Harp, Strings.
$150.00
140.37 €
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Orchestre
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The Ritchie Family
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Matthew Naughtin
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Brazil
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Matthew Naughtin
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SheetMusicPlus
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