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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Picasso 3 for Oboe
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Picasso 3 for Oboe
Hautbois (partie séparée)
Oboe Solo - Digital Download SKU: A0.1006291 Composed by John Tweed. Contemporary. …
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Oboe Solo - Digital Download SKU: A0.1006291 Composed by John Tweed. Contemporary. Individual part. 1 pages. John Tweed #6746527. Published by John Tweed (A0.1006291). An Australian piece for solo, unaccompanied oboe.
$4.99
4.61 €
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Hautbois (partie séparée)
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John Tweed
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Picasso 3 for Oboe
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John Tweed
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SheetMusicPlus
Nonet (2019) for chamber ensemble
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 -…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc. I said yes. This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
$9.99
9.22 €
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Thomas Oboe Lee
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I said yes.
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Nonet
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet Quintet, opus 155 (2013)
Quintette de Clarinette: Clarinette, Quatuor à Cordes
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thoma…
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.<br> Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.<br> My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.<br> <br> Clarinet Quintet, opus 155 is in seven movements.<br> <br> I. Largo<br> II. Allegro<br> III. Interlude 1 … Presto<br> IV. Adagio<br> V. Reprise … a bit faster than before!<br> VI. Interlude 2 … Adagio<br> VII. Allegro con moto<br> <br> The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!<br> <br> ENJOY!!!<br> <br> Audio link. Copy and paste the URL link into your browser.<br> <br> https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013<br> <br> Video link: https://youtu.be/2fByM3tEAqc
$9.99
9.22 €
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.22 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.41 €
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Octet in D, opus 144 (2012) full score
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Do…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #32565. Published by Thomas Oboe Lee (A0.869256). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
9.22 €
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Octet in D, opus 144 (2012) full score
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Do…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #3899. Published by Thomas Oboe Lee (A0.869203). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
9.22 €
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.12964…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime. 18 pages. RayThompsonMusic #886629. Published by RayThompsonMusic (A0.1296413). Arranged wind dectet(double wind quintet)/bassParade is a ballet with music by Erik Satie and a one-act scenario by Jean Cocteau.The ballet was composed 1916–1917 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. This movement Ragtime also known as Rag-Time du Paquebot (Ragtime of the Packet Steamer/Steampacket) would later be adapted for piano solo, and attained considerable success as a separate piano piece.It fits the wind dectet well, and should be played lightly.Please check out  the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. (Sold separately and as collections).
$14.95
13.8 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
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