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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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XYLOPHONE
Prelude of Consecration - Oboe
Piano & claviers
Piano seul
8
Orgue
1
Guitares
Guitare
1
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
6
Clarinette et Piano
2
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Cordes
Violon et Piano
6
Violon
2
Violoncelle, Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
Alto, Piano
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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Vous avez sélectionné:
Prelude of Consecration - Oboe
Partitions à imprimer
32 partitions trouvées
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26
Prelude of Consecration - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration - Flut
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James M Stevens Music ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.572249 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contem...
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Instrumental Duet,Piano Flute,Piano - Level 3 - SKU: A0.572249 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #3365089. Published by James M Stevens Music ASCAP (A0.572249). This is an original composition for flute and piano in a relaxed, peaceful, and sacred style at the intermediate level. There is a separate flute part in the score. The piano is stand alone solo and the piano recording, Prelude of Consecration (Sacred Piano MP3 can be used as an accompaniment track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/cY8SjBRzBp0
$6.99
Prelude of Consecration (Sacred Piano)
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1060730 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Instructional,Sacred,Standards,Wedding. Full ...
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Piano - SKU: A0.1060730 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Instructional,Sacred,Standards,Wedding. Full Performance. Duration 124. James M Stevens Music ASCAP #3364543. Published by James M Stevens Music ASCAP (A0.1060730). This is the piano performance of Prelude of Consecration as played and composed by Dr. Stevens.
$1.99
Prelude of Consecration - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration - Viol
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.572248 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,S...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.572248 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. 7 pages. James M Stevens Music ASCAP #3364981. Published by James M Stevens Music ASCAP (A0.572248). This is an original composition for violin and piano in a relaxed, peaceful, and sacred style at the intermediate level. There is a separate violin part in the score. The piano is stand alone solo and the piano recording, Prelude of Consecration (Sacred Piano MP3 can be used as an accompaniment track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/W4vFHEuTbcI
$6.99
Consecration (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Consecration
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Sharon Wilson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682833. Published by Sharon Wilson (A0.1078608). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform (for a longer performance, this piece can easily be repeated from the beginning or from measure 12). This peaceful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and equally suited for a wedding ceremony or reception. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Consecration
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Piano seul
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Consecration
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1076415 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Lent,Sacred. S...
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Piano Solo - Level 3 - SKU: A0.1076415 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Lent,Sacred. Score. 3 pages. Sharon Wilson #680571. Published by Sharon Wilson (A0.1076415). This solo piano arrangement is one of the 12 original, worship songs in the collection Sacred Meditations.Designed for those times when a short, sacred musical interlude is needed, this selection takes about one minute to perform. This quiet and reflective arrangement is ideal for filling transitional moments during a worship service such as before or after the prelude, offertory, invitation, communion, prayer, or postlude.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$2.99
God Of Every Grace
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Piano seul
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Keith & Kristyn Getty/matt Bos
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Brian Buda
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God Of Every Grace
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budaful music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1289159 By Keith & Kristyn Getty/matt Boswell/matt Papa. By Bryan Christopher Fowler, Keith Getty, Matt Papa, and Matthew...
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Piano Solo - Level 3 - SKU: A0.1289159 By Keith & Kristyn Getty/matt Boswell/matt Papa. By Bryan Christopher Fowler, Keith Getty, Matt Papa, and Matthew Boswell. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 19 pages. Budaful music #879934. Published by budaful music (A0.1289159). This is piano solo arrangement of God of Every Grace This beautiful hymn of praise and consecration is appropriate in many situations: preludes and offertories as well as an accompaniment for vocals or congregational singing (no vocals are in this setting). The first 3.5 pages are firmly in the intermediate range but it gets progressively more moderately advanced. It is set in a similar way to the Getty's recording, although with some variation. Run time is approx 3:20 but it depends on which performance options are taken.This setting implements all 3 verses of the hymn and is in similar form to the Getty's recording, for that reason– though with some modifications– it is possible to use this setting for vocalists as well. 2 performance options: 1) play it all the way through, 2) 2 verses/chorus with ending. In addition, 3 Key options are provided: A, Bb, & C (A is key it was arranged in, some chord voicings/fingerings might need to be adjusted for the alternate key.) Bb is probably the better key for singers other than altos.
$6.99
A Treasury of Hymn Settings, Volume 2
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Orgue
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INTERMÉDIAIRE
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Gilbert M
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A Treasury of Hymn Settings, V
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1489S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1489S. Publi...
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Organ: 3-staff - Intermediate SKU: LO.70-1489S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1489S. Published by Sacred Music Press (LO.70-1489S). UPC: 000308099553.A second exciting organ volume of some of Christendom's most famous hymn tunes, all handsomely arranged by some of America's finest composers. This rich and glorious collection of preludes, offertories and postludes, varying in styles and levels of difficulty, will be a welcome addition to any organist's library for the enhancement of the worship service. A true treasury..
Song List
: Thee We Adore Praise to the Lord the Almighty In Christ There Is No East Or West O Thou In Whose Presence Once More My Soul Lead Kindly Light Toccata on Ein Feste Burg Toccata on Boylston Take My Life and Let It Be Consecrated
$25.00
Take My Life and Let It Be Consecrated (Cello-Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Henri A
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Marty Parks
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Take My Life and Let It Be Con
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martyparks.com
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1215946 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Contest,Festival,Religious,Sacred. Score an...
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Cello,Piano - Level 3 - SKU: A0.1215946 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Contest,Festival,Religious,Sacred. Score and part. 6 pages. Martyparks.com #812603. Published by martyparks.com (A0.1215946). Beautiful hymn of devotion and commitment arranged for Cello and Piano. Ideal for worship service preludes and offertories, or in recital settings. Intermediate difficulty level. (Full score and separate Cello part included.).
$5.99
Take My Life and Let It Be Consecrated (Flute-Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Henri A
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Marty Parks
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Take My Life and Let It Be Con
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martyparks.com
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.794901 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Sacred. Score and part. 6 pages. Martyparks....
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Flute,Piano - Level 3 - SKU: A0.794901 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Sacred. Score and part. 6 pages. Martyparks.com #6133853. Published by martyparks.com (A0.794901). A beautiful hymn of devotion and commitment arranged for flute and piano. Ideal for worship service preludes, offertories or prayer responses. Intermediate difficulty level. Full score and separate flute part included. .
$5.99
Take My Life and Let It Be Consecrated (Clarinet-Piano)
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Clarinette et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Henri A
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Marty Parks
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Take My Life and Let It Be Con
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martyparks.com
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.794979 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Concert,Sacred. Score and part. 6 pages. ...
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Clarinet,Piano - Level 3 - SKU: A0.794979 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Concert,Sacred. Score and part. 6 pages. Martyparks.com #6258257. Published by martyparks.com (A0.794979). Beautiful hymn of devotion and commitment arranged for Clarinet and Piano. Ideal for worship service preludes and offertories, or in recital settings. Intermediate difficulty level. (Full score and separate Clarinet part included.).
$5.99
Take My Life and Let It Be Consecrated (Cello-Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Henri A
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Marty Parks
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Take My Life and Let It Be Con
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martyparks.com
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.794902 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Sacred. Score and part. 6 pages. Martyparks....
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Cello,Piano - Level 3 - SKU: A0.794902 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Sacred. Score and part. 6 pages. Martyparks.com #6135227. Published by martyparks.com (A0.794902). Beautiful hymn of devotion and commitment arranged for cello and piano. Intermediate difficulty level. Ideal for worship service preludes and offertories, or in recital settings. Full score and separate cello part included.
$5.99
Take My Life and Let It Be Consecrated (Violin-Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Henri A
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Marty Parks
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Take My Life and Let It Be Con
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martyparks.com
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.794977 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Concert,Sacred. 6 pages. Martyparks.com #62...
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Piano,Violin - Level 3 - SKU: A0.794977 Composed by Henri A. Cesar Malan. Arranged by Marty Parks. Christian,Concert,Sacred. 6 pages. Martyparks.com #6258253. Published by martyparks.com (A0.794977). Beautiful hymn of devotion and commitment arranged for Violin and Piano. Ideal for worship service preludes and offertories, or in recital settings. Intermediate difficulty level. (Full score and separate Violin part included.).
$5.99
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Prelude of Consecration (Sacred Piano)
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Piano seul
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Musique Sacrée
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Neo-Classical, Sacred, Etudes and Exercises, Repertoire, Wedding. Sheet Music Single. 4 pa...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Neo-Classical, Sacred, Etudes and Exercises, Repertoire, Wedding. Sheet Music Single. 4 pages. Published by James M Stevens Music ASCAP (S0.275925). - Sheet Music Single - Neo-Classical,Sacred,Etudes and Exercises,Repertoire,Wedding - James M Stevens Music ASCAP
$4.99
Prelude of Consecration - Flute & Piano
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Flûte traversière et Piano
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Musique Sacrée
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Mariage/Ballade
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration - Flut
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Funeral. Performance. Published by James M Ste...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Funeral. Performance. Published by James M Stevens Music ASCAP (S0.276335). - Performance - Post-Romantic,Sacred,Repertoire,Wedding,Funeral - James M Stevens Music ASCAP
$1.99
Prelude of Consecration - Violin & Piano
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Violon et Piano
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Musique Sacrée
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Mariage/Ballade
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James Michael Stevens
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James Michael Stevens
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Prelude of Consecration - Viol
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James M Stevens Music ASCAP
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SheetMusicPlus
Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Funeral. Performance. Published by James M Ste...
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Composed by James Michael Stevens. Arranged by James Michael Stevens. Post-Romantic, Sacred, Repertoire, Wedding, Funeral. Performance. Published by James M Stevens Music ASCAP (S0.276285). - Performance - Post-Romantic,Sacred,Repertoire,Wedding,Funeral - James M Stevens Music ASCAP
$1.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Take My Life and Let It Be (Flute & Piano) Piano Accompaniment Track
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Flûte traversière et Piano
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Musique Sacrée
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Frances Havergal, Louis Herold
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Carol Troutman Wiggins
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Take My Life and Let It Be
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - SKU: A0.1065809 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration ...
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Flute,Piano - SKU: A0.1065809 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 142. Carol Troutman Wiggins #6320011. Published by Carol Troutman Wiggins (A0.1065809). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship. Key change from F to G Piano Track includes piano & instrumental part combined.
$4.99
Take My Life and Let It Be (Flute & Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Frances Havergal, Louis Herold
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Carol Troutman Wiggins
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Take My Life and Let It Be
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Carol Troutman Wiggins
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.727637 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Score and part....
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Flute,Piano - Level 3 - SKU: A0.727637 Composed by Frances Havergal, Louis Herold. Arranged by Carol Troutman Wiggins. Christian,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6320003. Published by Carol Troutman Wiggins (A0.727637). Based on Romans 12:1, this hymn was written as a song of self-consecration by Frances Havergal and set to the tune Messiah by LouÂis J. HérÂold, 1830. ArÂranged by George KingÂsley, 1838. I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship. ~ Romans 12:1 Intermediate level piano & easy instrument part Great for preludes, offertories, baptism, and general worship.Key change from F to G Piano Track includes piano & instrumental part combined.
$9.99
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Prelude of Consecration - Oboe 
