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Prelude Op. 27 Full Set
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TRI ET FILTRES
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Vous avez sélectionné:
Prelude Op. 27 Full Set
Partitions à imprimer
5 partitions trouvées
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1
Prelude Op. 27 Full Set
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1258285 By Isaac Baron. By Isaac Ba…
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Piano Solo - Level 3 - Digital Download SKU: A0.1258285 By Isaac Baron. By Isaac Baron. Arranged by Isaac Baron. Classical. Score. 80 pages. Isaac Baron #851533. Published by Isaac Baron (A0.1258285). After listening to Chopin's Preludes, I was inspired to write my own set of preludes.
$20.00
18.44 €
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Piano seul
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Isaac Baron
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Isaac Baron
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Prelude Op. 27 Full Set
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Isaac Baron
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.19 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
#
Chorale SATB
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
COMPLETE Brass Quintet Music Book - pack of 34 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, P…
(+)
Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, Meacham, Pierpoint, Gruber, Mason. Arranged by Austin Ralphson. 20th Century, Romantic Period, Classical Period, Baroque Period, Wedding. Score, Set of Parts. 601 pages. Published by Austin Ralphson
This is a mega-bundle of brass quintet repertoire, totalling 34 pieces and over 500 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. The hymns include freshly-composed descants and there are some pieces which aren't in the 'usual' brass repertoire such as the Mozart Variations and the extract from Borghild's Dream. This is the full list: 1. Wedding March (from A Midsummer Night?s Dream) (Mendelssohn) 2. Wedding March (Bridal Chorus from Lohengrin) (RichardWagner) 3. 9 Popular Hymn Tunes 4. Amazing Grace (Newton) 5. Triumphal March (Karg-Elert) 6. Brandenburg Concerto No. 3 (Bach) 7. Prelude in C (Bach) 8. Canon (Pachelbel) 9. Let The Bright Seraphim from ?Samson? (Handel) 10. Fanfarefrom ?Water Music? (Handel) 11. LaRéjouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondofrom ?Abdelazer? (Purcell) 13. Largofrom ?Xerxes? (Handel) 14. ArLan y Môr (Welsh trad.) 15. Davidof the White Rock (Welsh trad.) 16. Myfanwy(Welsh trad.) 17. SuoGan (Welsh trad.) 18. PianoSonata No.8 Op.13 ?Pathétique? - 2nd mvt. (Beethoven) 19. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 20. Borghild?sDream from ?Sigurd Jorsalfar? (Grieg) 21. Pizzicatifrom ?Sylvia? (Delibes) 22. Preludein C minor (Chopin) 23. Concerto for Mandolin and Strings - 1st mvt. (Ugolino) 24. GymnopédieNo.1 (Satie) 25. GnossienneNo.1 (Satie) 26. AmericanPatrol (Meacham) 27. HappyBirthday 28. 15Christmas Carols 29. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 30. DingDong Bing Bong! (French trad.) 31. JingleThose Bells! (Pierpoint) 32. OChristmas Tree 33. SilentNight (Gruber) 34. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music, which would cost over $150.This is a mega-bundle of brass quintet repertoire, totalling 34 pieces and over 500 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. The hymns include freshly-composed descants and there are some pieces which aren't in the 'usual' brass repertoire such as the Mozart Variations and the extract from Borghild's Dream. This is the full list: 1. Wedding March (from A Midsummer Night?s Dream) (Mendelssohn) 2. Wedding March (Bridal Chorus from Lohengrin) (RichardWagner) 3. 9 Popular Hymn Tunes 4. Amazing Grace (Newton) 5. Triumphal March (Karg-Elert) 6. Brandenburg Concerto No. 3 (Bach) 7. Prelude in C (Bach) 8. Canon (Pachelbel) 9. Let The Bright Seraphim from ?Samson? (Handel) 10. Fanfarefrom ?Water Music? (Handel) 11. LaRéjouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondofrom ?Abdelazer? (Purcell) 13. Largofrom ?Xerxes? (Handel) 14. ArLan y Môr (Welsh trad.) 15. Davidof the White Rock (Welsh trad.) 16. Myfanwy(Welsh trad.) 17. SuoGan (Welsh trad.) 18. PianoSonata No.8 Op.13 ?Pathétique? - 2nd mvt. (Beethoven) 19. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 20. Borghild?sDream from ?Sigurd Jorsalfar? (Grieg) 21. Pizzicatifrom ?Sylvia? (Delibes) 22. Preludein C minor (Chopin) 23. Concerto for Mandolin and Strings - 1st mvt. (Ugolino) 24. GymnopédieNo.1 (Satie) 25. GnossienneNo.1 (Satie) 26. AmericanPatrol (Meacham) 27. HappyBirthday 28. 15Christmas Carols 29. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 30. DingDong Bing Bong! (French trad.) 31. JingleThose Bells! (Pierpoint) 32. OChristmas Tree 33. SilentNight (Gruber) 34. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music, which would cost over $150.
$34.99
32.26 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, Meacham, Pierpoint, Gruber, Mason
#
Austin Ralphson
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COMPLETE Brass Quintet Music Book - pack of 34 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
#
Austin Ralphson
#
SheetMusicPlus
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