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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Plainsong Mode I
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Plainsong Mode I
Partitions à imprimer
8 partitions trouvées
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ADORE TE DEVOTE (Humbly, I adore thee) – Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Benedictine Plainsong
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Charles A
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ADORE TE DEVOTE
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CG Publications
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1331360 Composed by Benedictine Plainsong. Arranged by Charles A. Gravenhorst. Chamber,Christian,Classical,Religious,Sac...
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Flute,Piano - Level 3 - SKU: A0.1331360 Composed by Benedictine Plainsong. Arranged by Charles A. Gravenhorst. Chamber,Christian,Classical,Religious,Sacred. Score and part. 4 pages. CG Publications #918568. Published by CG Publications (A0.1331360). The timeless plainsong melody of “Adore te devote (aka ‘Humbly, I adore thee’)†is arranged here for Flute with Piano accompaniment that is both simple enough for players of modest skills but makes for a most appealing performance especially suitable for church offertory, or any time. Includes both Full Piano-Flute Score, with piano chord symbols for convenience, and Instrumental Part Score.
$4.99
O Radiant Light, O Sun Divine
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Orgue
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FACILE
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Plainsong Mode I
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David Christensen
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O Radiant Light, O Sun Divine
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David Christensen
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1203328 Composed by Plainsong Mode I. Arranged by David Christensen. Early Music,Sacred,Traditional. Score. 3 pages. David Chr...
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Organ - Level 2 - SKU: A0.1203328 Composed by Plainsong Mode I. Arranged by David Christensen. Early Music,Sacred,Traditional. Score. 3 pages. David Christensen #802003. Published by David Christensen (A0.1203328). Plainsong arranged for organ solo.
$3.50
25B. O Come, O Come Emmanuel (VENI EMMANUEL)
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Musique Sacrée
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Adapted from Plainsong, Mode I
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Richard Giszczak
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25B. O Come, O Come Emmanuel
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Singing Winds Music Company
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SheetMusicPlus
Small Ensemble Carillon,Instrumental Solo - Level 3 - SKU: A0.823921 Composed by Adapted from Plainsong, Mode I by Thomas Helmore (1811–1890). Ar...
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Small Ensemble Carillon,Instrumental Solo - Level 3 - SKU: A0.823921 Composed by Adapted from Plainsong, Mode I by Thomas Helmore (1811–1890). Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 3 pages. Singing Winds Music Company #6795199. Published by Singing Winds Music Company (A0.823921). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a full statement of the theme and 4 variations.The hymn tune name is VENI EMMANUEL. The words O Come, O Come Emmanuel are associated with Advent / Christmas.
$2.00
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
Of the Father's Love Begotten (Divinum Mysterium)
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Piano seul
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INTERMÉDIAIRE
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Plainsong from 13th Century
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Wendy Loder, ASCAP
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Of the Father's Love Begotten
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LarkAngel Productions
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1141781 Composed by Plainsong from 13th Century. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Early Music,Medieval,Trad...
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Piano - Level 3 - SKU: A0.1141781 Composed by Plainsong from 13th Century. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Early Music,Medieval,Traditional. Score (Chords/Lyrics). 1 pages. LarkAngel Productions #742167. Published by LarkAngel Productions (A0.1141781). This beloved Christmas song began life as a Plainsong (chant) in the 13th century, in Latin. Here I've put the melody in modern notation, with English lyrics (5 verses) in lead sheet style. In a guitar-friendly key (E), it can be accompanied by any chordal instrument with the option of a cello joining the ensemble. It also sounds great as a solo instrument playing the beautiful melody.
$7.99
Before the Ending of the Day (JAM LUCIS)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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6th century Latin hymn and Pla
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Jayne Nitz
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Before the Ending of the Day
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Jayne Nitz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.922834 Composed by 6th century Latin hymn and Plainsong Melody. Arranged by Jayne Nitz. Christian,Contemporary,Pra...
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Piano,Vocal,Voice - Level 3 - SKU: A0.922834 Composed by 6th century Latin hymn and Plainsong Melody. Arranged by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 5 pages. Jayne Nitz #6340011. Published by Jayne Nitz (A0.922834). Before the Ending of the Day, a 6th century Latin chant, is often sung during Compline, a prayer service for evening. This arrangement is inspired by the hymn tune JAM LUCIS, and I’ve rewritten the text in modern-day English as well as added another verse of my own. It makes a beautiful bedtime prayer. Includes reproducible lead sheet.
$2.50
The William Bay Collection - Flatpicking Guitar Solo Anthology #2
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Fingerstyle/Fingerpicking
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The William Bay Collection - F
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM77MEB). ISBN 9781513477916. 8.75X11.75 inches.A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
Song List
: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crite na mB (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz
$29.99
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Plainsong Mode I
