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--INSTRUMENTS--
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People Gotta Move
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Piano, Voix et Guitare
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
People Gotta Move
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
People Gotta Move
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1206081 By Gino Vanne…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1206081 By Gino Vannelli. By Gino Vannelli. Arranged by Jeff Tincher. Contemporary,Pop. Score. 9 pages. Jeff Tincher #804276. Published by Jeff Tincher (A0.1206081). Here is Gino Vannelli's first big hit. This song is best played live. So this arrangement is in the original key from his Live In L.A. project. He still does this song in concert. This song is also unique because it was the first song that used a moog bass for the bass line. Duration = 3:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.52 €
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Piano, Voix et Guitare
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Gino Vannelli
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Jeff Tincher
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People Gotta Move
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Jeff Tincher
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SheetMusicPlus
People Gotta Move
Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.861594 By Gino Vannelli.…
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Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.861594 By Gino Vannelli. By Gino Vannelli. Arranged by Jetse Bremer. A Cappella. Octavo. 8 pages. Jetse Bremer #5968199. Published by Jetse Bremer (A0.861594). 5 Voices male: Counte,r Tenor 1, Tenor 2, Bariton, Bas.
$3.00
2.77 €
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Gino Vannelli
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Jetse Bremer
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People Gotta Move
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Jetse Bremer
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SheetMusicPlus
People Gotta Move
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0…
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Brass Ensemble,Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1206085 By Gino Vannelli. By Gino Vannelli. Arranged by Jeff Tincher. Contemporary,Pop. Score and parts. 24 pages. Jeff Tincher #804280. Published by Jeff Tincher (A0.1206085). Here is Gino Vannelli's first big hit. This song is best played live. So this arrangement is in the original key from his Live In L.A. project. He still does this song in concert. This song is also unique because it was the first song that used a moog bass for the bass line. Duration = 3:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.98 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Gino Vannelli
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Jeff Tincher
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People Gotta Move
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Jeff Tincher
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SheetMusicPlus
People Gotta Move
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1206083 By Gino Vannelli. By Gino Vannelli. Arranged by Jeff Tincher. Contemporary,Pop. 27 pages. Jeff Tincher #804278. Published by Jeff Tincher (A0.1206083). Here is Gino Vannelli's first big hit. This song is best played live. So this arrangement is in the original key from his Live In L.A. project. He still does this song in concert. This song is also unique because it was the first song that used a moog bass for the bass line. Duration = 3:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.98 €
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Quatuor de Saxophones: 4 saxophones
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Gino Vannelli
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Jeff Tincher
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People Gotta Move
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Jeff Tincher
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SheetMusicPlus
People Gotta Move
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1206082 By Gino Vannelli. By Gino Vannelli. Arranged by Jeff Tincher. Contemporary,Pop. Score and parts. 24 pages. Jeff Tincher #804277. Published by Jeff Tincher (A0.1206082). Here is Gino Vannelli's first big hit. This song is best played live. So this arrangement is in the original key from his Live In L.A. project. He still does this song in concert. This song is also unique because it was the first song that used a moog bass for the bass line. Duration = 3:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Gino Vannelli
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Jeff Tincher
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People Gotta Move
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Jeff Tincher
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SheetMusicPlus
People Gotta Move
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1206084 By Gino Vannelli. By Gino Vannelli. Arranged by Jeff Tincher. Contemporary,Pop. 24 pages. Jeff Tincher #804279. Published by Jeff Tincher (A0.1206084). Here is Gino Vannelli's first big hit. This song is best played live. So this arrangement is in the original key from his Live In L.A. project. He still does this song in concert. This song is also unique because it was the first song that used a moog bass for the bass line. Duration = 3:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.98 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gino Vannelli
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Jeff Tincher
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People Gotta Move
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Jeff Tincher
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.21 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
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People Gotta Move
