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Piano Solo No. 9-A
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Piano Solo No. 9-A (Legion At War) | Pianist - S. S. Rajawat
Piano seul
Piano - Digital Download SKU: A0.1072589 Composed by S. S. Rajawat. Arranged by S. …
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Piano - Digital Download SKU: A0.1072589 Composed by S. S. Rajawat. Arranged by S. S. Rajawat. 20th Century,Classical,Contemporary,Musical/Show. Full Performance. Duration 217. Signature Of Royal Music #3573089. Published by Signature Of Royal Music (A0.1072589). This piano solo is describing the endless war fought by the heroes.
$3.99
3.71 €
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Piano seul
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S
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S
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Piano Solo No. 9-A
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Signature Of Royal Music
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SheetMusicPlus
Piano Solo No. 1 (A Cup of Joe)
Piano Facile
Piano Solo - Level 1 - Digital Download SKU: A0.1317005 Composed by Daniel Parker. …
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Piano Solo - Level 1 - Digital Download SKU: A0.1317005 Composed by Daniel Parker. 21st Century. Score. 2 pages. A & B Music Publishing #905682. Published by A & B Music Publishing (A0.1317005). Composition Title: Piano Solo No. 1 (A Cup of Joe)Composer: Daniel ParkerInstrumentation: Solo PianoPage size: 9†x 12â€Year: 2023Engraving by: A & B Music Publishing© 2023 Daniel Parker.
$1.99
1.85 €
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Piano Facile
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Daniel Parker
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Piano Solo No. 1
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A & B Music Publishing
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SheetMusicPlus
Largo from Symphony No.9 ("From the New World") (Dvorak) - Theme for Solo Piano (Transposed/Easier Key)
Piano Facile
Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spir…
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Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spiritual, TV, Native American. Piano Reduction, Sheet Music Single. 2 pages. Published by RBMusic
This arrangement is not in the original key to make it easier to play. A version in the original key is available here: S0.373007. The Czech composer Antonín Dvoand#345;ák became the director of theNational Conservatory of Music in New York City in 1892 (a post he helduntil 1895). Whilst in North America, he became fascinated by Native Americanmusic and the African-American spirituals that he heard. After a commission in1893 from the New York Philharmonic, he wrote the Symphony No. 9 in E minor,"From the New World", also known as the ?New World? Symphony ? not onlyhis most famous symphony but one of the most popular symphonies of all time. The second movement (Largo) features the famous cor anglaissolo, arranged here for solo piano. It was famously used in a British advert for the bread-brandHovis and was adapted into the spiritual-like song ?Goin? Home? by one ofDvoand#345;ák's pupils in 1922. Dvoand#345;ák explained the Native-American influences in the symphonyin an article published by the New York Herald: ?I have not actually used anyof the [Native American] melodies. I have simply written original themesembodying the peculiarities of the Indian music, and, using these themes assubjects, have developed them with all the resources of modern rhythms,counterpoint, and orchestral colour.? A recording of the ?New World? Symphony was taken along on theApollo 11 mission by Neil Armstrong in 1969.
$6.50
6.04 €
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Piano Facile
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Antonin Dvorak (1841-1904)
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Rob Bushnell
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Largo from Symphony No.9
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RBMusic
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SheetMusicPlus
Paradisi - Piano Sonata No.9 in A minor, P893-9
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1183052 By Santino Cara. By Pier Do…
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Piano Solo - Level 3 - Digital Download SKU: A0.1183052 By Santino Cara. By Pier Domenico Paradisi. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #782774. Published by Santino Cara (A0.1183052). Complete score of the Piano Sonata No.9 in A minor P893/9 Composed in London between 1740 and 1745 by Pier Domenico Paradisi. Published in London in 1754 by John Johnson at the request of the author. Rewritten and elaborated in Rome in 2020 by Santino Cara.2 Movements: 1. Allegro, 2. Andante.
$10.40
9.66 €
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Piano seul
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Santino Cara
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Santino Cara
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Paradisi - Piano Sonata No.9 in A minor, P893-9
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Santino Cara
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.53 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Quietudes, Nos. 1-12 - Flute and Piano
Flûte traversière et Piano
Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michae…
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Piano Solo, Flute, flute solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Sacred, Wedding, Funeral, New Age. Sheet Music Single. 85 pages. Published by James M Stevens Music ASCAP
These are 12 original and ambient flute and piano duets with a different piece for every major key beginning with C major and each number moving a half step higher till number 12 in B major. These are all relaxing and romantic composition in quiet and calm styles and are somewhat a set of etudes encouraging the violinist and pianist to play similar styles in some keys that that may not be favorites. However, professional musicians have to play in every key and students would be well served play all and not avoid certain keys. All of these have piano tracks that may be used for performance or rehearsal and can be found under "Quietude No. 1 Piano Track" and just changing the number to find the right track. The MP3 is of No. 1 while the YouTube link is of number 9 in A flat major. There are separate flute parts for every piece. Most of the piano parts as seen can also serve as stand alone solos. This book is also available for violin and piano solo. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$18.99
17.64 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quietudes, Nos. 1-12 - Flute and Piano
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SheetMusicPlus
Sonata in Olden Style for Solo Piano (Piano Sonata no. 9)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.939766 Composed by Richard St. Clai…
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Piano Solo - Level 5 - Digital Download SKU: A0.939766 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Romantic Period. Score. 13 pages. Richard St. Clair #3385207. Published by Richard St. Clair (A0.939766). Sonata in 3 Movements in A minor, for solo piano, final version 2017. Mostly classical/romantic style with some modernisms.
$15.99
14.85 €
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Piano seul
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Richard St
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Sonata in Olden Style for Solo Piano
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Richard St. Clair
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SheetMusicPlus
Debussy and Satie Piano Favorites Collection - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arr…
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Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary Classical, Impressionistic, Recital. 47 pages. Published by Diamond S Music
Debussy and Satie Piano Favorites Collection- Piano Solo. This is a collection of 9 popular Piano Solos by Claude Debussy and Erik Satie. The contents are: SATIE: Gymnopédie No. 1-3 DEBUSSY: Claire de Lune, Arabesques No. 1 and 2, Rêverie, and 2 pieces from ?The Children?s Corner? - Doctor Gradus ad Parnassum, and Golliwog?s Cakewalk. Also contains a short bio of each composer, Debussy and Satie. 41 pages of music.
$14.99
13.92 €
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Piano seul
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Claude Debussy, Erik Satie
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Debussy, Satie
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Debussy and Satie Piano Favorites Collection - Piano Solo
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SheetMusicPlus
Winter Piano Prelude No. 9
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1127309 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1127309 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #727944. Published by James M Stevens Music ASCAP (A0.1127309). Written November 4, 2022, piano composition in a romantic and dreamy style in the key of B flat major. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services around the world including Spotify, Pandora, Apple, Amazon, Deezer, and others.
$3.99
3.71 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Winter Piano Prelude No. 9
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James M Stevens Music ASCAP
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SheetMusicPlus
Mozart-Piano Sonata No.9 in D Major,K.311
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.672467 Composed by Wolfgang Amadeus…
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Piano Solo - Level 3 - Digital Download SKU: A0.672467 Composed by Wolfgang Amadeus Mozart. Arranged by MSM. Classical,Romantic Period. Score. 21 pages. Open Cloud #5019767. Published by Open Cloud (A0.672467). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Mozart (Wolfgang Amadeus Mozart), 1756-1791, for Paino, published by More Sheet Music Press.
$5.59
5.19 €
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Piano seul
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Wolfgang Amadeus Mozart
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MSM
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Mozart-Piano Sonata No.9 in D Major,K.311
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Open Cloud
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SheetMusicPlus
Gustav Mahler - Adagietto (from Symphony No. 5) - Piano Solo
Piano seul
Piano Solo - Advanced - Digital Download Composed by Gustav Mahler (1860-1911). Arran…
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Piano Solo - Advanced - Digital Download Composed by Gustav Mahler (1860-1911). Arranged by Mario Stallbaumer. 20th Century, Romantic Period, Funeral, Recital. 6 pages. Published by Mario Stallbaumer
The Adagietto from Gustav Mahler's Symphony No. 5 makes for a wonderful piano arrangement!<br> <br> This is an accurate piano transcription of the full piece, created with great passion and attention to detail.<br> <br> Please note: Although the "Adagietto" is a very slow piece, there are quite challenging parts in this arrangement, so it can only be recommended to experienced piano players.<br> <br> The Adagietto is the fourth movement from Gustav Mahler's fifth Symphony, which he composed in the years 1901 and 1902.<br> Considered an expression of his love for his wife Alma, the Adagietto became arguably his most famous composition, and is frequently performed by the world's greatest orchestras.<br> <br> Leonard Bernstein famously conducted the Adagietto at Robert F. Kennedy's funeral.<br> It also became a common theme for the remembrance of the 9/11 terror attacks.<br> <br> Played by only the orchestra's string section and a solo harp, the Adagietto is certainly one of the most beautiful compositions ever written, and it makes for a magnificent piano piece!
$2.99
2.78 €
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Piano seul
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Gustav Mahler (1860-1911)
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Mario Stallbaumer
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Gustav Mahler - Adagietto
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Mario Stallbaumer
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SheetMusicPlus
< Short EZ Piano #420 > Gurenge from Kimetsu No Yaiba (Demon Slayer)
Piano Facile
Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lisa. Arranged by T…
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Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lisa. Arranged by Tsuyoshi Yoroiguma. Individual Part, Piano Reduction. 3 pages. Published by Tsuyoshi Yoroiguma
Let's play your favorite pop,rock,jazz etc. by piano(or keyboard).<br> <br> Short EZ Piano is a easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.<br> <br> Kimetsu No Yaiba (Demon Slayer) is a Japanese mega-hit comic and animation movie in 2020.<br> <br> The PDF file includes 3 pages of sheet music.<br> <br> This is an easy version arrangement in translated key (A-minor).<br> <br> Playing time :2min05sec.<br> <br> Please visit arranger's blog to listen full sound sample<br> http://yoroiguma.seesaa.net/<br> page of 2020-12-9
$7.00
6.5 €
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Piano Facile
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Lisa
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Tsuyoshi Yoroiguma
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< Short EZ Piano #420 > Gurenge from Kimetsu No Yaiba
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Toccata tangabile [piano]
Piano seul
Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st C…
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Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9 pages. Published by Juan Maria Solare
This composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).<br> <br> The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.<br> <br> In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"<br> <br> This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo “Villa Victoria”, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.<br> <br> https://www.youtube.com/watch?v=BfClIaFgBBI
$2.50
2.32 €
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Piano seul
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Juan María Solare
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Toccata tangabile [piano]
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Juan Maria Solare
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SheetMusicPlus
Largo from Dvorak's Symphony No. 9 (Piano Solo)
Piano seul
Piano Solo - Digital Download SKU: A0.942219 Composed by Antonin Dvorak. Arranged b…
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Piano Solo - Digital Download SKU: A0.942219 Composed by Antonin Dvorak. Arranged by Julia Rose-Spence. 20th Century,Classical,Romantic Period. Score. 4 pages. Julia Rose-Spence #5713919. Published by Julia Rose-Spence (A0.942219). A piano solo arrangement of the beautiful Largo theme from Dvorak's Symphony No. 9, the New World Symphony. This is an intermediate level arrangement. Check out Julia's website https://www.juliarosespence.com to find out more about her and also to find out latest news and releases. Her debut Album, 'Awakening Dawn' is available now. The sheet music is coming soon to Sheet Music Direct... You can also find her @thepianoarranger on Facebook to communicate with her directly and request new arrangements! Have a browse through her growing catalogue on Sheet Music Direct for more beautiful, inspiring piano pieces - https://www.sheetmusicplus.com/publishers/julia-rose-spence/16549
$4.99
4.64 €
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Piano seul
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Antonin Dvorak
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Julia Rose-Spence
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Largo from Dvorak's Symphony No. 9
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Julia Rose-Spence
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SheetMusicPlus
Ode To Joy (Symphony No.9) for Early Intermediate Piano Solo and Piano Duet
Piano seul
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1001962 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1001962 Composed by Ludwig van Beethoven. Arranged by Iago Flávio. Classical,Instructional,Standards,World. Score. 3 pages. Iago Flavio #6370017. Published by Iago Flavio (A0.1001962). This is Ode To Joy, a very famous classical piece composed by Ludwig Van Beethoven who piece's name is attributed to the Symphony No.9, made for Early Intermediate Piano Solo and Piano Duet. It is applicable for repertoire and classroom. (The audio is a playing of both Piano Solo and Piano Duet). Have Fun!
$2.25
2.09 €
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Piano seul
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Ludwig van Beethoven
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Iago Flávio
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Ode To Joy
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Iago Flavio
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SheetMusicPlus
Ode To Joy (Symphony No.9) for Intermediate Piano Solo and Piano Duet
Piano seul
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1001963 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1001963 Composed by Ludwig van Beethoven. Arranged by Iago Flávio. Classical,Instructional,Romantic Period,Standards,World. Score. 4 pages. Iago Flavio #6381457. Published by Iago Flavio (A0.1001963). This is Ode To Joy, a very famous classical piece composed by Ludwig Van Beethoven who piece's name is attributed to the Symphony No.9, made for Intermediate Piano Solo and Piano Duet. It is applicable for repertoire and classroom. (The audio is a playing of both Piano Solo and Piano Duet). Have Fun!
$2.25
2.09 €
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Piano seul
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Ludwig van Beethoven
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Iago Flávio
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Ode To Joy
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Iago Flavio
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SheetMusicPlus
Impromptu No.9 For Piano
Piano seul
Piano Solo - Digital Download SKU: A0.955400 Composed by Neal Fitzpatrick. Contempo…
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Piano Solo - Digital Download SKU: A0.955400 Composed by Neal Fitzpatrick. Contemporary,World. Score. 4 pages. Neal Fitzpatrick Editions #6021029. Published by Neal Fitzpatrick Editions (A0.955400). This is Impromptu No.9 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
1.85 €
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Piano seul
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Neal Fitzpatrick
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Impromptu No.9 For Piano
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Neal Fitzpatrick Editions
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.61 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Sonata Hymnica No. 1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.82 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.82 €
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Piano seul
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James Siddons
#
#
Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 3
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.82 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.47 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.61 €
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Cor et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.47 €
#
Violon et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Violin and Piano
#
jmsgu3
#
SheetMusicPlus
Song no.9
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1019303 Composed by #GeoffRodThomso…
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Piano Solo - Level 4 - Digital Download SKU: A0.1019303 Composed by #GeoffRodThomson. Broadway,Contemporary,Film/TV,Musical/Show. Score. 1 pages. Geoff R Thomson #3142143. Published by Geoff R Thomson (A0.1019303). #Song9 is one of the composer Geoff Rod Thomson's favourites. It is written as a lead sheet. A lovely piece of music for your enjoyment. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.85 €
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Piano seul
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#GeoffRodThomson
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Song no.9
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Geoff R Thomson
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SheetMusicPlus
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