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Ravel: Album
Partitions à imprimer
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Space Traveler
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.761938 Composed by Louis Landon. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.761938 Composed by Louis Landon. Concert,Contemporary,Instructional,New Age,Standards. Score. 9 pages. Landon Creative, Inc. #6341113. Published by Landon Creative, Inc. (A0.761938). When I compose a piece of music, I try to go as deep as I can into the feeling or thought that inspired the music. When I do that, sometimes I lose myself completely. I am able to float up outside of my body. That's what happened with this piece. I was space traveling! This is the sheet music for Space Traveler, the title track of Solo Piano Space Traveler album, and was released on August 5, 2019. Recorded at the Peace Palace from February - April, 2019. You can listen to the song by streaming on Spotify, Apple Music, and Pandora Radio You can also download the recording iTunes, Amazon, and Bandcamp.. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZCover photo: NASACover art: DanLevin.com All music published by Landon Creative, Inc. BMIAll music produced, arranged, composed & performed by Louis Landon.
$5.25
4.8 €
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Piano seul
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Louis Landon
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performed by Louis Landon
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Space Traveler
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Landon Creative, Inc.
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SheetMusicPlus
Great Works Album- 20 Arrangements
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 2 - Digital Download SKU: A0.547509 By Bach, Beethoven, Chopin…
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C Instrument - Level 2 - Digital Download SKU: A0.547509 By Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc. By Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc. Arranged by Paulo Henrique. Baroque,Classical,Contemporary,Romantic Period,Wedding. Lead Sheet / Fake Book. 36 pages. Paulo Henrique #157239. Published by Paulo Henrique (A0.547509). Great Works Album, 20 arrangements, Lead Sheet, Bach, Beethoven, Chopin, Elgar, Gounod, Mozart, Ravel, Saint Saens, Satie, Schubert, Schumann, Strauss, Tchaikovsky and Vivaldi. Piano, Guitar, Piano and Flute, Piano and Violin, Guitar and Flute, Guitar and Violin, Two Guitars, Wedding, Lounge Music, Baroque, Classic, Romantic, Contemporary.
$20.00
18.28 €
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Ligne De Mélodie, (Paroles) et Accords
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Bach, Beethoven, Chopin, Mozart, Ravel, Schubert, Schumann, Tchaikovsky, etc
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Paulo Henrique
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Great Works Album- 20 Arrangements
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Paulo Henrique
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SheetMusicPlus
TRAVELER'S SERENADE - piano solo by Jane Leslie
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1457193 By Jane Leslie. By Jane Les…
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Piano Solo - Level 3 - Digital Download SKU: A0.1457193 By Jane Leslie. By Jane Leslie. 21st Century,Classical,Contemporary,New Age. Score. 4 pages. Misty Harbor Music #1036238. Published by Misty Harbor Music (A0.1457193). Lyrical and melodic traveling song. Recording on Jane Leslie’s album, “Starlight Reflection.” Timing: 3:00. Jane Leslie, composer. All rights reserved. www.janelesliemusic.com.
$5.99
5.48 €
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Piano seul
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Jane Leslie
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TRAVELER'S SERENADE - piano solo by Jane Leslie
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Misty Harbor Music
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SheetMusicPlus
Traveling Together
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.914268 Composed by Laurie Jeanne Cr…
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Easy Piano - Level 3 - Digital Download SKU: A0.914268 Composed by Laurie Jeanne Crockett. Concert,Contemporary,Folk,New Age. Score. 3 pages. Laurie Crockett #3905771. Published by Laurie Crockett (A0.914268). Traveling Together is from Laurie Jeanne Crockett's 2nd piano album, A Simple Life: Contemporary Folk Piano Meditations. A Simple Life contains 15 original inspirational, adult contemporary piano tracks to calm the soul and cheer the heart. With a touch of Americana, these pieces will transport you back to a simpler time of porch swings and Sunday suppers. Recorded at Subcat Studios in Syracuse, NY on their Yamaha C7 grand piano, the bass is rich and the treble sings. The sheet music is at the intermediate level which makes this tender, melodic music highly accessible. Laurie Jeanne (ASCAP) is the two time recipient of the Individual Artist Grant, awarded by the Central New York Arts Council, and is a regular contributor to the online music library Pond5. She can also be heard on Spotify where you can check out this album as well as her Christmas CD, Christmas Past Christmas Present, an arrangement for piano and voice of traditional European carols such as Sans Day Carol and Coventry Carol, including several original Christmas songs. Sheet music is also available for all titles on this album. To learn more about Laurie Jeanne and her music, please visit her website, lauriejeanne.com or her youtube channel, Lauriejeanne Composer.
$3.99
3.65 €
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Piano Facile
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Laurie Jeanne Crockett
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Traveling Together
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Laurie Crockett
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SheetMusicPlus
Gravel Walk (The Gravel Walks)
Guitare notes et tablatures
Solo Guitar - Digital Download SKU: A0.1398880 By Austin Weyand. By Traditional. Ar…
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Solo Guitar - Digital Download SKU: A0.1398880 By Austin Weyand. By Traditional. Arranged by Austin Weyand. Celtic,Classical,Folk,Irish,Traditional. Individual part. 7 pages. Austin Weyand #981822. Published by Austin Weyand (A0.1398880). My solo guitar arrangement of the Irish reel Gravel Walk, also known as The Gravel Walks. I added some variation to my arrangement of this traditional tune with an added slower section, and then a big finish that involves cross string runs and strumming at the end. A version of this arrangement is also found on my album Too Much Information..
$5.99
5.48 €
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Guitare notes et tablatures
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Austin Weyand
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Austin Weyand
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Gravel Walk
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Austin Weyand
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SheetMusicPlus
The Time Traveler
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1248045 By Shoshana Michel. By Shos…
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Piano Solo - Level 3 - Digital Download SKU: A0.1248045 By Shoshana Michel. By Shoshana Michel. 21st Century,Classical,Contemporary,New Age. Score. 6 pages. Shoshana Michel #842609. Published by Shoshana Michel (A0.1248045). Note-for-note sheet music transcription of the piano solo, “The Time Travelerâ€, by Shoshana Michel from her upcoming album, Storyteller.The Time Traveler is an ethereal sounding piece that would be lovely for lessons, repertoire and recitals.Level: 5 – IntermediateKey Signature: A minor (no sharps or flats)Length: 6 pages.
$5.99
5.48 €
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Piano seul
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Shoshana Michel
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The Time Traveler
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Shoshana Michel
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SheetMusicPlus
Travelin' Band
Basse electrique
Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1447968 By Creedence Clearwate…
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Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1447968 By Creedence Clearwater Revival. By John Fogerty. Arranged by Jared Plane. Blues,Pop,Rock. Score. 4 pages. Jared Plane #1027904. Published by Jared Plane (A0.1447968). Stu Cook's original bass line as played to the Creedence Clearwater Revival song, Travelin' Band released on the 1970 album, Cosmo's Factory. This is a classic rock 'n' roll number, played as a 12 bar blues in F# major. This bass line features an ascending bass figure that is played over all chord changes during the verses. Please note that Stu Cook holds on to the final note of each ascending figure. This has note been notated in the sheet music to simplify the notation and for ease of reading. This transcription comes with Standard Notation, bass TAB and reference chord symbols.
$5.00
4.57 €
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Basse electrique
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Creedence Clearwater Revival
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Jared Plane
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Travelin' Band
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Jared Plane
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SheetMusicPlus
Traveling Music
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.781668 Composed by Tim Neumark. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.781668 Composed by Tim Neumark. 20th Century,Contemporary,New Age. Score. 6 pages. Tim Neumark #4268811. Published by Tim Neumark (A0.781668). Traveling Music is track #6 from Tim's album, Galaxy. This piece is written in the key of A major (three sharps) and D major (two sharps). For intermediate pianists.
$5.50
5.03 €
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Piano seul
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Tim Neumark
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Traveling Music
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Tim Neumark
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SheetMusicPlus
Traveling
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.748981 By Stan iB. By Stanislav Bor…
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Piano Solo - Level 4 - Digital Download SKU: A0.748981 By Stan iB. By Stanislav Borisov. Contemporary,Jazz,New Age. Score. 7 pages. Lulu #3405885. Published by Lulu (A0.748981). Traveling, from the solo piano album Influences, composed and performed by Stan iB (Stanislav Borisov).Stan iB
$7.00
6.4 €
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Piano seul
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Stan iB
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Traveling
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Lulu
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SheetMusicPlus
Weary Traveler
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1018133 Composed by Aj Pruis, Jor…
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C Instrument - Level 4 - Digital Download SKU: A0.1018133 Composed by Aj Pruis, Jordan St. Cyr, and Matthew West. Arranged by Travis J. Gandy. Contemporary,Pop,Praise & Worship,Sacred. Lead Sheet / Fake Book. 3 pages. TraviSongs #623718. Published by TraviSongs (A0.1018133). From the album Jordan St. Cyr by Jordan St. Cyr.
$4.99
4.56 €
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Instruments en Do
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Aj Pruis, Jordan St
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Travis J
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Weary Traveler
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TraviSongs
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SheetMusicPlus
Travel to your lap
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.984190 Composed by Juan Manuel Ruiz…
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Piano Solo - Level 2 - Digital Download SKU: A0.984190 Composed by Juan Manuel Ruiz. 20th Century,Contemporary,New Age,Spiritual. Score. 6 pages. Juan Manuel Ruiz #3586877. Published by Juan Manuel Ruiz (A0.984190). An intermediate solo piano piece in 4/4 time, in the key of B Menor, with a New Age of style, composed by Juan Manuel Ruiz, from his album Will. Juan Manuel Ruiz is similar to the composers Brian Crain, Michele McLaughlin, David Nevue, Jennifer Thomas, Philip Wesley and Ludovico.
$2.99
2.73 €
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Piano seul
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Juan Manuel Ruiz
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Travel to your lap
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Juan Manuel Ruiz
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SheetMusicPlus
The Traveler
Piano seul
Composed by Michele McLaughlin. 21st Century, Contemporary Classical, New Age. Sheet…
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Composed by Michele McLaughlin. 21st Century, Contemporary Classical, New Age. Sheet Music Single. 4 pages. Published by Michele McLaughlin Music
Song: The Traveler Album: Sketches Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2020 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.comSong: The Traveler Album: Sketches Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2020 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.com
$5.50
5.03 €
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Piano seul
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Michele McLaughlin
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The Traveler
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Michele McLaughlin Music
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SheetMusicPlus
Travel to Asia \| Piano Album
Piano seul
Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. 21st Century, Classro…
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Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. 21st Century, Classroom, Birthday, Wedding, Recital. Sheet Music Single, Solo Part. 32 pages. Published by Lena Orsa
Travel to Asia \| Piano Album<br> 10 pieces for a good mood dedicated to travellings:<br> Issyk-Kul Lake<br> Indian Bird<br> The Green Hills of Bandarban<br> Krishnachura<br> Beihai Park<br> Guilin<br> Hainan<br> Ruby Korean Maples<br> Japanese Pagoda with Reflection in Water<br> Blooming SakuraTravel to Asia \| Piano Album<br> 10 pieces for a good mood dedicated to travellings:<br> Issyk-Kul Lake<br> Indian Bird<br> The Green Hills of Bandarban<br> Krishnachura<br> Beihai Park<br> Guilin<br> Hainan<br> Ruby Korean Maples<br> Japanese Pagoda with Reflection in Water<br> Blooming Sakura
$12.99
11.88 €
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Piano seul
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Lena Orsa
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Lena Orsa
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Travel to Asia \| Piano Album
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Lena Orsa
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Brass Nonet + 2 Fl,Picc.)
B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Trombone,Tuba - Digital Download SKU: A0.830732…
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B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Trombone,Tuba - Digital Download SKU: A0.830732 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3535385. Published by Richard Byrnes (A0.830732).  JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence.  Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work.  This is an arrangement by Richard Byrnes for Piccolo, 2 Flutes, 3 Trumpets, 2 Horns, 2 Trombones, & 2 Tubas. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to works by Turina, we offer works by J.S. Bach, Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Turina, & Vierne. Â
$29.99
27.42 €
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JuaquÃn Turina
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Richard Byrnes
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2 Tubas
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Retrato
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Richard Byrnes
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Clarinet Nonet + Fl,Picc,Cbn.)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.830733 Composed by JuaquÃn…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.830733 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3536853. Published by Richard Byrnes (A0.830733). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,Fl,E-flatCl,6Cl,BCl,CalCl,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99
27.42 €
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Ensemble de Clarinettes
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Flute Nonet + BCl,CalCl,Cbn.)
Woodwind Ensemble Alto Flute,Bass Clarinet,Bass Flute,Contra Alto Clarinet,Contrabassoon,P…
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Woodwind Ensemble Alto Flute,Bass Clarinet,Bass Flute,Contra Alto Clarinet,Contrabassoon,Piccolo - Digital Download SKU: A0.830735 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3538757. Published by Richard Byrnes (A0.830735). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,5Fl,AFl,2BFl,BCl,CalCl,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99
27.42 €
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JuaquÃn Turina
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Richard Byrnes
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Strauss.
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Retrato
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Richard Byrnes
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Woodwind Choir)
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.…
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.830738 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3542555. Published by Richard Byrnes (A0.830738).  JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work.  This arrangement is scored for Piccolo, 2 Flutes, 2 Oboes, 3 Clarinets, 3 Bassoons, & Contrabassoon.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99
27.42 €
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JuaquÃn Turina
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Richard Byrnes
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Contrabassoon
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Retrato
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Richard Byrnes
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (String Orchestra + Picc,Cbn.)
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.830737 Composed by JuaquÃn Turina. A…
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String Orchestra - Digital Download SKU: A0.830737 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 31 pages. Richard Byrnes #3541705. Published by Richard Byrnes (A0.830737). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Piccolo, 5 Violins, 2 Violas, 2 Celli, Bass, Contrabassoon). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99
27.42 €
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Orchestre à Cordes
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Double Reed Choir + Fl,Picc)
Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0…
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Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0.830734 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 31 pages. Richard Byrnes #3538189. Published by Richard Byrnes (A0.830734). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,Fl,3Ob,2EH,4Bn,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99
27.42 €
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Maurice Ravel: Album (COMPLETE) - piano solo
Piano seul
Instantly printable sheet music by Maurice Ravel for piano solo of MEDIUM skill level. / c…
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Instantly printable sheet music by Maurice Ravel for piano solo of MEDIUM skill level. / classical,french
$10.99
10.05 €
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Piano seul
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Maurice Ravel
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Virtualsheetmusic
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Maurice Ravel: An Album for Piano Solo (COMPLETE) - piano solo
Piano seul
Instantly printable sheet music by Maurice Ravel for piano solo of MEDIUM skill level. / c…
(+)
Instantly printable sheet music by Maurice Ravel for piano solo of MEDIUM skill level. / classical,french
$15.99
14.62 €
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Piano seul
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Maurice Ravel
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Virtualsheetmusic
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