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Pretty Moon
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Vous avez sélectionné:
Pretty Moon
Partitions à imprimer
29 partitions trouvées
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26
Pretty Moon
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Trompette, Piano
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FACILE
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Desmond D
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Pretty Moon
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DDC Publications
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1208576 Composed by Desmond D. Cervantez. Children,Contest,Festival,Folk. Score and part. 6 pages. DDC Publicat...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1208576 Composed by Desmond D. Cervantez. Children,Contest,Festival,Folk. Score and part. 6 pages. DDC Publications #806689. Published by DDC Publications (A0.1208576). Pretty Moon is a children song about looking at the Pretty Moon at night. It's for trumpet and piano, as well as a version to sing.
$8.00
who knows if the moon's a balloon - SSAA (Children) & Piano
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Chorale SSAA
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INTERMÉDIAIRE
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Charles Griffin
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who knows if the moon's a ball
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Coriolis Press
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
$2.99
I Don't Want To Live On The Moon
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Chorale SATB
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FACILE
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Jeff Moss
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Matthew Udland
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I Don't Want To Live On The Mo
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Midwest A Cappella
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1202752 Composed by Jeff Moss. Arranged by Matthew Udland. A Cappella,Broadway,Film/TV,Folk,Musical/Show,Singer/...
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Choral Choir (SATB) - Level 2 - SKU: A0.1202752 Composed by Jeff Moss. Arranged by Matthew Udland. A Cappella,Broadway,Film/TV,Folk,Musical/Show,Singer/Songwriter. Octavo. 6 pages. Midwest A Cappella #801517. Published by Midwest A Cappella (A0.1202752). It. Is. Adorable. Here's a pretty simple a cappella SATB with soloist arrangement of Ernie's Sesame Street ballad, I Don't Want to Live on the Moon. It's not trying to be anything other than a simple, sweet, lullaby and sometimes your choir just needs that sweetness.
$1.99
Moon River
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Andy Williams
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Carl Raven
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Moon River
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PopWind.co.uk
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1118056 By Andy Williams. By Henry Mancini and Johnny Mercer. Ar...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1118056 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Carl Raven. Broadway,Film/TV,Musical/Show. 7 pages. PopWind.co.uk #719574. Published by PopWind.co.uk (A0.1118056). A beautiful, and pretty easy, wind quintet arrangement of Moon River by Mancini and Mercer. For flute, oboe, clarinet, horn and bassoon.
$12.99
Moon River
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Chorale 3 parties
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FACILE
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Andy Williams
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Julia Daintree
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Moon River
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Julia Daintree
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SheetMusicPlus
Choral 3-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1498235 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Julia Daintree. 20th Cen...
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Choral 3-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1498235 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Julia Daintree. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show. 2 pages. Julia Daintree #1074549. Published by Julia Daintree (A0.1498235). Flexible 3-part arrangement SAT, SAB, SSASuitable for community, childrens or youth choirs.This looks trickier than it is - our choirs managed the three parts pretty well and they loved the sound. We mixed up solo, unison and 3-part verses to make it longer. The solo made people cry most week :)A firm favourite, mixing beautiful harmonies and simple nostalgia. Interestingly the youngsters seemed to know this song, too.Tried, tested and much-loved.Enjoy!
$2.99
Moon River
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Andy Williams
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Gene Roberson
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Moon River
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Gene Roberson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1397107 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Gene Roberson. 20th Century,Contemporary,Film/T...
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Piano Solo - Level 4 - SKU: A0.1397107 By Andy Williams. By Henry Mancini and Johnny Mercer. Arranged by Gene Roberson. 20th Century,Contemporary,Film/TV,Jazz,Standards. Score. 3 pages. Gene Roberson #980443. Published by Gene Roberson (A0.1397107). RecitalMovie music 1960's Popular musicIntermediate piano. Even advanced players could use this. Keep it simple and pretty.
$4.99
Moonie Creek
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Stephen Sharpe
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Moonie Creek
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Stephen Sharpe
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.793323 Composed by Stephen Sharpe. Contemporary. Score. 1 pages. Stephen Sharpe #5373123. Published by Stephen Sharpe (A0...
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Piano Solo - Level 3 - SKU: A0.793323 Composed by Stephen Sharpe. Contemporary. Score. 1 pages. Stephen Sharpe #5373123. Published by Stephen Sharpe (A0.793323). This pretty little piece for piano is inspired by a beautiful sheltered swimming spot in Huskisson, Australia near where I grew up. Moonie Creek was our family's name for the place but the Aboriginal name is actually Mona Mona. I remember so many happy times there as a child playing in the water and when my kids were small I continued to take them there.
$2.00
Pretty Saro
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Douglas E
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Pretty Saro
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Heritage Music Press
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SheetMusicPlus
TB choir and Piano - SKU: LX.15-3710H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3710H. Published by Heritage Mu...
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TB choir and Piano - SKU: LX.15-3710H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3710H. Published by Heritage Music Press (LX.15-3710H). ISBN 9780787768430.I wish I were a dove and had wings and could fly; this night to my love's window I would draw nigh, and by the soft moonlight all night I would wait, and think of pretty Saro 'til the rosy dawn of day. Douglas Wagner arranged this soulful Appalachian ballad, made famous by the Bob Dylan recording in the '70s, in an easy-to-learn unison and two-part choral piece. The idiomatic piano part enhances the beauty and ably supports the vocal lines.
$2.40
Te Quiero Dijiste (magic Is The Moonlight)
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Charles Pasquale and Maria Gre
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Dave Gingras and John E
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Te Quiero Dijiste
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1250200 Composed by Charles Pasquale and Maria Grever. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1250200 Composed by Charles Pasquale and Maria Grever. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #844534. Published by DAVID LEE GINGRAS (A0.1250200). Magic Is The Moonlight is a song from 1929 with music by Maria Grever and English lyrics by Charles Pasquale. In 1944 the song was used with the original Spanish lyric in the Esther Williams film Bathing Beauty, performed by Carlos RamÃrez with the Xavier Cugat Orchestra. With an English lyric written by Charles Pasquale, the song acquired the second title, “Magic is the Moonlight.†This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this beautiful ballad something special!
$4.99
Beethoven's Wig - Beep Beep Beep (Music: Moonlight Sonata, Beethoven)
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Piano, Voix
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INTERMÉDIAIRE
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Richard Perlmutter, Beethoven
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Beethoven's Wig - Beep Beep Be
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.928575 Composed by Richard Perlmutter, Beethoven. Children,Contemporary,Romantic Period. Score. 7 pages. Beethoven...
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Piano,Vocal,Voice - Level 3 - SKU: A0.928575 Composed by Richard Perlmutter, Beethoven. Children,Contemporary,Romantic Period. Score. 7 pages. Beethoven's Wig, Inc. #6385087. Published by Beethoven's Wig, Inc. (A0.928575). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to the music for Moonlight Sonata as originally composed by Beethoven. The lyrics are by Richard Perlmutter.
$4.99
In the Moonlight
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Piano seul
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FACILE
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Contemporain
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Beverly Cashin
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No black notes.
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In the Moonlight
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Beverly Cashin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.893650 Composed by Beverly Cashin. 20th Century. Score. 4 pages. Beverly Cashin #6087971. Published by Beverly Cashin (A0...
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Piano Solo - Level 2 - SKU: A0.893650 Composed by Beverly Cashin. 20th Century. Score. 4 pages. Beverly Cashin #6087971. Published by Beverly Cashin (A0.893650). A pretty song in 6/8. It's written in the key of D Dorian, which is a milder, modal variation of D minor. The level is late elementary/early intermediate. No black notes. 2 pages long. The sound is reflective of the title. You can listen to it on the YouTube link. .
$1.99
In the Moonlight, easy reader
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Piano seul
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FACILE
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Contemporain
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Beverly Cashin
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In the Moonlight, easy reader
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Beverly Cashin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.893651 Composed by Beverly Cashin. 20th Century. Score. 4 pages. Beverly Cashin #6087981. Published by Beverly Cashin (A0...
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Piano Solo - Level 2 - SKU: A0.893651 Composed by Beverly Cashin. 20th Century. Score. 4 pages. Beverly Cashin #6087981. Published by Beverly Cashin (A0.893651). This version uses the easy reader notation, with the names of the notes written inside the noteheads. It makes the song accessible to people who can play it with their hands but may not be comfortable reading all the notes. A pretty song in 6/8. It's written in the key of D Dorian, which is a milder, modal variation of D minor. The level is late elementary/early intermediate. No black notes. 2 pages long. The sound is reflective of the title. You can listen to it on the YouTube link.
$1.99
Au Claire De La Lune (By the Pale Moonlight)
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Piano seul
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FACILE
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Anonymous
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Steven Kudlo
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Au Claire De La Lune
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Steven Mark Kudlo
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.960710 Composed by Anonymous. Arranged by Steven Kudlo. Children,Concert,Folk,Instructional,Standards. Score. 1 pages. St...
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Piano Solo - Level 2 - SKU: A0.960710 Composed by Anonymous. Arranged by Steven Kudlo. Children,Concert,Folk,Instructional,Standards. Score. 1 pages. Steven Mark Kudlo #3053543. Published by Steven Mark Kudlo (A0.960710). This old 18th century French folksong is often used for beginners. It's still pretty easy in this contemporary arrangement.
$1.99
Hey Pretty Moon
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The War And Treaty
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Kyle Snook
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Hey Pretty Moon
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Kyle Snook
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1463768 By The War And Treaty. By Michael Trotter. Arranged by Kyle Snook. A Cappella,Barbershop,R &...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1463768 By The War And Treaty. By Michael Trotter. Arranged by Kyle Snook. A Cappella,Barbershop,R & B,Soul. 6 pages. Kyle Snook #1042502. Published by Kyle Snook (A0.1463768). Contestable TTBB arrangement for Burning River Boys.
$1.99
Pretty how town for chamber orchestra (mp3)
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Contemporain
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Classique
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Jeremiah Bornfield
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Colin Bayliss
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Pretty how town for chamber or
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David Warin Solomons
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SheetMusicPlus
Strings Flute - Level 4 - SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Perfor...
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Strings Flute - Level 4 - SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Performance. Duration 184. David Warin Solomons #1012458. Published by David Warin Solomons (A0.1431980). This realisation by Jeremiah Bornfield is based on Colin Bayliss' chamber orchestra arrangement of my composition.(The original version was for recorder orchestra)The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
$5.00
Pretty how town for recorder orchestra (mp3)
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Contemporain
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Classique
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Manchester recorder orchestra
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Pretty how town for recorder o
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David Warin Solomons
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SheetMusicPlus
Recorder - Level 4 - SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. ...
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Recorder - Level 4 - SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. David Warin Solomons #1012466. Published by David Warin Solomons (A0.1431988). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Variations on Joseph Barnby’s Sweet and Low for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring
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David Warin Solomons
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Variations on Joseph Barnby&rs
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1138187 By Budapest Scoring. By Joseph Barnby. Arranged by David Warin Solomons. Children,Classical. Full Performance. Duration 259. D...
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Level 4 - SKU: A0.1138187 By Budapest Scoring. By Joseph Barnby. Arranged by David Warin Solomons. Children,Classical. Full Performance. Duration 259. David Warin Solomons #738456. Published by David Warin Solomons (A0.1138187). There are (at least) 2 settings of Tennyson's poem Sweet and Low, one by Barnby and one by Stanford. This is a set of variations on Barnby's setting. As the piece progresses after the original transcription, the top melody becomes melismatic and is shared amongst all the instruments in turn, ending with a brief canon based on the initial phrase. Original poem by Alfred Lord Tennyson Sweet and low, sweet and low Wind of the western sea, Low, low, breathe and blow, Wind of the western sea! Over the rolling waters go, Come from the dying moon, and blow, Blow him again to me, While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest, Father will come to thee soon; Rest, rest, on mother's breast, Father will come to thee soon; Father will come to his babe in the nest, Silver sails all out of the west Under the silver moon! Sleep my little one, sleep my pretty one, sleep Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Somewhere Out There
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Orchestre d'harmonie
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FACILE
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Linda Ronstadt & James Ingram
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Mark Fabio
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Somewhere Out There
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Mark Fabio
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1288809 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Mark Fabio. Broadw...
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Concert Band - Level 2 - SKU: A0.1288809 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Mark Fabio. Broadway,Film/TV,Instructional,Musical/Show,Pop,Standards. Score and Parts. 28 pages. Mark Fabio #879661. Published by Mark Fabio (A0.1288809). This is one of the first arrangements I did for band when I was at Belleville Elementary Schools many moons ago! I still kept it pretty simple in this version but it is probably now a 1+ or 2 grading level (That would be at 6th or 7th grade level depending on the district). It is a not only a cool concert piece that everyong will enjoy, but it will teach your students lyrical and legato playing, dynamics, and tuning as there are some pretty cool pop harmonies! I hope you like it!!
$49.99
Girl I Left Behind Me, The
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Piano, Voix
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INTERMÉDIAIRE
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Billy Rose, Edgar Leslie, and
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Dave Gingras and John E
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Girl I Left Behind Me, The
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1461636 Composed by Billy Rose, Edgar Leslie, and George W Meyer. Arranged by Dave Gingras and John E. Dosher. Bro...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1461636 Composed by Billy Rose, Edgar Leslie, and George W Meyer. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1040380. Published by DAVID LEE GINGRAS (A0.1461636). This tune, The Girl I Left Behind Me', was written in 1932 by Edgar Leslie. Mr. Leslie was born in Stamford, Connecticut in 1885 and published his first song in 1909, starting a long prolific career as a composer and lyricist. He died in 1976. He was a founding member of ASCAP in 1914. Leslie served as its director from 1931 to 1941 and from 1947 to 1953. His most enduring success of the era was probably 1935's Moon Over Miami and For Me And My Gal. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
Come Home To You
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contem...
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Guitar - Level 3 - SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
Breeze And I
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Al Stillman and Ernesto Lecuon
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Phyllis Love
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Breeze And I
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Phyllis Love
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1344990 Composed by Al Stillman and Ernesto Lecuona. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Lo...
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Piano Solo - Level 3 - SKU: A0.1344990 Composed by Al Stillman and Ernesto Lecuona. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #929937. Published by Phyllis Love (A0.1344990). The Breeze and I for intermediate pianoPretty, and simple to play although interesting harmonically. Intermediate students will appreciate this arrangement, as it creates the setting for an exotic island scene in a movie.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
Always
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Irving Berlin
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Richard A
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Always
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Richard A. Evans
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.746137 Composed by Irving Berlin. Arranged by Richard A. Evans. 20th Century,Instructi...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.746137 Composed by Irving Berlin. Arranged by Richard A. Evans. 20th Century,Instructional,Standards,Wedding. 8 pages. Richard A. Evans #353996. Published by Richard A. Evans (A0.746137). Irving Berlin ( 1888-1989) is the corner stone of the Great American Songbook. Composer and lyricist of over 1,500 songs that appeared in films, Broadway shows, musical revues and stand alone hits, he wrote such standards as Blue Skies, Puttin' On the Ritz, A Pretty Girl Is like a Melody, How Deep Is the ocean, Cheek to Cheek and the holiday favorites White Christmas, Easter Parade and God Bless America. Always (1925) was a wedding gift presented to Berlin's second wife, Ellin Mackay. (He was only married to his first wife, Dorothy Goetz, for six months before she died of typhoid Fever contracted on their honey moon.) This woodwind trio arrangement can be performed with 2 C Instruments (2 flutes or 2 Oboes or Flute and Oboe) and Bb Clarinet or Bassoon or Bb Bass Clarinet.
$8.99
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