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Footprints in the Snow by Debussy arr. for flute choir / ensemble
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy…
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Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$15.00
13.95 €
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Orchestre d'harmonie
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Claude Debussy
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Footprints in the Snow by Debussy arr. for flute choir / ensemble
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as do Ray meflute studio production
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.65 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.65 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23.21 €
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Flûte traversière et Piano
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Johann Sebastian Bach
#
James M
#
 
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Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
25.07 €
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Flûte traversière et Piano
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Johann Sebastian Bach
#
James M
#
Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
37.17 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Choir
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jmsgu3
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SheetMusicPlus
Three Preludes for Flute and Guitar
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.754919 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 22 pages. Sy Brandon #3218435. Published by Sy Brandon (A0.754919). Two slow, rubato preludes frame a fast, rhythmic, Spanish sounding prelude. All have lyrical melodies and a strong tonal sense.
$14.99
13.95 €
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Flûte et Guitare
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Sy Brandon
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Three Preludes for Flute and Guitar
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Sy Brandon
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SheetMusicPlus
Prelude from Carmen
Quatuor de Flûtes : 4 flûtes
Flute Quartet - Intermediate - Digital Download SKU: F2.FM057 Composed by Georges B…
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Flute Quartet - Intermediate - Digital Download SKU: F2.FM057 Composed by Georges Bizet. Arranged by Robert Rainford. Score and parts. 16 pages. Forton Music - Digital #FM057. Published by Forton Music - Digital (F2.FM057). ISBN 9790708085560.Flute Quartet - four concert flutes. A straight arrangement of the Prelude to Bizet's opera Carmen that loses nothing in the reduction to four parts. All players take turns to play the tune and the accompaniments. Quite a long arrangement, but it was too good to leave anything out! Approximately grade 4-5 standard.
$9.95
9.26 €
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Quatuor de Flûtes : 4 flûtes
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Georges Bizet
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Robert Rainford
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Prelude from Carmen
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Forton Music - Digital
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SheetMusicPlus
Christmas Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1138498 Composed by Graham Yates. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.1138498 Composed by Graham Yates. Chamber,Christmas,Classical,Holiday,Sacred. Score and part. 20 pages. Graham Yates #738838. Published by Graham Yates (A0.1138498). Duration: c. 9 minutes. Maestoso introduction followed by three uninterrupted movements: Allegretto, Lullaby and Jubilant. The movements are composed original themes invoking three holiday moods: playful/outdoor winter fun, prayerful/meditative, and celebratory/grandiose. The movements also briefly and subtly incorporate well known melodies: Jingle Bells, Silent Night and Angels We Have Heard on High. With a little rearranging each movement could be performed independently; similarly, any C instrument could play the flute's part, adjusting the octaves as needed. Separate flute part is included.
$11.99
11.15 €
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Flûte traversière et Piano
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Graham Yates
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Christmas Prelude for Flute and Piano
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Graham Yates
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.56 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.56 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Prelude for Flute and (organ) Pedals or any bass instrument
Flûte traversière, Orgue (duo)
Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.96…
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.969120 Composed by Joseph Hallman. 20th Century,Contemporary. Score and parts. 7 pages. Joseph Hallman #5453641. Published by Joseph Hallman (A0.969120). A short lyrical work for flute and organ pedals. This was written for Fluterscooter, who played both parts simultanesouly. You may use any bass instrument capable of playing the chords required in the piece.
$7.00
6.51 €
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Flûte traversière, Orgue (duo)
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Joseph Hallman
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Prelude for Flute and
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Joseph Hallman
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SheetMusicPlus
Carmen Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1026011 Composed by Georges Bizet.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1026011 Composed by Georges Bizet. Arranged by Karen North. Classical,Concert,Romantic Period,Standards. Score and part. 12 pages. Karen North #5756311. Published by Karen North (A0.1026011). Popular arrangement for Flute (Intermediate level) and Piano of Bizet's Carmen Prelude. Excellent piece for concert or exam performance with contrasting middle section and impressive finish.119 bars long - with performance time between 2:30-3:00 mins depending on tempo.
$5.99
5.57 €
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Flûte traversière et Piano
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Georges Bizet
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Karen North
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Carmen Prelude for Flute and Piano
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Karen North
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SheetMusicPlus
"Prelude In E Minor" by Frederic Chopin for Flute and Piano-Jazz/Pop Version-Video
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.634094 Composed by Frederic Chopin…
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Flute,Piano - Level 4 - Digital Download SKU: A0.634094 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N Enterprise #3509515. Published by F & N Enterprise (A0.634094). An excellent arrangement of the famous Song Prelude in E Minor by Chopin for Flute and Piano-Jazz/Pop Version. Video for Violin and Piano:https://www.youtube.com/watch?v=cnD79GxaX4oThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.85 €
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Flûte traversière et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Frederic Chopin for Flute and Piano-Jazz/Pop Version-Video
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F & N Enterprise
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SheetMusicPlus
"Prelude In E Minor" by Chopin-Piano Background for Flute and Piano-Jazz/Pop Version
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.634109 Composed by Frederic Chopin…
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Flute,Piano - Level 4 - Digital Download SKU: A0.634109 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,World. Score and part. 7 pages. F & N Enterprise #3510617. Published by F & N Enterprise (A0.634109). Piano Background for famous Song Prelude In E Minor by Frederic Chopin for Flute & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352395 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.85 €
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Flûte traversière et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Chopin-Piano Background for Flute and Piano-Jazz/Pop Version
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F & N Enterprise
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SheetMusicPlus
Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1057489 Composed by Jordan Grigg. 20th Centu…
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Flute,Piano - Digital Download SKU: A0.1057489 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 650. Jordan Grigg #3464937. Published by Jordan Grigg (A0.1057489).
$3.99
3.71 €
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Flûte traversière et Piano
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Jordan Grigg
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Prelude for Flute and Piano
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Jordan Grigg
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SheetMusicPlus
HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
Flûte, Hautbois, Clarinette (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by Pat pence. Baroque,Concert,Graduation,Holiday,Standards. 24 pages. Piper Publications #6615111. Published by Piper Publications (A0.811821). This Trio Sonata is the first of a set of six published in Paris in 1712 for pairs of ‘flûtes traversieres, flûtes a bec, violons, hautbois, &c.’ with continuo by Mr. Hotteterre, Flûte de la Chambre du Roy. They were dedicated to the Duke of Orleans and published ‘avec privilege du Roy.’ The first Sonata has been edited and arranged for flute, oboe & clarinet in Bb. The four movements, Prelude, Fugue, Grave and Gigue, are in the Baroque style with the interest equally shared between the three parts. Dynamics in the 1712 edition are French - doux and fort. These have been standardised as p & f. The top parts were printed in the soprano clef - with g on the bottom line as was common in France at the time. Amusingly this led to some modern ill informed speculation about flutes of the period being expected to play low bs! In this edition all edits are shown using parentheses ( ) or dashed lines. The Trio is suitable for players of intermediate standard and above and provides repertoire in the French Baroque style for an ensemble of players just a few years beyond the reach of Hotteterre.
$10.00
9.3 €
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Flûte, Hautbois, Clarinette (trio)
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Jacqes Hotteterre
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Pat pence
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clarinet in Bb
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HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
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Piper Publications
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SheetMusicPlus
The Inner Struggles of a Man; Prelude (Little One); Little One [Chicago] (full score & set of parts)
Big band
Rock band and orchestra - Advanced - Digital Download By Chicago. Arranged by Patrick…
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Rock band and orchestra - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 186 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO on their album CHICAGO XI in 1977.<br> <br> <br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Flugelhorn (Bb), Trombone, Fender Rhodes, Grand Piano, ElectricGuitar, Bass, Cabasa, Conga Drums, Drumset. <br> <br> FluteI, Flute II, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb), ClarinetII (Bb), Horn (F), Trombone I, Trombone II, Harp, Cymbals (crash,suspended), Chimes, Timpani, Violin I, Violin II, Viola, Cello, Contrabass. <br> <br> ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.52 €
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Big band
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Chicago
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Patrick Sheehan
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The Inner Struggles of a Man; Prelude
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Patrick Sheehan
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.65 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.65 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano -S0
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Bach-Gounod: Ave Maria for Flute & Piano
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jmsgu3
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SheetMusicPlus
O Worship the King for Flute and Horn
Flute, Cor (duo)
Flute,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.737020 Composed b…
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Flute,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.737020 Composed by William Croft (1678-1727). Arranged by John Jay Hilfiger. Sacred,Standards. 5 pages. John Jay Hilfiger #4756731. Published by John Jay Hilfiger (A0.737020). A new setting of a popular hymn, with variations, original introduction, interludes, and coda, arranged for flute and horn in F. Â Suitable for church prelude, postlude, offertory, or recital piece.
$6.00
5.58 €
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Flute, Cor (duo)
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William Croft
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John Jay Hilfiger
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O Worship the King for Flute and Horn
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John Jay Hilfiger
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SheetMusicPlus
78 Duets for Flute and Clarinet - Volume 2 - Nos. 56 To 78
Advanced Clarinet, Flute, Woodwind Ensemble, Woodwind Duet - Difficulty: medium SKU: HL…
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Advanced Clarinet, Flute, Woodwind Ensemble, Woodwind Duet - Difficulty: medium SKU: HL.4471050 Advanced. Edited by H. Voxman. Ensemble Collection. Baroque and Classical Period. Flute/clarinet duet book. 72 pages. Rubank Publications #RUBL197. Published by Rubank Publications (HL.4471050). ISBN 9781423445425. UPC: 073999710502. 9x12 inches. Edited by H. Voxman.A wonderful compilation of duets from Rubank, the two volumes presented here supplement musical development and provide a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Advanced).
Song List: Giguetta Baracarolle In Canon Bourree Air - from 'Second French Suite' Gigue - from 'Second French Suite' Bourree II - from 'First English Suite' Rigaudon La Joyeuse Arietta Duo No.7 Six Little Preludes No.6 Rondino Andante Duo No.2, K.424 Little Prelude No.12 Divertissement No.2 Duo No.6, Op.19 Duo No.1, Op.46 Little Prelude No.5 Duo No.4 Night Piece Duo No.1 Andante And Menuetto
$11.99
11.15 €
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78 Duets for Flute and Clarinet - Volume 2 - Nos. 56 To 78
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Rubank Publications
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SheetMusicPlus
Be Thou My Vision for Flute and Horn in F
Flute, Cor (duo)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.737065 Composed by Irish Fol…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.737065 Composed by Irish Folk Song. Arranged by John Jay Hilfiger. Christian,Holiday,Sacred,Standards. 5 pages. John Jay Hilfiger #5320737. Published by John Jay Hilfiger (A0.737065). This is a favorite hymn based on an Irish folk tune, known as Slane. The tune also is connected with other hymn texts, such as Lord of All Hopefulness, and Christ Be My Leader. The arrangement, for flute and French horn, is suitable for use in worship, as prelude, postlude, or during the offering, or as recital music. About 2 minutes, 10 seconds duration. .
$5.00
4.65 €
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Flute, Cor (duo)
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Irish Folk Song
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John Jay Hilfiger
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Be Thou My Vision for Flute and Horn in F
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John Jay Hilfiger
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.65 €
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Flûte traversière et Piano
#
Bach-Gounod
#
James M
#
Piano
#
Bach-Gounod: Ave Maria for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Christ the Lord Is Risen Today for Flute and Horn
Flute, Cor (duo)
Instrumental Duet Flute,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.736…
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Instrumental Duet Flute,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.736988 Composed by Robert Williams. Arranged by John Jay Hilfiger. Christian,Easter,Sacred,Standards. Score and parts. 6 pages. John Jay Hilfiger #4288277. Published by John Jay Hilfiger (A0.736988). Christ the Lord Is Risen Today is a popular Easter hymn, sung to the tune Llanfair. Some hymnals use this tune for the hymn, Hail the Day That Sees Him Rise. Can be used as an instrumental prelude, postlude, etc. or a recital piece.
$6.00
5.58 €
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Flute, Cor (duo)
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Robert Williams
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John Jay Hilfiger
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Christ the Lord Is Risen Today for Flute and Horn
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John Jay Hilfiger
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SheetMusicPlus
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