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Prelude for the Right Hand
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ALTO
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Vous avez sélectionné:
Prelude for the Right Hand
Partitions à imprimer
354 partitions trouvées
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Prelude for the Right Hand Alone Op. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sal Haddad
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Prelude for the Right Hand Alo
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Sal Haddad
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1438882 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 5 pages. Sal Haddad #1018959. Published by Sa...
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Piano Solo - Level 4 - SKU: A0.1438882 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 5 pages. Sal Haddad #1018959. Published by Sal Haddad (A0.1438882). There are a lot works for the left hand alone, but very little for the right. The reason is that the left hand is able to naturally provide the accompaniment in the bass - the thumb may then provide the melody. Alkan wrote a massive and effective piece for the right hand, the second of his Trois Grandes Etudes. This Prelude is my contribution to the right hand repertoire. Recorded by the composer. Sal Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@salhaddadmusic/about
$2.00
Hark! The Herald Angels Sing
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Piano seul
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AVANCÉ
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Michael Swedberg
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Terrence Niska
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Hark! The Herald Angels Sing
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. ...
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Piano Solo - Level 5 - SKU: A0.1125814 By Michael Swedberg. By Felix Bartholdy Mendelssohn. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726554. Published by Niska Music Publishing (A0.1125814). Once again the influence of George Winston and Mannheim Steamroller can be heard as this prelude begins with a burst of joy and energy that does not subside, but only grows with each verse. The changing meters make this piece a challenge to play and requires a strong technique to handle some of the scale passages. This arrangement is a far cry from the original music of Mendelssohn, but the lyrics inspired me to create something full of vibrancy and passion to match the glorious news that the angels came to deliver! The first verse establishes the 5/4 meter heard throughout the prelude and is filled with the pealing of church bells in the right hand as they send forth the melody in octaves! Meanwhile, the left hand continues the broken chord pattern established in the opening. In the next verse, the left hand is now rising and falling, while the right is still playing the melody in octaves. Only now it is filling the spaces with eighth notes to match the left hand…essentially combining the two hands of the previous verse. For the final verse, the left hand takes on the orchestral role of brass and percussion with thunderous chords punctuating the rhythm of the melody in the right hand. There are moments of fireworks as the hands break free of the 5/4 meter for some wonderful, albeit brief, scales which increase the growing excitement. The piece concludes with a return of the rhythmic material from the opening as the hands work their way down the piano in arpeggiated fashion only to race back up the keyboard for a final flourish before a resounding Amen: Hail the heaven-born Prince of Peace! Glory to the new-born King!
$3.99
Go Tell It on the Mountain
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Piano seul
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AVANCÉ
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Gospel Spirituel
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Michael Swedberg
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Terrence Niska
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Go Tell It on the Mountain
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125796 By Michael Swedberg. By Traditional Spiritual. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score....
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Piano Solo - Level 5 - SKU: A0.1125796 By Michael Swedberg. By Traditional Spiritual. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726536. Published by Niska Music Publishing (A0.1125796). One of the more technically demanding preludes in this set, it is a definite workout for the right hand as it is nonstop triplets from beginning to end. Not only must the wrist remain loose, but the melody is contained in the right hand amidst the steady torrent of sixteenth note triplets. There is also a wonderful two measure hemiola figure where the meter seems to shift temporarily before returning to the established meter. The exuberance and excitement of the good news of Christ’s birth is the driving force behind this arrangement. Symphonic in its conception, the pianist needs to keep that in mind as they bring all the forces of the orchestra to bear. There are instances of brass chords, swirling string lines, singing woodwinds and thundering timpani, sometimes happening all at the same time. A tour de force and an excellent concert finale!
$3.99
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Prelude in B Minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Prelude in B Minor
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.571810 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Sacred,Standards. Score...
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Piano Solo - Level 4 - SKU: A0.571810 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Sacred,Standards. Score. 4 pages. James M Stevens Music ASCAP #483963. Published by James M Stevens Music ASCAP (A0.571810). Prelude in B Minor is an original piano composition written on October 27, 2015. It is in a classical style and is an arpeggiation exercise for the right hand. It begins in B Minor, moves to B Major, and then returns to B Minor. Just for fun and for music theory enthusiasts there is included a Neapolitan 6 chord and a German 6 chord and both used in an authentic fashion. James Michael Stevens is a prolific composer residing in Nashville, TN where he serves as the Music Department Chairman of Welch College. 2015 Piano Contest Duration 2:44 https://youtu.be/P_D3DjvWGu8
$4.99
Prelude for the Right Hand
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Piano seul
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AVANCÉ
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Ryan Brechmacher
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Prelude for the Right Hand
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Ryan Brechmacher
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1348725 By Ryan Brechmacher. By Ryan Brechmacher. 21st Century,Classical,New Age. Score. 4 pages. Ryan Brechmacher #93350...
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Piano Solo - Level 5 - SKU: A0.1348725 By Ryan Brechmacher. By Ryan Brechmacher. 21st Century,Classical,New Age. Score. 4 pages. Ryan Brechmacher #933508. Published by Ryan Brechmacher (A0.1348725). For the right hand alone.
$2.99
Preludes for the Left Hand: 3 New Age Piano Solos
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Piano seul
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INTERMÉDIAIRE
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Hannah Adhikari
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Preludes for the Left Hand: 3
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Hannah E. Adhikari
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1354724 Composed by Hannah Adhikari. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 13 pages. Hanna...
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Piano Solo - Level 3 - SKU: A0.1354724 Composed by Hannah Adhikari. Classical,Contemporary,Instructional,New Age,Romantic Period. Score. 13 pages. Hannah E. Adhikari #939420. Published by Hannah E. Adhikari (A0.1354724). Preludes for the Left Hand is a set of 3 Left Hand Piano Solos from the Album, Legacies. These are intermediate to advanced piano preludes written for the Left Hand only in the New Age style. Preludes for the Left Hand was written in response to Hannah's injury to her right hand during the Fall semester of 2021. View the full inspiring story on Hannah's YouTube Channel! Composed and Edited all by Hannah E. Adhikari, all rights reserved. Some piano solos are available to purchase separately HERE.Level: 7-10Type: PDF format, 3 Piano Solos.
$5.00
Carson Cooman: Nine Preludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601...
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Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
Day by Day (Ahnfelt) - My Faith Looks Up to Thee - piano arrangement for Left Hand Alone by Stephen
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Piano seul
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Musique Sacrée
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Stephen R
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Day by Day
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by St...
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Piano Solo - SKU: A0.818231 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3087667. Published by Stephen R Dalrymple (A0.818231). Day by Day / My Faith Looks Up to Thee piano solo for Left Hand alone by Stephen R Dalrymple Day by Day - Lyrics by Karolina W Sandell-Berg, translated by Andrew L Skoog, Music: BLOTT EN DAG, byOskar Anhelt 1872 My Faith Looks Up to Thee - Lyrics by Ray Palmer 1830, Music: OLIVET by Lowell Mason 1830 Why write (or play) pieces for left hand alone? 1. My college piano teacher assigned my first LH Alone piece (Prélude For Left Hand Alone by Alexander Scrià bin after I injured my right hand because needed to keep my practice going. 2. It’s concentrated practice for advancing all of the left hand skills. 3. For those of us who are right handed, we don’t always listen to the phrasing we are creating with our left hands. Playing a melody line with the left hand alone forces one to critique and correct the musicality of the left hand. 4. It forces the left hand to move from register to register on the piano. 5. There is wonderful literature for left hand alone that is worth playing.Suitable for Preludes, Offertories, Concerts. Includes 2 versions 1) Piano Score 2) small page format for performing from 8.9 inch tablet.
$4.45
How Brightly Shines the Morning Star - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Philipp Nicolai / J
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Todd Marchand
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How Brightly Shines the Mornin
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacre...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 14 pages. Con Spirito Music #3897165. Published by Con Spirito Music (A0.726082). Wie schön leuchtet der Morgenstern (How Brightly Shines the Morning Star) was written by the German Lutheran pastor, poet, and composer Philipp Nicolai (1556-1608) and published in a collection of his hymns in 1599. Based on Psalm 45, Nicolai's text identifies Jesus Christ as the celestial bridegroom of the psalm and with the bright morning star described in Revelation 22:16.Nicolai also authored and published the hymn, Wachet auf, ruft uns die Stimme (Sleepers, Wake! A Voice Astounds Us) in the same 1599 collection. Together, Wachet Auf and Wie schön leuchtet der Morgenstern have been called The King and Queen of Chorales.Johann Sebastian Bach (1685-1780) used the Morning Star chorale as the basis of his cantata, Wie schön leuchtet der Morgenstern (BWV 1) and individual verses of the text in several other cantatas. Bach also used the tune as the basis for several organ preludes. Other composers to have used the tune in their works include Johann Pachelbel, Dieterich Buxtehude, Max Reger, Hugo Distler, and Howard Hanson.In this arrangement, both Bach's harmonization and original harmonies are employed, as well as original material for the introduction, interlude/modulation, and ending.©Copyright 2018 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Prelude, Interlude and Dance
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Kevin Riley
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Prelude, Interlude and Dance
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Forton Music - Digital
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SheetMusicPlus
Ob. Pft. - Intermediate-Advanced - SKU: F2.FM467 Composed by Kevin Riley. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital #FM467. Publi...
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Ob. Pft. - Intermediate-Advanced - SKU: F2.FM467 Composed by Kevin Riley. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital #FM467. Published by Forton Music - Digital (F2.FM467). ISBN 9790570483662.The three sections of this piece need sensitive playing from the player, as each section highlights a different aspect of the oboe's character. The Prelude is serious and brooding in a minor key. The interlude is lighter, with beautiful flowing melody, often in canon with the right hand of the piano part. The Dance is lighthearted and entertaining, with almost the character of a folk dance. The piece was composed with an intermediate oboist in mind. The oboe part is very lyrical throughout the piece, and will require good breath control to ensure that the piece 'sings'.
$7.95
Prélude for Left Hand Alone
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Prélude for Left Hand A
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. ...
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Instrumental Solo - Level 4 - SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
A Prayer and a Prelude
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published...
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Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99
What Star Is This, with Beams So Bright
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Piano seul
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AVANCÉ
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Anonymous
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Paul Thurmond
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What Star Is This, with Beams
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828262 Composed by Anonymous. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Christmas,Sacred. Score. 5 pages....
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Piano Solo - Level 5 - SKU: A0.828262 Composed by Anonymous. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Christmas,Sacred. Score. 5 pages. Paul Thurmond #4969093. Published by Paul Thurmond (A0.828262). Tune: PUER NOBIS NASCITURUse: Prelude, PostludeThis is an Epiphany hymn that I set in the style of Handel's harpsichord variations. I recorded it on harpsichord, but it also works great on a piano.The theme is stated plainly.The first variation adds running eighth notes in the right hand.The second variations switches the eighth notes to the left hand, and changes the harmony a bit.The third variation adds triplets in the right hand, while the left hand plays the same pattern over and over, a technique known as a ground bass. In the recording, I play it using the lute stop.The fourth variation is a sarabande, a slow dance in triple meter with frequent emphasis on the second beat of the measure.The fifth and final variation states the melody in octaves in the left hand, while the right hand goes crazy with sixteenth notes. The first eight measures of the right hand are inverted and modified to form the second eight measures.I had a lot of fun writing this. I hope you have as much fun playing it.
$4.99
Prelude on Woodworth ('Just As I Am')
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Piano seul
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AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Woodworth
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John Burkett
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burke...
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Piano Solo - Level 5 - SKU: A0.1374217 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Sacred. Score. 8 pages. John Burkett #958806. Published by John Burkett (A0.1374217). My Prelude on Woodworth (Just As I Am) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The first section of my arrangement is simple enough. But the remainder requires advanced pianistic skill with its wide-ranging arpeggios in the left hand and the use of so-called 3-handed technique, wherein the right and left hands alternate playing the melody notes in the middle compass of the keyboard, while also negotiating the aforementioned arpeggios in the left hand, as well as quickly moving arpeggios and scale passages in the right hand. Near the end of the piece the use of the sostenuto pedal is also required. In short, my arrangement is a virtuosic treatment in 19th century romantic style of a mid-19th century hymn tune. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$9.50
Piano Duets: Hymns for Worship, Book 2 (A Collection of 5 Piano Duets ~ 1 Piano, 4 Hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Piano Duets: Hymns for Worship
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1488797 By Sharon Wilson. By Asahel Nettleton, Charles C. Converse, Daniel B. Towner, Edwin O. Excell, Fo...
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1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1488797 By Sharon Wilson. By Asahel Nettleton, Charles C. Converse, Daniel B. Towner, Edwin O. Excell, Folk Song, Joseph M. Scriven, Traditional, and Traditional Spiritual. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Sacred,Spiritual. Score. 71 pages. Sharon Wilson #1065648. Published by Sharon Wilson (A0.1488797). This collection contains 5 inspiring worship hymns arranged as PIANO DUETS (for 1 Piano, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. From bright and festive to flowing and contemplative, these arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). The PRIMO and SECONDO parts alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PRIMO and SECONDO). Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Come, Thou Fount of Every BlessingLet It Shine Medley (Jesus Bids Us Shine with This Little Light of Mine)Marvelous Grace (Grace Greater Than Our Sin)There Is a FountainWhat a Friend We Have in JesusVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Prelude Antique
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Prelude Antique
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1152565 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Ins...
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Piano Solo - Level 4 - SKU: A0.1152565 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,Sacred. Score. 4 pages. James M Stevens Music ASCAP #752792. Published by James M Stevens Music ASCAP (A0.1152565). Written January 2, 2023, this is an original piano composition in the key of C minor and a broken chord etude for the right hand. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide including Spotify, Pandora, Amazon, Apple, and others.
$3.99
Joy to the World!
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Piano seul
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AVANCÉ
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Noël
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George Frideric Handel
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Terrence Niska
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Joy to the World!
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950929 Composed by George Frideric Handel. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing ...
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Piano Solo - Level 5 - SKU: A0.950929 Composed by George Frideric Handel. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466301. Published by Niska Music Publishing (A0.950929). I chose to end this collection with another hymn full of hope and glory and joy. Following a raucous opening giving the impression of a grand brass fanfare, the prelude launches into the statement of the tune proper found amongst a flurry of sixteenth note patterns in the right hand that create an inner rhythmic drive over powerful and syncopated left hand octaves. The left hand becomes more animated, yet the rhythmic momentum continues to push the piece forward to its conclusion. There is the sense of timpani beating as the full orchestra comes to bear in a vibrant and unapologetically joyous finale.
$3.99
Prelude for the Left Hand
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Piano seul
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Bethany Wakim
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Prelude for the Left Hand
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Bethany Wakim
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SheetMusicPlus
Piano Solo - SKU: A0.905883 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 3 pages. Bethany Wakim #6638563...
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Piano Solo - SKU: A0.905883 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 3 pages. Bethany Wakim #6638563. Published by Bethany Wakim (A0.905883). After a right hand injury, I decided to write this lullaby-like prelude for the left hand. A good exercise in pedal use and connecting long phrases. Suitable for the late intermediate/early advanced pianist. Run time: approx. 4:30.
$3.99
The Lord Of The Rings
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Harpe
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Musique Sacrée
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Anders Magnus Olsfelt, Janne S
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Trish Boril
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The Lord Of The Rings
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Trish Boril
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SheetMusicPlus
Instrumental Solo,Lap Harp,Lever Harp,Pedal Harp - SKU: A0.1365633 Composed by Anders Magnus Olsfelt, Janne Saarenpaa, Johan Ernst Lindstrand, Marcus Ja...
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Instrumental Solo,Lap Harp,Lever Harp,Pedal Harp - SKU: A0.1365633 Composed by Anders Magnus Olsfelt, Janne Saarenpaa, Johan Ernst Lindstrand, Marcus Jan Sunesson, and Marko Tervonen. Arranged by Trish Boril. Children,Christian,Film/TV,Instructional,Video Game. Individual part. 3 pages. Trish Boril #949968. Published by Trish Boril (A0.1365633). Easy intermediate harp arrangement of Concerning Hobbits from Lord of the Rings: The Fellowship of the Rings by Howard Shore. This arrangement sets the G# and the A# in a higher octave, and therefore has NO LEVER CHANGES. It features single left-hand notes, and a simple (mostly) single note melody in the right hand. If your harp does not have levers or pedals, you can tune your higher octave G and A to cover the 2 measures that have those sharps in them. Very playable on a lever harp, or a small harp without levers. Can also be played on a pedal harp. Can be easily adapted to include other instruments such as a violin, cello, or flute, or piano. Also includes the chord names above each measure.#harp #harpsicle #preludeharp #dustystrings #camac #aklot #roosebeck #smallharp #easyharpmusic #LordoftheRings #concerninghobbits #hobbit.
$4.99
Prelude on Terra Beata ('This Is My Father's World')
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Terra Beata
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John Burkett
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. ...
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Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. John Burkett #961084. Published by John Burkett (A0.1376555). My Prelude on the hymn tune Terra Beata (This Is My Father's World) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. It is one of two settings for piano of Terra Beata that I have written. In this setting there are two statements of the melody. The first places the melody in the soprano register with a repeated-note pattern serving as the accompaniment in the left hand. The second places the melody in the bass register moving at half the previous speed and accompanied by a downward moving arpeggiation pattern played by the right hand. The second half of the melody returns to the soprano, harmonized with 4-note chords, and accompanied by rapid downward moving scales played by the left hand. In the final phrase, the pace slows, leading inconclusively to a chord of the 13th on G-flat at mid-phrase, before resuming in the main key of E-flat and ending triumphantly with a repeated-note trumpet-like pattern. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Higher Ground ("I'm pressing on the upward way") — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,S...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Worship Hymns for Organ - Volume 1
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Orgue
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Carolyn Hamlin
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Worship Hymns for Organ - Volu
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.8738409 Arranged by Carolyn Hamlin. Organ. Fred Bock Publications. General Worship, Sacred. 32 pages. Fred Bock Music Company #BG0943. Publ...
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Organ SKU: HL.8738409 Arranged by Carolyn Hamlin. Organ. Fred Bock Publications. General Worship, Sacred. 32 pages. Fred Bock Music Company #BG0943. Published by Fred Bock Music Company (HL.8738409). ISBN 9780634003646. UPC: 073999384093. 9.0x12.0x0.127 inches.Carolyn Hamlin, an organist from Easley, South Carolina, has put together a collection of seven popular hymns, arranged for organ: perfect for preludes, postludes, offertories, and for use at weddings, funerals, etc. The hymntune is always prominent and appears often in the right hand, left hand, or pedal parts! Medium level difficulty. Titles include: Come, Christians Join to Sing * Praise the Lord, Ye Heavens Adore Him * For All the Saints * Holy, Holy, Holy * How Firm a Foundation * In Heavenly Love Abiding * When I Survey the Wondrous Cross.
Song List
: HOW FIRM A FOUNDATION (arr. Walters) Come, Thou Long-Expected Jesus HOLY, HOLY, HOLY (JOHN B DYKES) WHEN I SURVEY THE WONDROUS CROSS (MASON) IN HEAVENLY LOVE ABIDING COME, CHRISTIANS, JOIN TO SING FOR ALL THE SAINTS (R. WILLIAMS)
$14.95
Five Preludes
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Piano seul
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Contemporain
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Don Bowyer
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Five Preludes
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Dolphin Don's Music School
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SheetMusicPlus
Piano Solo - SKU: A0.990153 Composed by Don Bowyer (Sunway University). Contemporary. Score. 22 pages. Dolphin Don's Music School #6434599. Published by...
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Piano Solo - SKU: A0.990153 Composed by Don Bowyer (Sunway University). Contemporary. Score. 22 pages. Dolphin Don's Music School #6434599. Published by Dolphin Don's Music School (A0.990153). Five Preludes is a set of short pieces for solo piano, exploring various sounds and ideas. Each prelude is one to two minutes in length.Prelude 1: Play-ludeThe main idea of this prelude uses parallel fourths in the left hand with short, dissonant statements in the right hand. The contrasting second idea has a tonal bass line progression below a chromatic figure. The 3/8 time signature gives the piece a quasi-swing feel.Prelude 2: Pray-ludeThis prelude alternates between F major and Gb major, with slow reflective melodic statements over sustained roots. The statements gradually become shorter and shorter until the recapitulation.Prelude 3: Pre-lewdThis whimsical prelude uses a five-note synthetic scale throughout (1, m3, P4, m6, M7), but the scale modulates in a pattern that suggests a standard 16-measure blues progression. There is a repeating figure in the bass using the same modulating scale.Prelude 4: Prelude SolitudeThis slow prelude in 7/4 time has an ostinato bass line that never varies. The six notes of the bass line (Eb, E, F, Ab, A, Bb) form a synthetic scale from which the entire piece is derived.Prelude 5: Pre-ludicrousThis prelude uses the same six-note synthetic scale throughout (C, Eb, E, G, Ab, B). Harmonic motion is established through a repeated bass line, with chords built from every other note of the scale.
$18.99
Chopin: Prelude Op. 28 No. 6 for Bass Clarinet & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 f
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1475808 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standar...
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Cello,Piano - Level 3 - SKU: A0.1475808 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053366. Published by jmsgu3 (A0.1475808). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this Prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95
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Prelude for the Right Hand
