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Prelude for the Left Hand
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Vous avez sélectionné:
Prelude for the Left Hand
Partitions à imprimer
180 partitions trouvées
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Preludes for the Left Hand: 3 New Age Piano Solos
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Piano seul
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INTERMÉDIAIRE
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Hannah Adhikari
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Preludes for the Left Hand: 3
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Hannah E. Adhikari
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1354724 Composed by Hannah Adhikari. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 13 pages. Hanna...
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Piano Solo - Level 3 - SKU: A0.1354724 Composed by Hannah Adhikari. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 13 pages. Hannah E. Adhikari #939420. Published by Hannah E. Adhikari (A0.1354724). Preludes for the Left Hand is a set of 3 Left Hand Piano Solos from the Album, Legacies. These are intermediate to advanced piano preludes written for the Left Hand only in the New Age style. Preludes for the Left Hand was written in response to Hannah's injury to her right hand during the Fall semester of 2021. View the full inspiring story on Hannah's YouTube Channel! Composed and Edited all by Hannah E. Adhikari, all rights reserved. Some piano solos are available to purchase separately HERE.Level: 7-10Type: PDF format, 3 Piano Solos.
$5.00
Prelude on Woodworth ('Just As I Am')
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Piano seul
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AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Woodworth
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John Burkett
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burke...
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Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burkett #958806. Published by John Burkett (A0.1374217). My Prelude on Woodworth (Just As I Am) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The first section of my arrangement is simple enough. But the remainder requires advanced pianistic skill with its wide-ranging arpeggios in the left hand and the use of so-called 3-handed technique, wherein the right and left hands alternate playing the melody notes in the middle compass of the keyboard, while also negotiating the aforementioned arpeggios in the left hand, as well as quickly moving arpeggios and scale passages in the right hand. Near the end of the piece the use of the sostenuto pedal is also required. In short, my arrangement is a virtuosic treatment in 19th century romantic style of a mid-19th century hymn tune. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$9.50
Prelude for the Left Hand
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Piano seul
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Bethany Wakim
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Prelude for the Left Hand
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Bethany Wakim
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SheetMusicPlus
Piano Solo - SKU: A0.905883 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 3 pages. Bethany Wakim #6638563...
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Piano Solo - SKU: A0.905883 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 3 pages. Bethany Wakim #6638563. Published by Bethany Wakim (A0.905883). After a right hand injury, I decided to write this lullaby-like prelude for the left hand. A good exercise in pedal use and connecting long phrases. Suitable for the late intermediate/early advanced pianist. Run time: approx. 4:30.
$3.99
A Prayer and a Prelude
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published...
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Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99
Prelude in A minor, Op. 1, No. 2
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Piano seul
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AVANCÉ
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Michael Swedberg
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Prelude in A minor, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248123 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842686. P...
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Piano Solo - Level 5 - SKU: A0.1248123 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842686. Published by Niska Music Publishing (A0.1248123). There is a storm brewing on the horizon and the ship is starting to be tossed about by waves which can be heard rolling in the left hand. The captain calls for the sails to be furled lest they be torn to shreds by the gale force winds. They have endured many storms before, but this is unlike any The Tempest has encountered. The men try to lift their spirits with tales of what has come before and the acts of heroism which have helped them to survive. Their bravado is cut short as the storm intensifies. Lightning flashes across the sky and they realize now that there may be no coming back from this voyage. The swells grow ever larger and cracks can be heard throughout the ship as support beams and masts give way under the tremendous stress. There is no hope of reaching the safety of land as she begins to take on water, but the crew does not abandon their posts…they do not know the meaning of surrender. A final series of cracks can be heard as The Tempest slips beneath the waves into the waiting abyss.
$3.99
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Hark! The Herald Angels Sing
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Piano seul
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AVANCÉ
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Michael Swedberg
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Terrence Niska
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Hark! The Herald Angels Sing
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. ...
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Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726554. Published by Niska Music Publishing (A0.1125814). Once again the influence of George Winston and Mannheim Steamroller can be heard as this prelude begins with a burst of joy and energy that does not subside, but only grows with each verse. The changing meters make this piece a challenge to play and requires a strong technique to handle some of the scale passages. This arrangement is a far cry from the original music of Mendelssohn, but the lyrics inspired me to create something full of vibrancy and passion to match the glorious news that the angels came to deliver! The first verse establishes the 5/4 meter heard throughout the prelude and is filled with the pealing of church bells in the right hand as they send forth the melody in octaves! Meanwhile, the left hand continues the broken chord pattern established in the opening. In the next verse, the left hand is now rising and falling, while the right is still playing the melody in octaves. Only now it is filling the spaces with eighth notes to match the left hand…essentially combining the two hands of the previous verse. For the final verse, the left hand takes on the orchestral role of brass and percussion with thunderous chords punctuating the rhythm of the melody in the right hand. There are moments of fireworks as the hands break free of the 5/4 meter for some wonderful, albeit brief, scales which increase the growing excitement. The piece concludes with a return of the rhythmic material from the opening as the hands work their way down the piano in arpeggiated fashion only to race back up the keyboard for a final flourish before a resounding Amen: Hail the heaven-born Prince of Peace! Glory to the new-born King!
$3.99
Five Preludes
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Piano seul
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Contemporain
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Don Bowyer
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Five Preludes
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Dolphin Don's Music School
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SheetMusicPlus
Piano Solo - SKU: A0.990153 Composed by Don Bowyer (Sunway University). Contemporary. Score. 22 pages. Dolphin Don's Music School #6434599. Published by...
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Piano Solo - SKU: A0.990153 Composed by Don Bowyer (Sunway University). Contemporary. Score. 22 pages. Dolphin Don's Music School #6434599. Published by Dolphin Don's Music School (A0.990153). Five Preludes is a set of short pieces for solo piano, exploring various sounds and ideas. Each prelude is one to two minutes in length.Prelude 1: Play-ludeThe main idea of this prelude uses parallel fourths in the left hand with short, dissonant statements in the right hand. The contrasting second idea has a tonal bass line progression below a chromatic figure. The 3/8 time signature gives the piece a quasi-swing feel.Prelude 2: Pray-ludeThis prelude alternates between F major and Gb major, with slow reflective melodic statements over sustained roots. The statements gradually become shorter and shorter until the recapitulation.Prelude 3: Pre-lewdThis whimsical prelude uses a five-note synthetic scale throughout (1, m3, P4, m6, M7), but the scale modulates in a pattern that suggests a standard 16-measure blues progression. There is a repeating figure in the bass using the same modulating scale.Prelude 4: Prelude SolitudeThis slow prelude in 7/4 time has an ostinato bass line that never varies. The six notes of the bass line (Eb, E, F, Ab, A, Bb) form a synthetic scale from which the entire piece is derived.Prelude 5: Pre-ludicrousThis prelude uses the same six-note synthetic scale throughout (C, Eb, E, G, Ab, B). Harmonic motion is established through a repeated bass line, with chords built from every other note of the scale.
$18.99
Prelude for the Right Hand Alone Op. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sal Haddad
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Prelude for the Right Hand Alo
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Sal Haddad
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1438882 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 5 pages. Sal Haddad #1018959. Published by Sa...
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Piano Solo - Level 4 - SKU: A0.1438882 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 5 pages. Sal Haddad #1018959. Published by Sal Haddad (A0.1438882). There are a lot works for the left hand alone, but very little for the right. The reason is that the left hand is able to naturally provide the accompaniment in the bass - the thumb may then provide the melody. Alkan wrote a massive and effective piece for the right hand, the second of his Trois Grandes Etudes. This Prelude is my contribution to the right hand repertoire. Recorded by the composer. Sal Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@salhaddadmusic/about
$2.00
Prelude and Nocturne for LH alone
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Piano seul
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Contemporain
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Michael Krikorian
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Prelude and Nocturne for LH al
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Michael Krikorian
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SheetMusicPlus
Piano Solo - SKU: A0.1032904 Composed by Michael Krikorian. Contemporary. Score. 7 pages. Michael Krikorian #5775839. Published by Michael Krikorian (A0...
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Piano Solo - SKU: A0.1032904 Composed by Michael Krikorian. Contemporary. Score. 7 pages. Michael Krikorian #5775839. Published by Michael Krikorian (A0.1032904). These pieces were composed as an homage to my all time favorite composer, Alexander Scriabin. I became interested in piano music composed for the left hand alone after suffering an injury to my right hand. This led to my discovery of Scriabin's masterful Prelude and Nocturne, Op. 9, in which Scriabin effectively creates the illusion of two hands playing. I decided to create my own left hand pieces by channeling Scriabin in his middle to late style to compose my very own Prelude and Nocturne.
$5.00
Forgive (Verbs 10)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Forgive
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995808 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 10 pages. Indigo Mesa Music LLC #5198067. Published b...
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Piano Solo - Level 5 - SKU: A0.995808 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 10 pages. Indigo Mesa Music LLC #5198067. Published by Indigo Mesa Music LLC (A0.995808). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen Ryan for Steinway Artist Keith Porter-Snell. Each prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.
$5.25
Prélude for Left Hand Alone
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Prélude for Left Hand A
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. ...
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Instrumental Solo - Level 4 - SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Day by Day (Ahnfelt) - My Faith Looks Up to Thee - piano arrangement for Left Hand Alone by Stephen
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Piano seul
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Musique Sacrée
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Stephen R
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Day by Day
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by St...
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Piano Solo - SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by Stephen R Dalrymple (A0.818231). Day by Day / My Faith Looks Up to Thee piano solo for Left Hand alone by Stephen R Dalrymple Day by Day - Lyrics by Karolina W Sandell-Berg, translated by Andrew L Skoog, Music: BLOTT EN DAG, byOskar Anhelt 1872 My Faith Looks Up to Thee - Lyrics by Ray Palmer 1830, Music: OLIVET by Lowell Mason 1830 Why write (or play) pieces for left hand alone? 1. My college piano teacher assigned my first LH Alone piece (Prélude For Left Hand Alone by Alexander Scrià bin after I injured my right hand because needed to keep my practice going. 2. It’s concentrated practice for advancing all of the left hand skills. 3. For those of us who are right handed, we don’t always listen to the phrasing we are creating with our left hands. Playing a melody line with the left hand alone forces one to critique and correct the musicality of the left hand. 4. It forces the left hand to move from register to register on the piano. 5. There is wonderful literature for left hand alone that is worth playing.Suitable for Preludes, Offertories, Concerts. Includes 2 versions 1) Piano Score 2) small page format for performing from 8.9 inch tablet.
$4.45
Prelude on Darwall ('Rejoice, the Lord Is King')
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Darwall
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John Burkett
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1348066 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 7 pages. John Burkett #...
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Piano Solo - Level 4 - SKU: A0.1348066 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 7 pages. John Burkett #932880. Published by John Burkett (A0.1348066). My arrangement of the hymn tune Darwall (Rejoice, the Lord Is King) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The structure of the piece consists of three different settings of the tune, separated from each other by a recurring segment that is rhythmically distinctive and displays decidedly modernist harmony. In the first setting the unadorned hymn tune is played by the left hand, while the right hand provides an accompaniment of rapidly repeated chords generating a strong sense of forward motion. The second setting, in a different key, is unified by a continuous stream of dotted eighth/sixteenth note rhythmic units. The third setting is similar to the first, but set in 12/8 rather than 4/4 meter. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I enourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$9.00
Prelude Op. 8 Nr 5 by H. Pachulski
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Piano seul
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AVANCÉ
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Henryk Pachulski
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Haydn Reeder
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Prelude Op. 8 Nr 5 by H. Pachu
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Haydn Reeder
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.953826 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Concert,Graduation,Romantic Period,Standards. Score. 3 pag...
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Piano Solo - Level 5 - SKU: A0.953826 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Concert,Graduation,Romantic Period,Standards. Score. 3 pages. Haydn Reeder #3097683. Published by Haydn Reeder (A0.953826). This is my arrangement of a piece which has remained in obscurity, not only because it is by a less well known Polish/Russian composer but also because of the hand distribution. It seems from the original that the composer wanted to write a study for the left hand, but has needlessly put the piece beyond comfortable. This is a pity, since the piece is masterly.
$3.50
Chopin Prelude No.6
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Classique
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Frederic Chopin
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Eoin Buchanan
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Chopin Prelude No.6
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7plc Music
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1017073 Composed by Frederic Chopin. Arranged by Eoin Buchanan. Romantic Period. Score an...
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1017073 Composed by Frederic Chopin. Arranged by Eoin Buchanan. Romantic Period. Score and parts. 8 pages. 7plc Music #6079117. Published by 7plc Music (A0.1017073). Why this Prelude? On entering music college 45 years ago I was faced with having to learn the piano and not even knowing where middle C was situated...eek! Two years later I performed this Prelude.In this arrangement the left hand theme is taken by the Bass Tuba with the Tenor Tuba interlinking for some of the higher notes and to reinforce the pathos of the falling phrases towards the end of the piece. The right hand swaps around between horns and flugelhorn with high range of the horn being used to accentuated the minor feeling of the piece. Perhaps one performance note might be that players of the supporting instruments need to be very careful not to use too much hard tonguing!
$12.50
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25
Prelude on Terra Beata ('This Is My Father's World')
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Terra Beata
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John Burkett
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. ...
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Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. John Burkett #961084. Published by John Burkett (A0.1376555). My Prelude on the hymn tune Terra Beata (This Is My Father's World) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. It is one of two settings for piano of Terra Beata that I have written. In this setting there are two statements of the melody. The first places the melody in the soprano register with a repeated-note pattern serving as the accompaniment in the left hand. The second places the melody in the bass register moving at half the previous speed and accompanied by a downward moving arpeggiation pattern played by the right hand. The second half of the melody returns to the soprano, harmonized with 4-note chords, and accompanied by rapid downward moving scales played by the left hand. In the final phrase, the pace slows, leading inconclusively to a chord of the 13th on G-flat at mid-phrase, before resuming in the main key of E-flat and ending triumphantly with a repeated-note trumpet-like pattern. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Two Patriotic Chorale Preludes
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Jonathan Hellerman
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Two Patriotic Chorale Preludes
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J. F. Hellerman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.921794 Composed by Jonathan Hellerman. Contemporary,Holiday,Patriotic,Sacred. Score. 8 pages. J. F. Hellerman #3562049. Publis...
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Organ - Level 4 - SKU: A0.921794 Composed by Jonathan Hellerman. Contemporary,Holiday,Patriotic,Sacred. Score. 8 pages. J. F. Hellerman #3562049. Published by J. F. Hellerman (A0.921794). These two organ preludes in Baroque style are ideal for liturgical use on patriotic occasions. The two hymn-tunes, Melita (Eternal Father, Strong to Save) and Materna (America the Beautiful) are both set as cantus firmus in the left hand, while right hand and pedal play bright ornamental accompaniment. For two manuals and pedal, each prelude is approximately two minutes in length.For more information about the composer, visit hellermanmusic.com
$4.99
Sonata IX in C Major for Guitar by Sylvius Weiss
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Guitare
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AVANCÉ
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Classique
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Sylvius Leopold Weiss
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Bradford Werner
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2, Presto.
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Sonata IX in C Major for Guita
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This is Classical Guitar
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.866925 Composed by Sylvius Leopold Weiss (1687–1750). Arranged by Bradford Werner. Baroque. Individual part. 33 p...
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Solo Guitar - Level 5 - SKU: A0.866925 Composed by Sylvius Leopold Weiss (1687–1750). Arranged by Bradford Werner. Baroque. Individual part. 33 pages. This is Classical Guitar #4892389. Published by This is Classical Guitar (A0.866925). Sonata IX in C Major by Sylvius Leopold Weiss (1687–1750) - Prelude, Allemande, Courante, BoureÌe, Sarabande, Menuet 1 & 2, Presto. Arranged for Classical Guitar by Bradford Werner. Comes with a fingered editorial edition and an unfingered non-editorial edition (arranged for guitar but with original ornaments). Notation only, left hand fingering only, 33 pages, PDF download. Level: Advanced (some movements are easier than others but overall advanced).The term Sonata should be associated here with the term with the Baroque Suite rather than any classical era form. Source: Dresden Manuscript - WeissSW37.1 aÌ€ 8 Ms. Dresde D-Dl2841.See This is Classical Guitar on YouTube for full performances.
$9.99
Bach Prelude BWV 855, arranged by David Pentecost from Alexander Siloti's arrangement
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Piano seul
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Classique
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Bach & Siloti
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David Pentecost
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Bach Prelude BWV 855, arranged
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Tatiana Stupak
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SheetMusicPlus
Piano - SKU: A0.1073097 Composed by Bach & Siloti. Arranged by David Pentecost. Baroque. Full Performance. Duration 105. Tatiana Stupak #6197959. Publis...
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Piano - SKU: A0.1073097 Composed by Bach & Siloti. Arranged by David Pentecost. Baroque. Full Performance. Duration 105. Tatiana Stupak #6197959. Published by Tatiana Stupak (A0.1073097). Played by Tatiana Stupak on the Steinway grand piano at Pattihio Theatre, Limassol, Cyprus, on 20th October 2020. Alexander Siloti (1863-1945) arranged a version of Bach's Prelude (Book 1, No.10), reversing the bass and treble clefs, altering the key, and making other melodic changes. David Pentecost has enhanced Siloti's version, making it more romantic and expressive, developing a dominant melody in the left hand. The sheet music can be downloaded by searching for S0.225675.
$1.99
It Came Upon the Midnight Clear (Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edmund H
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Cathy Stamegna
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It Came Upon the Midnight Clea
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Cathy Stamegna
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1136487 Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christmas,Holiday,Instru...
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Piano Solo - Level 4 - SKU: A0.1136487 Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christmas,Holiday,Instructional,Praise and Worship,Traditional. Score. 8 pages. Cathy Stamegna #736486. Published by Cathy Stamegna (A0.1136487). This tranquil Christmas hymn is arranged as a piano solo. Although chordal in some spots, it takes on more of a contrapuntal character and, as a result, may be used as an instructional piece. A short transition invites a meter change (from 6/8 to 4/4) where the Left Hand states phrases of â??Hark! The Herald Angels Singâ? while the Right Hand continues with â??It Came Upon the Midnight Clearâ? (in 4/4). Graded as Upper Intermediate because of the independence of the hands, occasions when the left hand carries the melody, and a few blues/jazz harmonies in the final section. The first two parts are in the key of Bb Major; the return of 6/8 in the final section is accompanied by a key change to C Major. (Tempo markings are suggested, but need not be adhered to by the performer). Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Perf. Time: Approx. 3:46.
$4.99
Prelude No. 15 in G Major from 24 Preludes
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Prelude No. 15 in G Major from
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862437 Composed by Michael Bomier. Contemporary,Romantic Period,Standards. Score. 2 pages. Michael Butkus-Bomier #2007295...
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Piano Solo - Level 3 - SKU: A0.862437 Composed by Michael Bomier. Contemporary,Romantic Period,Standards. Score. 2 pages. Michael Butkus-Bomier #2007295. Published by Michael Butkus-Bomier (A0.862437). A rippling, harp-like accompaniment flows beneath a high treble melody, punctuated by open fifths, decorated with a grace note, down below. How can two hands do all this at once, you might say? Easy, well, sort of easy, anyway. The left hand plays the melody up high AFTER playing the open fifth low, crossing over the stationary right hand. in each measure. The harmony of the right-hand arpeggio changes slowly and subtly as the melody floats above. Some high ledger lines, with note above three lines alphabetically marked for ease of reading. Chromatic harmony with mixed accidentals in right hand. A joy to play, and very pleasing to the listener, I think, anyway... if I don't believe in my music, how can I expect players and teachers to do the same! Lasts about a minute and 45 secs. A faster OR slower tempo yields a more cascading or contemplative effect.
$1.99
It Came Upon the Midnight Clear
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Piano seul
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AVANCÉ
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Noël
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Richard Storrs Willis
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Terrence Niska
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It Came Upon the Midnight Clea
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950926 Composed by Richard Storrs Willis. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #...
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Piano Solo - Level 5 - SKU: A0.950926 Composed by Richard Storrs Willis. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466297. Published by Niska Music Publishing (A0.950926). What if Chopin had written a Christmas carol? It may have sounded something like this. There is a definite pastoral atmosphere to this arrangement, giving it the feeling of one of his Nocturnes. The gently flowing river of the left hand in the first section provides the support for the melody as it weaves its way in and out of the eighth notes of the right hand. The second verse takes a more chordal approach to the music with the tune being played in octaves while the off-beat rhythms provide a french horn-like accompaniment. Suddenly, there is a burst of energy as the chorus rings out in left hand octaves while the right hand gives the impression of a sudden gust of wind. There is a return to the chordal section and ultimately to the flowing river of the opening before a final statement of the melody (though somewhat altered) over a pedal point brings the prelude to a very quiet and peaceful close.
$3.99
Heal The World (prelude)
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Piano, Voix
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DÉBUTANT
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Contemporain
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Doctors Pop, Marty Paich
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Jennifer Kusuma
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Heal The World
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JellyMakesMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.925654 By Doctors Pop, Marty Paich. By Martin Paich. Arranged by Jennifer Kusuma. Contemporary. Score. 3 pages. Je...
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Piano,Vocal,Voice - Level 1 - SKU: A0.925654 By Doctors Pop, Marty Paich. By Martin Paich. Arranged by Jennifer Kusuma. Contemporary. Score. 3 pages. JellyMakesMusic #6091805. Published by JellyMakesMusic (A0.925654). An easy arrangement for piano solo of Michael Jackson's Heal The WorldThis is perfect for you who's starting to learn chords on the left hand. This arrangement uses constant left hand patterns that is perfect for beginners to learn how to stretch their hands.This song also has 3 sharps so it's a good challenge for beginners or early intermediate. If you are familiar with the song, it's much easier. This is a shorter version as it only goes up to chorus, but you can repeat as many times as you like. .
$4.99
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Prelude for the Left Hand
