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--INSTRUMENTS--
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Perfect - SATB a capella
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--INSTRUMENTS--
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Perfect - SATB a capella
Partitions à imprimer
232 partitions trouvées
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Psalm 42 for Men’s Choir (TTBB) a capella
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Chorale TTBB
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FACILE
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Anonimous
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L
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Psalm 42 for Men’s Choir
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1503584 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sa...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1503584 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1079045. Published by Müller Publishing company (A0.1503584). Psalm 42 for Men’s Choir (TTBB) a capella Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. Whether for a concert, worship service, or special event, this piece is sure to move both singers and listeners alike.Ideal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
$2.99
Psalm 42 for Men’s Choir (TTBB) a capella
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Chorale TTBB
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FACILE
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Anonimous
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L
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Psalm 42 for Men’s Choir
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sa...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1079061. Published by Müller Publishing company (A0.1503597). Psalm 42 for Men’s Choir (TTBB) a capella Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. Whether for a concert, worship service, or special event, this piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Format: Closed Score (two voices per staff)Text: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
$2.99
Ombra Mai Fù - G. F. Handel - for Men's Choir TTBB a capella
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Chorale TTBB
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FACILE
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George Frideric Handel
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L
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Ombra Mai Fù - G. F. Ha
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1494888 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Christian,Classical,Re...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1494888 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Christian,Classical,Religious,Sacred. 4 pages. Müller Publishing company #1071447. Published by Müller Publishing company (A0.1494888). Ombra Mai Fù - G. F. Handel - for Men's Choir TTBB a capellaExperience the timeless beauty of Handel’s Ombra mai fù with this TTBB choir arrangement by L. Müller. This a cappella version showcases the rich textures and harmonies of male voices, bringing out the serene and lyrical quality of this Baroque masterpiece. Perfect for concerts, recitals, and sacred events, this arrangement will allow your men's choir to express the full emotional depth of Handel’s beloved aria. Add this exquisite piece to your repertoire for a moving and memorable performance.
$2.99
How Beautiful (Is the Love Between the Two of Us) - Alto duet a capella
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Voix duo
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FACILE
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
Voice Duet Voice - Level 2 - SKU: A0.1074306 Composed by Connie Boss. A Cappella,Wedding. 2 pages. Connie Boss #678567. Published by Connie Boss (A0.107...
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Voice Duet Voice - Level 2 - SKU: A0.1074306 Composed by Connie Boss. A Cappella,Wedding. 2 pages. Connie Boss #678567. Published by Connie Boss (A0.1074306). This lovely original vocal alto duet is perfect for an engagement, wedding or anniversary day. It is written for two alto singers with lots of moving parts and harmonies. any questions or requests - email cdboss@cvalley.net Lyrics below. How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
Perfect Duet
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran And Beyonce
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Mitchell Bartel
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Perfect Duet
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Mitchell Bartel
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1249177 By Ed Sheeran And Beyonce. By Beyonce Knowles and Ed Sheeran. Arranged by Mitchell Bartel. A Capp...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1249177 By Ed Sheeran And Beyonce. By Beyonce Knowles and Ed Sheeran. Arranged by Mitchell Bartel. A Cappella,Contemporary,Pop,Singer/Songwriter,Wedding. 7 pages. Mitchell Bartel #843640. Published by Mitchell Bartel (A0.1249177). Low Voice TTBB + male/female duet + vocal percussion a capella arrangement of Perfect by Ed Sheeran and Beyonce Knowles, arranged by Mitchell Bartel.
$1.99
Perfect
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Chorale SSAA
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Fran Carter
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Perfect
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fran Carter
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.836093 By Ed Sheeran. By Ed Sheeran. Arranged by Fran Carter. A Cappella,Pop. Octavo. 7 pages. Fran Carter #5778...
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Choral Choir (SSAA) - Level 3 - SKU: A0.836093 By Ed Sheeran. By Ed Sheeran. Arranged by Fran Carter. A Cappella,Pop. Octavo. 7 pages. Fran Carter #5778303. Published by fran Carter (A0.836093). A capella for 4 voice parts, female ensemble. Great for weddings, anniversaries, Valentines and concerts! Melody in Soprano 2. Voice part tracks available at HBteachtracks.
$1.99
IT'S CHRISTMASTIME (a new trad. Christmas carol)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Noël
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and large, Christmas music is
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Shaun Parry
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IT'S CHRISTMASTIME
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillion...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillions #4995115. Published by MusicforMillions (A0.935513). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of your caroling tradition. By and large, Christmas music is either sacred or secular -- about Jesus, Mary, the shepherds and angels or about presents and parties and mistletoe. We live them both simultaneously. This carol represents that, with the first verse being a patter of Christmas excitement and the second more lyrical focusing on the advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men.This song has the potential to become a regular part of Christmas carol canon sung by millions around the world.* Perfect for school or church Christmas concerts. * Great for families around the fireplace or out caroling.* Bells/Chimes add a beautiful touch but it can also be performed with just piano and voices or even a capella. I have even enjoyed singing to guitar or ukulele.* Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting. It can be sung straight through without overlapping the verses.* Some harmony parts are indicated in the vocal line. Of course you can sing the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you.You can find me at @the_shaunparry or www.shaunparry.com
$3.99
Music Is A Work of The Soul
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Savannah Speight
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Music Is A Work of The Soul
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Savannah Speight
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1168430 Composed by Savannah Speight. Classical. Octavo. 4 pages. Savannah Speight #768762. Published by Savanna...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1168430 Composed by Savannah Speight. Classical. Octavo. 4 pages. Savannah Speight #768762. Published by Savannah Speight (A0.1168430). Music Is A Work of The Soul is a beautiful, original piece. It is perfect for your women's chorus. It is an SS(S)AA piece, and it is A capella. The song is a conversation between the parts. What is the hype about music?
$1.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Perfect
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Anders Lindqvist
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Perfect
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Anders Lindqvist
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SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1343098 By Ed Sheeran. By Ed Sheeran. Arranged by Anders Lindqvist. 21st Century,A Cappella,Barbershop,Pop,Singer/Songw...
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Voice (TTBB) - Level 3 - SKU: A0.1343098 By Ed Sheeran. By Ed Sheeran. Arranged by Anders Lindqvist. 21st Century,A Cappella,Barbershop,Pop,Singer/Songwriter. Barbershop Quartet. 6 pages. Anders Lindqvist #928612. Published by Anders Lindqvist (A0.1343098). A close harmony arrangement of this beautiful ballad, written and performed by Ed Sheeran. Suitable for a male acapella quartet of intermediate skills.
$12.99
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar &ag
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early M...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Waka Waka (this Time For Africa)
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Chorale 3 parties
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FACILE
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Shakira
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Jay Jordan
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Waka Waka
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Pro Creations Music
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1183782 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mah...
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Choral Choir (SSA) - Level 2 - SKU: A0.1183782 By Shakira. By Emile Kojidie, Eugene Victor Doo Belley, Jean Ze Bella, John Hill, Shakira, and Zolani Mahola. Arranged by Jay Jordan. A Cappella,Contemporary,Multicultural,Pop,World. Octavo. 16 pages. Pro Creations Music #783470. Published by Pro Creations Music (A0.1183782). When the female A Capella group Fermata the Blue of Notre Dame High School in Belmont, CA approached me to arrange a version of Shakira's Waka Waka (this Time for Africa) I had never heard the song. I fell in love with it after the first listen and agreed with the group's opinion that it was perfect for an all female A Capella group. My arrangement is for SSA (with divisi in all parts), lead vocal, and vocal percussion.
$2.99
Here Comes Your Man
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Chorale 2 parties
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FACILE
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Pixies
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K Brigden
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Here Comes Your Man
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K Brigden
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.980244 By Pixies. By Frank Black. Arranged by K Brigden. A Cappella,Rock. Octavo. 7 pages. K Brigden #4715597. Pub...
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Choral Choir (SA) - Level 2 - SKU: A0.980244 By Pixies. By Frank Black. Arranged by K Brigden. A Cappella,Rock. Octavo. 7 pages. K Brigden #4715597. Published by K Brigden (A0.980244). An a capella imagining of this popular song for choir and soloist that is both easy and fun! This piece is perfect for student choirs and rock choirs as it can be taught in easy to add together parts. Starting with the bass, parts can be added one at a time and it's repetitive nature allows for the focus of the performance to be energy. Beatboxing or body percussion could also be added as a fun exercise or performance addition. With its performance time of about 3'05 it is perfect as an addition to any concert. It should be sung with a cheeky energy with the lower voices creating a solid foundation for the cheery upper voices to bounce off. This should create a strong performance platform for the soloist, who is encouraged to improvise over the last section of the piece.
$1.99
And Your Dream Comes True
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Chorale TTBB
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INTERMÉDIAIRE
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The Beach Boys
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Dominic Caudill
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And Your Dream Comes True
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Dominic Caudill
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.518916 By The Beach Boys. By Brian Douglas Wilson and Mike E Love. Arranged by Dominic Caudill. 20th Century,A C...
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Choral Choir (TTBB) - Level 3 - SKU: A0.518916 By The Beach Boys. By Brian Douglas Wilson and Mike E Love. Arranged by Dominic Caudill. 20th Century,A Cappella,Pop. Octavo. 1 pages. Dominic Caudill #129582. Published by Dominic Caudill (A0.518916). A beautiful early a capella track from the Beach Boys, the perfect ending to, as Brian Wilson calls it, the Beach Boys' true rock album. From the kings of the summertime comes an ode to an ending, with sweet optimism for summers to come. A brief barbershop classic penned by the genius himself Brian Wilson. Perfect for a quartet or a men's ensemble. This transcription is faithful to exactly what was recorded by the Beach Boys on the album.
$2.00
Everywhere I Go (Somebody's Talkin' 'Bout Jesus)
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Chorale 3 parties
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DÉBUTANT
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Gospel Spirituel
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Traditional Spiritual
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Joanna Mills
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2018 Holiday Contest Entry
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Everywhere I Go
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.781278 Composed by Traditional Spiritual. Arranged by Joanna Mills. A Cappella,Christmas,Holiday,Spiritual,Tradit...
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Choral Choir (SSA) - Level 1 - SKU: A0.781278 Composed by Traditional Spiritual. Arranged by Joanna Mills. A Cappella,Christmas,Holiday,Spiritual,Traditional. Octavo. 11 pages. Joanna Mills Music #3674967. Published by Joanna Mills Music (A0.781278). This African American Christmas Spiritual will bring a fresh, joyful gospel sound to the holidays! This new arrangement from Joanna Mills is perfect for school holiday concerts and Christmas church services. Choirs of all ages will enjoy the easy gospel feel and fun call-and-response format, which builds to a haunting a capella ending. Set in an accessible key, this arrangement is for SSA choir and Alto's will enjoy having the melody throughout! The simple harmonies make this a quick arrangement for most choirs to learn. Perfect for your youth or gospel choir. 2018 Holiday Contest Entry.
$1.99
Everywhere I Go (Somebody's Talkin' 'Bout Jesus)
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Chorale 3 parties
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DÉBUTANT
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Gospel Spirituel
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Traditional Spiritual
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Joanna Mills
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Everywhere I Go
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.781277 Composed by Traditional Spiritual. Arranged by Joanna Mills. A Cappella,Christmas,Spiritual. Octavo. 11 pa...
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Choral Choir (SAB) - Level 1 - SKU: A0.781277 Composed by Traditional Spiritual. Arranged by Joanna Mills. A Cappella,Christmas,Spiritual. Octavo. 11 pages. Joanna Mills Music #3674775. Published by Joanna Mills Music (A0.781277). This African American Christmas Spiritual will bring a fresh, joyful gospel sound to the holidays! This new arrangement from Joanna Mills is perfect for school holiday concerts and Christmas church services. Choirs of all ages will enjoy the easy gospel feel and fun call-and-response format, which builds to a haunting a capella ending. Set in an accessible key, this arrangement features an Alto solo(s) with SAB choir, and the simple harmonies make this a quick arrangement for most choirs to learn. Perfect for youth choirs or gospel choirs. 2018 Holiday Contest Entry.
$1.99
Round Me Falls the Night [Lead Sheet F Minor]
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Lead
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1374097 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1374097 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958671. Published by Anastace (A0.1374097). Here is the full and accurate lead sheet version in the original key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in E Minor [easier key]Lead sheet in E Minor EASY Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Round Me Falls the Night [Piano Accompaniment in E Minor]
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Pian
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Anastace
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1374095 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. ...
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Piano Solo - Level 3 - SKU: A0.1374095 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958669. Published by Anastace (A0.1374095). Here is the full piano accompaniment version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Round Me Falls the Night [EASY Lead Sheet Version]
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [EASY
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Anastace
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1374107 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Children,Christian,Praise & Worship,Sacred....
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C Instrument - Level 1 - SKU: A0.1374107 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Children,Christian,Praise & Worship,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958683. Published by Anastace (A0.1374107). Here is the easiest lead sheet version for guitar or beginner piano of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in E Minor [easier key]Full and accurate lead sheet in F MinorFull and accurate lead sheet in E Minor For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Round Me Falls the Night [Piano Accompaniment F Minor]
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Pian
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Anastace
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1374089 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Early Music,Praise & Worship,Religi...
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Piano Solo - Level 3 - SKU: A0.1374089 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Early Music,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958661. Published by Anastace (A0.1374089). Here is the full piano accompaniment version in the original key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in E Minor [easier key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Round Me Falls the Night [Lead Sheet E Minor]
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Instruments en Do
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FACILE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Lead
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Anastace
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1374102 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 2 - SKU: A0.1374102 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958677. Published by Anastace (A0.1374102). Here is the full lead sheet version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in F Minor [original key]Lead sheet in F MinorEasy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Carol of the Bells (F min) (Brass Quintet - 4 Euphoniums (Treble Clef), 1 Tuba)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Mykola Leontovych
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Regis Bookshar
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Carol of the Bells
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 3 - SKU: A0.813222 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Mu...
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Brass Ensemble Euphonium,Tuba - Level 3 - SKU: A0.813222 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multicultural,Standards,World. Score and parts. 16 pages. Regis Bookshar #6142307. Published by Regis Bookshar (A0.813222). Brass Quintet - Intermediate - . This selection, Carol of the Bells, also known as Ring, Christmas Bells, is suitable for high school and college students and is perfect for Christmas concerts and church services. Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk, a New Year's song, known in English as The Little Swallow, and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, Ring, Christmas Bells, an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Brass Quintet, consisting of 4 Euphoniums and 1 Tuba. Included are a score and a complete set of parts, written in Treble Clef (16 pages). Also available is a version written for Euphoniums written in Bass Clef, if you would prefer. In addition to this version for a Brass Quintet, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. .
$12.00
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