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Prelude in G Minor [left hand solo]
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Prelude in G minor "Military" of Rachmaninoff for piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmanin…
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Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3619809. Published by Michael Butkus-Bomier (A0.862662). the Prelude in G minor, the Military did indeed inspire the Russian troops against the Nazi invasion. there is classic film footage of a young Emil Gilels playing the piece on a flatbed truck on an active airfield, with planes buzzing 'round. WOW! Well, our aim is not to shoot'em down, but to make music, so here is our revision of this classic two-handed unison work. In the original, the right and left are both jumping constantly, making the same music, but having to leave and leap on each 1/8-note. Our setting keeps all the melody, and all the chords intact, whilst re-distributing the same pitches to one or the other hand, not both. Some inversions have been changed to triads, or to the same inversion in both hands. Also, the LH arpeggiated accompaniment in the middle section has precisely 1/2 the notes of the original, while preserving the harmony being expressed. So, hear it on the MP3 and see how good an impression this resetting makes. The inner 2nd melody of the middle section is still outlined with parentheses, so as not to be missed. MBB.
$2.99
2.79 €
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Piano seul
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Sergei Rachmaninoff
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Michael Bomier
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Prelude in G minor "Military" of Rachmaninoff for piano solo
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Michael Butkus-Bomier
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SheetMusicPlus
Sergei Rachmaninoff - Prelude in G Minor [left hand solo] - (Digital Download)
Piano seul
Sergei Rachmaninoff - Prelude in G Minor [left hand solo] Digital Sheetmusic - instantly d…
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Sergei Rachmaninoff - Prelude in G Minor [left hand solo] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 9 pages -- Classical~~Romantic
$5.79
5.41 €
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Piano seul
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Prelude in G Minor [left hand solo]
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Musicnotes
Six Preludes
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00
5.6 €
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Piano seul
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
A Prayer and a Prelude
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Kl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99
4.66 €
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Piano seul
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Introspection 1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte.…
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
3.73 €
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Piano seul
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the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Fairest Lord Jesus
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1377089 Composed by Unknown. Arrang…
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Piano Solo - Level 3 - Digital Download SKU: A0.1377089 Composed by Unknown. Arranged by Debbie Winters, NCTM. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 3 pages. Debbie Winters #961716. Published by Debbie Winters (A0.1377089). Fairest Lord Jesus is a timeless and familiar tune that has been part of the Christian hymnary for generations. This arrangement is relaxed, unhurried, and introspective. The familiar tune is embellished by flowing broken chords in both the right hand and the left hand, and modulates from C major, through a minor section, to G major. This arrangement is an excellent choice of music for church preludes and communion.
$2.99
2.79 €
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Piano seul
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Unknown
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Debbie Winters, NCTM
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Fairest Lord Jesus
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Debbie Winters
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SheetMusicPlus
Twenty One Classical Studies for Double Bass: Four Accompanied and Seventeen Unaccompanied Studies f
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.897042 Composed …
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.897042 Composed by Claude Debussy, Frederic Chopin, and Johannes Brahms. Arranged by James Strange. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 57 pages. Penny Music Co. #6685615. Published by Penny Music Co. (A0.897042). The pieces in this book have been loyally arranged from the original piano scores to be performed on the double bass. The collection consists of seventeen solo pieces and four pieces with piano accompanied.All the arrangements have been compiled from the original piano scores and arranged to be played by the solo instrumentalist.Each piece presents a study to strengthen the left hand and improve bowing technique, whilst providing a range of challenging sight reading exercises in a variety of key signatures. The Brahms Waltzes would serve as ideal warm up or warm down exercises and are excellent for position work and when combined with scale practice.Features:Prelude in E minor (F. Chopin)Largo in Eb major (F. Chopin)Bourree No.1 (F. Chopin)Children's Corner (C. Debussy)Bourree No.2 (F. Chopin)Waltzes No.1 in B major (J. Brahms)Waltzes No.2 in E major (J. Brahms)Waltzes No.3 in G# minor (J. Brahms)Waltzes No.4 in E minor (J. Brahms)Waltzes No.5 in E major (J. Brahms)Waltzes No.6 in C major (J. Brahms)Waltzes No.7 in C# minor (J. Brahms)Waltzes No.8 in Bb major (J. Brahms)Waltzes No.9 in D minor (J. Brahms)Waltzes No.10 in G major (J. Brahms)Waltzes No.1 in B minor (J. Brahms)Waltzes No.1 in E major (J. Brahms)Waltzes No.1 in B major (J. Brahms)Waltzes No.1 in G# minor (J. Brahms)Waltzes No.1 in A major (J. Brahms)Waltzes No.1 in C# minor (J. Brahms)
$9.99
9.33 €
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Contrebasse, Piano (duo)
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Claude Debussy, Frederic Chopin, and Johannes Brahms
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James Strange
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Twenty One Classical Studies for Double Bass: Four Accompanied and Seventeen Unaccompanied Studies f
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Penny Music Co.
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SheetMusicPlus
Classical Masterpieces for Banjo
Banjo
Banjo (5-string) - Advanced - Digital Download Composed by Claudio Parravicini. Solos…
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Banjo (5-string) - Advanced - Digital Download Composed by Claudio Parravicini. Solos and Duets. Style. E-book. 56 pages. Mel Bay Publications - Digital Sheet Music #30719EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118898.<br> <br> If youave ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was aa virtuoso instrument capable of enriching any musical genre.aIn the authoras words, aI chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the playeras musical sensibilitya\| Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethovenas Moonlight Sonata, are much slower, but will test your musical abilities in other ways.a The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.
$14.99
14 €
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Banjo
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Claudio Parravicini
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Classical Masterpieces for Banjo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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