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Quatuor à cordes: 2 violons, alto, violoncelle
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Puck's Game
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Puck's Game
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Daniel Burwasser. Score and Parts. 40 pages. Imagine Music - Digital #CM…
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Composed by Daniel Burwasser. Score and Parts. 40 pages. Imagine Music - Digital #CMF191. Published by Imagine Music - Digital
$28.00
25.8 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Daniel Burwasser
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Puck's Game
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Imagine Music - Digital
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SheetMusicPlus
The Faerie Fiddler (Complete Anthology)
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.784979 Composed by Dorothy van Joo…
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Violin Solo - Level 3 - Digital Download SKU: A0.784979 Composed by Dorothy van Joolen Barth. Children,Contemporary,Standards. 25 pages. Dorothy van Joolen Barth #25815. Published by Dorothy van Joolen Barth (A0.784979). The Faerie Fiddler aims to make several not-so-easy techniques fun to practice and perform. These techniques include spiccato bowing, trills, and ornamentation. Development of such delicate techniques should be supervised by an experienced violin teacher. Although The Faerie Fiddler is not intended to be an etude book, I hope these elfin solos and duos will be enjoyed by both student and teacher as supplemental repertory. This complete anthology contains 15 solo pieces and 5 violin duos. Front matter is appended to the back. I've endeavored to channel mischievous Puck to sprinkle magic juice on tricky techniques by writing interesting pieces that (1) captivate the player while maintaining simple forms; (2) use woodland imagery; and (3) introduce traditional dance forms. Whimsical verses accompany the pieces and serve to (1) introduce each piece; (2) identify and highlight specific techniques (3) encourage observation of what the music is doing; (4) cast humor on the process, so that student, teacher, and writer are accomplices in the same game. The faerie fiddler techniques are reinforced throughout the book (all pieces except Raucous Rondo include spiccato bowing). Clarity and consistency are maintained in the expression markings so that the student will know when and when not to play off the string (only notes with dots are to be played off the string). The solo pieces and the Violin 2 parts of the duos are written in first position. Violin 1 parts of the duos use third position. Duo 4, Just a Dream, also uses fifth position in the upper part. Though the pieces are short and may look easy, their execution offers challenges, given the transparency of the spiccato bowing and ornamentation techniques. I hope The Faerie Fiddler will provide an enjoyable supplement to spiccato, trills, and ornamentation studies. The sample audio file presented here is the Elf Queen's Waltz.
$21.99
20.27 €
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Violon
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Dorothy van Joolen Barth
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(2) use woodland imagery
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The Faerie Fiddler
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Dorothy van Joolen Barth
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SheetMusicPlus
Supercollider
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00
32.26 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
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