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--INSTRUMENTS--
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ALTO
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Perception
Non classifié
21
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42
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10
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7
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Autres
Formation musicale - Solfège
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Perception
Partitions à imprimer
228 partitions trouvées
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Creative Apperception
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Piano seul
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INTERMÉDIAIRE
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Aaron Corley
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Creative Apperception
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Transdimensional Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1309103 Composed by Aaron Corley. 21st Century,Contemporary,Jazz,Pop. Score. 3 pages. Transdimensional Music #898301. Pub...
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Piano Solo - Level 3 - SKU: A0.1309103 Composed by Aaron Corley. 21st Century,Contemporary,Jazz,Pop. Score. 3 pages. Transdimensional Music #898301. Published by Transdimensional Music (A0.1309103). It is creative apperception more than anything else that makes the individual feel that life is worth living. Contrasted to this is a relationship to external reality which is one of compliance, the world and its details being recognized but only as something to be fitted in with or demanding adaptation. Compliance carries with it a sense of futility for the individual and is associated with the idea that nothing matters and that life is not worth living. In a tantalizing way many individuals have experienced just enough of creative living to recognize that for most of their time they are living uncreatively, as if caught up in the creativity of someone else, or of a machine. (Creativity and Its Origins by Edward O. Wilson)'Creative Apperception' is an upbeat piano solo inspired by the above quote and is approximately 2:00 in duration.
$2.50
Perceptions, original solo for Lever or Pedal Harp
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Harpe
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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Perceptions, original solo for
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Cindy Blevins
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SheetMusicPlus
Harp - Level 3 - SKU: A0.540774 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3072165. Published by Cindy Blevins (A0....
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Harp - Level 3 - SKU: A0.540774 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3072165. Published by Cindy Blevins (A0.540774). Perceptions is a beautiful, haunting harp piece. You need to have G# levers on your lever harp. Two pages, approximately Intermediate. This piece is from my harp book Perceptions, which is available on my website.
$3.99
Perceptions, Solo Lap Harp
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Harpe
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New Age
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Contemporain
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Cindy Blevins
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Perceptions, Solo Lap Harp
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1058629 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 91. Cindy Blevins #3109565. Published by Cindy Blevin...
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Harp - SKU: A0.1058629 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 91. Cindy Blevins #3109565. Published by Cindy Blevins (A0.1058629). The sheet music for this original lap harp piece is available here on Sheet Music Plus. The item # is S0.238201. It is from my harp book Perceptions. You can just enjoy listening, or if you are a harpist and have the sheet music, you can hear how the arrangement sounds and even play along. This music was recorded on my Blevins harp. Perceptions, the book of 14 lap harp solos, is available here, item # S0.238219.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99
Perceptions, 14 original solos for Lap Harp, based on modal and exotic scales
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Harpe
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New Age
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Contemporain
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Cindy Blevins
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Perceptions, 14 original solos
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Lap Harp - SKU: A0.541387 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 54 pages. Cindy Blevins #3109611. Publishe...
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Instrumental Solo,Lap Harp - SKU: A0.541387 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 54 pages. Cindy Blevins #3109611. Published by Cindy Blevins (A0.541387). Perceptions is a funky book I wrote based upon modal and exotic scales. This book contains 14 original lap harp-friendly harp pieces written in modes and exotic scales, in 42 pages. You need C below middle C and 22-24 strings. Two of the pieces require levers on G strings.
$23.95
Seeing With Perception
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Jazz
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Horace Silver
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George Kaplan
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Seeing With Perception
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George Kaplan
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SheetMusicPlus
Level 3 - Interactive Download SKU: A0.1086215 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. 6 pages. D...
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Level 3 - Interactive Download SKU: A0.1086215 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. 6 pages. Duration 67. George Kaplan #5d1uD3RE7Ej5bTw5vmpaF3. Published by George Kaplan (A0.1086215). Key: C minor.The second cut from Silver's monumental 1983 album Spiritualizing the Senses, featuring Eddie Harris, Bobby Shew and Ralph Moore.
$9.99
Deception Of My Perception
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Rebecca Padzieski Shepard
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Deception Of My Perception
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Rebecca Padzieski Shepard
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SheetMusicPlus
Small Ensemble - SKU: A0.1014774 Composed by Rebecca Padzieski Shepard. Jazz,Latin,Pop. Score and parts. 2 pages. Rebecca Padzieski Shepard #4593513. Pu...
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Small Ensemble - SKU: A0.1014774 Composed by Rebecca Padzieski Shepard. Jazz,Latin,Pop. Score and parts. 2 pages. Rebecca Padzieski Shepard #4593513. Published by Rebecca Padzieski Shepard (A0.1014774).
$2.99
The Pain Of Perception
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Contemporain
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Marc Freeman
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The Pain Of Perception
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Marc Freeman
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SheetMusicPlus
Small Ensemble - SKU: A0.1032971 Composed by Marc Freeman. Contemporary. Score and parts. 172 pages. Marc Freeman #5888887. Published by Marc Freeman (A...
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Small Ensemble - SKU: A0.1032971 Composed by Marc Freeman. Contemporary. Score and parts. 172 pages. Marc Freeman #5888887. Published by Marc Freeman (A0.1032971).
$120.00
On Perception...
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Contemporain
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Enrique Vazquez
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On Perception...
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Enrique Vázquez
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SheetMusicPlus
Small Ensemble - SKU: A0.1014765 Composed by Enrique Vazquez. Contemporary. Score and parts. 26 pages. Enrique Vázquez #6090825. Published by Enrique...
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Small Ensemble - SKU: A0.1014765 Composed by Enrique Vazquez. Contemporary. Score and parts. 26 pages. Enrique Vázquez #6090825. Published by Enrique Vázquez (A0.1014765).
$6.00
A Matter Of Perception (from Incredibles 2)
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Piano seul
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Enfant
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Film Walt Disney
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A Matter Of Perception
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.419897 This edition: Interactive Download. Children,Disney,Film/TV. Piano Solo. 2 pages. Published by Hal Leonard - Digital ...
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Interactive Download SKU: HX.419897 This edition: Interactive Download. Children,Disney,Film/TV. Piano Solo. 2 pages. Published by Hal Leonard - Digital (HX.419897).
$4.99
What Will My World Be Today
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Chorale SATB
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INTERMÉDIAIRE
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Jairen Ritter
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What Will My World Be Today
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Jairen Ritter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030847 Composed by Jairen Ritter. Christian,Contemporary,World. Octavo. 6 pages. Jairen Ritter #11625. Publishe...
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Choral Choir (SATB) - Level 3 - SKU: A0.1030847 Composed by Jairen Ritter. Christian,Contemporary,World. Octavo. 6 pages. Jairen Ritter #11625. Published by Jairen Ritter (A0.1030847). Based on a poem by Fred Bogert, the piece is written for SATB chorus, optional guitar, and djembe. The poem itself plays on the wonders of perception, and gives light to turning a bad situation into a good one with a change in that perception. The piece could potentially be performed in both a secular or a sacred setting, and has no limits to the amount of creativity each individual choir would like to add to it.
$2.99
Grid
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Guitare
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AVANCÉ
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Contemporain
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Igor Korneitchouk
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Grid
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Studio at the Post
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. ...
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Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01
A Matter of Perception from Incredibles 2 - Piano Solo
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Piano seul
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Film/TV
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A Matter of Perception from In
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Musicnotes
Michael Giacchino - A Matter of Perception - (from Incredibles 2) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instru...
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Michael Giacchino - A Matter of Perception - (from Incredibles 2) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Movie/TV~~Soundtrack
$4.99
The Wooded Blur
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Jose Luis Arellano Jr
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Jose Luis Arellano Jr
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The Wooded Blur
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Arellano, Jose Luis Jr
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part....
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Flute Solo - Level 4 - SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510). Wooded Blur was based on the ideas of an impressionist style painting that if you take a closer look at a piece art you could only see blurriness.However, if you took a step back you could see the whole context. The main idea that you hear in the piece is the “closer look” that is so blurred that you don’tunderstand the context until you see the big picture. You hear this repeating pattern (the main idea) becoming home and the root of this atonal piece. The variation around thismain idea becomes the context and helps create the bigger picture. It allows youas the listener to see the character of the piece. The piece is the forest itself who isplayful, a trickster, and a guardian of his own home. The sections that take you on this strangejourney will give you glimpses of imagery that you can picture that gets you involved.Building you a perception of this Wooded Blur.
$7.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Stars Fade Out When You Get Close
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Instruments en Do
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INTERMÉDIAIRE
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Parallel With Nature
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Ron Patton
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Stars Fade Out When You Get Cl
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Twintastic Music
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1506660 By Parallel With Nature. By Ron Patton. Arranged by Ron Patton. Broadway,Film/TV,Musical/Show,Pop. Lead Sheet /...
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C Instrument - Level 3 - SKU: A0.1506660 By Parallel With Nature. By Ron Patton. Arranged by Ron Patton. Broadway,Film/TV,Musical/Show,Pop. Lead Sheet / Fake Book. 5 pages. Twintastic Music #1082029. Published by Twintastic Music (A0.1506660). An indie pop song that explores the disillusionment and heartbreak that can result from meeting one's celebrity idols or heroes in person, as reality often fails to live up to the idealized perception built up in one's mind.
$3.99
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