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Vous avez sélectionné:
PowerBall
Partitions à imprimer
5 partitions trouvées
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PowerBall
Piano, Voix
Piano,Vocal - Level 1 - Interactive Download SKU: A0.1399912 By Peta Alexander. By …
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Piano,Vocal - Level 1 - Interactive Download SKU: A0.1399912 By Peta Alexander. By Peta Alexander. This edition: Interactive Download. Children,Pop,Rock. Score. 1 pages. Duration 16. Peta Alexander #21unglB1qXjNErjNQx8Y7. Published by Peta Alexander (A0.1399912). Key: C major.2 Note Chords in Left and Right Hand. 6 Note Spread for great for primary school aged children. Crotchets, Quavers, Minimums and Semibreves. Formatted landscape and in groups of 4 bars for easy understanding.
$4.99
4.6 €
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Piano, Voix
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Peta Alexander
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PowerBall
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Peta Alexander
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SheetMusicPlus
PowerBall
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1396703 By Peta Alexander. By Peta …
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Easy Piano - Level 1 - Digital Download SKU: A0.1396703 By Peta Alexander. By Peta Alexander. Arranged by Peta Alexander. Children,Pop,Rock. Score. 1 pages. Peta Alexander #980044. Published by Peta Alexander (A0.1396703). 2 note chords for small hands, 6 note spread maximum. Â Landscape format for easy display. minimal hand movement and no sharps or flats.
$4.99
4.6 €
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Piano Facile
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Peta Alexander
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Peta Alexander
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PowerBall
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Peta Alexander
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
20.74 €
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Never Enough
Cloches
Handbell - Level 4 - Digital Download SKU: A0.1168488 By Loren Allred. By Benj Pase…
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Handbell - Level 4 - Digital Download SKU: A0.1168488 By Loren Allred. By Benj Pasek and Justin Paul. Arranged by Michael J. Glasgow (ASCAP). Broadway,Contemporary,Contest,Festival,Film/TV,Musical/Show,Pop. Score. 8 pages. New Domain Music #768825. Published by New Domain Music (A0.1168488). The incredibly intensity of this slow-burn powerballad from The Greatest Showman is finally available for handbells! Its difficulty level is due to rhythms; groups that already know the melody will find that this arrangement comes together pretty easily (and it's a blast to play!). This transciption is in the same key as the original soundtrack recording, and faithful to Loren Allred's riveting performance.Accomplished composer/arranger/conductor Michael J. Glasgow (and his publishing division, New Domain Music) joins the arrangeme.com family with this piece, but his collaborative arrangement of The Greatest Show with friend and colleague Nick Hanson has already been eagerly received by the handbell community.While both of these arrangements come off wonderfully on bells and chimes alone, both have optional instrumentations for synth strings, bass and drums/percussion, and they are remarkable enhancements and highly recommended! Search for Glasgow and the title of the piece to find the companion products.
$5.95
5.49 €
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Cloches
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Loren Allred
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Michael J
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Never Enough
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New Domain Music
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SheetMusicPlus
Never Enough
Small Ensemble - Level 4 - Digital Download SKU: A0.1170798 By Loren Allred. By Ben…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1170798 By Loren Allred. By Benj Pasek and Justin Paul. Arranged by Michael J. Glasgow (ASCAP). Broadway,Contemporary,Contest,Festival,Film/TV,Musical/Show. Score and parts. 18 pages. New Domain Music #771135. Published by New Domain Music (A0.1170798). The incredibly intensity of this slow-burn powerballad from The Greatest Showman is finally available for handbells!  Its difficulty level is due to rhythms; groups that already know the melody will find that this arrangement comes together pretty easily (and it's a blast to play!).  This transciption is in the same key as the original soundtrack recording, and faithful to Loren Allred's riveting performance.Accomplished composer/arranger/conductor Michael J. Glasgow (and his publishing division, New Domain Music) joins the arrangeme.com family with this piece, but his collaborative arrangement of The Greatest Show with friend and colleague Nick Hanson has already been eagerly received by the handbell community.This product is NDM-0001I, which is the companion instrument pack for Glasgow's handbell arrangement (NDM-0001B). It includes a full conductor's score, as well as parts for synth strings, bass, and drums/percussion...using any or all of them elevates the already exciting handbell part to next-level greatness.Instrumentation Details:Bass: straightforward, moderately advanced, for electric or upright bass.Synth: moderately advanced, a blast to play, and quite faithful to the original orchestrations. Drums/Percussion: ideally covered by two players (1: concert bass drum or kick drum and floor tom; 2: suspended cymbal, hi-hit and snare drum), but with some simple modifications (given in the score), it may be covered by one fairly advanced player.Search for Glasgow and the title of the piece to purchase the handbell folio!
$24.95
23 €
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Loren Allred
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Michael J
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Never Enough
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New Domain Music
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SheetMusicPlus
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