Quadrado - Partitions musicales à imprimer - Mondial de la partition numérique

Quadrado

#Quadrado

Piano Solo - Level 5 - Digital Download SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by Rudesindo Soutelo #6080217. Published by Publisher by Rudesindo Soutelo (A0.1013230). Rudesindo Soutelo:PrelÃºdio da Montanha MÃ¡gica / Prelude to The Magic Montain.Tribute to Thomas Mann. (1996) [6'40]ISWC: T-041.574.847-8ISMN: 979-0-9007529-5-6PremiÃ¨re: 19-IX-2004. Museu de Belas Artes, Corunha(Galiza). Piano: Genaro FernÃ¡ndez.This work is a tribute to Thomas Mann, who published The Magic Mountain in 1924 and received the Nobel Prize for Literature in 1929.According to the authorâ€™s own words, the novel is a journey into decay which is lived in a mountain sanatorium dedicated to the cure of tuberculosis. But it is also the search for the idea of man, the concept of a future humanity through the prism of death.The uneven rhythmic pattern of the score (6+5+5/16 and 9+7/16) sifts the hope and generates restlessness. The generating complex {6,5,5,9,7} conforms the DNA of the whole work and is present in both formal structure and harmony or melody. The funerary sequence of the Gregorian, â€˜Dies irae, dies illaâ€™ (On the day of the wrath, that day), hangs throughout the piece until it becomes evident and dominates the spirit. The death precedes to a new life.---Esta obra Ã© uma homenagem a Thomas Mann, quem publicou A Montanha MÃ¡gica em 1924 e recebeu o prÃ©mio Nobel de Literatura em 1929. Segundo as palavras do prÃ³prio autor, a novela Ã© uma viagem Ã decadÃªncia que se vive num SanatÃ³rio de montanha dedicado a curar a tuberculose. Mas tambÃ©m Ã© a busca da ideia do homem, o conceito de uma humanidade futura atravÃ©s do prisma da morte.O padrÃ£o rÃtmico desenquadrado da partitura (6+5+5/16 e 9+7/16) criva a esperanÃ§a e gera inquietaÃ§Ã£o. O complexo geratriz {6,5,5,9,7} conforma o ADN de toda a obra e estÃ¡ presente tanto na estrutura formal como na harmonia ou na melodia. A sequÃªncia fÃºnebre do gregoriano, â€˜Dies irae dies illaâ€™ (No dia do juÃzo final), paira ao longo da peÃ§a atÃ© se tornar evidente e dominar o espÃrito. A morte antecede a uma vida nova.