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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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PIANO & CLAVIERS
Piano seul
825
Piano, Voix
378
Piano, Voix et Guitare
327
Piano Facile
235
Orgue
86
Instruments en Do
50
Accompagnement Piano
18
Accordéon
17
Piano (partie séparée)
8
Piano grosses notes
8
1 Piano, 4 mains
7
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
2 Accordéons
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
216
Piano, Guitare (duo)
117
Guitare
110
Ligne De Mélodie, (Paroles) et Accords
35
Paroles et Accords
25
Ukulele
24
Basse electrique
20
Guitare (partie séparée)
10
2 Guitares (duo)
9
Banjo
4
Mandoline
4
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Dulcimer
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Guitare Pedal Steel
1
2 Dulcimers (duo)
1
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VOIX
Chorale SATB
260
Chorale 3 parties
77
Chorale TTBB
62
Chorale 2 parties
38
Chorale SSAA
34
Voix Soprano, Piano
32
Voix Tenor, Piano
27
Voix basse, Piano
21
Voix Mezzo-Soprano, Piano
18
Voix Baryton, Piano
18
Voix seule
14
Chorale
12
Chorale Unison
11
Voix duo, Piano
8
Voix duo
6
Voix moyenne, Piano
4
Male Voice
3
Voix haute
3
Voix haute, Piano
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
242
Hautbois, Piano (duo)
225
Clarinette et Piano
225
Saxophone Alto et Piano
161
Saxophone Tenor et Piano
138
Quatuor de Saxophones: 4 saxophones
105
Saxophone (partie séparée)
90
Flûte, Hautbois, Clarinette, Basson
85
Flûte traversière
78
Hautbois (partie séparée)
68
Clarinette
62
Saxophone Alto
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
2 Saxophones (duo)
53
Quintette de Saxophone: 5 saxophones
52
Clarinette (partie séparée)
34
Quatuor de Flûtes à bec
31
2 Flûtes traversières (duo)
27
Ensemble de saxophones
26
Quatuor de Clarinettes: 4 clarinettes
23
5 Flûtes à bec
22
Flûte à Bec
22
Saxophone Soprano et Piano
22
Saxophone Tenor
21
2 Clarinettes (duo)
18
Flute (partie séparée)
17
Flûte à bec Soprano
17
Flûte et Guitare
17
2 Hautbois (duo)
15
Cor anglais, Piano
15
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
12
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
10
Cor Anglais
7
Saxophone et Guitare
6
Hautbois, Guitare (duo)
6
3 Clarinettes (trio)
6
Flûte, Hautbois, Clarinette (trio)
5
Instruments en Mib
5
2 Flûte à bec (duo)
5
Flûte, Clarinette (duo)
5
Saxophone, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
3 Saxophones (trio)
4
Flûte à bec Alto
3
Quintette de Flûte : 5 flûtes
3
Piccolo
3
Clarinette, Basson (duo)
3
Ensemble de Flûtes
3
Saxophone Soprano
2
Flûte, Hautbois (duo)
2
Ocarina
2
Flûte traversière, Basse continue
2
Flûte, Alto et Violoncelle
2
Clarinette, Violon (duo)
2
Hautbois
2
Clarinette et Alto
1
Flûte, Violon
1
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1
Clarinette, Guitare (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
Flûte irlandaise
1
Clarinette, Trompette (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Saxophone
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
Flûte et Quatuor à Cordes
1
Flûte traversière, Orgue (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
170
Trompette
122
Trompette, Piano
102
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
80
Trompette (partie séparée)
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Trombone
54
Trombone (partie séparée)
51
Tuba
37
Cor
36
2 Trompettes (duo)
23
Cor (partie séparée)
22
Quatuor de Cuivres
21
2 Trombones (duo)
18
Cor et Piano
16
Cor anglais, Piano
15
2 Cors (duo)
14
2 Tubas (duo)
12
Tuba (partie séparée)
11
Tuba et Piano
10
Tuba et Orgue
10
Euphonium, Piano (duo)
10
Bass Clef Instruments
8
Cor Anglais
7
Ensemble de Trombones
6
Trompette et Guitare
5
Trompette, Trombone (duo)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trompette, Cor (duo)
3
Instruments en Sib
3
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
Trombone, Cor (duo)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium
2
Cornet A Pistons
2
Tuba ou Euphonium ou Saxhorn
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
244
Violon et Piano
229
Alto, Piano
201
Violoncelle, Piano
186
Violon
106
Violoncelle
79
Alto seul
50
2 Violons (duo)
33
Trio à Cordes: violon, alto, violoncelle
24
2 Violoncelles (duo)
24
Violon, Violoncelle (duo)
23
Alto (partie séparée)
22
Violon (partie séparée)
21
2 Altos (duo)
19
Contre Basse
18
Harpe
17
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
14
Violon, Guitare (duo)
14
Violon, Alto (duo)
11
Violoncelle , Guitare (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse, Piano (duo)
9
Violoncelle (partie séparée)
8
Trio à cordes: 3 violins
5
Trio à Cordes: 2 violons, alto
4
4 Violoncelles
4
Alto, Violoncelle (duo)
4
Harpe, Flûte (duo)
3
Alto, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Basse continue
2
Violoncelle, Contrebasse (duo)
1
Violon, Basse continue
1
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
150
Orchestre à Cordes
71
Ensemble Jazz
54
Ensemble de cuivres
36
Orchestre
30
Fanfare
27
Cloches
27
Percussion (partie séparée)
18
Jazz combo
13
Batterie
12
Orchestre de chambre
12
Batterie (partie séparée)
11
Vibraphone
7
Timbales (partie séparée)
5
Ensemble de Percussions
5
Marimba
4
Percussion
4
Timbales
1
Cajon
1
Caisse Claire
1
Xylophone
1
Piano et Orchestre
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
2
Formation musicale - Solfège
1
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Musica seria
Orgue
Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). T…
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Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q3032. Published by Schott Music - Digital
Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Musica seria' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.<br> Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.
$16.99
15.39 €
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Orgue
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Peteris Vasks
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Musica seria
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Schott Music - Digital
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SheetMusicPlus
Goetterdaemmerung
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.47 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
Whate'er My God Ordains is Right
Chorale SATB
SATB choir (a cappella) SKU: LO.E69 Composed by Johann Pachelbel. Arranged by Arthu…
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SATB choir (a cappella) SKU: LO.E69 Composed by Johann Pachelbel. Arranged by Arthur Hardwicke. Choral. Sacred Anthem. Octavo. Sacred Music Press #E69. Published by Sacred Music Press (LO.E69). UPC: 000308015591.
Song List: Whateer My God Ordains Is Right
$2.95
2.67 €
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Chorale SATB
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Johann Pachelbel
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Arthur Hardwicke
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Whate'er My God Ordains is Right
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Sacred Music Press
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SheetMusicPlus
The Joy of Music - Volume 2
Orgue
Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Public…
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Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0938. Published by Fred Bock Music Company (HL.8738406). ISBN 9780634003592. UPC: 073999384062. 9.0x12.0x0.113 inches.Moderately easy to play, with Diane's distinctive stylings, these selections are suitable for church or home use. Titles include: All Things Bright and Beautiful * Hark! Ten Thousand Harps and Voice * I Will Sing of My Redeemer * A New Name in Glory * On Jordan's Stormy Banks * Savior Like a Shepherd Lead Us * When We All Get to Heaven.
Song List: On Jordan's Stormy Banks All Things Bright and Beautiful Hark! Ten Thousand Harps and Voices (L. Mason) I Will Sing of My Redeemer (J. Mcgranahan) When We All Get to Heaven (E. Wilson) A New Name in Glory (C. Miles) Savior, Like A Shepherd Lead Us (W. Bradbury)
$14.99
13.58 €
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Orgue
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Bish Diane
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The Joy of Music - Volume 2
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Fred Bock Music Company
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SheetMusicPlus
Saturday Dreaming
Piano seul
Piano - Late Intermediate - Digital Download SKU: GN.054 Composed by Gordon Tayler.…
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Piano - Late Intermediate - Digital Download SKU: GN.054 Composed by Gordon Tayler. Jazz, Swing. Score. 2 pages. Gtmusic #054. Published by gtmusic (GN.054).
$3.00
2.72 €
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Piano seul
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Gordon Tayler
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Saturday Dreaming
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gtmusic
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SheetMusicPlus
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
Small Ensemble Bass Guitar,Piano - Level 2 - Digital Download SKU: A0.809389 By Bee…
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Small Ensemble Bass Guitar,Piano - Level 2 - Digital Download SKU: A0.809389 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Unimusic Group. Dance,Disco. Score and parts. 10 pages. Unimusic Academy (Academia Unimusica) #5776705. Published by Unimusic Academy (Academia Unimusica) (A0.809389). How Deep Is Your Love is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 (becoming the first of six consecutive US number-one hits), ended the 10-week reign of Debby Boone's You Light Up My Life and stayed in the Top 10 for a then-record 17 weeks. This record would hold for fifteen years, until it was broken by End of the Road by Boyz II Men. This song spent 19 weeks in the top-ten after the introduction of Nielsen Soundscan in 1991 allowed singles to achieve longer runs on the charts. How Deep Is Your Love is the Bee Gees' signature song. It spent six weeks atop the US adult contemporary chart. It is listed at number 22 on the 55th anniversary edition of Billboard's All Time Top 100.[1] Alongside Stayin' Alive and Night Fever, it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching number-one on the UK Singles Chart for three weeks.[2]
$8.00
7.25 €
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Bee Gees
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Unimusic Group
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How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
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Unimusic Academy
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SheetMusicPlus
Yesterday
Small Ensemble Bass Guitar,Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A…
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Small Ensemble Bass Guitar,Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.809388 By The Beatles. By John Lennon and Paul McCartney. Arranged by Academia Unimusica. Contemporary. Score and parts. 7 pages. Unimusic Academy (Academia Unimusica) #5770701. Published by Unimusic Academy (Academia Unimusica) (A0.809388). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.
$8.00
7.25 €
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The Beatles
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Academia Unimusica
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Yesterday
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Unimusic Academy
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Alto Sax
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by American …
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.33 €
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Saxophone Alto et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Soprano Sax
Saxophone Soprano et Piano
Piano Accompaniment, Soprano Sax - Intermediate - Digital Download Composed by Americ…
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Piano Accompaniment, Soprano Sax - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Sacred, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.33 €
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Saxophone Soprano et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Flute
Flûte traversière et Piano
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by American Fol…
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Piano Accompaniment, Flute - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.33 €
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Flûte traversière et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Oboe
Hautbois, Piano (duo)
Piano Accompaniment, Oboe - Intermediate - Digital Download Composed by American Folk…
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Piano Accompaniment, Oboe - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.33 €
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Hautbois, Piano (duo)
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Clarinet
Clarinette et Piano
Piano Accompaniment, Clarinet - Intermediate - Digital Download Composed by American …
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Piano Accompaniment, Clarinet - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.33 €
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Clarinette et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.77 €
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Lonely Bull
2 Trompettes (duo)
By The Tijuana Brass Featuring Herb Alpert. By Sol Lake. Arranged by Renato Dall Ago. …
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By The Tijuana Brass Featuring Herb Alpert. By Sol Lake. Arranged by Renato Dall Ago. Jazz, Pop. Score. 4 pages. Published by RDA Music
$4.99
4.52 €
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2 Trompettes (duo)
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The Tijuana Brass Featuring Herb Alpert
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Renato Dall Ago
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The Lonely Bull
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RDA Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.73 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Wisdom of the Hand
Formation musicale - Solfège
Composed by Marius Nordal. Jazz. Method Book. 229 pages. Sher Music Company #197. Pu…
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Composed by Marius Nordal. Jazz. Method Book. 229 pages. Sher Music Company #197. Published by Sher Music Company
$30.00
27.17 €
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Formation musicale - Solfège
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Marius Nordal
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Wisdom of the Hand
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Sher Music Company
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SheetMusicPlus
Things We Loved From Yesterday (From the Professor T Television series) - piano solo
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by Ian Rae. Broadway, M…
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Piano Solo - Early Intermediate - Digital Download Composed by Ian Rae. Broadway, Musicals, TV, Pop, Anniversary. Sheet Music Single. 3 pages. Published by Irma Music
A very pretty piano arrangement of the original song. The original recording of the song was published by EMI KPM library music on its Showtunes album in 2014 and has been used worldwide in radio and TV adverts, however it is probably best known for featuring in a number of episodes of the highly acclaimed Professor T series. I have been often requested about the sheet music which EMI KPM is happy for me, as the writer of the song to release it now. The song can be heard on Spotify, Deezer, Shazam, Apple Music and Amazon Music. The backing track is also available from these music platforms. A Youtube link to the original song is appended.
$3.99
3.61 €
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Piano Facile
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Ian Rae
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Things We Loved From Yesterday
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Irma Music
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SheetMusicPlus
Suite Europeenne 4 - Sur les Ponts d'Amsterdam
Guitare
Guitar - Grade 3 - Digital Download SKU: FX.FX071010 Composed by Pascal Dubost. Cla…
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Guitar - Grade 3 - Digital Download SKU: FX.FX071010 Composed by Pascal Dubost. Classical, Educational. Guitar Part. FLEX Editions - Digital Sheet Music #FX071010. Published by FLEX Editions - Digital Sheet Music (FX.FX071010). Suite Europeenne is a series of Pieces inspired by a journey, a trip, a meeting or an event in an european region. This Piece is a picking as a tribute to the musicians of Amsterdam Vondelpark.
$5.95
5.39 €
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Guitare
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Pascal Dubost
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Suite Europeenne 4 - Sur les Ponts d'Amsterdam
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Musical Journey
2 descant recorders - easy to intermediate - Digital Download SKU: S9.Q18621 A m…
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2 descant recorders - easy to intermediate - Digital Download SKU: S9.Q18621 A musical history tour of various stylistic periods. Composed by Karel van Steenhoven. This edition: performance score. Original Music for Recorder. Downloadable, Performance score. Schott Music - Digital #Q18621. Published by Schott Music - Digital (S9.Q18621). Up to now, the Dutch composer and performer Karel van Steenhoven, founder member of the renowned Amsterdam Loeki Stardust Quartet, has mainly written demanding concert literature for the recorder. Now he has added an easy work for beginners to the recorder repertoire: 'A Musical Journey' was composed for two young recorder pupils and leads through different stylistic eras of European music history. Van Steenhoven was inspired by an old tune from Ancient Greek which moves from classical antiquity via the Middle Ages and Baroque era to jazz, swing and modern music in 14 short character pieces. In a playful and humorous way, children are thus introduced to the different styles of music. An excursion of educational value without missing out on fun and pleasure.
$12.99
11.77 €
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Karel van Steenhoven
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Musical Journey
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Schott Music - Digital
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SheetMusicPlus
Recordare: Drop, drop slow tears from Eternal Light: A Requiem (Downloadable)
Soprano voice solo, SATB choir, and piano - Medium - Digital Download SKU: MQ.56-0055-E…
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Soprano voice solo, SATB choir, and piano - Medium - Digital Download SKU: MQ.56-0055-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. 6 pages. Duration 4 minutes, 4 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0055-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0055-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,†a calm, descending melodic line with the choir singing the opening “Drop, drop†motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.†Duration 4:04.
$2.75
2.49 €
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Howard Goodall
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Recordare: Drop, drop slow tears from Eternal Light: A Requiem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Recordare
Chorale SATB
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q40424 From Dies il…
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Mixed choir a cappella - advanced - Digital Download SKU: S9.Q40424 From Dies illa. Composed by Krzysztof Penderecki. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q40424. Published by Schott Music - Digital (S9.Q40424). Latin.Recordare ist ein Satz für Chor a cappella aus dem oratorischen Werk Dies illa für Sopran, Mezzosopran, Bariton, drei gemischte Chöre und Orchester. Als separate Ausgabe aus dem gleichen Werk ist auch der Chorsatz Quid sum miser erschienen.Die Uraufführung von Dies illa fand am 9. November 2014 in Brüssel statt.
$5.99
5.43 €
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Chorale SATB
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Krzysztof Penderecki
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Recordare
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Schott Music - Digital
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SheetMusicPlus
Lift Up Your Hearts (Sursum corda) (Downloadable)
Solo instrument and organ - Moderately Easy - Digital Download SKU: MQ.20-630-1E Co…
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Solo instrument and organ - Moderately Easy - Digital Download SKU: MQ.20-630-1E Composed by Charles E. Callahan Jr. and Edward Elgar. Instrument parts. 5 pages. MorningStar Music Publishers - Digital Sheet Music #20-630-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-630-1E). Classic pieces by Sir Edward Elgar, Gaston Dethier, Arthur Foote, John Ireland, and James Rogers. The selections in this collection are transcribed for solo instrument and organ, though piano may be used with minimal adaptation. Reproducible part for Flute, Oboe, Violin, or Viola is included, and a part for Clarinet for a few of the settings is available as a free download.
$6.00
5.43 €
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Charles E
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Lift Up Your Hearts
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Suite para Cordas
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.962306 Composed by Sergio Roberto de Ol…
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String Orchestra - Digital Download SKU: A0.962306 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 47 pages. Sergio Roberto de Oliveira #2894853. Published by Sergio Roberto de Oliveira (A0.962306). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$16.90
15.31 €
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Orchestre à Cordes
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Sergio Roberto de Oliveira
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Suite para Cordas
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Sergio Roberto de Oliveira
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SheetMusicPlus
Every Day of the Week Is a Saturday (from Sister Amnesia's Country Western Nunsense Jamboree)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0016102 Composed by Dan Goggin.…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0016102 Composed by Dan Goggin. Musical. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0016102. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016102). ISBN 9780739057155. UPC: 038081343501.
$3.99
3.61 €
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Piano, Voix et Guitare
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Dan Goggin
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Every Day of the Week Is a Saturday
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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