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Prelude in G minor - BWV 999 - Viola
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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FLUTE TRAVERSI…
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GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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Vous avez sélectionné:
Prelude in G minor - BWV 999 - Viola
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Prelude in g minor
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Guitare
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Contemporain
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Konstantin Shchenitsyn
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Prelude in g minor
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Konstantin Shchenitsyn
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SheetMusicPlus
Solo Guitar - SKU: A0.1019406 Composed by Konstantin Shchenitsyn. Contemporary. Individual part. 5 pages. Konstantin Shchenitsyn #3377713. Published by ...
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Solo Guitar - SKU: A0.1019406 Composed by Konstantin Shchenitsyn. Contemporary. Individual part. 5 pages. Konstantin Shchenitsyn #3377713. Published by Konstantin Shchenitsyn (A0.1019406). Prelude in trilinos ripple on chord technique.
$2.00
Prelude in G minor, Op. 23, No. 5
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Guitare
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AVANCÉ
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Sergei Rachmaninoff
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Stevan Jovic
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Prelude in G minor, Op. 23, No
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-2590 Composed by Sergei Rachmaninoff. Arranged by Stevan Jovic. Score. 8 pages. Les Productions d'OZ - Digital #DZ 2590. ...
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Guitar - Advanced - SKU: ZZ.DZ-2590 Composed by Sergei Rachmaninoff. Arranged by Stevan Jovic. Score. 8 pages. Les Productions d'OZ - Digital #DZ 2590. Published by Les Productions d'OZ - Digital (ZZ.DZ-2590). ISBN 9782897375072.
$5.95
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Christmas Medley (What Child is This / Away in a Manger): Violin Trio
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Ensemble Violin - Level 3 - SKU: A0.525135 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Chr...
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String Ensemble Violin - Level 3 - SKU: A0.525135 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #5999109. Published by John A. Dempsey (A0.525135). This triumphant string trio for violin - a medley of two Christmas carols - is graced with both quiet, prayerful moments of reflection and brightened by joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â Key: E minor / G major. Â 15 pages of music (that includes the score and separate two-page pullout parts for violin 2 and violin 3 and a three-page part for violin 1).
$9.99
Lagrima for Classical Guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Lagrima for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arr...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Score. 3 pages. Keith Terrett #1020970. Published by Keith Terrett (A0.1440991). Lágrima (Teardrop) is a romantic prelude for solo guitar by Spanish guitarist Francisco Tárrega. It is one of the best-known original compositions by Tárrega. It has been published by Ildefonso Alier.Analysis:Lágrima is a very short miniature consisting of only 16 bars. It takes around 2 minutes to perform and its tempo marking is andante. It has an A-B-A structure, section A being in E major and B in E minor, and has been overwhelmingly highlighted by critics because of its simplicity and melancholic atmosphere. Each section has 8 bars. Section A consists of a very simple and predictable melody with quarter notes and dotted half notes, while the accompaniment has eighth notes. Section B turns a little bit less predictable but otherwise still very simple, with eighth notes on the main voice. At the end of section B, section A is repeated to close the work.[ As usual in Tárrega's composition, Lágrima bears some technical difficulties in spite of its simplicity.Composed between late 1891 and early 1892, it is one of Tárrega's most performed pieces. Lágrima has not been included in a definitive catalogue of his works. It has been, however, included in other collections of pieces and has been numbered depending on the position in those collections or in recordings.Musical style:Tárrega composed music in the romantic style of 19th-century European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.A virtuoso on his instrument, he was known as the Sarasate of the guitar, although Tárrega preferred small intimate performances over the concert stage.Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.
$1.99
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Prelude in G minor - BWV 999 - Viola
