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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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29
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26
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48
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41
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32
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24
Clarinette Basse, Piano
16
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11
2 Saxophones (duo)
9
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Quatuor de Clarinettes: 4 clarinettes
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Flûte à bec Soprano
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Saxophone Tenor
7
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6
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
Flûte à Bec
5
Quatuor de Saxophones: 4 saxophones
5
3 Saxophones (trio)
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Flûte à Bec, Piano
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Hautbois
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Saxophone Alto
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Flûte à bec Alto, Piano
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Quintette de Saxophone: 5 saxophones
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano
4
2 Clarinettes, Piano
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Saxophone Baryton
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Flute (partie séparée)
3
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Clarinette (partie séparée)
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2
2 Hautbois (duo)
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1
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2 Flûte à bec (duo)
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Clarinette Basse
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Quintette de Flûte : 5 flûtes
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Trombone et Piano
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27
Trompette
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Tuba
19
Tuba et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor
9
Trombone
9
Trombone (partie séparée)
7
Trompette (partie séparée)
5
2 Cors Anglais Et Pianoforte
2
Tuba (partie séparée)
2
Euphonium
2
Quatuor de Cuivres
2
Cor (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trombones (duo)
1
2 Cors (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
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Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes (duo)
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Violon et Piano
79
Violoncelle, Piano
70
Alto, Piano
54
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon
24
Violoncelle
19
Alto seul
16
Contre Basse
8
Contrebasse, Piano (duo)
8
Harpe
8
2 Violoncelles (duo)
8
Violoncelle, Contrebasse (duo)
5
Violon, Alto (duo)
4
2 Altos (duo)
4
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
1
2 Harpes (duo)
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Violon, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
41
Orchestre à Cordes
23
Ensemble Jazz
18
Orchestre d'harmonie
13
Cloches
9
Orchestre de chambre
7
Ensemble de cuivres
3
Batterie (partie séparée)
2
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AUTRES
Vous avez sélectionné:
Piano Solo no. 2-A
Partitions à imprimer
4 571 partitions trouvées
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4551
Piano Solo no. 2-A (Hope)
Piano seul
Piano - Digital Download SKU: A0.1072582 Composed by S. S. Rajawat. Arranged by S. …
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Piano - Digital Download SKU: A0.1072582 Composed by S. S. Rajawat. Arranged by S. S. Rajawat. 20th Century,Classical,Contemporary,Musical/Show. Full Performance. Duration 122. Signature Of Royal Music #3567467. Published by Signature Of Royal Music (A0.1072582). This Piano Solo Is describing A man who is wandering that he can find his destination but he is defeated. Still he believe that he will surely find his destination one day.
$2.50
2.27 €
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Piano seul
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S
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S
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Piano Solo no. 2-A
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Signature Of Royal Music
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SheetMusicPlus
Morning dewdrops_Study on Arpege for Piano solo no.2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1023457 Composed by Myrto A.Kostaro…
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Piano Solo - Level 4 - Digital Download SKU: A0.1023457 Composed by Myrto A.Kostaropoulou. 20th Century,Concert. Score. 7 pages. Myrto A.Kostaropoulou #6588329. Published by Myrto A.Kostaropoulou (A0.1023457). Study no.2: Morning dewdrops_Study on Arpege for Piano solo (6/8, 2:18) A study on arpeges, played with flowing motion. A melodic composition with breezes, and exchanging roles between the right and left hands at the end of the piece.
$10.00
9.08 €
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Piano seul
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Myrto A
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Morning dewdrops_Study on Arpege for Piano solo no.2
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Myrto A.Kostaropoulou
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SheetMusicPlus
Piano Solo No. 1 (A Cup of Joe)
Piano Facile
Piano Solo - Level 1 - Digital Download SKU: A0.1317005 Composed by Daniel Parker. …
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Piano Solo - Level 1 - Digital Download SKU: A0.1317005 Composed by Daniel Parker. 21st Century. Score. 2 pages. A & B Music Publishing #905682. Published by A & B Music Publishing (A0.1317005). Composition Title: Piano Solo No. 1 (A Cup of Joe)Composer: Daniel ParkerInstrumentation: Solo PianoPage size: 9†x 12â€Year: 2023Engraving by: A & B Music Publishing© 2023 Daniel Parker.
$1.99
1.81 €
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Piano Facile
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Daniel Parker
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Piano Solo No. 1
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A & B Music Publishing
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SheetMusicPlus
Bach/Gounod "Ave Maria " [for PianoSolo ]
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.745000 By Hanna Choi. By Bach/Gouno…
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Piano Solo - Level 2 - Digital Download SKU: A0.745000 By Hanna Choi. By Bach/Gounod. Arranged by Hanna Choi. Baroque,Classical,Sacred. Score. 4 pages. HannaChoi #352995. Published by HannaChoi (A0.745000). Bach/Gounod - Ave Maria for Piano Solo Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722.
$3.50
3.18 €
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Piano seul
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Hanna Choi
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Hanna Choi
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Bach/Gounod "Ave Maria " [for PianoSolo ]
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HannaChoi
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SheetMusicPlus
Kizuna No Kiseki
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1414292 By Man With A Mission X Mil…
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Piano Solo - Level 2 - Digital Download SKU: A0.1414292 By Man With A Mission X Milet. By Hiroshi Yoshisue (pka Jean-ken Johnny). Arranged by Piano Lovers. jp. Pop. Score. 6 pages. Piano Lovers. jp #996066. Published by Piano Lovers. jp (A0.1414292). I made piano sheet music for ‘Kizuna no Kiseki’ from Demon slayer!Title : Kizuna no KisekiAnime : Demon slayer (Kimetsu no Yaiba)Artist : MAN WITH A MISSION×miletPiano Lovers. jp makes piano sheet music of popular Japanese anime songs and J-POP.▼Latest Video(YouTube)1.Piano Lovers. jp(normal)https://www.youtube.com/@pianoloversjp/videos2.Piano Lovers. jp(easy)https://www.youtube.com/@pianoloversjpeasy/videosThere are many simple and easy Japanese anime song piano tutorials!
$4.99
4.53 €
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Piano seul
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Man With A Mission X Milet
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Piano Lovers
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Kizuna No Kiseki
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Piano Lovers. jp
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SheetMusicPlus
Pigeon house_Study on Rhythm for Piano solo no.01
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1023456 Composed by Myrto A.Kostaro…
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Piano Solo - Level 5 - Digital Download SKU: A0.1023456 Composed by Myrto A.Kostaropoulou. 20th Century,Concert. Score. 5 pages. Myrto A.Kostaropoulou #6588325. Published by Myrto A.Kostaropoulou (A0.1023456). Study no.1: Pigeon house for Piano solo_Study on Rhythm for Piano solo (2/4, 0:47) Molto vivace. A study on the coexistence of different rhythms. It is programmatic, because it depicts and describes the chaos that exists in a pigeon house.
$10.00
9.08 €
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Piano seul
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Myrto A
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Pigeon house_Study on Rhythm for Piano solo no.01
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Myrto A.Kostaropoulou
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Piano song no.2
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1019271 Composed by #GeoffRodThomso…
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Piano Solo - Level 5 - Digital Download SKU: A0.1019271 Composed by #GeoffRodThomson. Contemporary,Jazz. Score. 2 pages. Geoff R Thomson #3129345. Published by Geoff R Thomson (A0.1019271). #PianoSong2 by Geoff Rod Thomson has melody, chords and piano accompaniment. This song has 3 very distinctly different parts to it: a beautifully sweet chorus, a vibrant and catchy verse, and a cool laid-back instrumental break between the two. These seemingly disparate parts actually gel very well together giving the piece a real vitality. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.81 €
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Piano seul
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#GeoffRodThomson
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Piano song no.2
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Geoff R Thomson
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SheetMusicPlus
Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate Piano Arrangement
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1455528 Composed by Traditional. Ar…
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Piano Solo - Level 2 - Digital Download SKU: A0.1455528 Composed by Traditional. Arranged by Glauco Fernandes. Classical,Instructional,Romantic Period,Wedding. Score. 2 pages. Glauco Fernandes #1034617. Published by Glauco Fernandes (A0.1455528). Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate Piano ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Romance D'Amor, and Jeux Interdits, tailored for easy intermediate piano players.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece while being accessible to piano players at an easy intermediate level. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Buy Sheet MusicTags: #SpanishRomance #Romanza #RomanceDAmor #EasyIntermediatePiano #PianoArrangement #SheetMusic #PianoStudents #MusicTeachers #WeddingMusic #ClassicalMusic.
$5.99
5.44 €
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Piano seul
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
Hymns Refreshed Songbook (14 Sacred Solos for Intermediate Piano)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Pam Turner…
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Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Pam Turner. Christian, Contemporary Christian, Gospel, Sacred, General Worship. Sheet Music Single. 62 pages. Published by Pamela Turner
Hymns Refreshed is a collection of timeless hymns updated to contemporary styling. Great for church services, weddings, Recitals, or your own enjoyment. Graded from Late Intermediate to Early Advanced, these polished arrangements will suit any occasion where sacred music is desired. Complete your sacred library with Hymns Refreshed, Hymns Refreshed 2 (593745), and Hymns Refreshed 3! (803581) Connect with Pam at www.pamturnerpiano.com and on facebook at https://facebook.com/pamturnerpiano Contains For the Beauty of the Earth; In Christ There Is No East or West; Holy, Holy, Holy; My Shepherd Will Supply My Need; He Leadeth Me; Amazing Grace; Near the Cross; Come, Thou Fount of Every Blessing; Joshua Fought the Battle of Jericho; Abide With Me; Be Still My Soul; Nearer My God to Thee; Be Thou My Vision; Come, Ye Thankful People, Come.
$12.95
11.75 €
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Piano seul
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Various
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Pam Turner
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Hymns Refreshed Songbook
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
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Violoncelle, Piano
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Camille Saint-Saens
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James M
#
Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.72 €
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Alto, Piano
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Camille Saint-Saens
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James M
#
Saint-Saens: The Swan for Viola and Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Cor et Piano
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Camille Saint-Saens
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James M
#
Saint-Saëns: The Swan for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Clarinette et Piano
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Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Flûte traversière et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Saxophone Alto et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Saxophone Soprano et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.9 €
#
Hautbois, Piano (duo)
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Oboe & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.72 €
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Violon et Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Violin and Piano
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jmsgu3
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SheetMusicPlus
Impromptu No. 1
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1368630 Composed by Hannah E. Adhik…
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Piano Solo - Level 2 - Digital Download SKU: A0.1368630 Composed by Hannah E. Adhikari. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 2 pages. Hannah E. Adhikari #952999. Published by Hannah E. Adhikari (A0.1368630). A Piano Solo to remind us all of our Childhood. We can find magic in life again when we see the world through the lense of love. Impromptu No. 1 is a Piano Solo from the Album, Legacies, Composed and Edited by Hannah E. Adhikari. You can buy the full Album HERE.Piano Solo. Composed and Edited by Hannah Heaton Adhikari (b. 2000). New Age Piano Solos. Female Composers. Digital Sheet Music. Recital. 2 pages.Level: Level 3-6 Early to Mid-Intermediate.Type: Digital Sheet Music
$2.50
2.27 €
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Piano seul
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Hannah E
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Impromptu No. 1
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Hannah E. Adhikari
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SheetMusicPlus
Romantic Classics ~ a Collection of 20 Piano Solos
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wil…
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Piano Solo - Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Christian, Valentine's Day, Wedding. Sheet Music Single. 73 pages. Published by Sharon Wilson
This collection of intermediate piano solos includes 20 arrangements of some of the most romantic songs from ages past. These beautiful, lyrical songs are perfect for weddings, easy listening repertoire, personal enjoyment, and even a few for church worship services. These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings. Complimentary interludes and introductions were added when appropriate and melodies modified to create a more contemporary sound. Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples. The audio sample plays ?Starlight Serenade? by Alexander Ilyinsky. Titles in this collection include: Aura Lea ~ by George Poulton Butterfly Serenade ~ Impromptu (Op. 90, No. 3) by Franz Schubert Cherish the Moments ~ Rondo from Pathétique by Ludwig van Beethoven Dance with Me ~ Valse Lente from ?Coppelia? by Leo Delibes Dream with Me ~ Andante from Piano Concerto No. 21 by Wolfgang Amadeus Mozart Evening Breezes ~ Intermezzo from Carmen Suite No. 1 by Georges Bizet A Journey of Love ~ Sicilienne by Gabriel Fauré The Joys of Love ~ Plaisir d?Amour by Jean-Paul Martini Jupiter from ?The Planets? ~ by GustavHolst Love?s Greeting ~ Salut d?Amour by Edward Elgar Melody of Love ~ by Hans Engelmann Moonlight Sonata ~ Adagio from Sonata Op. 27, No. 2 by Ludwig van Beethoven Nightingale Serenade ~ Serenata by Enrico Toselli O Lord Most Holy ~ Panis Angelicus by Cesar Auguste Franck Orange Blossoms in Spring ~ Intermezzo from Cavalleria Rusticana by Pietro Mascagni A Romanian Love Song ~ Rumänisches Liebesleben by Iosif Ivanovici Spring ~ Allegretto from Songs without Words by Felix Mendelssohn Starlight Serenade ~ Berceuse Op. 13, No. 7 by Alexander Ilyinsky Waves of the Danube ~ Donauwellen by Iosif Ivanovici Yearning for Love ~ Adagio from Pathétique by Ludwig van Beethoven
$18.99
17.23 €
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Piano seul
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Various
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Romantic Classics ~ a Collection of 20 Piano Solos
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Sharon Wilson
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SheetMusicPlus
Gymnopédie No.1
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1345725 Composed by Erik Satie. Arr…
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Piano Solo - Level 2 - Digital Download SKU: A0.1345725 Composed by Erik Satie. Arranged by MCC Arrangements. 20th Century,Classical,Instructional. Score. 1 pages. MCC Publishing #930607. Published by MCC Publishing (A0.1345725). A one-page piano solo reduction of Satie's Gymnopédie No.1 for early intermediate and intermediate players. A short student version for developing music literacy and technical skills, and building repertoire. The score includes instructional fingering. From the ‘One Page Piano Solos Collection’ by MCC Arrangements.
$3.99
3.62 €
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Piano seul
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Erik Satie
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MCC Arrangements
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Gymnopédie No.1
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MCC Publishing
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SheetMusicPlus
Gnossienne No.1
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1345726 Composed by Erik Satie. Arr…
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Piano Solo - Level 2 - Digital Download SKU: A0.1345726 Composed by Erik Satie. Arranged by MCC Arrangements. 20th Century,Classical,Instructional. Score. 1 pages. MCC Publishing #930608. Published by MCC Publishing (A0.1345726). A one-page piano solo reduction of Satie's Gnossienne No.1 for early intermediate and intermediate players. A short student version for developing music literacy and technical skills, and building repertoire. The score includes instructional fingering. From the ‘One Page Piano Solos Collection’ by MCC Arrangements.
$3.99
3.62 €
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Piano seul
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Erik Satie
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MCC Arrangements
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Gnossienne No.1
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MCC Publishing
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SheetMusicPlus
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