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Vous avez sélectionné:
Paul Wehage (édition)
Partitions à imprimer
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J. S. Bach : Allegro from the Sonata no. 2 in a minor, bwv 1003, arranged by Paul Wehage for solo s
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534745 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 5 pages. Musik Fabrik Music Publishing #6607863. Published by Musik Fabrik Music Publishing (A0.534745). This movement was required repertoire on the 2022 ASAX saxophone competition in France. Useful as an audition or examination piece. The complete sonatas and partitas, bwv 1001-1006 arranged for saxophone by Paul Wehage is alos available on this site.
$7.75
6.95 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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was
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J. S. Bach : Allegro from the Sonata no. 2 in a minor, bwv 1003, arranged by Paul Wehage for solo s
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- - S
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532731 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Renaissance,Sacred,Standards. 26 pages. Musik Fabrik Music Publishing #1913. Published by Musik Fabrik Music Publishing (A0.532731). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This version is for SATB saxophone quartet.
$20.75
18.6 €
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Quatuor de Saxophones: 4 saxophones
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Jan Pieterszoon Sweelinck
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Paul Wehage
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Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- - S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.532704 Composed by Jan Pieterszoo…
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Concert Band - Level 4 - Digital Download SKU: A0.532704 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #1769. Published by Musik Fabrik Music Publishing (A0.532704). Jan Pieterszoon Sweelinck Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score only. There is another with the score plus the performance parts and also the individual parts are for sale.
$22.05
19.77 €
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Orchestre d'harmonie
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Jan Pieterszoon Sweelinck
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Paul Wehage
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Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.532705 Composed by Jan Pieterszoo…
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Concert Band - Level 4 - Digital Download SKU: A0.532705 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #1771. Published by Musik Fabrik Music Publishing (A0.532705). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score plus all of the parts. There is another with the score only and the individual parts are for sale.
$65.00
58.26 €
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Orchestre d'harmonie
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Jan Pieterszoon Sweelinck
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Paul Wehage
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Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Georg Philipp Telemann: 12 Fantasias for Flute without Bass, TWV 40:2-13, edited by Paul Wehage
Flûte traversière
Flute Solo - Digital Download SKU: A0.533360 Composed by Georg Philipp Telemann. Ar…
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Flute Solo - Digital Download SKU: A0.533360 Composed by Georg Philipp Telemann. Arranged by Paul Wehage. Baroque,Concert,Instructional,Standards. Individual part. 27 pages. Musik Fabrik Music Publishing #2523815. Published by Musik Fabrik Music Publishing (A0.533360). G. P. Telemann's masterpiece for solo, in a new edition by woodwind specialist Paul Wehage. The works consists of twelve multi-movement works: Fantasia in A major (Vivace—Allegro)Fantasia in A minor (Grave—Vivace—Adagio—Allegro)Fantasia in B minor (Largo—Vivace—Largo—Vivace—Allegro)Fantasia in B-flat major (Andante—Allegro—Presto)Fantasia in C major (Presto—Largo—Presto—Dolce—Allegro—Allegro)Fantasia in D minor (Dolce—Allegro—Spirituoso)Fantasia in D major (Alla francese—Presto)Fantasia in E minor (Largo—Spirituoso—Allegro)Fantasia in E major (Affettuoso—Allegro—Grave—Vivace)Fantasia in F-sharp minor (A Tempo giusto—Presto—Moderato)Fantasia in G major (Allegro—Adagio—Vivace—Allegro)Fantasia in G minor (Grave—Allegro—Grave—Allegro—Dolce—Allegro—Presto)
$12.95
11.61 €
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Flûte traversière
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Georg Philipp Telemann
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Paul Wehage
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Georg Philipp Telemann: 12 Fantasias for Flute without Bass, TWV 40:2-13, edited by Paul Wehage
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
Saxophone Alto et Piano
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95
11.61 €
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Saxophone Alto et Piano
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Solo de Concours
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Paul Wehaeg
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Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Musik Fabrik Music Publishing
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SheetMusicPlus
Franz Wilhelm Ferling: 3 Duos Concertants for 2 Oboes, Op. 13 , edited by Paul Wehage
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.533245 Composed by Franz Wilhelm Fer…
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Oboe Solo - Level 3 - Digital Download SKU: A0.533245 Composed by Franz Wilhelm Ferling. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Individual part. 96 pages. Musik Fabrik Music Publishing #2151105. Published by Musik Fabrik Music Publishing (A0.533245). Ferling was one of the most important oboists of the Romantic period. The three Duos Concertantes for 2 oboes are all written in three movements. This edition provides a score and two seperate oboe parts.
$16.95
15.19 €
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Hautbois (partie séparée)
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Franz Wilhelm Ferling
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Paul Wehage
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written in three movements
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Franz Wilhelm Ferling: 3 Duos Concertants for 2 Oboes, Op. 13 , edited by Paul Wehage
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for Bb clarinet and piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.533254 Composed by Paul-Agricol…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.533254 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 12 pages. Musik Fabrik Music Publishing #2151123. Published by Musik Fabrik Music Publishing (A0.533254). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
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Clarinette et Piano
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for Bb clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Cantilène, Opus 64 for Bb clarinet and piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.533251 Composed by Paul-Agricol…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.533251 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151117. Published by Musik Fabrik Music Publishing (A0.533251). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
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Clarinette et Piano
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Paul-Agricole Génin
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Paul Wehage
#
Paul-Agricole Génin: Cantilène, Opus 64 for Bb clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Mélodie avec variation, opus 63, for Bb clarinet and piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.533247 Composed by Paul-Agricol…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.533247 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151109. Published by Musik Fabrik Music Publishing (A0.533247). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
#
Clarinette et Piano
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Paul-Agricole Génin
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Paul Wehage
#
Paul-Agricole Génin: Mélodie avec variation, opus 63, for Bb clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533256 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151127. Published by Musik Fabrik Music Publishing (A0.533256). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
#
Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage
#
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533253 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151121. Published by Musik Fabrik Music Publishing (A0.533253). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
#
Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage
#
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533249 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151113. Published by Musik Fabrik Music Publishing (A0.533249). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95
8.92 €
#
Saxophone Alto et Piano
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Paul-Agricole Génin
#
Paul Wehage
#
Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Clémence de Grandval : Two pieces for violin and piano
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1366622 Composed by Clémence de Grandval…
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Piano,Violin - Digital Download SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music Publishing #950961. Published by Musik Fabrik Music Publishing (A0.1366622). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe. This work was written for Paul Viardot, the son of Pauline and a well-known violin virtuoso during La Belle époque.1. Andantino2. Danse Bohêmienne.
$15.95
14.3 €
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Violon et Piano
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval : Two pieces for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Variations sur "Marlborough s'en va en Guerre"
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1491891 Composed by Paul-…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1491891 Composed by Paul-Agricole Génin. Arranged by Paul Wehage (édition). 19th Century,Contest,Festival,Romantic Period. Score and part. 20 pages. Musik Fabrik Music Publishing #1068574. Published by Musik Fabrik Music Publishing (A0.1491891). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century. Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The theme of this work was one of Napoléon Bonaparte's favorite songs.
$9.95
8.92 €
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Saxophone Alto et Piano
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Paul-Agricole Génin
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Paul Wehage (édition)
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Variations sur "Marlborough s'en va en Guerre"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Robert Schumann: Adagio and Allegro, opus 70, for horn and piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.534423 Composed by Robert Sc…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.534423 Composed by Robert Schumann. Arranged by Paul Wehage (édition). Romantic Period,Standards. Score and part. 31 pages. Musik Fabrik Music Publishing #3480527. Published by Musik Fabrik Music Publishing (A0.534423). Schumann's romantic classic from 1849 in a new edition prepared using three 19th century editions.
$16.95
15.19 €
#
Cor et Piano
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Robert Schumann
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Paul Wehage (édition)
#
Robert Schumann: Adagio and Allegro, opus 70, for horn and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Robert Schumann: Adagio and Allegro, opus 70, for viola and piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.534424 Composed by Robert Schumann…
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Piano,Viola - Level 4 - Digital Download SKU: A0.534424 Composed by Robert Schumann. Arranged by Paul Wehage (édition). Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3480529. Published by Musik Fabrik Music Publishing (A0.534424). Schumann's romantic classic from 1849 in a new edition prepared using three 19th century editions.
$16.95
15.19 €
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Alto, Piano
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Robert Schumann
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Paul Wehage (édition)
#
Robert Schumann: Adagio and Allegro, opus 70, for viola and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Robert Schumann: Adagio and Allegro, opus 70, for cello and piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.534426 Composed by Robert Schumann…
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Cello,Piano - Level 4 - Digital Download SKU: A0.534426 Composed by Robert Schumann. Arranged by Paul Wehage (édition). Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3480535. Published by Musik Fabrik Music Publishing (A0.534426). Schumann's romantic classic from 1849 in a new edition prepared using three 19th century editions.
$16.95
15.19 €
#
Violoncelle, Piano
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Robert Schumann
#
Paul Wehage (édition)
#
Robert Schumann: Adagio and Allegro, opus 70, for cello and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Robert Schumann: Adagio and Allegro, opus 70, for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534425 Composed by Robert Schuman…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534425 Composed by Robert Schumann. Arranged by Paul Wehage (édition). Romantic Period,Standards. 31 pages. Musik Fabrik Music Publishing #3480531. Published by Musik Fabrik Music Publishing (A0.534425). Schumann's romantic classic from 1849 in a new edition prepared using three 19th century editions.
$16.95
15.19 €
#
Violon et Piano
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Robert Schumann
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Paul Wehage (édition)
#
Robert Schumann: Adagio and Allegro, opus 70, for violin and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Trois pièces : Andante, Sérénade et Chant Serbe
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de G…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
16.99 €
#
Violoncelle, Piano
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Clémence de Grandval
#
Paul Wehage (édition)
#
Trois pièces : Andante, Sérénade et Chant Serbe
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Karl August Hermann : Complete Works for piano, vol. 1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1394135 By Nicolas Horvath. By Karl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1394135 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 24 pages. Musik Fabrik Music Publishing #977595. Published by Musik Fabrik Music Publishing (A0.1394135). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.Contains : 1, Suve õhtu eha aja (Summer Evening Twilight2. Tundline unistus (Dream of an Hour)3. Das Leben Kampf (Struggles of Life)4.Winter und Frühling (Winter and Spring)5.Valse Nationale des Estoniens (The National Waltz of the Estonians)6. Ausser Anthem Polka7. Air Estonien Varie et Modulé8. Die Losum des Restels (The Solution to the Puzzle).
$24.95
22.36 €
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Piano seul
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Nicolas Horvath
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Paul Wehage (édition)
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Karl August Hermann : Complete Works for piano, vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
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