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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
Pure Imagination: Drums
SheetMusicPlus
Partitions à imprimer
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Pure Imagination: Drums
Batterie (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016843_D Drums. Composed by …
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016843_D Drums. Composed by Anthony Newley and Leslie Bricusse. Arranged by Elliot Deutsch. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016843_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016843_D). UPC: 038081502205.A great take on a wonderful tune. Beginning at 130 BPM, Deutch's arrangement of Pure Imagination moves to double-time swing and then into a samba groove with solo space for piano and trumpet 4. The lead trumpet range is to written high E. Check this one out! (6:47).
$3.00
2.73 €
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Batterie (partie séparée)
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Anthony Newley and Leslie Bricusse
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Elliot Deutsch
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Pure Imagination: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination
Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Gu…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.805701 Composed by Anthony Newley and Leslie Bricusse. Arranged by Sam Johnson. Film/TV. Score and parts. 31 pages. Sam Johnson #6011055. Published by Sam Johnson (A0.805701). Pure Imagination arranged for 23 Piece Big Band (incl. Strings)
$25.99
23.67 €
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Anthony Newley and Leslie Bricusse
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Sam Johnson
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Pure Imagination
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Sam Johnson
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SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Drums
Batterie (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016192_D Drums. Composed by …
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016192_D Drums. Composed by Anthony Newley and Leslie Bricusse. Arranged by Craig Skeffington. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016192_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016192_D). UPC: 038081341804.If you haven't heard this gorgeous ballad from Willie Wonka and the Chocolate Factory, now is the time. This sensational alto sax ballad, scored with lush harmonies and backgrounds, includes a written solo for the lead alto player and lead trumpet range to written A, above the staff. Newsflash: this will be your new favorite tune! (3:15) This title is available in SmartMusic.
$3.00
2.73 €
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Batterie (partie séparée)
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Anthony Newley and Leslie Bricusse
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Craig Skeffington
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Pure Imagination
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pure Imagination
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.844241 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.844241 Composed by Anthony Newley and Leslie Bricusse. Arranged by Gerhard Guter. Film/TV. Score and parts. 101 pages. Gerhard Guter #3874875. Published by Gerhard Guter (A0.844241). Gene Wilder’s 1971 performance of this song in Willy Wonka & the Chocolate Factory won the hearts of boys and girls dreaming of endless worlds of candy and fantasy. Gerhard Guter’s swinging jazz waltz rendition for big band with solo alto or bass vocalist breathes new life into this beloved tune. The introduction sets up a repeating harmonic pattern, which returns at various points during the arrangement, which gradually picks up steam and swing, unfolding in a lush cadence as the vocalist launches into the poignant lyric. Saxophone writing draws upon the usage of trills, across-the-barline quadruplets, and harmonized flourishes. Unison piano and (optional) vibraphone parts will bring to mind the musical code for entering Willy Wonka’s Chocolate Room. The orchestration benefits from a variety of dynamic shadings and the use of bucket mutes for the trombones and cup mutes for the trumpets. Dramatic moments are emphasized with mallets. Solo changes are provided for scat vocal, vibes, guitar, and piano. Vocal (alto or bass), Five saxes (2 altos, 2 tenors, 1 bari), eight brass, piano/bass/drums, and optional guitar and vibraphone. Top brass notes are C6 trumpet and A4 trombone. Demo produced, programmed, and performed by Gerhard Guter. Vocal performed by Aimee Nolte.
$69.99
63.73 €
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Ensemble Jazz
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Anthony Newley and Leslie Bricusse
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Gerhard Guter
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Pure Imagination
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Gerhard Guter
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SheetMusicPlus
Pure Imagination
Trombone,Tuba - Level 4 - Digital Download SKU: A0.506544 Composed by Anthony Newle…
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Trombone,Tuba - Level 4 - Digital Download SKU: A0.506544 Composed by Anthony Newley and Leslie Bricusse. Arranged by Demetrio Bonvecchio. Jazz. 24 pages. Demetrio Bonvecchio (Db Music) #118023. Published by Demetrio Bonvecchio (Db Music) (A0.506544). This is my arrangement for trombone choir (with opt. Drums) of this perfectly written melody, nothing more, there is space for two soloists! [Score + Parts included].
$70.00
63.74 €
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Anthony Newley and Leslie Bricusse
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Demetrio Bonvecchio
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Pure Imagination
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Demetrio Bonvecchio
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SheetMusicPlus
Pure Imagination
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1039586 Composed by Anthony Newley …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1039586 Composed by Anthony Newley and Leslie Bricusse. Arranged by Myrick Crampton. Contemporary,Jazz. Score and parts. 38 pages. MDC Music LLC #644494. Published by MDC Music LLC (A0.1039586). `Trumpet feature - starts with a wind choir, moves into a modern jazz/rock ballad. Jazz Octet (Tpt, Tenor, Tbn, Bari, Piano, Bass, Drums, and Guitar).
$24.99
22.76 €
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Jazz combo
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Anthony Newley and Leslie Bricusse
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Myrick Crampton
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Pure Imagination
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MDC Music LLC
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.72 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
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