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TRI ET FILTRES
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Tri et filtres :
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Vous avez sélectionné:
Prelude Op.3 in C
Partitions à imprimer
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Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmanin…
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Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
$3.99
3.68 €
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Piano seul
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Sergei Rachmaninoff
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Michael Bomier
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Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
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Michael Butkus-Bomier
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SheetMusicPlus
Prelude, Op. 11, No. 15
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716…
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716 Composed by Alexander Scriabin. Arranged by Overda Page. 19th Century,Chamber,Classical. 2 pages. Overda Page Stonerock #842266. Published by Overda Page Stonerock (A0.1247716). The opening 8 bars by the 2 alto flutes set the stage for the quiet, singing melody by the single C flute. After a single statement, the melody moves to the alto flute on part 3, then returns to the C flute to close. A challenge in tone and breath control of the low & middle ranges.  A beautiful little musical gem worth adding to the repertoire. From the composer's 24 Preludes, Op. 11 for piano.
$3.99
3.68 €
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3 Saxophones (trio)
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Alexander Scriabin
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Overda Page
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middle ranges
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Prelude, Op. 11, No. 15
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Overda Page Stonerock
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SheetMusicPlus
3 Preludes, Op. 28 (#6, #7, #20)
Trio de Flûtes: 3 flûtes
Flute Trio,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.1270164
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Flute Trio,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.1270164 Composed by Frederic Chopin. Arranged by Overda Page. 19th Century,Baroque,Chamber,Romantic Period,Standards. 12 pages. Overda Page Stonerock #862592. Published by Overda Page Stonerock (A0.1270164). These 3 familiar Preludes are technically easy, while challenging the player tonally & dynamically. No. 6 is a beautiful alto flute solo. No. 20's legato phrases, beautiful harmonies and full rich tone will challenge all. Short, beautiful, useful as fillers in any setting. This Prelude, in score form, has both mixed flutes and 3 C flute scores.
$4.99
4.6 €
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Trio de Flûtes: 3 flûtes
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Frederic Chopin
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Overda Page
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dynamically
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3 Preludes, Op. 28
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Overda Page Stonerock
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SheetMusicPlus
Serjeij Rachmaninoff: Prelude in C# minor Op.3 No.2 for piano solo
Piano seul
Instantly downloadable sheet music by Serjeij Rachmaninoff for piano solo of HIGH skill le…
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Instantly downloadable sheet music by Serjeij Rachmaninoff for piano solo of HIGH skill level. Contents: opus 3, op. 3, no. 2, prelude in c sharp minor / classical
$3.75
3.45 €
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Piano seul
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Serjeij Rachmaninoff
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Virtualsheetmusic
Prelude and Variation in C Minor, Op. 28 No. 20
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.910395 Composed by Frederic Chopin.…
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Easy Piano - Level 2 - Digital Download SKU: A0.910395 Composed by Frederic Chopin. Arranged by Roger Evernden. Christian,Classical,Contemporary,Romantic Period,Sacred. Score. 3 pages. Roger Brian Evernden #5311361. Published by Roger Brian Evernden (A0.910395). Although often known as a funeral march, Chopin's Prelude in C Minor (Op. 28 No. 20) has a delicate melody, taking on quite a different character when it is played with a lighter touch. The variation extends this idea, introducing a delightful new interpretation of the piece.The arrangement is of interest to anyone wanting to explore the work of Chopin, or discover new ways to perform this wonderful Prelude.
$3.99
3.68 €
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Piano Facile
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Frederic Chopin
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Roger Evernden
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Prelude and Variation in C Minor, Op. 28 No. 20
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Roger Brian Evernden
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SheetMusicPlus
Prelude in C minor Op. 21 No. 4
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.987700 Composed by E.F.J. Fagan. Ba…
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Piano Solo - Level 3 - Digital Download SKU: A0.987700 Composed by E.F.J. Fagan. Baroque,Contemporary. Score. 3 pages. Erin Fagan #21205. Published by Erin Fagan (A0.987700). This is my fourth Prelude from my set of 24 Preludes for Solo Piano. Where most of my preludes are original works this Prelude bears a resemblance to J.S. Bach's own C minor Prelude. It is not meant as a copy in any way but was only inspired by the work at a time when I was only just discovering Classical music. This is a little more difficult than the earlier Preludes so would be suited for a more intermediate pianist and is roughly 1 minute in performance.
$4.00
3.68 €
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Piano seul
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E
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Prelude in C minor Op. 21 No. 4
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Erin Fagan
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SheetMusicPlus
Raindrop Prelude
Piano Facile
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Composed by Frederic Chopin…
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Piano Solo, Easy Piano - Easy/Beginner - Digital Download Composed by Frederic Chopin (1810-1849). Arranged by Marie-Ève Mainguy. Romantic Period, Movies, Repertoire, Funeral, Recital. Score. 3 pages. Published by Marie-Eve Mainguy
Raindrop Prelude (Prelude op. 28, no. 15) composed by Frédéric Chopin, originally in Db.<br> Easy piano arrangement in C Major created by Marie-Ève Mainguy in 2021.<br> <br> Contact info: marieeve.mainguy@gmail.com.
$3.49
3.22 €
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Piano Facile
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Frederic Chopin (1810-1849)
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Marie-Ève Mainguy
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Raindrop Prelude
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Marie-Eve Mainguy
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SheetMusicPlus
Prelude In E Minor For Brass
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1126280 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1126280 Composed by Frederic Chopin(1810-1849). Arranged by Joseph Pugh. Baroque,Chamber,Classical. 6 pages. Joseph Pugh #726983. Published by Joseph Pugh (A0.1126280). Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♠major from 1834; and an unfinished piece in E♠minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. This No.28, a favorite for many, is here transcribed and arranged by Joseph Pugh for the Brass Quintet. Download today at a reduced price.
$7.99
7.36 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Frederic Chopin(1810-1849)
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Joseph Pugh
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Prelude In E Minor For Brass
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Joseph Pugh
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SheetMusicPlus
Prelude In E Minor
Quintette à cordes: 2 violons, alto, violoncelle, basse
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1126…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1126835 Composed by Frederic Chopin(1810-1849). Arranged by Joseph Pugh. Chamber,Classical. 8 pages. Joseph Pugh #727485. Published by Joseph Pugh (A0.1126835). Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♠major from 1834; and an unfinished piece in E♠minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. This No.28, a favorite for many, is here transcribed arranged by Joseph Pugh for the String Orchestra or String Quintet.
$19.99
18.42 €
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Frederic Chopin(1810-1849)
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Joseph Pugh
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Prelude In E Minor
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Joseph Pugh
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SheetMusicPlus
Prelude In E Minor
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1126465 Composed by Frederic Chopin(1810-1849). Arranged by Joseph Pugh. Chamber,Classical. 9 pages. Joseph Pugh #727137. Published by Joseph Pugh (A0.1126465). Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♠major from 1834; and an unfinished piece in E♠minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. This No.28, a favorite for many, is here transcribed arranged by Joseph Pugh for the Woodwind Quintet.
$19.99
18.42 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frederic Chopin(1810-1849)
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Joseph Pugh
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Prelude In E Minor
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Joseph Pugh
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SheetMusicPlus
Fredrik Chopin - Raindrop Prelude (C-Major arrangement)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.910933 Composed by Frederik Chopin.…
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Piano Solo - Level 3 - Digital Download SKU: A0.910933 Composed by Frederik Chopin. Arranged by Reimund Merkens. Romantic Period. Score. 5 pages. Reimund Merkens #5983693. Published by Reimund Merkens (A0.910933). The famous prelude op. 28 No 15 of Frederik Chopin is one of the 24 preludes which Chopin wrote during his stay at a monastery in Valldemossa, Mallorca in 1838. It is also well known as the 'Raindrop Prelude' because of its steady rythm sounding like raindrops. The original prelude is written in D-Flat Major and therefore somewhat difficult to read for intermediate beginners. I arranged the whole prelude in C-Major and did some changes to make it easier to read and play.
$6.99
6.44 €
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Piano seul
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Frederik Chopin
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Reimund Merkens
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Fredrik Chopin - Raindrop Prelude
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Reimund Merkens
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SheetMusicPlus
Prelude in C major Op. 48 No. 14
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1089858 Composed by E.F.J. Fagan. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.1089858 Composed by E.F.J. Fagan. Classical,Contemporary,Romantic Period. Score. 3 pages. Erin Fagan #694072. Published by Erin Fagan (A0.1089858). My fourteenth Prelude from my set of 24 Preludes is one of my few prettier pieces. Stem directions dictate which hand to play with, stems down being left hand and stems up being right hand.
$4.00
3.68 €
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Piano seul
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E
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Prelude in C major Op. 48 No. 14
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Erin Fagan
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SheetMusicPlus
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
$15.50
14.28 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Sergei Rachmaninoff
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Peet du Toit
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Prelude in c#, Op.3, no.2 - S Rachmaninoff
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Peet du Toit
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SheetMusicPlus
Prelude and Fugue No. 2 from "The Well-Tempered Clavier Bk 1", arr. for Woodwind Quartet, Op. 2(b)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1024566 Composed by Johann Sebastian Bach. Arranged by Cho Man Wai. Baroque,Instructional,Standards. 21 pages. Alex Cho Man Wai #3234557. Published by Alex Cho Man Wai (A0.1024566). ---------------------------------Prelude and Fugue No. 2 in C minor, arr. for Woodwind Quartet, Op. 2(b)Prelude and Fugue No. 2 in C minor, BMW 847, from The Well-Tempered Clavier, Book 1, arr. for Woodwind Quartet, Op. 2(b)Instruments: Flute, Con Anglais (English Horn), Clarinet in Bb, BassoonComposed by Johann Sebastian BachArranged by Cho Man WaiTotal pages: 21. Full score: 12 pages; Part scores: 9 pagesDuration: 3 minutes and 9 secondsThe famous Prelude and Fugue No. 2 in C minor from the legendary The Well-Tempered Clavier, by the Baroque master J.S. Bach, is arranged for Flute, Con Anglais (English Horn), Clarinet in Bb, Bassoon. The voices in the prelude and fugue are carefully arranged and assigned to each of the 4 instruments to suit their range and tone colour, without sacrificing the style and the tone of Baroque music and the voice of Bach.All the tempo and dynamics in the full score and parts are optional - they are just suggestions from the arranger, and the composer himself did not provide much tempo indications and dynamics either, so it is up to the players to find their own voice and dynamics to suit their own needs.
$18.00
16.58 €
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Johann Sebastian Bach
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Cho Man Wai
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Part scores:
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Prelude and Fugue No. 2 from "The Well-Tempered Clavier Bk 1", arr. for Woodwind Quartet, Op. 2(b)
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Alex Cho Man Wai
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SheetMusicPlus
Prelude in C Major Op. 27, No. 1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1258214 By Isaac Baron. By Isaac Ba…
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Piano Solo - Level 3 - Digital Download SKU: A0.1258214 By Isaac Baron. By Isaac Baron. Arranged by Isaac Baron. Classical. Score. 4 pages. Isaac Baron #851461. Published by Isaac Baron (A0.1258214). After listening to Chopin's Preludes, I was inspired to write my own set of preludes.
$1.99
1.83 €
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Piano seul
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Isaac Baron
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Isaac Baron
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Prelude in C Major Op. 27, No. 1
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Isaac Baron
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SheetMusicPlus
Prelude in C Minor Op. 27, No. 21
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1258273 By Isaac Baron. By Isaac Ba…
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Piano Solo - Level 3 - Digital Download SKU: A0.1258273 By Isaac Baron. By Isaac Baron. Arranged by Isaac Baron. Classical. Score. 2 pages. Isaac Baron #851521. Published by Isaac Baron (A0.1258273). After listening to Chopin's Preludes, I was inspired to write my own set of preludes.
$1.99
1.83 €
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Piano seul
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Isaac Baron
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Isaac Baron
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Prelude in C Minor Op. 27, No. 21
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Isaac Baron
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SheetMusicPlus
Prelude and Fugue No. 1 from "The Well-Tempered Clavier Bk 1", for Woodwind Quartet, Op. 2(a)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1024567 Composed by Johann Sebastian Bach. Arranged by Cho Man Wai. Baroque,Instructional,Standards. 19 pages. Alex Cho Man Wai #3225985. Published by Alex Cho Man Wai (A0.1024567). ---------------------------------Prelude and Fugue No. 1 in C major, arr. for Woodwind Quartet, Op. 2(a)Prelude and Fugue No. 1 in C major, BMW 846, from The Well-Tempered Clavier, Book 1, arr. for Woodwind Quartet, Op. 2(a)Instruments: Flute, Con Anglais (English Horn), Clarinet in Bb, BassoonComposed by Johann Sebastian BachArranged by Cho Man WaiTotal pages: 19. Full score: 11 pages; Part scores: 8 pagesDuration: About 4 minutesThe famous Prelude and Fugue No. 1 in C major from the legendary The Well-Tempered Clavier, by the Baroque master J.S. Bach, is arranged for Flute, Con Anglais (English Horn), Clarinet in Bb, Bassoon. The 4-part voices in the prelude and fugue are carefully arranged and assigned to each of the 4 instruments to suit their range and tone colour, without sacrificing the style and the tone of Baroque music and the voice of Bach.All the tempo and dynamics in the full score and parts are optional - they are just a suggestion from the arranger, and the composer himself did not provide much tempo indicaton and dynamics either, so it is up to the players to find their own voice and dynamics to suit their own needs.
$16.00
14.74 €
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Johann Sebastian Bach
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Cho Man Wai
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Prelude and Fugue No. 1 from "The Well-Tempered Clavier Bk 1", for Woodwind Quartet, Op. 2(a)
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Alex Cho Man Wai
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SheetMusicPlus
Prelude in C# minor Op. 3 Nº 2
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1159692 Composed by Sergei Rachman…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1159692 Composed by Sergei Rachmaninoff. Arranged by Manuel Guinand. 20th Century,Classical. Individual part. 3 pages. Aumaitre Guinand #759949. Published by Aumaitre Guinand (A0.1159692). Arrangement for Classical Guitar of Sergei Rachmaninoff's Prelude in C# minor Op. 3 Nº 2 (original for piano).Key: D minor. 6º in D tuning.
$20.00
18.42 €
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Guitare
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Sergei Rachmaninoff
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Manuel Guinand
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Prelude in C# minor Op. 3 Nº 2
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Aumaitre Guinand
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SheetMusicPlus
Prelude in C# minor Op.3 No.2
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.650980 Composed by Sergei Rachmanin…
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Piano Solo - Level 3 - Digital Download SKU: A0.650980 Composed by Sergei Rachmaninoff. Arranged by Master Piano. 20th Century,Romantic Period. Score. 5 pages. Classic Piano sheetz #4785455. Published by Classic Piano sheetz (A0.650980). Rachmaninoff-Prelude in C# minor Op.3 No.2.
$6.99
6.44 €
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Piano seul
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Sergei Rachmaninoff
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Master Piano
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Prelude in C# minor Op.3 No.2
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Classic Piano sheetz
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SheetMusicPlus
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.63 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Prelude in A Major - Op 28, n 7 - Chopin for Trumpet and piano in C major
Trompette, Piano
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1187564 Composed by Frede…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1187564 Composed by Frederic Chopin. Arranged by Catia Lee. Children,Classical,Romantic Period,Wedding. Score and part. 3 pages. Catia Lee #787211. Published by Catia Lee (A0.1187564). Prelude in A Major - Op 28, n 7 - Chopin for Trumpet and piano in C major - Audio in A major.
$2.00
1.84 €
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Trompette, Piano
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Frederic Chopin
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Catia Lee
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Prelude in A Major - Op 28, n 7 - Chopin for Trumpet and piano in C major
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Catia Lee
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.38 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.38 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.38 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.38 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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