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Princess Royal
Sheetmusicplus
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7
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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Vous avez sélectionné:
Princess Royal
SheetMusicPlus
Partitions à imprimer
105 partitions trouvées
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Miss MacDermott Roe, Princess Royal, Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Turlough O’Carolan
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Serena O'Meara
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Miss MacDermott Roe, Princess
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.804028 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Fol...
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Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.804028 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Folk,Holiday,Irish,Multicultural,Traditional,World. Score and parts. 4 pages. O'Meara Music #6457361. Published by O'Meara Music (A0.804028). There is controversy as to exactly who Carolan wrote Miss MacDermott Roe for or which Princess Royal he had in mind. This light and airy baroque melody has several sections and a wide range of dynamics, at times making it call & response. Playable by either Lever or Pedal Harps, it is in the key of em. All chromatics are within the First Harp part. The melody is divided evenly between parts. Dynamics are clearly marked. This is Harp II of two Harp parts.
$3.00
Miss MacDermott Roe, Princess Royal, Harp I
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2 Harpes (duo)
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INTERMÉDIAIRE
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Turlough O’Carolan
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Serena O'Meara
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Miss MacDermott Roe, Princess
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.804027 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Fol...
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Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.804027 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Folk,Holiday,Irish,Multicultural,Standards,World. Score and parts. 4 pages. O'Meara Music #6457359. Published by O'Meara Music (A0.804027). There is controversy as to exactly who Carolan wrote Miss MacDermott Roe for or which Princess Royal he had in mind. This light and airy baroque melody has several sections and a wide range of dynamics, at times making it call & response. Playable on Lever or Pedal Harps, it is in the key of em. All chromatics are within the First Harp part. The melody is divided evenly between parts. Dynamics are clearly marked. This is Harp I of two Harp parts.
$3.00
Princess Royal - O'Carolan - intermediate & 34 String Harp | McTelenn Harp Center
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Harpe
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FACILE
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Celtique/Irlandais
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Eve McTelenn
Learn
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Turlough O Carolan
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Eve McTelenn
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Princess Royal - O'Carolan - i
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Harp - Level 2 - SKU: A0.779250 Composed by Turlough O Carolan. Arranged by Eve McTelenn. Celtic. Score. 9 pages. Eve Rodolfi-McTelenn #4288661. Publish...
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Harp - Level 2 - SKU: A0.779250 Composed by Turlough O Carolan. Arranged by Eve McTelenn. Celtic. Score. 9 pages. Eve Rodolfi-McTelenn #4288661. Published by Eve Rodolfi-McTelenn (A0.779250). Princess Royal / O'Carolan - For Lever harp + Fingerings Score - Only Score - Argt By Eve McTelenn Learn this Tunes In a original Version For Lever Harp For Intermediate - Instant Access- You can buy the Video course version on SMP here : http://www.sheetmusicplus.com/title/20821986 Video Youtube link : https://youtu.be/Ym3hzNHnDpA ////////////////////////////////////////////////// Subscribe My youtube channel : https://www.youtube.com/user/evemctelenn
$5.99
Miss MacDermott Roe, Princess Royal, Harp Duet
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2 Harpes (duo)
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INTERMÉDIAIRE
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Turlough O’Carolan
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Serena O'Meara
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Miss MacDermott Roe, Princess
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.808042 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Fol...
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Instrumental Duet Celtic Harp,Instrumental Duet - Level 3 - SKU: A0.808042 Composed by Turlough O’Carolan. Arranged by Serena O'Meara. Celtic,Folk,Holiday,Irish,Multicultural,Traditional,World. Score and parts. 13 pages. O'Meara Music #6457357. Published by O'Meara Music (A0.808042). There is controversy as to exactly who Carolan wrote Miss MacDermott Roe for or which Princess Royal he had in mind. This light and airy baroque melody has several sections and a wide range of dynamics, at times making it call & response.  Playable on either Lever or Pedal Harps, it is in the key of em. All chromatics are within the First Harp part. The melody is divided evenly between parts. Dynamics are clearly marked. You will receive the Score, Harp I, and Harp II.
$7.00
Princess Royal (OPEN G Fingerstyle Guitar)
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Guitare notes et tablatures
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Contemporain
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Turlough O'carolan
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Sandy Shalk
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Princess Royal
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Sandy Shalk
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SheetMusicPlus
Guitar - SKU: A0.948737 Composed by Turlough O'carolan. Arranged by Sandy Shalk. Contemporary. Guitar Tab. 4 pages. Sandy Shalk #6252065. Published by S...
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Guitar - SKU: A0.948737 Composed by Turlough O'carolan. Arranged by Sandy Shalk. Contemporary. Guitar Tab. 4 pages. Sandy Shalk #6252065. Published by Sandy Shalk (A0.948737). Princess Royal (aka Miss McDermott) is one of O'Carolan's loveliest. This one is in OPEN G tuning in the key of Gm. Minor keys are not as common in OPEN G. This tune is usually done a bit quicker, but your call as to speed. Placing a capo on the second or third fret adds a lovely harp-like sonority. Capo-less is wonderful too! This one is for lovers of OPEN G guitar.
$2.99
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35
A Royal Wedding - pedal harp solo
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Fernand Maignien
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Regina Ederveen
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A Royal Wedding - pedal harp s
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R. Ederveen
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SheetMusicPlus
Harp - Level 4 - SKU: A0.859401 Composed by Fernand Maignien. Arranged by Regina Ederveen. Classical,Concert,Romantic Period,Standards,Wedding. Score. 1...
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Harp - Level 4 - SKU: A0.859401 Composed by Fernand Maignien. Arranged by Regina Ederveen. Classical,Concert,Romantic Period,Standards,Wedding. Score. 10 pages. R. Ederveen #4317153. Published by R. Ederveen (A0.859401). A Royal Wedding - pedal harp solo Composed by Fernand Maignien (1872-?), as ''Royale Fiancée - Souvenir de Kingston''. Composed on the occasion of the wedding of Emmanuel de Savoie, Duc d'Aoste and Hélène de France, Princesse d'Orléans, Duchesse d'Aosta. Wedding took place June 25th, 1895. Arranged by Regina Ederveen - harpist in The Netherlands Level: advanced. A video can be seen here: https://www.youtube.com/watch?v=VpVOZzZl9fc Duration: 4'16'' For information contact via www.reginaederveen.nl
$7.99
Princess Louise. Waltz
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Piano seul
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Charles Godfrey
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Princess Louise. Waltz
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9703 Composed by Charles Godfrey. Portraits. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Librari...
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Piano - SKU: LV.9703 Composed by Charles Godfrey. Portraits. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9703). Princess Louise. Waltz. Composed by Charles Godfrey, Band Master Royal Horse Guards. Published [n.d.] by Lee & Walker, 922 Chestnut St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
What the Little Princess Tulip Says (Grade Initial, list B9, from ABRSM Piano Syllabus 2021 and 2022)
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Piano seul
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Classique
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Contemporain
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Erik Satie
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Alan Jones
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What the Little Princess Tulip
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ABRSM (Associated Board of the Royal Schools of Music)
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SheetMusicPlus
Composed by Erik Satie (1866- 1925). Arranged by Alan Jones. Classical. Piano Solo. 1 pages. Published by ABRSM (Associated Board of the Royal Schools of Mu...
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Composed by Erik Satie (1866- 1925). Arranged by Alan Jones. Classical. Piano Solo. 1 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.35
Mrs McDermott or the Princess Royal
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Harpe
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FACILE
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O'Carolan
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Harpoline
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Mrs McDermott or the Princess
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Harpoline
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1473962 Composed by O'Carolan. Arranged by Harpoline. Celtic,Folk,Irish,Multicultural,Traditional,World. Score. 2 pages. ...
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Lever Harp - Level 2 - SKU: A0.1473962 Composed by O'Carolan. Arranged by Harpoline. Celtic,Folk,Irish,Multicultural,Traditional,World. Score. 2 pages. Harpoline #1051657. Published by Harpoline (A0.1473962). This well known and well loved tune by O'Carolan has been arranged for lever harp. It is in the key of e-minor, so you will only need your f sharp lever. It is not too hard and fingerings have been added. Of course fingerings are optional.
$4.00
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
Princess Elizabeth (From 'A Royal Night Out')
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Piano seul
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Film/TV
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Paul Englishby
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Princess Elizabeth
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Hal Leonard Europe
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SheetMusicPlus
Interactive Download SKU: HX.339392 By Paul Englishby. By Paul Englishby. This edition: Interactive Download. Film/TV. Piano Solo. 2 pages. Published by ...
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Interactive Download SKU: HX.339392 By Paul Englishby. By Paul Englishby. This edition: Interactive Download. Film/TV. Piano Solo. 2 pages. Published by Hal Leonard Europe (HX.339392).
$4.99
Wedding March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Classique
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Felix Jakob Ludwig
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Peet du Toit
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Wedding March
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arra...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.
$21.00
Great Duets: 10 Traditional Tunes (alto clef)
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Simon Mayor
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Simon Mayor
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Great Duets: 10 Traditional Tu
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Simon Mayor
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.960887 Composed by Simon Mayor. Arranged by Simon Mayor. Celtic,Folk,Instructional. Score and parts. 24 pages. Simon...
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String Ensemble - Level 2 - SKU: A0.960887 Composed by Simon Mayor. Arranged by Simon Mayor. Celtic,Folk,Instructional. Score and parts. 24 pages. Simon Mayor #2115243. Published by Simon Mayor (A0.960887). A collection of 10 short duets for those reading alto clef, all based around traditional tunes from England and Scotland. The arrangements are in easy but interesting parts of equal ease/difficulty, with the melody often shared between the two. The range is all within first position for viola or mandola players, but suitable for anyone reading alto clef. Within the PDF file you'll find a link to download the complete accompanying (computer generated) audio which is presented at a suggested performance tempo. Contents: Chirping Of The Nightingale, Jenny Pluck Pears, The Keel Row, Long Odds, Such A Parcel Of Rogues, Parson’s Farewell, Pete’s Peerie Boat, Bold Princess Royal, Sellinger’s Round, Steamboat Waltz.
$8.99
Bridal Chorus
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Trompette
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Richard Wanger
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Travis Hayman
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Bridal Chorus
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - SKU: A0.951560 Composed by Richard Wanger. Arranged by Travis Hayman. Romantic Period,Wedding. Individual part. 6 pages. Travis Hayman #6...
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Trumpet Solo - SKU: A0.951560 Composed by Richard Wanger. Arranged by Travis Hayman. Romantic Period,Wedding. Individual part. 6 pages. Travis Hayman #6129827. Published by Travis Hayman (A0.951560). The Bridal Chorus from the 1850 opera Lohengrin by German composer Richard Wagner, is a march played for the bride's entrance at many formal weddings throughout the Western world. In English-speaking countries it is generally known as Here Comes the Bride or Wedding March, though wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner’s piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.
$5.00
"Bridal Chorus" from Lohengrin - Violin & Flute duet (Organ accompaniment)
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Wagner
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Benson Kwan
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"Bridal Chorus" from
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humilis
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SheetMusicPlus
Flute,Organ,Violin - Level 4 - SKU: A0.857377 Composed by Richard Wagner. Arranged by Benson Kwan. Opera,Romantic Period,Standards,Wedding. 3 pages. Hum...
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Flute,Organ,Violin - Level 4 - SKU: A0.857377 Composed by Richard Wagner. Arranged by Benson Kwan. Opera,Romantic Period,Standards,Wedding. 3 pages. Humilis #3574753. Published by humilis (A0.857377). Also known as Here Comes the Bride, Bridal Chorus was made popular as a bridal entrance piece when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858.This arrangement employs the full range of both the violin and flute, to be accompanied by the organ with pedal. Great to be played inside a church.2018 Instrumental Arranging Contest Entry
$3.99
Suite in D Minor for Two Mandolins
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mando
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Gordon Jackson
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SheetMusicPlus
Mandolin - SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jacks...
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Mandolin - SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel...
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Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965
$5.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
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