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Pentatonic Tune
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Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.14 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Centur…
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
9.14 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.14 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Celtic Folk Songs and Hymn Tunes
Harpe
Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General …
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Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General Worship, Celtic, St. Patrick's Day. 47 pages. Published by Afghan Press Music for the Harp
Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, “Amazing Grace,” is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.<br> For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the “Notes on the Tunes.”<br> <br> Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon<br> <br> One of the nicest things about this book is that each song has a short but lovely introduction!
$19.95
18.25 €
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Harpe
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Hugh Callison
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Celtic Folk Songs and Hymn Tunes
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Afghan Press Music for the Harp
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SheetMusicPlus
Pentatonic Tune
Large Ensemble Cello,Flute,Guitar,Orff Instrument,Piano Accompaniment,Violin,Xylophone - L…
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Large Ensemble Cello,Flute,Guitar,Orff Instrument,Piano Accompaniment,Violin,Xylophone - Level 1 - Digital Download SKU: A0.758256 Composed by B.Bartok. Arranged by Ester Alessandrini. 20th Century,Children,Concert,Folk,Instructional. Score and parts. 17 pages. Ester #2986871. Published by ester (A0.758256). Questo estratto dal piano di Mikrokosmos viene rielaborato per gli studenti dell'orchestra nei primi anni di studio
$12.00
10.97 €
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B
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Ester Alessandrini
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Pentatonic Tune
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ester
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SheetMusicPlus
Pentatonic Tune (Grade 4, list C1, from the ABRSM Piano Syllabus 2023 and 2024)
Piano seul
Composed by Bela Bartok (1881- 1945). This edition: scorch. Classical. Score. 2 pages. A…
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Composed by Bela Bartok (1881- 1945). This edition: scorch. Classical. Score. 2 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_23_G4_C1. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.99
2.73 €
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Piano seul
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Bela Bartok
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Pentatonic Tune
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ABRSM
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SheetMusicPlus
Come, Ye Poor and Needy - SATB Ensemble
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144868 Composed by Joseph…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144868 Composed by Joseph Hart. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred. Octavo. 15 pages. Mark R Lewis #745186. Published by Mark R Lewis (A0.1144868). Better known by it's longer title Come, Ye Sinners, Poor and Needy, the text for this hymn was written by Joseph Hart in the mid-1700s. The text is thought to be loosely based on his conversion to Christianity. One of the most common tunes to be associate with the text is Restoration, sometimes known as Arise. This pentatonic tune comes from the Southern Harmony collection. This a cappella arrangement by Mark Lewis passes the melody between all four voice parts with key changes that place the melody nicely within every vocal range. Alternating between arpeggiating and homophonic accompaniment, this arrangement provides a wide variety of singing experiences for the choir over the course of the song.
$1.99
1.82 €
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Chorale SATB
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Joseph Hart
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Mark R Lewis
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Come, Ye Poor and Needy - SATB Ensemble
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Mark R Lewis
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SheetMusicPlus
Come, Ye Poor and Needy - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144871 Composed by Joseph…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144871 Composed by Joseph Hart. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred. Octavo. 15 pages. Mark R Lewis #745189. Published by Mark R Lewis (A0.1144871). Better known by it's longer title Come, Ye Sinners, Poor and Needy, the text for this hymn was written by Joseph Hart in the mid-1700s. The text is thought to be loosely based on his conversion to Christianity. One of the most common tunes to be associate with the text is Restoration, sometimes known as Arise. This pentatonic tune comes from the Southern Harmony collection. This a cappella arrangement by Mark Lewis passes the melody between all four voice parts with key changes that place the melody nicely within every vocal range. Alternating between arpeggiating and homophonic accompaniment, this arrangement provides a wide variety of singing experiences for the choir over the course of the song.
$1.99
1.82 €
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Chorale TTBB
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Joseph Hart
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Mark R Lewis
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Come, Ye Poor and Needy - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
Beach Spring — trombone, piano, opt. flute
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1089531 Composed by B.F. White.…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1089531 Composed by B.F. White. Arranged by Todd Marchand. Folk,Sacred,Traditional. Score and part. 7 pages. Con Spirito Music #693741. Published by Con Spirito Music (A0.1089531). BEACH SPRING is a hymn tune attributed to Benjamin Franklin White (1800-1879), co-editor of The Sacred Harp shape-note hymnal, where the tune was published in 1844. Paired there with a text beginning Come, ye sinners, poor and needy, it has served as accompaniment for various other hymn texts since.Although attributed to White, the pentatonic tune (comprising five notes — degrees 1, 2, 3, 5, and 6 of the major scale) is likely of folk origin. In this arrangement, the tune is presented three times: first by trombone with piano accompaniment; next by flute and piano; and after a modulation up one step, by trombone and piano in a new harmonization with descending chromatic bass line.An ideal choice for offertory or communion solo, BEACH SPRING may be performed by trombone and piano alone, as the flute melody in the second verse is present in the piano as well.©Copyright 2020 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$6.00
5.49 €
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Trombone et Piano
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B
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Todd Marchand
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next by flute and piano
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Beach Spring — trombone, piano, opt. flute
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Con Spirito Music
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SheetMusicPlus
Seven Steps To Heaven (2002) for string septet or string orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
9.14 €
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
Take Up Your Cross, The Savior Said
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1286312 Composed by …
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1286312 Composed by Tune: Bourbon, from Hesperian Harp, 1848. Arranged by David Lantz. Praise & Worship,Sacred. 11 pages. Lantz Choral Publications #877385. Published by Lantz Choral Publications (A0.1286312). Intended use: GeneralThemes: DiscipleshipA haunting arrangement of the timeless and beautiful pentatonic tune Bourbon, this builds and builds until the climax, then settles again for a restatement of the original introduction. A pensive mood in the beginning becomes increasingly more intense, supported by a fluid accompaniment. The return to the original mood completes the shape of this anthem. Its harmonic beauty will awe your congregation and singers. This general selection for SAB voices and piano accompaniment utilizes unison, two-part and four-part vocal writing, and features a powerful optional descant and optional congregational refrain.NOTE: Alternate text for Maundy Thursday and Communion (‘Twas On That Dark and Doleful Night) is included.Also available for SATB (LCP0006)NOTE: The audio recording is that of the SATB version.
$2.55
2.33 €
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Chorale 3 parties
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Tune: Bourbon, from Hesperian Harp, 1848
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David Lantz
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Take Up Your Cross, The Savior Said
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Lantz Choral Publications
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SheetMusicPlus
Jasmine Flower
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.834259 Arranged by John Carter. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.834259 Arranged by John Carter. 20th Century,Folk,World. Score. 3 pages. John Carter #6660901. Published by John Carter (A0.834259). A beautiful Chinese folk tune (Mo Li Hua) in a setting for piano solo. Pentatonic tune, using only the black keys on the piano. Recording by Joy Harrison Rust.
$3.99
3.65 €
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Piano seul
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John Carter
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Jasmine Flower
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John Carter
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SheetMusicPlus
Outdoor Song
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1207237 By Mary Beth Orr. By …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1207237 By Mary Beth Orr. By P. F. Strohm. 20th Century,A Cappella,Traditional. Individual part. 4 pages. Pete Strohm Music #805418. Published by Pete Strohm Music (A0.1207237). Outdoor Song is a simple, brief pentatonic tune, both sung and played, designed to evoke the dual senses of solitutude and belonging in the outdoor world. Â It was written for solo performer Mary Beth Orr, as part of the Vox Novus 15-Minutes of Fame program. Her performance can be seen at https://www.youtube.com/watch?v=VfpniSUJffU.Outdoor Song has a difficulty level of Medium-Advanced, and a performance time of around 1:00. Â Member, ASCAP.
$5.00
4.57 €
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Cor
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Mary Beth Orr
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Outdoor Song
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Pete Strohm Music
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SheetMusicPlus
Farewell at Yangguan for solo piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.926738 Composed by Yuan-Chen Li. Co…
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Piano Solo - Level 2 - Digital Download SKU: A0.926738 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score. 4 pages. Yuan-Chen Li #6866367. Published by Yuan-Chen Li (A0.926738). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$4.99
4.56 €
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Piano seul
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Yuan-Chen Li
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Farewell at Yangguan for solo piano
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Yuan-Chen Li
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SheetMusicPlus
Crossing Yangguang Pass for solo piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.926739 Composed by Yuan-Chen Li. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.926739 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score. 5 pages. Yuan-Chen Li #6866369. Published by Yuan-Chen Li (A0.926739). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$3.00
2.74 €
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Piano seul
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Yuan-Chen Li
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Crossing Yangguang Pass for solo piano
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Yuan-Chen Li
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SheetMusicPlus
Dancing at Yangguan Pass for solo piano
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.926737 Composed by Yuan-Chen Li. Co…
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Piano Solo - Level 1 - Digital Download SKU: A0.926737 Composed by Yuan-Chen Li. Contemporary,World. Score. 4 pages. Yuan-Chen Li #6866359. Published by Yuan-Chen Li (A0.926737). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$1.99
1.82 €
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Piano seul
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Yuan-Chen Li
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Dancing at Yangguan Pass for solo piano
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Yuan-Chen Li
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SheetMusicPlus
Quartet in F Major
Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed…
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Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed by Antonin Dvorak. Arranged by Robert Rainford. Mixed Flute Quartet, 2 Concert Flutes, Alto Flute, Bass Flute. Score and parts. 85 pages. Forton Music - Digital #FM536. Published by Forton Music - Digital (F2.FM536). ISBN 9790570484355.This quartet was composed during Dvorak's time in America, during a summer vacation in 1893. It was written in Spillville, Iowa, which at the time was home to a large Czech immigrant community. Dvorak seems to have found the natural country surroundings much more to his liking, having spent much of his previous time in the country in New York. The work was written very quickly, being sketched in three days and finished in about two weeks. In this quartet, Dvorak finally seems to find a balance between his melodic invention and a clear structure. Many writers have tried to find specific 'American' features in this work - from pentatonic melodies to native Indian tunes to American birdsong - but in general such specific references are doubted. The first movement moves from passages of great harmonic stillness through a much more dramatic development section that takes the music through fugato section before recapping the original material. The second movement features a simple, pentatonic melody over a pulsing accompaniment. This melody is shared between the highest and lowest parts, before being developed in an extended middle section until the bass flute restates the original tune while the accompaniment thins out completely. The third movement is a variant of a traditional scherzo. It features two tunes, the main melody being a sprightly tune full of off-beats and cross-rhythms. The alternate melody is actually a variant of the main scherzo theme, but in a minor key and at half tempo. The final movement is in a traditional rondo form. The main melody is once more pentatonic, the B section is more lyrical, and the C section is a chorale theme.
$17.95
16.42 €
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Antonin Dvorak
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Robert Rainford
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Quartet in F Major
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Forton Music - Digital
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.71 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
A Gift Of Joy
Cloches
2 or 3 octaves handbells - Level 2 - Digital Download SKU: C7.CGB202 Composed by Ba…
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2 or 3 octaves handbells - Level 2 - Digital Download SKU: C7.CGB202 Composed by Barbara Kinyon. General. Fiftieth Anniversary. Score. 8 pages. Chorister's Guild - Digital #CGB202. Published by Chorister's Guild - Digital (C7.CGB202). UPC: 749193005156.This setting of a tune for THE SOUTHERN HARMONY capitalizes on the pentatonic melody by using a strictly pentatonic harmonic setting. Only sixteen bells are used (no bell changes), making it playable by eight ringers; a ninth can play the hand drum. A contrasting section introduces the tune FOUNDATION, and the work ends with both tunes sounding simultaneously.
$4.50
4.12 €
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Cloches
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Barbara Kinyon
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A Gift Of Joy
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Chorister's Guild - Digital
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SheetMusicPlus
Christians We Have Met to Worship
Cloches
3 octaves handbells                  …
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3 octaves handbells                                         - Level 2 - Digital Download SKU: C7.CGB209 Composed by Sondra K. Tucker. Christmas. Fiftieth Anniversary. With Hand Drum. Score. 8 pages. Chorister's Guild - Digital #CGB209. Published by Chorister's Guild - Digital (C7.CGB209). UPC: 749193005392.This setting of a tune for THE SOUTHERN HARMONY capitalizes on the pentatonic melody by using a strictly pentatonic harmonic setting. Only sixteen bells are used (no bell changes), making it playable by eight ringers; a ninth can play the hand drum. A contrasting section introduces the tune FOUNDATION, and the work ends with both tunes sounding simultaneously.
$4.50
4.12 €
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Cloches
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Sondra K
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Christians We Have Met to Worship
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Chorister's Guild - Digital
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SheetMusicPlus
MANX LIFE SUITE for STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1334145 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1334145 Composed by Trad & Alan Edgar. Folk,Traditional. 36 pages. Alan Edgar Ted Moon #920362. Published by Alan Edgar Ted Moon (A0.1334145). Here'a suite about life in the Isle of Man based on Manx folk tunes and religious music.  All the harmonies and some decorations are mine. There are 5 movements. I MAINLY CELEBRATIONS:  I found all the melodies in The Mona Melodies, a group of traditional tunes (probably heard in Douglas) collected in 1820.  Hunt the Wren is a surprising, lively, traditional event on St Stephen's Day when villagers dance and sing round the town hoping for gifts. This tune is dorian.  A Lullaby in aeolian follows, then In Praise of Wine, in ionian, while at the same time fragments of the Lullaby are heard from inside a home.  The Wren group return.II FAITH Religious music  I assume could have been heard in Manx churches.  Two supposedly Celtic-style antiphon melodies from a 13th-century breviary from Caen  (a) The Holy Cross (b)  The Saints.  I made them into parallel organum with a drone.  Between them is an elaborate ancient melody (labelled Martyrs) for Psalm 80 (Lord, come and save us), which I found with Gaelic words.  I accompany with 3 more parts.  The whole movement is in dorian mode.III EMOTIONS:  Mourning for a Prince is a mixolydian tune also found in The Mona Melodies.  I give the tune to the viola.  In Praise of Beauty is sung by the cello in C major.  This tune is also found in The Mona Melodies, as Brown Oxen (Berry Dowin).  William Brown (Illiam Dhoan) (should be Dhone, I believe) is the air used for Love Lost and Found: again from The Mona Melodies.  I made it C minor at first (love lost) , then  the original version in F major (love found).IV CAR JUAN NAN (Let's All Dance) is a reel, from which I took a few bars and made it into a round.  My source was the book Ed. Colin Jerry Kiaull yn Theay 1:  Manx music and songs for folk instrumentsV WORK, REST and PLAY.  The Spinning Song is major/ionian, the Milking Song is major pentatonic, but my mooing bass part does not respect that: I found those tunes in  Kiaull yn Theay.  The Harvest Celebration Dance (Yn Mheillea) is from manxmusic.com.  The Goodnight Song (Arrane Oie Vie) was traditionally sung after a Christmas Eve event in the church, after more formal proceedings and after the singing of many gloomy vaguely religious songs there and a visit to the pub.  Collected from Mr E, Corteen and Mr T.  Taggart of Malew:  my source:  manxmusic.com.DURATION: 15 minutes.
$25.00
22.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Trad & Alan Edgar
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MANX LIFE SUITE for STRING QUARTET
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Alan Edgar Ted Moon
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SheetMusicPlus
Sakura for solo harp
Harpe
Harp - Level 2 - Digital Download SKU: A0.849953 Composed by Traditional Japanese. …
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Harp - Level 2 - Digital Download SKU: A0.849953 Composed by Traditional Japanese. Arranged by Marilyn Rummel. Classical,Standards,World. Score. 6 pages. Demand Music #4298759. Published by Demand Music (A0.849953). Sakura is a famous koto tune from 17th century Japan. It is written in the tuning developed at that time by Yatsuhashi Kengyoo who was a famous performer and teacher of the koto. Hirajoshi, or hira-choshi tuning(choshi = tuning and hira = even, level, tranquil, standard or regular) is an adaptation of traditional Shamisen music.Although often heard with modern western harmonies I have chosen to use only the notes available in this pentatonic tuning. With a harp tuned to Bb major you can play this on the white strings of the harp, making it easy to improvise new left hands or interludes of melody by leaving out your C’s and F’s,This arrangement also includes a version transposed for harps tuned in C or F, to facilitate learning by folks who have not a full set of levers.The first verse is notated with alternating stems to indicate alternating hands. Use the 2nd (or 3, 4, or 5th) finger of each hand and play very close to the soundboard to imitate the koto. by alternating hands you can get close to the soundboard and still connect and phrase the notes by placing one finger before the previous one plays, Use your fingernails if possible - I just grow out the baby finger nails and use those fingers for a change!
$4.99
4.56 €
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Harpe
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Traditional Japanese
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Marilyn Rummel
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Sakura for solo harp
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Demand Music
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SheetMusicPlus
Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Down…
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Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1009217 Composed by An-lun Huang. 20th Century,Classical,Folk. Score and parts. 85 pages. DoReMi Edition #614863. Published by DoReMi Edition (A0.1009217). SEVEN CANADIAN FOLK SONGS IN CHINESE STYLE Septet for Flute, Clarinet, Violin, Viola, Cello, Bass and Piano An-lun Huang, op.36 (1986) James Campbell, the famous Canadian clarinets, commissioned a septet from Huang for the China tour of the Canadian Chamber Group in 1984. Campbell suggested that An-lun combine the folk music of Canada and China in this new work. The result was the septet,†Seven Canadian Folk Songs in Chinese style, became the most exciting hit piece of the tour. The world premiere was taken place at the Festival of the Sound at Parry Sound, Ontario, before the China tour. It was performed by seven leading Canadian musicians, Moshe Hammer(violin), Steven Dann(viola), Sophie Rolland(cello), Joel Quarrington(bass), Anton Kuerti(piano), Robert Aitken(flute) and James Campbell(clarinet). The piece was so warmly received both in Canada and China that a record has been released. It was also the most successful piece for the Canada-Hong Kong Festival, Hong Kong, 91. In addition, in 2002, successfully, the Canadian Symphoniatta performed its orchestral version, conducted by Tak-ng Lai, in Paris, France. However, Huang found the musical similarity of the two nations--the pentatonic mode. Written in Chinese idea, the septet gives the opportunity both to the Chinese and Canadian audiences to find themselves in each other through the Seven Canadian folk songs. The septet is divided into seven attacca parts. No.1 begins the music into a very quiet British Columbia Indian folk tune, performed by flute and clarinet, and occasionally, the piano gives few chords to support them. No.2 comes a Alberta Indian lyric song with all instruments. The folk songs of No.3 and 4 are Ontario Forest man’s old tunes which bring the music to the exciting part. The No.5 is a Saskatchewan Indian traditional tune, the war song. Its heavy dynamic shows the typical native Canadian rhythmic patterns. Wooden spoon is a Canadian folk instrument. The clarinet player plays it in No.6 of a vivacious Quebec folk dance. And in a Newfoundland lyric song, No.7, the septet goes to its brilliant ending. The attached mp3 was recorded a Russian master and Fei-ping Hsu, one of the greatest Chinese pianist. Duration: 18 min.
$39.99
36.57 €
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An-lun Huang
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Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
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DoReMi Edition
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SheetMusicPlus
Beach Spring - 10-Bell Ensemble
Cloches
Handbell - Level 3 - Digital Download SKU: A0.1144852 Composed by B F White. Arrang…
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Handbell - Level 3 - Digital Download SKU: A0.1144852 Composed by B F White. Arranged by Mark R Lewis. Chamber,Folk,Religious,Sacred. 3 pages. Mark R Lewis #745169. Published by Mark R Lewis (A0.1144852). Beach Spring is an old American hymn-tune usually attributed to B. F. White, the co-editor of the music collection The Sacred Harp. Among the hymns that use this tune are Lord, Whose Love Through Humble Service and Wash, O God, Our Sons and Daughters. The melody of the tune itself is pentatonic though many harmonizations end up disguising this. This particular arrangement by Mark Lewis actually embraces the pentatonic aspects of the melody and extends them throughout the harmony as well, causing the piece to require a 10 bell ensemble which is rather unusual and easiest to realize with five players. The time signature also is modified throughout the piece, starting in 8/4, moving through 7/4, and ending up in 6/4 which is basically the 3/2 time signature usually associated with the tune. By feeling the whole piece in variations of a Three Pattern the tempo marking of quarter-note = 200 is actually much more reasonable than it would first appear.
$9.99
9.14 €
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Cloches
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feeling the whole piece in variations of a Three Pattern the tempo marking of quarter-note = 200 is actually much more reasonable than it would first appear
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B F White
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Mark R Lewis
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Beach Spring - 10-Bell Ensemble
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Mark R Lewis
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SheetMusicPlus
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