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--INSTRUMENTS--
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Piece for Strings, Horn, and Flute - French Horn Part
Non classifié
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Piano & claviers
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Cor anglais, Guitare (duo)
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2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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CHORALE - CHAN…
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CLARINETTE
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DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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Vous avez sélectionné:
Piece for Strings, Horn, and Flute - French Horn Part
Partitions à imprimer
101 partitions trouvées
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101
MOZART: DIVERTIMENTO IN D MAJOR K. 131 for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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W
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Pat Spence
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MOZART: DIVERTIMENTO IN D MAJO
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Con...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Holiday,Wedding. Score and parts. 100 pages. Piper Publications #6657067. Published by Piper Publications (A0.811822). The Divertimento, originally for an orchestra (flute, oboe, bassoon, 4 horns and strings) was completed in June 1772 in Salzburg. It was probably written for an outdoor performance and Mozart certainly made full use of the opportunity to display his remarkable talents both to his prospective patrons and his talented fellow musicians who would have performed this extensive six movement piece.There are six movements, Allegro, a substantial sonata form piece; Adagio, a sophisticated piece written for strings only; a gem of a Menuetto with three trios; Allegretto; a Menuetto with 2 trios and a final Adagio - Allegro molto - Allegro assai forms the grand finale. The scale and sophistication of this piece is far beyond that of the early symphonies which Mozart composed around the same time.The arrangement is suitable for advanced and advanced intermediate players.In editing and arranging the Divertimento for flute, oboe, clarinet, bassoon and horn it has been necessary to add phrase marks (shown in dashed lines) and extra staccato dots - not indicated. The lack of dynamic markings especially in the latter movements has been remedied in parentheses ( ). Some octave transpositions both up and down have been necessary and the glory of the four horn sections of the original have been re-scored as sympathetically as I am able.I do hope that quintet players will enjoy this arrangement of a very remarkable piece.
$24.00
Parker's Lullaby For Band
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Orchestre d'harmonie
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FACILE
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Christian Paulson
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Parker's Lullaby For Band
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Christian Paulson
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734...
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Concert Band - Level 2 - SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734412. Published by Christian Paulson (A0.1135076). I originally wrote Parker's Lullaby for our orchestra to celebrate the birth of my first grandchild, Parker. Then I wanted to explore the sounds of the concert band with this piece...so away I went. A couple of fun things went into writing this piece originally. It had to be a lullaby, represent the anticipation of her arrival and the peacefulness of her sleeping, while contrasting her whimsical side with her bold and dramatic side. A couple of other things. The chords are rather jazzy because grandpa is a rather jazzy guy. At letter C, the drum part is grandpa being playful while the flute melody is her grandma doing the same. The ranges are comfortable allowing your band to sound full and confident. I think your horns will enjoy their heroic part in the climax. I'm very pleased with how this turned out. It was important that it kept its simplicity going from strings to band. I hope you enjoy it.
$45.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Rondo in A minor for Viola and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pa...
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Chamber Orchestra - Level 5 - SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Rondo in A minor for Cello and Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pa...
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Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Romance for Trombone Solo and Orchestra
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Trombone et orchestre
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Contemporain
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Elizabeth Raum
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Romance for Trombone Solo and
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Cherry Classics Music
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SheetMusicPlus
Trombone Solo with Orchestra - Composed by Elizabeth Raum (1945-). 20th Century. Score, Set of Parts, Solo Part. 62 pages. Published by Cherry Class...
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Trombone Solo with Orchestra - Composed by Elizabeth Raum (1945-). 20th Century. Score, Set of Parts, Solo Part. 62 pages. Published by Cherry Classics Music
Romance for Solo Trombone and Orchestra by Elizabeth Raum was originally commissioned by the Canadian Music Competition as a test piece.The work is lush and with rich harmonies of about 5 1/2 minutes in length and can be performed by moderately advanced performers.Kurt Kellan, past Principal Hornist with the Calgary Philharmonic, had often asked Elizabeth Raum to orchestrate this piece, so when the occasion arose for a new piece for the 2001 Prairie Festival of New Music, she decided to adapt the piece for solo Trombone and Orchestra.Instrumentation is for:Solo Trombone, Flute, Oboe, Clarinet in B-flat, Bassoon and Strings.
$80.00
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
Schubert: Octet D803 Op.166 Mvt.I (written for string quintet/clarinet/bassoon/horn) - wind octet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Ray Thompson
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Schubert: Octet D803 Op.166 Mv
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.553307 Composed by Franz Schubert. Arranged by Ray Thompson. Holiday,Romantic...
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Large Ensemble B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.553307 Composed by Franz Schubert. Arranged by Ray Thompson. Holiday,Romantic Period,Standards,Wedding. Score and parts. 41 pages. RayThompsonMusic #2038241. Published by RayThompsonMusic (A0.553307). Originally written for an octet of 3 wind: clt, Hn & Bsn, and 5 strings: 2 Vlns, viola, cello and bass, this is a tricky piece to arrange for a standard wind octet. I have left the three original wind parts mostly unchanged, with some additional notes as required. I have simplified the string parts in places, making them more playable by the wind player: I have not simply allocated the 5 string parts to the 5 wind players. The second horn part is used for the low sustained notes originally played by the double bass. I have had to utilize notes not in the horns harmonic series, unlike horn 1.
$17.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
Minuet by Boccherini for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Woodw
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1127185 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditio...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.1127185 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 9 pages. Woods Only, Arrangements #727816. Published by Woods Only, Arrangements (A0.1127185). This simple arrangement adapted for woodwind quintet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$9.99
BEETHOVEN 12 MINUETS FOR WOODWIND QUINTET Wo07
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Pat Spence
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BEETHOVEN 12 MINUETS FOR WOODW
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.811713 Composed by Ludwig van Beethoven. Arranged by Pat Spence. Classical,Concert,S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.811713 Composed by Ludwig van Beethoven. Arranged by Pat Spence. Classical,Concert,Standards,Wedding. Score and parts. 98 pages. Piper Publications #5196093. Published by Piper Publications (A0.811713). These 12 Minuets with Trios were originally written for orchestra. The wind instrument scoring varied considerably from minuet to minuet but the strings never included any violas. The 12 pieces would most likely have been played at a grand ball for dancing. Here they are arranged for woodwind quintet and can be played by instrumentalists of intermediate standard and above.
$25.00
Crusell - Concertante in B flat major, Op.3 for Clarinet, Bassoon, Horn & Orchestra
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Orchestre
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Bernhard Henrik Crusell
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J
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Strings).
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Crusell - Concertante in B fla
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1235742 Composed by Bernhard Henrik Crusell. Arranged by J.G. Cucó Barber. 19th Century,Classical. Score and Parts. 227 page...
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Full Orchestra - SKU: A0.1235742 Composed by Bernhard Henrik Crusell. Arranged by J.G. Cucó Barber. 19th Century,Classical. Score and Parts. 227 pages. J.G. Cuco Barber #831248. Published by J.G. Cuco Barber (A0.1235742). Work Title Concertante for Clarinet, Horn and BassoonComposer Crusell, Bernhard HenrikOpus/Catalogue Number Op.3Key B flat majorMovements/Sections 3Year/Date of Composition 1808 (??)First Performance 1808First Publication 1816Average Duration 28 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation Clarinet, Horn, Bassoon and Orchestra (Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani & Strings).
$35.00
Greatest Performance Of My Life The
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Oscar Anderle, Robert I Allen,
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Nigel Hanley
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Greatest Performance Of My Lif
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Nigel Hanley Music
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1210197 Composed by Oscar Anderle, Robert I Allen, and Roberto Sanchez. Arranged by Nigel Hanley. Broadway,Contemporary,F...
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Jazz Combo - Level 4 - SKU: A0.1210197 Composed by Oscar Anderle, Robert I Allen, and Roberto Sanchez. Arranged by Nigel Hanley. Broadway,Contemporary,Funk,Musical/Show,Pop,Rock. 29 pages. Nigel Hanley Music #808012. Published by Nigel Hanley Music (A0.1210197). This chart is a seven-piece arrangement of Shirley Bassey’s ‘The Greatest Performance Of My Life’ from her 1972 album ‘I Capricorn.’It is scored for rhythm section and horn section. The piano part is a three-stave part with extensive string cues. The tenor sax also doubles with a flute.The instrumentation is:Piano/StringsGuitarBassDrumsTrumpetTenor Sax/FluteTrombone+ Lyric sheetThe complete backing track is available for download at www.nigelhanleymusic.comOther keys and instrumentation are available on request:  info@nigelhanley.com70s - Cabaret - Show -  Key of GmiSuitable for: pop, rock bands with horns, little big bands, cover bands, cruise ship bands,  high school & college bands, cabaret bands & cabaret artists, Shirley Bassey shows and tribute bands.
$29.99
Dawn in the Room for cor anglais and guitar
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Cor anglais, Guitare (duo)
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Dawn in the Room for cor angla
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.577495 Composed by David Warin Solomons. 20th Century,Contemporary. Score an...
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Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.577495 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #1939517. Published by David Warin Solomons (A0.577495). Initially based on a song inspired by the poem L'Aube dans la Chambre by Supervielle, as translated by S N Solomons, and a related poem by E M Solomons, these instrumental versions of Dawn in the Room represent the feelings of gentle nostalgia, regret and hope of all three poems. The piece is presented with various melody instruments (flute, clarinet, cor anglais, bassoon or cello) and with various accompaniments (guitar, strings or piano). It is performed here by Ãgnes Jakab (cor anglais) and András Csáki (guitar)The pdf file contains score and parts. Further details regarding the song Dawn in the Room, and various sung versions of it, can be found on http://www.dwsolo.com/serif/dawnintheroom.html
$10.00
Morning Sunrise (Score and Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Nick Mazuk
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Morning Sunrise
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Mazuk Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.933994 Composed by Nick Mazuk. Concert,Contemporary. Score and parts. 33 pages. Mazuk Music #3236657. Published by Mazu...
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Concert Band - Level 3 - SKU: A0.933994 Composed by Nick Mazuk. Concert,Contemporary. Score and parts. 33 pages. Mazuk Music #3236657. Published by Mazuk Music (A0.933994). As a composer, musical ideas pop into my head every day. Most of them are completely unrelated to any piece I am currently working on, and I manage to write some of them down for future reference. The theme to Morning Sunrise is one of those ideas. When I wrote it down, I had no idea that I was ever going to create a piece from it, so I just wrote it down for strings.Several months later, however, I had decided that I wanted to write a piece to thank those who have made my high school music life great. I spent weeks developing 4 or 5 themes and even had half of a piece done at one point, but none of theme worked. I then remembered this one from and realized that it was the perfect theme.The result of taking so long to complete this piece is that it is a very powerful piece where there are no extraneous notes, and no missing ones either. It is one where every detail matters.Includes:ScorePiccoloFluteOboeBassoon 1-2Clarinet in Bb 1-3Bass ClarinetAlto SaxophoneTenor SaxophoneBaritone SaxophoneTrumpet in Bb 1-3Horn in F 1-4Trombone 1-3EuphoniumTubaDouble BassTimpaniDuration: 4 MinutesFor more information about the piece, visit https://nickmazuk.com/Works/MorningSunrise Contact: https://nickmazuk.com/Contact/
$99.99
Mozart's Symphony No. 29 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Frank Starobin
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Mozart's Symphony No. 29 for W
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Frank Starobin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding. 40 pages. Frank Starobin #3023001. Published by Frank Starobin (A0.874038). W. A. Mozart's Symphony NO.29 in A major, K. 201, for horns, oboes, and strings is one of the composer's most notable early works. In this woodwind quintet arrangement of the first movement, Allegro moderato, I've emulated Mozart's scoring for winds to give it a genuine and honest Mozartesque air. A light and fun piece for winds! Clarinet in A and B-flat parts included. https://www.youtube.com/watch?v=pQjyKAoYVHM
$15.00
Saint-Saëns (Saint Saens) Cavatine for Trombone and Orchestra
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Trombone et orchestre
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AVANCÉ
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Classique
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Saint-Saëns
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Coy, Benjamin
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Saint-Saëns
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Cherry Classics Music
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SheetMusicPlus
Trombone and Orchestra - Advanced - Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Coy, Benjamin. Romantic Period. Score, Set of P...
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Trombone and Orchestra - Advanced - Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Coy, Benjamin. Romantic Period. Score, Set of Parts, Solo Part. 79 pages. Published by Cherry Classics Music
Cavatine, Opus 144 is a true Romantic solo work for the Trombone. This arrangement for full orchestra by Benjamin Coy is a pleasure to perform with its sweeping, majestic phrases, sweet and elegant middle section and dramatic conclusion.For advanced performers, the 6-minute work is a great showpiece to feature your Trombone soloist.Instrumentation:Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons2 Horns, 2 Trumpets in B-flat, 3 Trombones, Tuba, Timpani, PercussionStrings and Full Score.
$125.00
Hallelujah Chorus - Handel Messiah (duet/trio/quartet for strings, woodwind, or mixed)
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Classique
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George Frideric Handel
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Randy Calistri-Yeh
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Hallelujah Chorus - Handel Mes
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble Bass Clarinet,Bass Voice,Bassoon,Cello,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.722594 Composed by George Frideric Handel. Arrang...
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Small Ensemble Bass Clarinet,Bass Voice,Bassoon,Cello,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.722594 Composed by George Frideric Handel. Arranged by Randy Calistri-Yeh. Baroque,Christmas,Sacred. Score and parts. 104 pages. Custom Chamber Music #3630607. Published by Custom Chamber Music (A0.722594). Hallelujah Chorus, from Handel's Messiah, is one of the most widely recognized classical choral pieces in the world. This is a very flexible arrangement that can be played as a duet, trio, or quartet with many combinations of strings or woodwinds.
$4.99
Classroom Performance educational pack: MELODY backing tracks
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Methodes
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Austin Ralphson
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Classroom Performance educatio
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Austin Ralphson
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SheetMusicPlus
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,...
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - SKU: A0.1071285 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 968. Austin Ralphson #4757407. Published by Austin Ralphson (A0.1071285). This pack comprises backing tracks of the 5 performance pieces with the PCU: Melody pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Sequences backing track1:00 - Conjunct / disjunct backing track2:24 - Question & answer backing track4:14 - Passing notes backing track6:00 - Ornaments backing track8:08 - Sequences full track9:09 - Conjunct / disjunct full track10:32 - Question & answer full track12:21 - Passing notes full track14:04 - Ornaments full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99
Classroom Performance educational pack: RHYTHM backing tracks
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Methodes
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Austin Ralphson
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Classroom Performance educatio
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Austin Ralphson
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SheetMusicPlus
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,...
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - SKU: A0.1071284 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 393. Austin Ralphson #4757643. Published by Austin Ralphson (A0.1071284). This pack comprises backing tracks of the 5 performance pieces with the PCU: Rhythm pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Dotted notes & triplets backing track1:48 - Simple & compound backing track3:18 - Dotted notes & triplets full track5:06 - Simple & compound full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99
Elegie, Op. 24, by Gabriel Faure, - chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Bob Delfausse
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Elegie, Op. 24, by Gabriel Fau
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767003 Composed by Gabriel Faure. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 43 pages. R...
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Chamber Orchestra - Level 4 - SKU: A0.767003 Composed by Gabriel Faure. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 43 pages. Robert Delfausse #6474577. Published by Robert Delfausse (A0.767003). Faure's Elegie is a gorgeous slow stand-alone piece for solo cello. I've carefully rewritten the original orchestral accompaniment so that it can be played by a chamber orchestra: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone). There is an optional piano part, which adds depth and can solidify intonation.Duration: 6 minutes.
$20.00
Cowboy Tales, for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Cowboy Tales, for Chamber Orch
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089...
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Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00
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