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Prelude for Flute and Piano
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550917 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.71 €
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Flûte traversière et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
23.25 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Christmas Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1138498 Composed by Graham Yates. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.1138498 Composed by Graham Yates. Chamber,Christmas,Classical,Holiday,Sacred. Score and part. 20 pages. Graham Yates #738838. Published by Graham Yates (A0.1138498). Duration: c. 9 minutes. Maestoso introduction followed by three uninterrupted movements: Allegretto, Lullaby and Jubilant. The movements are composed original themes invoking three holiday moods: playful/outdoor winter fun, prayerful/meditative, and celebratory/grandiose. The movements also briefly and subtly incorporate well known melodies: Jingle Bells, Silent Night and Angels We Have Heard on High. With a little rearranging each movement could be performed independently; similarly, any C instrument could play the flute's part, adjusting the octaves as needed. Separate flute part is included.
$11.99
11.18 €
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Flûte traversière et Piano
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Graham Yates
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Christmas Prelude for Flute and Piano
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Graham Yates
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SheetMusicPlus
"Prelude In E Minor" by Chopin-Piano Background for Flute and Piano-Jazz/Pop Version
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.634109 Composed by Frederic Chopin…
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Flute,Piano - Level 4 - Digital Download SKU: A0.634109 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,World. Score and part. 7 pages. F & N Enterprise #3510617. Published by F & N Enterprise (A0.634109). Piano Background for famous Song Prelude In E Minor by Frederic Chopin for Flute & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352395 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.85 €
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Flûte traversière et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Chopin-Piano Background for Flute and Piano-Jazz/Pop Version
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F & N Enterprise
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SheetMusicPlus
"Prelude In E Minor" by Frederic Chopin for Flute and Piano-Jazz/Pop Version-Video
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.634094 Composed by Frederic Chopin…
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Flute,Piano - Level 4 - Digital Download SKU: A0.634094 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N Enterprise #3509515. Published by F & N Enterprise (A0.634094). An excellent arrangement of the famous Song Prelude in E Minor by Chopin for Flute and Piano-Jazz/Pop Version. Video for Violin and Piano:https://www.youtube.com/watch?v=cnD79GxaX4oThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.85 €
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Flûte traversière et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Frederic Chopin for Flute and Piano-Jazz/Pop Version-Video
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F & N Enterprise
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SheetMusicPlus
Carmen Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1026011 Composed by Georges Bizet.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1026011 Composed by Georges Bizet. Arranged by Karen North. Classical,Concert,Romantic Period,Standards. Score and part. 12 pages. Karen North #5756311. Published by Karen North (A0.1026011). Popular arrangement for Flute (Intermediate level) and Piano of Bizet's Carmen Prelude. Excellent piece for concert or exam performance with contrasting middle section and impressive finish.119 bars long - with performance time between 2:30-3:00 mins depending on tempo.
$5.99
5.58 €
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Flûte traversière et Piano
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Georges Bizet
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Karen North
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Carmen Prelude for Flute and Piano
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Karen North
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SheetMusicPlus
Prelude for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.1057489 Composed by Jordan Grigg. 20th Centu…
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Flute,Piano - Digital Download SKU: A0.1057489 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 650. Jordan Grigg #3464937. Published by Jordan Grigg (A0.1057489).
$3.99
3.72 €
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Flûte traversière et Piano
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Jordan Grigg
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Prelude for Flute and Piano
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Jordan Grigg
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.71 €
#
Flûte traversière et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Piano Accompaniment String Sampler
Piano seul
Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contem…
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Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #5355075. Published by Global Music School String Publications (A0.902211). Violin Online String Sampler Piano Accompaniment features the piano accompaniment to Violin Online String Sampler Violin Sheet Music. 54 pieces are included in this collection, representing a variety of styles and music history periods and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
4.65 €
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Piano seul
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Robin Kay Deverich
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Piano Accompaniment String Sampler
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Global Music School String Publications
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
25.12 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.71 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Flute & Piano
Flûte traversière et Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.71 €
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Flûte traversière et Piano
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Bach-Gounod
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James M
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Piano
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Bach-Gounod: Ave Maria for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Prelude from 5th Harpsichord suite Arrangement for flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.954364 Composed by G.F Handel. Arranged by J…
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Flute,Piano - Digital Download SKU: A0.954364 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319155. Published by Rachel Brown (A0.954364). This is the prelude from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
4.8 €
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Flûte traversière et Piano
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G
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JCBmusic
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Prelude from 5th Harpsichord suite Arrangement for flute and piano
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Rachel Brown
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SheetMusicPlus
Allemande from 5th Harpsichord suite Arrangement for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.954366 Composed by G.F Handel. Arr…
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Flute,Piano - Level 3 - Digital Download SKU: A0.954366 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 8 pages. Rachel Brown #4319223. Published by Rachel Brown (A0.954366). This is the allemande from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
4.8 €
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Flûte traversière et Piano
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G
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JCBmusic
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Allemande from 5th Harpsichord suite Arrangement for flute and piano
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Rachel Brown
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SheetMusicPlus
Aria (with variations) from 5th Harpsichord suite Arrangement for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.954367 Composed by G.F Handel. Arr…
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Flute,Piano - Level 3 - Digital Download SKU: A0.954367 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 14 pages. Rachel Brown #4319241. Published by Rachel Brown (A0.954367). This is the aria and variations from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations) *Please note - the variations are different to the popular published version for trumpet - I have taken mine closer to the original score. The trumpet version published by another company has variations which are composed by the arranger.*
$5.15
4.8 €
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Flûte traversière et Piano
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G
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JCBmusic
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Aria
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Rachel Brown
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SheetMusicPlus
Courante from 5th Harpsichord suite Arrangement for flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.954365 Composed by G.F Handel. Arranged by J…
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Flute,Piano - Digital Download SKU: A0.954365 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Score and part. 6 pages. Rachel Brown #4319227. Published by Rachel Brown (A0.954365). This is the courante from the 5th Harpsichord Suite by Handel. It is arranged for flute with piano accompaniment. There is a backing track available to match the arrangement. Movements available from this suite are; PreludeAllemandeCouranteAria (with variations).
$5.15
4.8 €
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Flûte traversière et Piano
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G
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JCBmusic
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Courante from 5th Harpsichord suite Arrangement for flute and piano
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Rachel Brown
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SheetMusicPlus
Cello and Piano String Sampler
Violoncelle, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.58 €
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Violoncelle, Piano
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Robin Kay Deverich
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Cello and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
20 Easter Hymn Solos for Flute and Piano: Vols. 1 & 2
Flûte traversière et Piano
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,S…
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Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Relig ious,Sacred. Score and part. 82 pages. Ben Dockery #766722. Published by Ben Dockery
These twenty classic Easter hymns have been arranged for flute solo with piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.<br> <br> Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$12.99
12.11 €
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Flûte traversière et Piano
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Various
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20 Easter Hymn Solos for Flute and Piano: Vols. 1 & 2
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Ben Dockery
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SheetMusicPlus
10 Easter Solos for Flute and Piano - Volume 1
Flûte traversière et Piano
Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Sacred. Score and …
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Composed by Various. Arranged by B. C. Dockery. Christian, Easter, Sacred. Score and part. 21 pages. Ben Dockery #6287593. Published by Ben Dockery
These classic Easter hymns have been arranged for solo flute with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. <br> <br> Includes:<br> <br> Alleluia! Alleluia! (Ode to Joy)<br> At the Cross<br> Christ Arose (Low in the Grave He Lay)<br> Christ the Lord is Risen Today<br> Crown Him With Many Crowns<br> I Stand Amazed in the Presence (How Marvelous)<br> Jesus Paid It All<br> Near the Cross<br> Nothing but the Blood<br> Were You There
$8.99
8.38 €
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Flûte traversière et Piano
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Various
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10 Easter Solos for Flute and Piano - Volume 1
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Ben Dockery
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SheetMusicPlus
Meditation (Opus 18), for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.763424 Composed by Cesar Auguste F…
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Flute,Piano - Level 3 - Digital Download SKU: A0.763424 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. Score and part. 12 pages. Nigel Williams #5363101. Published by Nigel Williams (A0.763424). This beautiful haunting melody by Cesar Franck forms part of a larger piece for organ, and it is ideal material for an arrangement for flute and piano. The gentle rocking nature of the melody is supported by the piano accompaniment throughout, and the music requires much rubato and space. The tempo can be a little slower or a little quicker than the sound file suggests. This arrangement is excellent repertoire for High School students working at home, and equally it would make an excellent prelude in any service of worship where Cesar Franck's music is admired. The performance duration is four minutes and the full score comes with individual parts attached. Enjoy browsing my many instrumental solos, duets and ensemble arrangements on SMP.
$4.99
4.65 €
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Flûte traversière et Piano
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Cesar Auguste Franck
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Nigel Williams
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Meditation
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Nigel Williams
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.59 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.59 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Three Preludes for Flute and Piano
Flûte traversière et Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.980904 C…
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Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.980904 Composed by Grigor Arakelian. Contemporary. Score and parts. 16 pages. Grigor Arakelian #4631793. Published by Grigor Arakelian (A0.980904).
$5.99
5.58 €
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Flûte traversière et Piano
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Grigor Arakelian
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Three Preludes for Flute and Piano
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Grigor Arakelian
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SheetMusicPlus
Prelude of Consecration - Flute & Piano
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Piano - Level 3 - Digital Download SKU: A0.572249 Com…
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Instrumental Duet,Piano Flute,Piano - Level 3 - Digital Download SKU: A0.572249 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #3365089. Published by James M Stevens Music ASCAP (A0.572249). This is an original composition for flute and piano in a relaxed, peaceful, and sacred style at the intermediate level. There is a separate flute part in the score. The piano is stand alone solo and the piano recording, Prelude of Consecration (Sacred Piano MP3 can be used as an accompaniment track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/cY8SjBRzBp0
$6.99
6.52 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Prelude from "Suite Bergamasque" for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1095080 Composed by Claude Debussy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1095080 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699158. Published by Diego Marani (A0.1095080). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for flute with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
7.45 €
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Flûte traversière et Piano
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Claude Debussy
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Diego Marani
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Prelude from "Suite Bergamasque" for Flute and Piano
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Diego Marani
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SheetMusicPlus
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