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Piano Concerto A minor
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Piano Concerto A minor
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q12481 Composed by Edvard Grieg. Thi…
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Piano and orchestra - Digital Download SKU: S9.Q12481 Composed by Edvard Grieg. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 16. Duration 30 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12481. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12481). Key: A minor. German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
12.62 €
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Piano et Orchestre
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Edvard Grieg
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Piano Concerto A minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Piano Concerto A minor
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q21382 Composed by Robert Schumann. …
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Piano and orchestra - Digital Download SKU: S9.Q21382 Composed by Robert Schumann. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 54. Ernst Eulenburg & Co. GmbH - Digital #Q21382. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21382). Key: A minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$16.99
15.33 €
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Piano et Orchestre
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Robert Schumann
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Piano Concerto A minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Antonio Vivaldi: Concerto in A minor Op.3 No.6 for violin & piano
Violon et Piano
Instantly downloadable sheet music by Antonio Vivaldi for violin & piano of EASY/MEDIU…
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Instantly downloadable sheet music by Antonio Vivaldi for violin & piano of EASY/MEDIUM skill level. Contents: concerto in A minor, A minor, opus 3, number 6, concerto / classical,concert,light concert
$5.99
5.4 €
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Violon et Piano
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Antonio Vivaldi
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Virtualsheetmusic
Antonio Vivaldi: Concerto in A minor Op.3 No.6 for trumpet & piano
Trompette, Piano
This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from…
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This is an exclusive transcription for trumpet & piano of MEDIUM/HIGH skill level from the original composition by Antonio Vivaldi. This title is available as instant sheet music download. Contents: concerto in A minor, A minor, opus 3, number 6, concerto / classical,concert
$8.99
8.11 €
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Trompette, Piano
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Antonio Vivaldi
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Virtualsheetmusic
Antonio Vivaldi: Concerto in A minor Op.3 No.6 for alto saxophone & piano
Saxophone Alto et Piano
This is an exclusive transcription for alto saxophone & piano of EASY/MEDIUM skill lev…
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This is an exclusive transcription for alto saxophone & piano of EASY/MEDIUM skill level from the original composition by Antonio Vivaldi. This title is available as instant sheet music download. Contents: concerto in A minor, A minor, opus 3, number 6, concerto / classical,concert,light concert
$8.99
8.11 €
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Saxophone Alto et Piano
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Antonio Vivaldi
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Virtualsheetmusic
Jean Baptiste Accolay: Concerto No.1 in A minor (transposed in D minor) instantly for viola & piano
Alto, Piano
This is an exclusive transcription for viola & piano of MEDIUM/HIGH skill level from t…
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This is an exclusive transcription for viola & piano of MEDIUM/HIGH skill level from the original composition by Jean Baptiste Accolay. This title is available as instant sheet music download. Contents: concerto in a minor, concerto in d minor / classical,concert
$7.99
7.21 €
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Alto, Piano
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Jean Baptiste Accolay
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Virtualsheetmusic
Giovanni Battista Viotti: Concerto in A minor No.22 for violin & piano
Violon et Piano
Instantly downloadable sheet music by Giovanni Battista Viotti for violin & piano of M…
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Instantly downloadable sheet music by Giovanni Battista Viotti for violin & piano of MEDIUM/HIGH skill level. Contents: concerto in A minor, A minor, No. 22, number 22 / classical,concert
$5.99
5.4 €
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Violon et Piano
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Giovanni Battista Viotti
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Virtualsheetmusic
Johann Sebastian Bach: Concerto in A minor for violin & piano
Violon et Piano
Instantly downloadable sheet music by Johann Sebastian Bach for violin & piano of EASY…
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Instantly downloadable sheet music by Johann Sebastian Bach for violin & piano of EASY/MEDIUM skill level. Contents: concerto in A minor, A minor, BWV1041, BWV 1041, no. 1, no.1, number 1, n. 1, n.1 / classical,concert,light concert
$6.99
6.31 €
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Violon et Piano
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Concerto in A minor for flute & piano
Flûte traversière et Piano
This is an exclusive transcription for flute & piano of MEDIUM skill level from the or…
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This is an exclusive transcription for flute & piano of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: concerto in A minor, A minor, BWV1041, BWV 1041 / classical,concert
$8.99
8.11 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Virtualsheetmusic
Cello and Piano String Sampler
Violoncelle, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.4 €
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Violoncelle, Piano
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Robin Kay Deverich
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Cello and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Jean Baptiste Accolay: Concerto No.1 in A minor for violin & piano
Violon et Piano
Instantly downloadable sheet music by Jean Baptiste Accolay for violin & piano of MEDI…
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Instantly downloadable sheet music by Jean Baptiste Accolay for violin & piano of MEDIUM/HIGH skill level. Contents: concerto in a minor / classical,concert
$5.99
5.4 €
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Violon et Piano
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Jean Baptiste Accolay
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Virtualsheetmusic
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.64 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto D Minor
Violon et Piano
Violin and orchestra - Digital Download Composed by Robert Schumann. This edition: pi…
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Violin and orchestra - Digital Download Composed by Robert Schumann. This edition: piano reduction with solo part. Downloadable. Duration 27 minutes. Schott Music - Digital #Q1752. Published by Schott Music - Digital
'You were often on my mind when I was writing', wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann's illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann's death in 1956. After detailed editorial work, the premiere was brought forward to 1937.<br> <br> The theme of the middle movement probably formed the basis of Schumann's Geistervariationen ('Ghost Variations'), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann's solo part saw in this piece 'the bridge between Beethoven's and Brahms' concertos'.
$21.99
19.84 €
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Violon et Piano
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Robert Schumann
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Concerto D Minor
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Schott Music - Digital
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SheetMusicPlus
Vivaldi - Concerto for Violin and Piano in A minor RV356
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.6…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.651109 Composed by Antonio Vivaldi. Arranged by MPS. Baroque. Score and parts. 19 pages. Classic Piano sheetz #6066505. Published by Classic Piano sheetz (A0.651109). Vivaldi - Concerto for Violin and Piano in A minor.
$9.99
9.01 €
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Violon et Piano
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Antonio Vivaldi
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MPS
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Vivaldi - Concerto for Violin and Piano in A minor RV356
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Classic Piano sheetz
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SheetMusicPlus
Robert Schumann: Concerto in A minor Op.129 (New Edition) for cello & piano
Violoncelle, Piano
Instantly downloadable sheet music by Robert Schumann for cello & piano of HIGH skill …
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Instantly downloadable sheet music by Robert Schumann for cello & piano of HIGH skill level. Contents: op. 129, opus 129 / classical,concert
$7.75
6.99 €
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Violoncelle, Piano
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Robert Schumann
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Virtualsheetmusic
Camille Saint-Saens: Concerto in A minor Op.33 No.1 for cello & piano
Violoncelle, Piano
Instantly downloadable sheet music by Camille Saint-Saens for cello & piano of HIGH sk…
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Instantly downloadable sheet music by Camille Saint-Saens for cello & piano of HIGH skill level. Contents: opus 33, op. 33, number 1, no. 1 / classical,french,concert
$7.75
6.99 €
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Violoncelle, Piano
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Camille Saint-Saens
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Virtualsheetmusic
Edward Grieg: Concerto in A minor Op.16 for piano & orchestra
Piano et Orchestre
Instantly downloadable sheet music by Edvard Grieg for piano & orchestra of HIGH skill…
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Instantly downloadable sheet music by Edvard Grieg for piano & orchestra of HIGH skill level. Contents: op. 16, opus 16 / classical,concert
$6.75
6.09 €
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Piano et Orchestre
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Edward Grieg
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Virtualsheetmusic
Alexander Konstantinovich Glazunov: Concerto in A minor Op. 82 for violin & piano
Violon et Piano
Instantly downloadable sheet music by Alexander Konstantinovich Glazunov for violin & …
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Instantly downloadable sheet music by Alexander Konstantinovich Glazunov for violin & piano of MEDIUM skill level. Contents: opus 82, op82 / classical,concert
$7.99
7.21 €
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Violon et Piano
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Alexander Konstantinovich Glazunov
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Virtualsheetmusic
Antonin Dvorak: Concerto in A minor Op.53 for violin & piano
Violon et Piano
Instantly downloadable sheet music by Antonin Dvorak for violin & piano of HIGH skill …
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Instantly downloadable sheet music by Antonin Dvorak for violin & piano of HIGH skill level. Contents: op. 53, opus 53 / classical,concert
$7.99
7.21 €
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Violon et Piano
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Antonin Dvorak
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Virtualsheetmusic
Concerto for Two Violas and Piano in A Minor SOLO INSTRUMENTS & PIANO
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.977967 Composed by Johann Sebastia…
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Piano,Viola - Level 3 - Digital Download SKU: A0.977967 Composed by Johann Sebastian Bach. Arranged by Brett L Allen. Concert,Standards. Score and part. 55 pages. Brettallenmusic.com #6216987. Published by brettallenmusic.com (A0.977967). An arrangement for Violas of J S Bach's Concerto for Two Violins in D Minor, BWV 1043, the famed Bach Double. Suitable for recitals, masterclasses, auditions and competitions. Piano version uniquely adapted to the tambre of the Viola. Includes Solo Violas Parts 1 & 2 and Piano Part only.
$27.00
24.36 €
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Alto, Piano
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Johann Sebastian Bach
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Brett L Allen
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2 and Piano Part only
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Concerto for Two Violas and Piano in A Minor SOLO INSTRUMENTS & PIANO
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brettallenmusic.com
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SheetMusicPlus
Concerto A Minor
Violoncelle, Piano
2 (2. auch Picc.) · 2 · 2 · 2 - 4 · 2 · 0 · 0 - P. - Str. cello and orch…
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2 (2. auch Picc.) · 2 · 2 · 2 - 4 · 2 · 0 · 0 - P. - Str. cello and orchestra - difficult - Digital Download SKU: S9.Q1476 From the Arpeggio Sonata. Composed by Franz Schubert. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Schott Music - Digital #Q1476. Published by Schott Music - Digital (S9.Q1476). Key: A minor.
$21.99
19.84 €
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Violoncelle, Piano
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Franz Schubert
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Concerto A Minor
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Schott Music - Digital
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SheetMusicPlus
Violin Concerto A Minor
Violon et Piano
Violin and orchestra - difficult - Digital Download SKU: S9.Q2759 Composed by Anton…
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Violin and orchestra - difficult - Digital Download SKU: S9.Q2759 Composed by Antonin Dvorak. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Op. 53. Schott Music - Digital #Q2759. Published by Schott Music - Digital (S9.Q2759). Key: A minor.
$18.99
17.13 €
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Violon et Piano
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Antonin Dvorak
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Violin Concerto A Minor
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Schott Music - Digital
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SheetMusicPlus
Vivaldi - 12 Double Concertos for Two Violins and Cembalo (or Piano) - Scores and Parts
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - Digital Download SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. 465 pages. Santino Cara #828028. Published by Santino Cara (A0.1232342). Complete scores and parts of 12 Double concertos for Two Violins and Cembalo or Piano. Composed in Venice between 1711 and 1720 by Antonio Vivaldi. Transcribed over the years by Santino Cara.12 Concertos:1.  Concerto No.3 in D major from Op.12   RV 1242.  Concerto in C major   RV 5053.  Concerto in C major   RV 5084.  Concerto in C minor   RV 5095.  Concerto in D major   RV 5116.  Concerto in D minor   RV 5147.  Concerto in G major   RV 5168.  Concerto in G minor   RV 5179.  Concerto in A major   RV 52110.Concerto in A minor   RV 52311. Concerto in B flat major RV 52912. Concerto No.9 in B flat major from “La Cetra†Op.9   RV 530Other Vivaldi's works for violin and harpsichord or piano:Vivaldi - 23 Concertos for Violin and PianoVivaldi - L'Estro Armonico Op.3 - 12 Concertos for 2 Violins and Piano - Scores and PartsVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin and PianoVivaldi - Six Violin Concertos for Violin and Piano Op.6 - Scores and violin partVivaldi - 10 Violin Concertos Op.7 for Violin and Cembalo (or Piano) - Scores and PartVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin and PianoVivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin partVivaldi - Six Violin Concertos Op.11 for Violin and Cembalo (or Piano) - Full scores and partVivaldi - Six Concertos for Violin and Piano Op.12 - Complete scores and Part
$32.40
29.23 €
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Violon et Piano
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Santino Cara
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Santino Cara
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Vivaldi - 12 Double Concertos for Two Violins and Cembalo
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Santino Cara
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SheetMusicPlus
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - simpl
Violon et Piano
Clarinet,Flute,Guitar,Harp,Oboe,Organ,Piano,Violin - Level 2 - Digital Download SKU: A0…
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Clarinet,Flute,Guitar,Harp,Oboe,Organ,Piano,Violin - Level 2 - Digital Download SKU: A0.913132 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 3 pages. Andrei-Lucian Dragoi #6618935. Published by Andrei-Lucian Dragoi (A0.913132). Music (1868): Edvard Hagerup Grieg (1843-1907) Simplified arr. (with melo-harmonic modifications) for G-clef piano/harp (GCP/GCH) (13.11.2021) by: dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)Wikipedia reference URLs: https://en.wikipedia.org/wiki/Edvard_Grieg https://en.wikipedia.org/wiki/Piano_Concerto_(Grieg)
$1.99
1.8 €
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Violon et Piano
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - Lead
Violon et Piano
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - Digital Download …
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Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - Digital Download SKU: A0.913130 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 1 pages. Andrei-Lucian Dragoi #6618827. Published by Andrei-Lucian Dragoi (A0.913130). Music (1868): Edvard Hagerup Grieg (1843-1907) Lead sheet (A6) for G-clef piano/harp (GCP/GCH) (13.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com) Just put it on your phone and play along!Wikipedia reference URLs: https://en.wikipedia.org/wiki/Edvard_Grieg https://en.wikipedia.org/wiki/Piano_Concerto_(Grieg)
$1.99
1.8 €
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Violon et Piano
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
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