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Prelude and Fugue VI
Partitions à imprimer
11 partitions trouvées
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Mozart-Bach Prelude and Fugue VI from K.404a (arranged for woodwind quintet)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - Digital Download SKU: A0.1410908 Composed by W.A. Mozart, W.F. Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 38 pages. Daniel Kaplan #993299. Published by Daniel Kaplan (A0.1410908). Arrangement by Daniel Kaplan for woodwind quintet of Mozart's Prelude and Fugue No. 6 from his Six Preludes and Fugues for String Trio, K.404a. This is an original Mozart prelude plus his arrangement of the dramatic and forceful Fugue VIII from Wilhelm Friedemann Bach's Huit Fugues Sans Pédale, F.31 (Wilhelm Friedemann was J.S. Bach's eldest son). Mozart wrote this to play at the Sunday musicales of Baron van Swieten in Vienna, who insisted that all participants play music of Bach or Handel. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has also arranged several other great works for this ensemble. The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.Note that all six preludes and all six fugues from this work are also available as a single purchase on this website. This sixth Prelude and Fugue is being made available here for those who would rather buy one prelude and fugue at a time.
$4.95
4.58 €
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Daniel Kaplan
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Mozart-Bach Prelude and Fugue VI from K.404a
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Daniel Kaplan
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SheetMusicPlus
Johann Sebastian Bach: Prelude & Fugue VI - Book II for piano solo (or harpsichord)
Piano seul
Instantly downloadable sheet music by Johann Sebastian Bach for piano solo (or harpsichord…
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Instantly downloadable sheet music by Johann Sebastian Bach for piano solo (or harpsichord) of MEDIUM skill level. Contents: preludio e fuga, well tempered clavier, klavier, clavicembalo ben temperato, bwv 877, bwv877, book 2, prelude and fugue, no.2 / classical
$2.99
2.77 €
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Piano seul
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Prelude & Fugue VI - Book I for piano solo (or harpsichord)
Piano seul
Instantly downloadable sheet music by Johann Sebastian Bach for piano solo (or harpsichord…
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Instantly downloadable sheet music by Johann Sebastian Bach for piano solo (or harpsichord) of MEDIUM skill level. Contents: preludio e fuga, well tempered clavier, klavier, clavicembalo ben temperato, bwv 851, bwv851, prelude and fugue, no.6 / classical
$2.99
2.77 €
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Piano seul
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Johann Sebastian Bach
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Virtualsheetmusic
Prelude and Fugue VI (Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.840190 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.840190 Arranged by Glen D. Lienhart. Baroque,Classical. 14 pages. Glen D. Lienhart #3000347. Published by Glen D. Lienhart (A0.840190). From the Eight Little Preludes and Fugues for Organ. Graded IV saxophone ensemble. Includes extra alternate transposed parts. This arrangement is compatible with the clarinet and saxophone ensemble arrangements of the same title.
$15.00
13.89 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Glen D
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Prelude and Fugue VI
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Glen D. Lienhart
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SheetMusicPlus
Prelude and Fugue VI (Clarinet)
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.840189…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.840189 Arranged by Glen D. Lienhart. Baroque,Classical. 20 pages. Glen D. Lienhart #3000345. Published by Glen D. Lienhart (A0.840189). From the Little Preludes and Fugues for Organ. Grade IV saxophone ensemble. Includes extra alternate transposed parts. This arrangement is compatible with the clarinet ensemble and woodwind quintet arrangements of the same title.
$15.00
13.89 €
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Quintette de Clarinettes: 5 clarinettes
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Glen D
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Prelude and Fugue VI
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Glen D. Lienhart
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SheetMusicPlus
Preludium VI for carillon
Bells,Instrumental Solo - Digital Download SKU: A0.974586 Composed by Johann Sebast…
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Bells,Instrumental Solo - Digital Download SKU: A0.974586 Composed by Johann Sebastian Bach. Arranged by Goos ten Napel. Baroque,Concert. Individual part. 3 pages. Goos ten Napel #6285247. Published by Goos ten Napel (A0.974586). Preludium VI from 8 short preludes and fugues by J.S. Bach arranged for 3 oct. carillon.
$2.99
2.77 €
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Johann Sebastian Bach
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Goos ten Napel
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Preludium VI for carillon
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Goos ten Napel
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SheetMusicPlus
Prelude and Fugue VI (Saxophone)
Quintette de Saxophone: 5 saxophones
Composed by Johann Sebastian Bach. Arranged by Glen D. Lienhart. Baroque,Classical. …
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Composed by Johann Sebastian Bach. Arranged by Glen D. Lienhart. Baroque,Classical. 21 pages. Glen D. Lienhart #3000343. Published by Glen D. Lienhart
$15.00
13.89 €
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Quintette de Saxophone: 5 saxophones
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Johann Sebastian Bach
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Glen D
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Prelude and Fugue VI
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Glen D. Lienhart
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SheetMusicPlus
Neuf Ésquisses ... Hommage à C.V.A. (2023)
2 Pianos, 8 mains
2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed b…
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2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 38 pages. Thomas Oboe Lee #961575. Published by Thomas Oboe Lee (A0.1377886). I was recently invited to a farewell cocktail party for Robert Levin and Ya Fei Chuang on the occasion of their move from Cambridge, Massachusetts, to Salzburg where Ya Fei got a job teaching at the Mozarteum. John Harbison wrote a little piano duet for them, and it inspired me to looking into writing a grand duo for two pianos. Looking around, I discovered that Charles-Valentin Alkan (1813-1888) wrote a work with the title, Grand Duo Concertant for violin and piano. I immediately launched into a search for Alkan the composer and I discovered that he was a contemporary of Chopin, Franz Liszt, George Sand, and Victor Hugo. Like Liszt and Chopin, he wrote tons of music for the piano, and he was at the cusp of fame when he withdrew from society and remained a recluse for the last years of his life.Aside from the Grand Duo Concertant, I found his 49 Ésquisses to be especially lovely and beguiling. My work for two pianos is based on ideas from both works. I especially thought the beginning of the GDC fascinating because the LH sounded like a walking jazz bass line. That got me started on the Prelude, and then I organized the remaining movements of the work around the GDC with materials I found attractive in the 49 ésquisses.I. Prélude ... Assez animéII. La Vision ... Assez lentementIII. La Staccatissimo ... Allegro, TRIOIV. Barcarollette ... LentementV. L'enfer ... Lentement, PrestoVI. Grâces ... Assez lentementVII. Contredanse ... VivaceVIII. Petit Air Dolente ... AdagiettoIX. Fuguette ... Très carrémentThis work is dedicated to Jung-A and Min on the occasion of their wedding ceremony in December of 2023.
$9.99
9.25 €
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2 Pianos, 8 mains
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Thomas Oboe Lee
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Neuf Ésquisses ... Hommage à C.V.A.
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Thomas Oboe Lee
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.63 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Prelude VI and Fugue VI D minor, BWV 851
Piano seul
(from "The Well-Tempered Clavier I"). Composed by Johann Sebastian Bach (1685-17…
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(from "The Well-Tempered Clavier I"). Composed by Johann Sebastian Bach (1685-1750). Arranged by Edith Picht-Axenfeld. For piano. Copyright 1973 Schott Music GmbH & Co. KG, Mainz. BWV 851. Published by Schott Music - Digital Sheet Music
$4.99
4.62 €
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Piano seul
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Johann Sebastian Bach
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Edith Picht-Axenfeld
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Co
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Prelude VI and Fugue VI D minor, BWV 851
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Schott Music - Digital Sheet Music
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SheetMusicPlus
[Mitchell] The Winds of Exorcism
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952518 Composed by Dar…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952518 Composed by Darleen Mitchell. Contemporary. 45 pages. American Composers Alliance Inc. #4608079. Published by American Composers Alliance Inc. (A0.952518). Seven songs for baritone and piano on the poetry of Robert Foss. Includes: I. Prelude, II. Antiphon, III. Fugue State, IV. Scriptural Interlude, V. non sic impii, VI. de profundis, VII. vox clamantis in deserto.
$15.95
14.77 €
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Darleen Mitchell
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[Mitchell] The Winds of Exorcism
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American Composers Alliance Inc.
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SheetMusicPlus
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