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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Pretty Little Lie
Partitions à imprimer
28 partitions trouvées
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Variations on All the Pretty Little Horses - recorder trio
3 Flûtes à bec (trio)
Woodwind Ensemble,Woodwind Trio - Digital Download SKU: A0.892014 Composed by Tradi…
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Woodwind Ensemble,Woodwind Trio - Digital Download SKU: A0.892014 Composed by Traditional. Arranged by C. Burdzinski. Children,Folk,Patriotic. 11 pages. Carrie Burdzinski #3478655. Published by Carrie Burdzinski (A0.892014). This arrangement for three like instruments (soprano recorders, flutes, oboes, etc.) explores the traditional haunting lullaby with tinges of sadness, lightness, and beauty. In Variation 1, the standard melody is enhanced with embellishments and accompanied by arpeggios in the third voice. Variation 2 is a steady swing in 6/8 time. Variation 3 is a rhythmic section that feels somewhat like a Scottish reel. Variation 4 is light and sprightly, with all voices playing eighth notes in unison. Variation 5 ends the piece as a soft, pretty finale. This arrangement is best suited for advanced musicians. Run time is approximately 5:05. A live multitrack MP3 recording, performed by the arranger on soprano recorders, is included on this page. Special honor: This arrangement was featured on Kindermusik of the Valley, a unique music and movement program for children and their families.Sheet music includes conductor's score plus individual sheets for three soprano recorders (or flutes, oboes, etc.) 2018 Chamber Music Contest Entry
$4.99
4.56 €
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3 Flûtes à bec (trio)
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Traditional
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C
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Variations on All the Pretty Little Horses - recorder trio
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Carrie Burdzinski
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SheetMusicPlus
A Pretty Girl Is Like A Melody (Trombone quartet)
Quatuor de cuivres: 4 trombones
Small Ensemble Bass Clef Instrument,Bass Trombone,Euphonium,Tenor Trombone,Trombone/Barito…
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Small Ensemble Bass Clef Instrument,Bass Trombone,Euphonium,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Digital Download SKU: A0.961197 Composed by Irving Berlin. Arranged by Robert Coil. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 17 pages. Polished Brass #4350025. Published by Polished Brass (A0.961197). This arrangement for 4 like instruments was created with a Trombone quartet in mind, but has also served well for a tuba/euphonium quartet. This could work for other ensembles, such as a a bassoon ensemble. With chords in the bass trombone part for easy addition of a rhythm section, this could be jazzed up a little by some creative players. Irving Berlin emigrated to the United States in 1893 at the age of 5 with his parents, fleeing Jewish persecution in Russia. He died in 1989 with over 1500 songs to his credit.The published version of the song, A Pretty Girl Is Like A Melody, was an excerpt from a longer version used in the Ziegfeld Follies. It was the hit song of the 1919 Follies and became the theme song. It was also used frequently in Miss America pageants prior to 1955. Berlin believed this song was in the top 5 of the hundreds of songs he wrote. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$9.99
9.13 €
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Quatuor de cuivres: 4 trombones
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Irving Berlin
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Robert Coil
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A Pretty Girl Is Like A Melody
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Polished Brass
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SheetMusicPlus
O Little Town of Bethlehem - SATB a cappella
Chorale SATB
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.13…
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318619 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A Cappella,Christian,Christmas,Holiday. 9 pages. Connie Boss #907297. Published by Connie Boss (A0.1318619). This version is for SATB voices. It has the original melody with pretty harmonies added. There are solo, duet and complete choir singing the words. Humming and ahhs are used for the solo and duets. The melody is more for an alto range. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
5.48 €
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Chorale SATB
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Phillips Brooks and Lewis H Redner
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Connie Boss
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O Little Town of Bethlehem - SATB a cappella
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Connie Boss
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SheetMusicPlus
Pretty Little Lie
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.846222 By Blackberry …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.846222 By Blackberry Smoke. By Charles Britain Turner, Charles Gray, Daniel Travis Meadows, Danny Meadows, Paul Allen Jackson, and Richard Peyton Turner. Arranged by David M Fagnant. Contemporary. Score. 3 pages. David M Fagnant #5733217. Published by David M Fagnant (A0.846222). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.
$4.99
4.56 €
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Piano, Voix et Guitare
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Blackberry Smoke
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David M Fagnant
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Pretty Little Lie
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David M Fagnant
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SheetMusicPlus
Twinkle Twinkle Little Star
Instrumental Solo - Level 3 - Interactive Download SKU: A0.1491461 By Traditional. …
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Instrumental Solo - Level 3 - Interactive Download SKU: A0.1491461 By Traditional. By Traditional. Arranged by James Baker. This edition: Interactive Download. Folk,Jazz,Pop. Individual part. 4 pages. Duration 107. Wicked Keys #4ii4YHthMVISlmHTTErlxx. Published by Wicked Keys (A0.1491461). Key: F major.Can't lie, we were pretty proud of ourselves when we wrote this arrangement. This is a modern take on a classic kids track featuring typical pop/rock chord voicing's over a constant F pedal in the left hand. Over the first section we get simple melody over a single note being played in the LH, before some more creative thinking takes over and the RH and LH work together to create melody, pulse, and harmony. There are some gorgeous chord voicings and interesting timing changes in this piece. We're sure your students will love it as much as we do.
$5.99
5.48 €
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Traditional
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James Baker
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Twinkle Twinkle Little Star
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Wicked Keys
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SheetMusicPlus
Little Bitty Pretty One
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1093876 By The Jackson 5. …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1093876 By The Jackson 5. By Robert Byrd. Arranged by Julie Gaulke. A Cappella,Contemporary,Pop,Rock. Octavo. 5 pages. Julie Gaulke #697967. Published by Julie Gaulke (A0.1093876). This is Julie Gaulke's original arrangement of Little Bitty Pretty One (by Robert Byrd) for SATB a cappella. See full performance video here: https://youtu.be/nGIbJYyfqEc Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/
$2.99
2.73 €
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Chorale SATB
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The Jackson 5
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Julie Gaulke
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Little Bitty Pretty One
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Julie Gaulke
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SheetMusicPlus
Little Bitty Pretty One
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.720271 By Thurston Harris.…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.720271 By Thurston Harris. By Robert Byrd. Arranged by Julie Gaulke. A Cappella,Contemporary,Rock. Octavo. 5 pages. Julie Gaulke #3684691. Published by Julie Gaulke (A0.720271). Original a cappella arrangement of the song Little Bitty Pretty One by Robert Byrd (Bobby Day) for treble voices. Hand Percussion may be added but is not notated. See full performance video here: https://youtu.be/njsIHtz7nfA
$2.99
2.73 €
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Chorale SSAA
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Thurston Harris
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Julie Gaulke
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Little Bitty Pretty One
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Julie Gaulke
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SheetMusicPlus
Hänsel und Gretel
Voix duo, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
21.93 €
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Voix duo, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 34 (Songs 892-918)
Acoustic Guitar,Instrumental Solo - Digital Download SKU: A0.1167701 Composed by Tr…
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Acoustic Guitar,Instrumental Solo - Digital Download SKU: A0.1167701 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #768069. Published by Socrates Arvanitakis (A0.1167701). This is the thirtieth-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 34 (Songs 892-918)Villikins and his DinahWaltzing MatildaWark o’ the Weavers (the)Water of Tyne (the)Watercress Girl (the)Watts’s Cradle Song 1Watts’s Cradle Song 2Watts’s Cradle Song 3We Wish You A Merry ChristmasWe’ve been a while a-wanderingWealthy Young Farmer (the)Weaver (the)Westering HomeWhat is the life of a manWhat You Gonna Call Yo’ Pretty Little BabyWhen Adam was First CreatedWhen Jones’s Ale was NewWhile Shepherds Watched (Liverpool)Whilst The Gamekeepers Lie SleepingWhite CockadeWhite Hare (the)Who will you give me to sail awayWho’ll be King but CharlieWho’s the fool nowWiddecombe FairWild Moor (the)Wild White Rose (the).
$25.00
22.86 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 34
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Socrates Arvanitakis
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SheetMusicPlus
All The Pretty Little Horses
Composed by Traditional. Arranged by Julie Gaulke. For Piano/Vocal/Chords,Choir - other vo…
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Composed by Traditional. Arranged by Julie Gaulke. For Piano/Vocal/Chords,Choir - other voicings. Folk. Intermediate. Score. Published by Julie Gaulke
$2.99
2.73 €
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Traditional
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Julie Gaulke
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All The Pretty Little Horses
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Julie Gaulke
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SheetMusicPlus
When the Wind Blows I
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899964
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899964 Composed by Jeanne Allie. Concert,Contemporary,Instructional,Sacred,Standards. Score and parts. 2 pages. Jeanne Allie #3493169. Published by Jeanne Allie (A0.899964). A pretty little duet for piano and glockenspiel. Also effective as a four hand duet for teacher and piano student. See my When the Wind Blows II for a slightly different setting. It's also nice to play the two settings sequentially for a longer piece.
$1.99
1.82 €
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Jeanne Allie
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When the Wind Blows I
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Jeanne Allie
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SheetMusicPlus
When the Wind Blows II
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.899966 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.899966 Composed by Jeanne Allie. Concert,Contemporary,Instructional,Sacred,Standards. Score and parts. 2 pages. Jeanne Allie #3493173. Published by Jeanne Allie (A0.899966). A pretty little duet for piano and glockenspiel. Also effective as a four hand duet for teacher and piano student. See my When the Wind Blows I for a slightly different setting. It's also nice to play the two settings sequentially for a longer piece.
$1.99
1.82 €
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1 Piano, 4 mains
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Jeanne Allie
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When the Wind Blows II
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Jeanne Allie
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SheetMusicPlus
Folk Songs Collection for children's voices and piano (with optional Orff)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Tr…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Traditional. Arranged by Julie Gaulke. Children,Folk. Score. 22 pages. Julie Gaulke #3532755. Published by Julie Gaulke (A0.720254). Collection of 5 original arrangements by Julie Gaulke for children's (or treble) choir, written in easy to medium level 3 or 4 part harmony with easy to play piano accompaniment. Two songs also have optional Orff percussion. Song list: All The Pretty Little Horses, Early One Morning, John Kanaka, Listen To The Mockingbird, and Nkosi Sikelel' iAfrika. See demo video here: https://youtu.be/dMtbf89-l_A MP3 backing tracks available at Pianomom's Sheet Music: https://www.pianomomsheetmusic.com/collectionsbooks.html
$6.99
6.39 €
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Piano, Voix et Guitare
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Traditional
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Julie Gaulke
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Folk Songs Collection for children's voices and piano
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Julie Gaulke
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SheetMusicPlus
Weevily Wheat
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879441 Composed by Dennis Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879441 Composed by Dennis Frayne. Arranged by Dennis Frayne. Children,Folk,Standards,Traditional. Score. 1 pages. Presto! It's Music Magic Publishing #6359443. Published by Presto! It's Music Magic Publishing (A0.879441). Weevily Wheat, also known as Charlie, is a song and dance, a folk song that became a dance tune, often played on the fiddle at country dances. Other songs based on this tune include Fly Around, My Pretty Little Miss, and Devilish Mary. Sometimes they swap verses. This version, arranged for intermediate piano, plays the melody first in the right hand, and then in the left hand. Includes lyrics and solfege syllables.
$2.99
2.73 €
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Piano, Voix
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Dennis Frayne
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Dennis Frayne
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Weevily Wheat
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Presto! It's Music Magic Publishing
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SheetMusicPlus
When The Party's Over SSAA a capella
Chorale SSAA
By Billie Eilish. Score. 4 pages. Published by Hannah Wickham
By Billie Eilish. Score. 4 pages. Published by Hannah Wickham
Tune jumps around parts a little, due to large range. Pretty song, good for practicing control and dynamics.<br> <br> Approx performance time: 3:00<br> Difficulty: Early Intermediate<br> Clean?: Yes<br> Range: S1 C#4-E5, S2 B3-C#5, A1 G#3-F#4, A2 E3-E4Tune jumps around parts a little, due to large range. Pretty song, good for practicing control and dynamics.<br> <br> Approx performance time: 3:00<br> Difficulty: Early Intermediate<br> Clean?: Yes<br> Range: S1 C#4-E5, S2 B3-C#5, A1 G#3-F#4, A2 E3-E4
$2.99
2.73 €
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Chorale SSAA
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Billie Eilish
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When The Party's Over SSAA a capella
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Hannah Wickham
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SheetMusicPlus
Garden Time
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.900005 Composed by Jeanne Allie. Co…
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Piano Solo - Level 1 - Digital Download SKU: A0.900005 Composed by Jeanne Allie. Concert,Instructional,Standards. Score. 1 pages. Jeanne Allie #6492771. Published by Jeanne Allie (A0.900005). A pretty piece in A minor for the early piano student. Adult students especially enjoy this lyrical little piece. The A minor setting makes the minor key, which so many adults enjoy, accessible to early students. Growing edge features for the early pianist are a few simple position changes that are marked with fingering notations and the hands taking turns with the melody.
$2.99
2.73 €
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Piano seul
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Jeanne Allie
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Garden Time
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Jeanne Allie
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SheetMusicPlus
Le Bouquet (Jacques Prévert) for alto and guitar
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by D…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by David Warin Solomons. Contemporary,Folk. Score. 7 pages. David Warin Solomons #963496. Published by David Warin Solomons (A0.1378788). This gentle and romantic piece is inspired by Prévert's poem Le Bouquet. Que faites-vous là petite filleAvec ces fleurs fraîchement coupées?Que faites-vous là jeune filleAvec ces fleurs ces fleurs séchées?Que faites-vous là jolie femmeAvec ces fleurs qui se fanent?Que faites-vous là vieille femmeAvec ces fleurs qui meurent?J'attends le vainqueurWhat are you doing there, little girl,With those freshly cut flowers?What are you doing there, young girl,With those dried flowers?What are you doing there, pretty woman,With those faded flowers?What are you doing there, old woman,With those dying flowers?I'm waiting for the victorious oneThe sound sample is an electronic preview with the voice part played on alto flute sample.The pdf file contains score and separate guitar part.The video shows a version with added recorder part.
$6.00
5.49 €
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Piano, Voix et Guitare
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David Warin Solomons
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Le Bouquet
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David Warin Solomons
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SheetMusicPlus
Le Bouquet (Jacques Prévert) for alto voice, alto recorder and guitar (mp3)
Guitar,Recorder,Voice - Level 3 - Digital Download SKU: A0.1378789 Composed by Davi…
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Guitar,Recorder,Voice - Level 3 - Digital Download SKU: A0.1378789 Composed by David Warin Solomons. Contemporary,Folk. Full Performance. Duration 109. David Warin Solomons #963497. Published by David Warin Solomons (A0.1378789). This gentle and romantic piece, with interweaving melodies is inspired by Prévert's poem Le Bouquet. Que faites-vous là petite filleAvec ces fleurs fraîchement coupées?Que faites-vous là jeune filleAvec ces fleurs ces fleurs séchées?Que faites-vous là jolie femmeAvec ces fleurs qui se fanent?Que faites-vous là vieille femmeAvec ces fleurs qui meurent?J'attends le vainqueurWhat are you doing there, little girl,With those freshly cut flowers?What are you doing there, young girl,With those dried flowers?What are you doing there, pretty woman,With those faded flowers?What are you doing there, old woman,With those dying flowers?I'm waiting for the victorious one.
$4.50
4.11 €
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David Warin Solomons
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Le Bouquet
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David Warin Solomons
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SheetMusicPlus
Un petit Bouquet for 2 cellos mp3
Violoncelle
Cello - Digital Download SKU: A0.1103222 By Ölveti Mátyás and Mády-Sza…
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Cello - Digital Download SKU: A0.1103222 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. 20th Century,Chamber,Classical. Full Performance. Duration 190. David Warin Solomons #706118. Published by David Warin Solomons (A0.1103222). Duo inspired by a poem by Jacques Prévert: Le Bouquet Que faites-vous là petite fille Avec ces fleurs fraîchement coupées? Que faites-vous là jeune fille Avec ces fleurs ces fleurs séchées? Que faites-vous là jolie femme Avec ces fleurs qui se fanent? Que faites-vous là vieille femme Avec ces fleurs qui meurent? J'attends le vainqueur [What are you doing there, little girl, With those freshly cut flowers ? What are you doing there, young girl, With those dried flowers ? What are you doing there, pretty woman, With those faded flowers ? What are you doing there, old woman, With those dying flowers ? I'm waiting for the victorious one] In my mind there were initially several possible interpretations of the poem My original thoughts were that le vainqueur means the conquering Christ and that the woman is waiting all her life with flowers before a church - waiting in vain for her saviour another possibility is that the woman is waiting for the winner of her affections it could even be that le vainqueur refers to the invading German army but this would not explain the fact that she waits all her life but, finally, as Raphaèle Larazoni suggests, (and more plausibly in view of other poems by Prévert) the vainqueur is simply the winner in a war - there is never really a winner in a war, so the woman waits all her life in vain.
$4.50
4.11 €
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Violoncelle
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Ölveti Mátyás and Mády-Szabó Eszter
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Un petit Bouquet for 2 cellos mp3
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David Warin Solomons
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Christmas Time Is Here
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1335109 Composed by Lee Mendelson a…
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Piano Solo - Level 4 - Digital Download SKU: A0.1335109 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Timothy Stapay. Broadway,Christmas,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #920955. Published by Timothy Stapay (A0.1335109). Christmas Time Is Here from the animated movie A Charlie Brown Christmas. This arrangement is embellished with laces of notes that inspire the Spirit of Christmas. This song has long been a favorite of mine; and I've arranged the music as I usually play it; with my improvisations.Christmas Time Is Here was composed by jazz pianist Vince Guaraldi to accompany the opening of the 1965 television special A Charlie Brown Christmas. It was originally written as an instrumental, but producer Lee Mendelson decided that the song needed lyrics. Mendelson recalled, When we looked at the show about a month before it was to go on the air, I said, 'That's such a pretty melody; maybe we should try and find some people to put some lyrics to it.' When he was unable to find someone available, he wrote the lyrics himself:So I sat down with an envelope — I'll never forget this — at our kitchen table and wrote 'Christmas Time Is Here' in about ten minutes. It was a poem that just came to me — never changed the words to this day. It was only about a minute long. And Vince got a bunch of little kids together to sing it.
$6.99
6.39 €
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Piano seul
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Lee Mendelson and Vince Guaraldi
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Timothy Stapay
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Christmas Time Is Here
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Timothy Stapay
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SheetMusicPlus
Little Bitty Pretty One - 4 Prints by Julie Gaulke - SATB Choir A Cappella
Chorale SATB
Performed by: Julie Gaulke: Little Bitty Pretty One Digital Sheetmusic plus an interactive…
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Performed by: Julie Gaulke: Little Bitty Pretty One Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SATB Choir A Cappella, instruments: SATB Choir; 5 pages -- R & B~~Oldies~~Pop Rock
$2.99
2.73 €
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Chorale SATB
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Julie Gaulke
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4 Prints by Julie Gaulke
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Musicnotes
Happiness
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1215174 Composed by Charlie…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1215174 Composed by Charlie Wilcocks, Jesse Rogg, and Samuel Falson. Arranged by Alex Van den Broek. Disco,Pop. Octavo. 13 pages. Alexandra Van den Broek #812043. Published by Alexandra Van den Broek (A0.1215174). Such a great Sam Sparro tune! This is a super fun little arrangement that's pretty simple/groove based - there's light divisi in the Alto's, and then a split Soprano part, making it best for SSAB voicing.
$1.99
1.82 €
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Chorale 3 parties
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Charlie Wilcocks, Jesse Rogg, and Samuel Falson
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Alex Van den Broek
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Happiness
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Alexandra Van den Broek
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SheetMusicPlus
Long Live Cowgirls
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. …
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.56 €
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin …
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Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$3.99
3.65 €
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Matt Redman
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Kyle Pudenz
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10,000 Reasons
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ViolinVagabond Music
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SheetMusicPlus
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