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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Vous avez sélectionné:
Piano Accompaniment from Chicago
SheetMusicPlus
Partitions à imprimer
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Chicago (from the musical Chicago): Piano Accompaniment
Accompagnement Piano
Full Orchestra - Digital Download SKU: AX.00-PC-0016106_K Piano Accompaniment
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Full Orchestra - Digital Download SKU: AX.00-PC-0016106_K Piano Accompaniment. Composed by Fred Ebb and John Kander. Arranged by Victor Lopez. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0016106_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016106_K). ISBN 9780757936029. UPC: 654979061441.This Broadway sensation keeps drawing the crowds and it's an award-winning movie as well. Victor LA3pez has scored a home run with his fresh new medley of all of your favorite selections from the show including: My Own Best Friend, Razzle Dazzle, and, of course, And All That Jazz. Don't miss this new arrangement scored at the concert orchestra level. It's hot! A certain audience pleaser. (4:04).
$3.00
2.76 €
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Accompagnement Piano
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Fred Ebb and John Kander
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Victor Lopez
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Chicago
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.15 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.21 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
From Me to You
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015546 By The Beatles. By John…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015546 By The Beatles. By John Lennon and Paul McCartney. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015546. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015546). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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The Beatles
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From Me to You
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
On The South Side Of Chicago
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.798314 Composed by Phil Ze…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.798314 Composed by Phil Zeller. Arranged by PJMS MUSIC. Contemporary. Octavo. 8 pages. PJMS MUSIC #5743869. Published by PJMS MUSIC (A0.798314). On the South Side of Chicago was first recorded by Vic Damone in 1966 and received considerable radio air-play. Later recordings came from Della Reese, Ray Price, The Strawberry Street Singers, Don Costa's Orchestra and others. Nostalgic lyrics and a bluesy melody combine to make a memorable portrait of the windy city. This arrangement features an appropriate and fun to play piano accompaniment. .
$2.99
2.75 €
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Chorale SATB
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Phil Zeller
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PJMS MUSIC
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On The South Side Of Chicago
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PJMS MUSIC
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
22.96 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
If You Leave Me Now
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.944270 By Chicago. By Peter Cetera.…
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Piano Solo - Level 4 - Digital Download SKU: A0.944270 By Chicago. By Peter Cetera. Arranged by Valentina Ruiz. Pop,Rock. Score. 4 pages. Valentina Ruiz #6570857. Published by Valentina Ruiz (A0.944270). Piano accompaniment part from the original version of If You Leave me Now - Chicago in the original key. You can use it for the accompaniment piano part in a band or an orchestra. Certified quality.
$30.00
27.55 €
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Piano seul
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Chicago
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Valentina Ruiz
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If You Leave Me Now
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Valentina Ruiz
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SheetMusicPlus
25 Or 6 To 4
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358888 By Chicago. By Rober…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358888 By Chicago. By Robert Lamm. Arranged by Gabriel Lawson. 20th Century,Rock. Score. 9 pages. Gabriel Lawson #943340. Published by Gabriel Lawson (A0.1358888). “25 or 6 to 4†is a song from the 1970 album Chicago (II) by Chicago. This arrangement is for solo voice and piano accompaniment. Optional harmonies included.Original Key.Difficulty 5/10.Solo Range G3-C5.Optional harmonies A3-A4.
$4.99
4.58 €
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Piano, Voix
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Chicago
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Gabriel Lawson
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25 Or 6 To 4
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Gabriel Lawson
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SheetMusicPlus
You're The Inspiration
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.944269 By Peter Cetera Featuring AZ…
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Piano Solo - Level 4 - Digital Download SKU: A0.944269 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Valentina Ruiz. Contemporary. Score. 3 pages. Valentina Ruiz #6570859. Published by Valentina Ruiz (A0.944269). Piano accompaniment part from the original song, You're the Inspiration - Chicago, in the original key. You can use it for accompaniment in a band or an orchestra. Certified quality.
$30.00
27.55 €
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Piano seul
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Peter Cetera Featuring AZ Yet
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Valentina Ruiz
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You're The Inspiration
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Valentina Ruiz
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SheetMusicPlus
If You Leave Me Now
Piano seul
Piano Solo - Digital Download SKU: A0.742484 By Chicago. By Peter Cetera. Arranged …
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Piano Solo - Digital Download SKU: A0.742484 By Chicago. By Peter Cetera. Arranged by Javier MartÃnez. Pop,Rock. Score. 5 pages. Arte Nova Music Lab #4742215. Published by Arte Nova Music Lab (A0.742484). If You Leave Me Now is the title of a hit ballad by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983.The single topped the US charts on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts.[4] If You Leave Me Now was also Chicago's biggest hit internationally, topping the charts in other countries such as the UK, Australia, Ireland, Canada, and Netherlands. In the UK it maintained the number one position for three weeks.[5] It was one of only five non-disco songs to make it to number one in the US in a nine-month period of 1976.[6]According to writer Zachary Houle of PopMatters, The song was so pervasive on radio upon its release that, reportedly, those tuning in inNew York could hear the song playing on four different stations, each with varying formats, simultaneously.[7]The song won Grammy Awards for Best Arrangement Accompanying Vocalist(s) (strings) for arranger Jimmie Haskell[8] and producerJames William Guercio[9] and Best Pop Vocal Performance by a Duo, Group or Chorus,[10] the first Grammy Award won by the group.[11] It also received a Grammy nomination for Record of the Year.[12] In addition, by August 1978 it had sold 1.4 million copies in the United States alone.[13] It has been certified gold and platinum by the RIAA.[14]In 2010 Chicago teamed with the American Cancer Society and offered the opportunity to bid on the chance to sing their hit, If You Leave Me Now with them on stage live at their concerts, with proceeds going to the American Cancer Society to fight breast cancer.[15] The fund raising effort has continued in succeeding years.Taken from https://en.wikipedia.org/wiki/If_You_Leave_Me_Now
$10.00
9.18 €
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Piano seul
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Chicago
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Javier MartÃnez
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If You Leave Me Now
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Arte Nova Music Lab
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SheetMusicPlus
I Saw Her Standing There
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015547 By The Beatles. By John…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015547 By The Beatles. By John Lennon and Paul McCartney. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015547. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015547). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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The Beatles
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I Saw Her Standing There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Big Yellow Taxi
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015545 By Joni Mitchell. By Jo…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015545 By Joni Mitchell. By Joni Mitchell. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015545. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015545). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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Joni Mitchell
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Big Yellow Taxi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
She Loves You
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015553 By The Beatles. By John…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015553 By The Beatles. By John Lennon and Paul McCartney. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015553. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015553). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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The Beatles
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She Loves You
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Do You Feel Like We Do
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By J…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By John Siomos, Mick Gallagher, Peter Frampton, and Rick Willis. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015544. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015544). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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Peter Frampton
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Do You Feel Like We Do
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Live and Let Die
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015542 By Paul McCartney. By L…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015542 By Paul McCartney. By Linda McCartney and Paul McCartney. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015542. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015542). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
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Piano, Voix et Guitare
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Paul McCartney
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Live and Let Die
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
To Music - A Song
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879612 Composed by Healey Willan. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.879612 Composed by Healey Willan. 20th Century. Octavo. 8 pages. Biretta Books #3518019. Published by Biretta Books (A0.879612). Healey Willlan, the Dean of Canadian Composers, has written fine for SATB choir with piano accompaniment in his setting of a poem by Robert Herrick:Music, thou queen of heaven, care-charming spell,That strik'st a stillness into hell;Thou that tam'st tigers, and fierce storms, that rise,With thy soul-melting lullabies;Fall down, down, down, from those thy chiming spheresTo charm our souls, as thou enchant'st our ears. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$2.95
2.71 €
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Chorale SATB
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Healey Willan
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To Music - A Song
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Biretta Books
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SheetMusicPlus
Come, Ye Thankful People, Come
Chorale SATB
SATB chorus - Digital Download SKU: C7.CGA1263 Composed by Jason McCoy. General, Th…
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SATB chorus - Digital Download SKU: C7.CGA1263 Composed by Jason McCoy. General, Thanksgiving. Mixed Voices. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1263. Published by Chorister's Guild - Digital (C7.CGA1263). UPC: 749193016619.Premiered at the 2011 ACDA Conference in Chicago by the ACDA Men's Honor Choir, Jason McCoy's breathtaking composition Come, Ye Thankful People, Come was described by many as the highlight of their conference experience. The traditional text of the title hymn and text from the hymn Praise to God, Immortal Praise have been masterfully set by McCoy with an extremely moving piano accompaniment and vocal lines that are accessible but sound complicated to the listener.
$2.10
1.93 €
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Chorale SATB
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Jason McCoy
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Come, Ye Thankful People, Come
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Chorister's Guild - Digital
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.66 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Just a Closer Walk with Thee for Clarinet Quintet/Quartet
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1135165 By Ella Fitzgerald. By Traditional. Arranged by Vanessa Klassen. Jazz,Religious,Spiritual,Standards. 21 pages. Vanessa Klassen #735208. Published by Vanessa Klassen (A0.1135165). “Just a Closer Walk with Thee†dates back to the southern African-American churches of the nineteenth century, frequently being performed as part of a traditional New Orleans-style funeral march. Composer Kenneth Morris heard a train station porter singing the song while traveling from Kansas City to Chicago in 1940. The music became so prominent in his mind that Morris exited his train and took a different train back to the previous station to ask the porter to sing it again. Morris wrote down the music and lyrics and had the song published. The song soon became a standard in both the gospel and jazz genres and has since been recorded by numerous artists. The original author or composer is unknown. This arrangement for clarinet quintet is closely based on Ella Fitzgerald’s recording of the song which was featured on her 1967 album, “Brighten the Corner.†Ella’s voice is represented in the Clarinet 1 part which has been transcribed exactly as she sung. There is also a simplified Clarinet 1 part which is easier to read and allows the soloist more freedom to embellish as desired. The accompanying parts are the background vocals and upright bass, with the light piano riffs in the E♠Clarinet part. The E♠part may be omitted for an easier quartet version. The biggest challenge in this arrangement is the balance as the solo is often in the lower register of the clarinet (below the break).
$9.99
9.18 €
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Ella Fitzgerald
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Vanessa Klassen
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Just a Closer Walk with Thee for Clarinet Quintet/Quartet
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Vanessa Klassen
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.77 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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