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Vous avez sélectionné:
Peaceful Intent
Partitions à imprimer
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Peaceful Intent
Piano seul
Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1308630 Composed by Hol…
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Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1308630 Composed by Hollin Ying. This edition: Interactive Download. Children,Classical,Praise & Worship. 15 pages. Duration 274. Hollin Ying #7BlPv2bEFaxgsSq6xIz0HA. Published by Hollin Ying (A0.1308630). Key: Ab major.For peace on earth. Set in Sanskrit, English, and Mandarin Chinese. Singers are welcome to add their own translation.
$2.99
2.74 €
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Piano seul
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Hollin Ying
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Peaceful Intent
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Hollin Ying
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SheetMusicPlus
We Are Orlando
Woodwind Ensemble,Woodwind Trio English Horn,Flute,Oboe - Digital Download SKU: A0.1029…
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Woodwind Ensemble,Woodwind Trio English Horn,Flute,Oboe - Digital Download SKU: A0.1029157 Composed by Christopher Patton. Contemporary. 13 pages. Christopher Patton #4760387. Published by Christopher Patton (A0.1029157). Writing this duet for flute and oboe//English Horn began immediately after the massacre at the Pulse night club in Orlando, FL in June 2016. The fate which befell those innocent people was undeserving in spite of where they were and who they were. I expressed my anger and outrage in this music to honor the memory of those who died that night. The first movement is a bit off-kilter; there is something in the air. The second movement is evocative of having a nice evening and enjoying time with friends. As the the third movement begins, the music depicts something ominous coming which crescendos to the flute and oboe a second apart representing screams. My intent with the prior statement is not to relive the horrors of that evening. I wanted to respectfully represent what happened. I wanted the performers in addition to interpreting my music to have an active role in the composition in which the flute and oboe engage in an improvisation to represent the rampage and their outrage. The remainder of the final movement gradually slows as the flute and oboe notes are sustained and ascending to a quiet and peaceful end with the unspoken message nothing will keep us down. .
$9.99
9.15 €
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Christopher Patton
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there is something in the air
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We Are Orlando
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Christopher Patton
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SheetMusicPlus
Adagio from Symphony No. 3 (Organ Solo)
Orgue
Organ - Level 3 - Digital Download SKU: A0.778326 Composed by Camille Saint-Saens. …
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Organ - Level 3 - Digital Download SKU: A0.778326 Composed by Camille Saint-Saens. Arranged by Thomas R. Vozzella. Romantic Period. Score. 8 pages. Thomas R. Vozzella #4300479. Published by Thomas R. Vozzella (A0.778326). Saint-Saëns described the Adagio as extremely peaceful and contemplative. Here is an arrangement for organ, using strings and flutes, horns and diapasons to reflect the essence of the composer's intent.
$3.99
3.66 €
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Orgue
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Camille Saint-Saens
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Thomas R
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Adagio from Symphony No. 3
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Thomas R. Vozzella
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SheetMusicPlus
Love Lifted Me
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.565070 By Sharon Wilson. By Howard …
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Piano Solo - Level 4 - Digital Download SKU: A0.565070 By Sharon Wilson. By Howard E. Smith. Arranged by Sharon Wilson. 20th Century,Easter,Praise & Worship,Romantic Period,Sacred. Score. 4 pages. Sharon Wilson #3375403. Published by Sharon Wilson (A0.565070). This uplifting hymn arrangement of Howard E. Smith's powerful Gospel song begins with a gently flowing introduction. The verse continues with the peaceful melody then gradually builds in intensity throughout the chorus. It is easy to unintentionally speed up when you get to the chorus, but it is best to really concentrate on maintaining the unhurried tempo because there are a lot of notes in the chorus (octaves in both hands) which are easy to miss if you are speeding along too fast. Duration 4:45 with the repeat.This arrangement is one of the 16 piano solos in the collection Hymn Favorites, Book 2.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
4.57 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Love Lifted Me
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Sharon Wilson
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SheetMusicPlus
Abide with Me (EVENTIDE)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823713 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823713 Composed by William H. Monk (1823-1889). Arranged by Richard Giszczak. Praise & Worship,Sacred. Individual part. 3 pages. Singing Winds Music Company #6348115. Published by Singing Winds Music Company (A0.823713). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a short coda.The hymn tune name is EVENTIDE. It is intentionally a rather simple, peaceful setting of the hymn.
$2.00
1.83 €
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William H
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Richard Giszczak
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Abide with Me
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Singing Winds Music Company
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SheetMusicPlus
Set My Spirit Free
Chorale SATB
Choral SATB Chorus (Collection | Single) - Digital Download SKU: H1.C5960DP Compose…
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Choral SATB Chorus (Collection | Single) - Digital Download SKU: H1.C5960DP Composed by Pepper Choplin. Arranged by Pepper Choplin. Piano Accompaniment. Psalms, General Worship. Octavo. 8 pages. Hope Publishing - Digital #C5960DP. Published by Hope Publishing - Digital (H1.C5960DP). Pepper Choplin. Psalm 121 - Psalm 143.Original Composition This original anthem by Pepper Choplin was created in the form of a Hebrew Psalm text, evoking the mood of a psalmist singing in a peaceful, serene style. The vocal lines are carefully and intentionally simple with understated phrases designed to draw the listener into worship.
$2.95
2.7 €
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Chorale SATB
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Pepper Choplin
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Pepper Choplin
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Set My Spirit Free
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Hope Publishing - Digital
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SheetMusicPlus
My Child Is a Flower
Dan Damon - Digital Download SKU: H1.8845DP Composed by My Child Is A Flower. Arran…
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Dan Damon - Digital Download SKU: H1.8845DP Composed by My Child Is A Flower. Arranged by My Child Is A Flower. Author Collections. General Worship. Hymn Collection. 132 pages. Hope Publishing - Digital #8845DP. Published by Hope Publishing - Digital (H1.8845DP). My Child Is A Flower.Intentionally aiming to give words to those whose voice has been denied, this collection includes 70 new hymns addressing social justice issues. There are hymns for children, the elderly, women, LGBT persons, migrants, immigrants, refugees, victims of human trafficing, victims of violence, persons with mental illness, the poor and oppressed, people with disabilities, and people of other faith traditions. About these hymns Dan writes, I hope you will find songs to sing in this collection that will move all people toward the prophet's vision of a just and peaceful world.
$11.95
10.95 €
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My Child Is A Flower
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My Child Is A Flower
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My Child Is a Flower
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Hope Publishing - Digital
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SheetMusicPlus
The Guitar Études
Guitare
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and…
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may haveÉtudes for Solo Guitar<br> The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.<br> <br> <br> These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.<br> I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.<br> Titles:<br> <br> 1 with false optimism<br> <br> 2 with moderate sadness<br> <br> 3 with just the two of you<br> <br> 4 with a touch of impatience<br> <br> 5 with a touch of grandeur<br> <br> 6 with a counterpoint attitude<br> <br> 7 with a touch of shame<br> <br> 8 with a touch of boredom<br> <br> 9 going and never coming back<br> <br> 10 with a peaceful anger<br> <br> 11 without the heavy ones<br> <br> 12 without hope<br> <br> 13 without sense of humor<br> <br> 14 with a masculine attitude<br> <br> 15 with two little bears in mind<br> <br> 16 without hesitation<br> <br> 17 with shameless vibrato<br> <br> 18 with a touch of distress<br> <br> 19 without fear of failure<br> <br> 20 with this and that<br> <br> 21 with a kind motion<br> <br> 22 with a rondo attitude<br> <br> 23 with suspense<br> <br> 24 with everything you may have
$22.00
20.16 €
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Guitare
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Apostolos Paraskevas
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The Guitar Études
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Silver Sickle Publications
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SheetMusicPlus
Balta ainava
Piano seul
Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris…
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Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard RievesPeteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard Rieves
$10.99
10.07 €
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Piano seul
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Peteris Vasks (1946-)
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
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