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Vous avez sélectionné:
Phrygian Nocturne
Partitions à imprimer
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Phrygian Nocturne
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.938022 Composed by Liz Nedela. Clas…
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Piano Solo - Level 5 - Digital Download SKU: A0.938022 Composed by Liz Nedela. Classical,Contest,Festival,Instructional,Multicultural,World. Score. 12 pages. Liz Nedela #6479507. Published by Liz Nedela (A0.938022). This Piano Solo was composed for Nina, who is a college freshman and plays advanced music. Nina requested a Nocturne in the Phrygian mode that would resemble the style of Chopin. Her favorite composer is Chopin, and loves his nocturnes. She has written a poem about Chopin. Nina began her first year of college during the pandemic, and is consequently a virtual student. Her major is Bio-Engineering. During high school, she has accompanied choirs and solo- ensemble festivals, participated in many solo piano events, and completed all the requirements of the OMTA syllabus. Because she is attending college virtually and is living with her family locally, she continues to study piano with her long-time OMTA piano teacher. Nina also has earned a black belt in Karate; and she likes skiing and fashion. The piece is part of a collaboration between composers and students. It is a project of the Oregon Music Teachers Association and the Cascadia Composers chapter of NACUSA (National Association of Composers USA). The annual concert, titled In Good Hands, features original compositions that are chosen by OMTA teachers for their students. In 2021, the project includes individualized collaboration where composers wrote for specific students. The composers met with the students, and together they decided on a composition written according to the requests of the student.
$5.50
5.07 €
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Piano seul
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Liz Nedela
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Phrygian Nocturne
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Liz Nedela
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SheetMusicPlus
Nocturnes of the Seven Modes: III. Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1210493 Composed by Nathanael Lloyd…
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Piano Solo - Level 4 - Digital Download SKU: A0.1210493 Composed by Nathanael Lloyd. Chamber,Classical,Contemporary,Contest,Festival. Score. 1 pages. Nathanael Lloyd #808277. Published by Nathanael Lloyd (A0.1210493). The third movement of the piece Nocturnes of the Seven Modes written in the Phrygian mode.
$4.99
4.6 €
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Piano seul
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Nathanael Lloyd
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Nocturnes of the Seven Modes: III. Phrygian
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Nathanael Lloyd
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SheetMusicPlus
Nocturnes of the Seven Modes
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1210229 Composed by Nathanael Lloyd…
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Piano Solo - Level 4 - Digital Download SKU: A0.1210229 Composed by Nathanael Lloyd. Chamber,Classical,Contemporary,Contest,Festival. Score. 27 pages. Nathanael Lloyd #803802. Published by Nathanael Lloyd (A0.1210229). An original composition for Solo Piano.This set of nocturnes is composed so as each individual piece, while all set in the same key, is written in a different mode of the major scale.Includes: I. Ionian; II. Dorian: III. Phrygian; IV. Lydian; V. Mixolydian; VI. Aeolian; VII. Locrian.
$24.99
23.02 €
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Piano seul
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Nathanael Lloyd
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II. Dorian: III. Phrygian
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Nocturnes of the Seven Modes
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Nathanael Lloyd
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.61 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
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