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ACCORDEON
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Vous avez sélectionné:
Poor House
Partitions à imprimer
30 partitions trouvées
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Poor House Marching Song
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1006978 Composed by Johnson K…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1006978 Composed by Johnson K. Gao. Concert,Contemporary. 1 pages. Johnson Gao #3370983. Published by Johnson Gao (A0.1006978). The song is in Chinese lyrics, which was written by Liu Yu-xi (A. D. 772~842) in Tang Dynasty. 陋室é“. å”代 劉禹锡 (公元722~842) å±±ä¸åœ¨é«˜ï¼Œæœ‰ä»™å‰‡å。水ä¸åœ¨æ·±ï¼Œæœ‰é¾å‰‡éˆã€‚æ–¯æ˜¯é™‹å®¤ï¼ŒæƒŸç‰©å¾·é¦¨ã€‚è‹”ç—•ä¸ŠéšŽç¶ ï¼Œè‰è‰²å…¥ç°¾é’。談笑有鴻儒，往來無白ä¸ã€‚å¯ä»¥èª¿ç´ ç´ï¼Œé–±é‡‘經。無絲竹之亂耳，無案牘之勞形。å—陽諸葛廬，西蜀å云äºã€‚å”å云：何陋之有？ Mountain Saint and Water Dragon: A memorial Posy of my shabby dwarf house by Johnson K. Gao November 18, 2016; Revised on December 14, 2016 Translated from an ancient Chinese poem written by Liu Yuxi (AD 772 ~ 842) in Tang Dynasty
$1.99
1.84 €
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Johnson K
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Revised on December
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Poor House Marching Song
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Johnson Gao
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SheetMusicPlus
Since the Soup-House Moved Away
Piano seul
Piano - Digital Download SKU: LV.20694 Composed by Ned Harrigan. Laboring classes, …
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Piano - Digital Download SKU: LV.20694 Composed by Ned Harrigan. Laboring classes, Poor persons, Occupations. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20694). Since the Soup-House Moved Away. Written by Ned Harrigan. Published 1874 by E.H. Harding, 288 Bowery in New York. Composition of strophic with chorus with piano instrumentation. Subject headings for this piece include Laboring classes, Poor persons, Occupations. First line reads Cold winter's pass'd away, And the summer time has come.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano seul
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Ned Harrigan
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Since the Soup-House Moved Away
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Pioneer Medley: A Poor Wayfaring Man of Grief and Come, Come Ye Saints
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1102776 By The Chord House.…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1102776 By The Chord House. By George Coles, English Folk Song. Arranged by Sarah Adams. 19th Century,Christian,Folk,Historic,Praise & Worship. 6 pages. The Chord House #706147. Published by The Chord House (A0.1102776). Violin and Guitar duet, medley of two favorite Pioneer Hymns from the Church of Jesus Christ of Latter-Day Saints. In the keys G and D.
$3.49
3.22 €
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2 Violons (duo)
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The Chord House
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Sarah Adams
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Pioneer Medley: A Poor Wayfaring Man of Grief and Come, Come Ye Saints
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The Chord House
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SheetMusicPlus
House of the Rising Sun
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1478007 Compose…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1478007 Composed by Folk Song. Arranged by Homco/Crinion. Folk,Soul,Spiritual. 7 pages. Homco/Crinion #1055340. Published by Homco/Crinion (A0.1478007). House of the Rising Sun is a gritty, melancholic folk song that originated in New Orleans. Some versions say it depicts the downfall of a dissolute gambler; some say it tells of the ruin of many a poor girl. It is a haunting tune set deeply in a minor key that pulls you in with its harmonies. Appropriately, the cello opens with the destitute melody that tugs at your heartstrings. When the 1st violin takes over the melodic line, the cello accompanies with arpeggiated figures. Pizzicato lines and harmonics are included in the cello part, which punctuate the adaptability of the instrument to furnish varied and interesting support to the soulful, lonely tune.
$9.99
9.23 €
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Violon, Violoncelle (duo)
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Folk Song
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Homco/Crinion
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House of the Rising Sun
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Homco/Crinion
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SheetMusicPlus
Poor House by The Traveling Wilburys - Piano/Vocal/Chords
Piano, Voix
Performed by: The Traveling Wilburys: Poor House Digital Sheetmusic - instantly downloadab…
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Performed by: The Traveling Wilburys: Poor House Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 2 pages -- Rock~~Adult Contemporary~~Country-Rock~~Rock & Roll
$5.50
5.08 €
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Piano, Voix
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The Traveling Wilburys
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Piano/Vocal/Chords
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Musicnotes
Over the Hill to the Poor-House. Song and Chorus
Piano, Voix
Composed by David Braham. For piano and voice. Portraits, Dwellings, Snow, Aged persons, C…
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Composed by David Braham. For piano and voice. Portraits, Dwellings, Snow, Aged persons, Churches, Poor persons, Homeless persons, Fathers & children, Spouses, Farmers. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Lib
$5.99
5.53 €
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Piano, Voix
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David Braham
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children, Spouses, Farmers
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Over the Hill to the Poor-House. Song and Chorus
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Johns Hopkins University Sheridan Lib
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SheetMusicPlus
When Wealth and Poverty Meet
Piano, Voix
Piano and voice - Digital Download SKU: LV.7513 Composed by Harry Von Tilzer. Portr…
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Piano and voice - Digital Download SKU: LV.7513 Composed by Harry Von Tilzer. Portraits, Carriages & coaches, Poor persons, Social classes, Upper classes, Masquerades, Parties, Spouses, Runaways, Fathers & children, Death, Friendship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7513). When Wealth and Poverty Meet. Words by Arthur J. Lamb. Music by Harry Von Tilzer. Published 1900 by Shapiro, Bernstein & Von Tilzer, 45 West 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Carriages & coaches, Poor persons, Social classes, Upper classes, Masquerades, Parties, Spouses, Runaways, Fathers & children, Death, Friendship. First line reads Near a house a carriage waited, soon a fair girl stepped inside.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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Harry Von Tilzer
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When Wealth and Poverty Meet
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I'd Like to Be a Bird and Fly to Birdie
Piano, Voix
Piano and voice - Digital Download SKU: LV.19379 Composed by Boyle Woolfolk. Railro…
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Piano and voice - Digital Download SKU: LV.19379 Composed by Boyle Woolfolk. Railroads, Railroad tracks, Fences, Luggage, Portraits, Courtship & love, Travel, Money, Poor persons. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19379). I'd Like to Be a Bird and Fly to Birdie. Words and Music by Boyle Woolfolk. Published 1903 by Howley, Haviland, Dresser, The House on Broadway at 1260 to 1266 in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroads, Railroad tracks, Fences, Luggage, Portraits, Courtship & love, Travel, Money, Poor persons. First line reads My sweetheart left me late last week to join a burlesque show.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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Boyle Woolfolk
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I'd Like to Be a Bird and Fly to Birdie
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Tommy's Return
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3885 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3885 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3885). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Tommy's Return
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3886 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3886 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3886). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.23 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
The Crossing Sweeper. Beautiful Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.593 Composed by John S. Cox. City & town…
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Piano and voice - Digital Download SKU: LV.593 Composed by John S. Cox. City & town life, Carriages & coaches, Couples, Children, Boys, Occupations, Poor persons, Wealth, Orphans. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.593). The Crossing Sweeper. Beautiful Song and Chorus. Poetry by C.W. Music by John S. Cox. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include City & town life, Carriages & coaches, Couples, Children, Boys, Occupations, Poor persons, Wealth, Orphans. First line reads Remember the sweeper! how oft in the street his little voice makes itself heard.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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John S
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The Crossing Sweeper. Beautiful Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Little Em'ly
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.737 Composed by C…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.737 Composed by C.A. White. Beaches, Waterfronts, Ships, Fathers & children, Lighthouses, Girls, Homecomings, Poor persons, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.737). Little Em'ly. Written by Dexter Smith. Music by C.A. White. Published 1871 by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Beaches, Waterfronts, Ships, Fathers & children, Lighthouses, Girls, Homecomings, Poor persons, Prayer. First line reads I have sinn'd and I have suffer'd, more than words of mine can tell.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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C
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Little Em'ly
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Not a Crust, or The Beggar Boy. Song & Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.758 Composed by G…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.758 Composed by George W. Persley. Abandoned children, Poor persons, Homeless persons, Wealth, Ethics, Prayer. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.758). Not a Crust, or The Beggar Boy. Song & Chorus. Music by Geo. W. Persley. Published 1869 by Lee & Walker, 922 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Abandoned children, Poor persons, Homeless persons, Wealth, Ethics, Prayer. First line reads A beggar boy stopped at a richman's door, I am houseless and friendless, and faint, and poor.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Chorale SATB
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George W
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Not a Crust, or The Beggar Boy. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Lost Lullabies - SSAA choir with piano, Holocaust children survivors
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com
$2.50
2.31 €
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Chorale SSAA
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Stella ter Hart
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Lost Lullabies - SSAA choir with piano, Holocaust children survivors
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Stella ter Hart
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SheetMusicPlus
Savin' Jeremiah - SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
1.84 €
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Chorale SATB
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a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Io Si
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.845464 Composed by Di…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.845464 Composed by Diane Eve Warren, Laura Pausini, and Niccolo Agliardi. Arranged by Musikeo. Contemporary. Score. 3 pages. Musikeo #6371721. Published by Musikeo (A0.845464). Io sì (Seen) is a song written by Diane Warren, Laura Pausini and Niccolò Agliardi, and recorded by Pausini for the soundtrack of the 2020 film The Life Ahead. The song was produced by Greg Wells and released as a digital single on 23 October 2020. Io sì (Seen) won the awards for Song of the Year at the Capri Hollywood International Film Festival, Best International Song at the CinEuphoria Awards, Master in Music Award at the Los Angeles Italia Film Festival, Outstanding Song – Feature Film at the 11th Hollywood Music in Media Awards, Best Original Song at the 25th Satellite Awards and the award with the same name at the 78th Golden Globe Awards (the first non-English song to win the award and Pausini the first Italian singer ever to win the prize).It also received nominations for Best Original Song at the 93rd Academy Awards, making it the first song sung entirely in Italian to be nominated, and Best Original Song both at the 66th David di Donatello Awards and at the 19th Gold Derby Awards.Io sì (Seen) is a power ballad. Diane Warren wrote the original version of the song, with English-language lyrics, specifically for the film The Life Ahead, and involved Pausini in the project during the summer of 2020. After watching the film, Pausini accepted to perform the song, identifying herself in its message about diversity and against prejudice, racism, also talks about the hard life of orphaned or poor children, people struggling to have or adopt children, to people who are invisible and need to be seen and especially to the difficult situation that the world lives in these times.[8] Pausini translated the song in Italian with her frequent collaborator Niccolò Agliardi. Despite being used to compose instinctively, Pausini and Agliardi worked on the lyrics adaptation for 25 days, since she wanted to be sure to respect the film's meaning.The song was produced, mixed, with most instruments played by Greg Wells, and recorded in Romagna in Pausini's home studio built in her parents' house. The film only features the Italian-language version of the song, but it was also recorded by Pausini in English, Spanish, French and Portuguese.The piano arrangement we came up with here has the lead melody on the right hand and a simple but beautiful accompaniment on the left hand. Guitar Chord Symbols and Fretboards are also provided . Enjoy this beautiful song!
$6.99
6.46 €
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Piano, Voix et Guitare
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Diane Eve Warren, Laura Pausini, and Niccolo Agliardi
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Musikeo
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Io Si
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Musikeo
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SheetMusicPlus
Passacaglia for organ solo
Orgue
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons.…
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Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
12.01 €
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Orgue
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Frederick Frahm: Fiestas de Santa Fe for organ (manuals only) or piano or harpsichord
Orgue, Piano (duo)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 4 - Digital Down…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 4 - Digital Download SKU: A0.534004 Composed by Frederick Frahm. Christian,Concert,Contemporary,Sacred,Standards. Score and parts. 18 pages. Musik Fabrik Music Publishing #3095065. Published by Musik Fabrik Music Publishing (A0.534004). Fiestas de Santa Fe is a collection of music inspired by the culture and geography of Santa Fe, New Mexico.The four pieces are written for a modest instrument and with the exception of a few passages requiring the use of a pull down pedal registration, the sores are playable on the manuals only. With a few adjustments, the music can also be played on a Harpsichord or Pianoforte. The set may be played complete or individually as the performer elects.Santos, in three movements, features musical depictions of New Mexico saints which are often represented by local folk artists in either retablos (wooden panels) or bultos (carved figures). These images are not considered icons, but merely symbols of the invisible power or personages to whom an individual's prayers are addressed. San Acacio is the patron of soldiers and headaches. San Cayetano patiently ministered to the sick and the poor. San Geronimo was a flagellant who frequently heard the voice (or call) of God.Tierra Roja is inspired by the distinct natural colors and qualities of light found in the American Southwest. Sunrises and sunsets are often spectacularly colorful events which leave an indelible impression on the mind. This score includes programmatic music to suggest a timeless of the desert, the crystalline blue skies, and even the scampering of a gecko inthe noonday sun.Farolitos en la Nieve is an evocative setting of an old Christmas hymn which offers an image of the city on Christmas Eve as it is bedecked in softly lit candles on the sidewalks in the falling snow.La Posadas focuses on an annual Advent-tide event in Santa Fe which commemorates the journey of the Holy Family from Nazareth to Bethlehem. A procession is led (often by two children) through the town to find a house where Mary and Joseph might be welcome. A setting of Adoro te Devote is found in the midst of this piece evoking the reverence of the community around the manger bearing the Christ Child.
$19.95
18.43 €
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Orgue, Piano (duo)
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Frederick Frahm
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Frederick Frahm: Fiestas de Santa Fe for organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Camden Town for organ solo
Orgue
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons.…
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Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
12.01 €
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Orgue
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Playtime for organ
Orgue
Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons.…
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Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
12.01 €
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Orgue
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
5 pieces for organ
Orgue
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons.…
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Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00
28.64 €
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Orgue
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
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SheetMusicPlus
Dorina for organ
Orgue
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons.…
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Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00
12.01 €
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Orgue
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David Warin Solomons
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Dorina for organ
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David Warin Solomons
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Lead Me On, O Great Jehovah
Chorale SATB
Choral SATB Chorus - Digital Download SKU: H1.C5956DP Composed by Jay Althouse. Pia…
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Choral SATB Chorus - Digital Download SKU: H1.C5956DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5956DP. Published by Hope Publishing - Digital (H1.C5956DP). Words by William Williams. Exodus 17:1-7 - Numbers 20:8-11 - 1 Cor. 10:3 - Joshua 3:8-17.Original hymn with words by William Williams Jay Althouse updated a text by the noted Welsh hymn writer William Williams and set it to original music. The haunting new melody is folk-like in nature - much in the style of an Appalachian folk hymn - and incorporates, both in the accompaniment and the voices, the early American tune Poor Wayfaring Stranger. There are options for vocal solos and the accompaniment is transparent and accessible.
$2.95
2.73 €
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Chorale SATB
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Jay Althouse
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Lead Me On, O Great Jehovah
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Hope Publishing - Digital
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