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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reading
Sheetmusicplus
Non classifié
1 254
Piano & claviers
Piano Facile
1 586
Piano seul
908
Piano, Voix et Guitare
247
Piano, Voix
142
1 Piano, 4 mains
120
Accompagnement Piano
64
Instruments en Do
59
Orgue
30
Accordéon
11
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
3
Orgue, Piano (duo)
3
2 Accordéons
3
Tous Les Instruments
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
175
Guitare notes et tablatures
111
Basse electrique
36
Dulcimer
14
Mandoline
13
Banjo
12
Ukulele
12
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
8
Paroles et Accords
7
3 Guitares (trio)
4
2 Guitares (duo)
3
2 Dulcimers (duo)
2
Ensemble de guitares
2
Piano, Guitare (duo)
2
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
196
Chorale 3 parties
52
Chorale Unison
30
Chorale 2 parties
30
Chorale SSAA
19
Chorale TTBB
13
Voix duo, Piano
7
Voix Soprano, Piano
5
Voix haute
3
Voix Alto, Piano
2
Voix duo
2
Voix basse, Piano
1
Chorale SSATB
1
Voix seule
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière
336
Saxophone Alto
314
Saxophone Tenor
292
Saxophone (partie séparée)
160
Saxophone Soprano
156
Clarinette
107
Flûte traversière et Piano
85
Clarinette et Piano
75
Hautbois, Piano (duo)
60
2 Saxophones (duo)
58
Hautbois (partie séparée)
56
Saxophone Alto et Piano
54
2 Flûtes traversières (duo)
39
Saxophone Tenor et Piano
37
Quatuor de Saxophones: 4 saxophones
31
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
22
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Baryton, Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Harmonica
18
2 Hautbois (duo)
15
Clarinette Basse, Piano
14
Hautbois
13
Flûte, Violoncelle
12
Flûte, Clarinette (duo)
9
Quintette de Saxophone: 5 saxophones
8
Flûte à bec Soprano
8
Saxophone, Clarinette (duo)
7
Cor Anglais
7
Saxophone Baryton
6
Cor anglais, Piano
6
Quatuor de Clarinettes: 4 clarinettes
5
Piccolo
5
Flûte à bec Soprano, Piano
4
Hautbois, Clarinette (duo)
4
Clarinette, Violon (duo)
4
Flûte, Violon
3
Flûte et Guitare
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette, Harpe (duo)
3
Trio de Flûtes: 3 flûtes
2
Saxophone
2
Flûte à Bec
2
Clarinette et Alto
2
Ensemble de Clarinettes
2
Hautbois, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Basson et Piano
2
Clarinette, Trompette (duo)
2
2 Saxophones, Piano
2
Flûte, Hautbois (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violon et Violoncelle
1
3 Saxophones (trio)
1
Ensemble de Flûtes
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes à bec, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Orgue
1
3 Clarinettes (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Hautbois, Basson et Piano
1
+ 72 instrumentations
Retracter
Cuivres
Trompette
307
Trombone
300
Trompette, Piano
74
Trombone et Piano
63
Cor et Piano
53
Tuba
52
Cor
46
Tuba et Piano
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
2 Cors (duo)
29
2 Trombones (duo)
27
2 Trompettes (duo)
22
Ensemble de Trompettes
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
2 Tubas (duo)
10
Quatuor de Cuivres
9
Trompette (partie séparée)
7
Cor Anglais
7
Trio de Cuivres
6
Tuba et Orgue
6
Cor anglais, Piano
6
Trombone, Tuba (duo)
5
Euphonium, Piano (duo)
5
Trompette, Trombone (duo)
5
3 Trompettes (trio)
4
Euphonium
4
Trompette, Saxophone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Harpe
2
Quatuor de cuivres: 4 cors
2
Trompette, Harpe
2
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
Trombone basse
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
3 Cors (trio)
1
+ 37 instrumentations
Retracter
Cordes
Violon
427
Violoncelle
370
Alto seul
285
Quatuor à cordes: 2 violons, alto, violoncelle
163
Violon et Piano
129
Violoncelle, Piano
86
Harpe
81
Alto, Piano
73
Contre Basse
70
Alto (partie séparée)
56
Violon, Violoncelle (duo)
45
2 Violons (duo)
35
2 Violoncelles (duo)
33
Contrebasse, Piano (duo)
30
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
23
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
4 Violoncelles
9
2 Contrebasses (duo)
7
Alto, Violoncelle (duo)
6
Violon (partie séparée)
6
Violon, Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Harpe, Violon (duo)
3
2 Harpes (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Violoncelle, Contrebasse (duo)
2
3 Harpes
2
Trio à Cordes: 3 violoncelles
2
Violoncelle (partie séparée)
2
Violon, Basson (duo)
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Autoharp
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre à Cordes
54
Orchestre
46
Batterie
46
Cloches
45
Ensemble Jazz
42
Ensemble de cuivres
15
Ensemble de Percussions
10
Jazz combo
9
Xylophone
9
Caisse Claire
8
Orchestre de chambre
8
Xylophone, Piano
7
Fanfare
6
Marimba
5
Percussion
3
2 Xylophones
2
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
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9976
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
The Time Machine (Excerpts), an Accompanied Reading
#
Contemporain
#
Paul Burnell
#
The Time Machine
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score ...
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Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score and parts. 88 pages. Paul Burnell #3222659. Published by Paul Burnell (A0.835782). Composed 2017. One of a series of fourteen accompaniments to texts published between the years 1886 and 1899. Duration 30:00 For narrator and ensemble Text from the novella by H.G. Wells (1866 - 1946) published in 1895 The subtitles for each of the six movements are: Part 1 - the Model Part 2 - the Journey Part 3 - the Eloi Part 4 - the Morlocks Part 5 - the Eclipse Part 6 - the Ghost 'The Time Machine' is a science fiction novel by Herbert George Wells, published in 1895. H. G. Wells is commonly credited with the popularisation of the concept of time travel - using a vehicle that allows an operator to travel intentionally and selectively backwards or forwards in time. Ensemble instrumentation: Keyboard(s) - accordion, organ, glass harmonica, vibraphone, piano, toy piano, etc. Flute or tenor/bass recorder Violin or viola or violincello. Wine glass 1 tuned to Bb Wine glass 2 tuned to C - ideally a minor seventh below wine glass 1 Handbells, three players using bows and beaters: Voice or guitar (acoustic, electric or bass guitar) Percussion - Suspended cymbal, low drum(s), whirly tube(s), ‘found’ resonant instruments, plastic bag(s), singing bowl, guiro(s) There is no overall score. Performers (except percussion) play from a series of graphic scores. The percussion parts are written in more traditional notation. It is not necessary for the ensemble to contain all the instruments. If all instruments are available then the ensemble may vary the instrumentation, or omit instruments, for each of the movements, or within movements. The dynamic balance between players should be sympathetic to the forces available. This may mean, for example, that an accordion is muted or sited away from the other players. Effects such as reverberation or distortion may be applied to the instrumental sounds. Variety of expression is encouraged. The narrator’s text readings must each have a duration of under five minutes.For each of the six movements the ensemble begins playing one minute after the speaker. It is allowed for the movements to be performed as single pieces, and without the narration.
$7.95
Beginner Sight Reading Pentascale Book 3 - Beginner Piano Exercises (One Hand at a Time)
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Piano Facile
#
DÉBUTANT
#
Ylan Chu
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Ylan Chu
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Beginner Sight Reading Pentasc
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Ylan Chu
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1303855 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #893377. Publi...
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Easy Piano - Level 1 - SKU: A0.1303855 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #893377. Published by Ylan Chu (A0.1303855). This is a PDF containing 50 sight reading exercises for piano at a beginner level. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and based on the first five notes of the major or minor scale which is also known as a pentascale. This third book includes keys up to two sharps or two flats (C major, A minor, F major, D minor, B-flat major, G minor, G major, E minor, D major, B minor). Excerpts can begin on any finger. Audio for all of these exercises along with other ear training and sight reading material can be found at: https://youtube.com/@ClassicalSqueak | More resources can be found at: https://ylanchu.com/resources | or | https://ko-fi.com/classicalsqueak | This PDF is for personal use only.Links to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213795/Product.aspx C major Pentascale - Book 2: https://www.sheetmusicplus.com/en/product/beginner-piano-exercises-sight-reading-c-major-pentascale-book-2-digital-pdf-download-22537268.html Sight Reading - Level 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213173/Product.aspx Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213175/Product.aspx Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: https://www.ylanchu.comMore resource links can be found here: https://www.ylanchu.com/resourcesSocials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$3.99
More Piano Sight-Reading 2
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2 Pianos, 4 mains
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FACILE
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More Piano Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sig...
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Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Beginner Piano Exercises - Sight Reading C Major Pentascale Book 2 (Digital PDF Download)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Beginner Piano Exercises - Sig
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1256749 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #850121. Publi...
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Easy Piano - Level 1 - SKU: A0.1256749 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #850121. Published by Ylan Chu (A0.1256749). This is a PDF containing 50 sight reading exercises for piano at a beginner level. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and based on the first five notes of the C major scale (C-D-E-F-G) which is also known as a pentascale. This second book focuses on movement by step and skip. Excerpts can begin on any finger. Audio for all of these exercises along with other ear training and sight reading material can be found at: www.youtube.com/classicalsqueak | More resources can be found at: https://ylanchu.com/resources | or | https://ko-fi.com/classicalsqueak | This PDF is for personal use only.Links to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213795/Product.aspx C major Pentascale -Â Book 1: https://www.sheetmusicplus.com/title/beginner-piano-exercises-sight-reading-c-major-pentascale-digital-pdf-download-digital-sheet-music/22365196 Sight Reading - Level 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213173/Product.aspx Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213175/Product.aspx Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$3.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Sight Reading Chord Progressions with Melodies Book 1 | Intermediate-Advanced Exercises 1-150
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Piano seul
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INTERMÉDIAIRE
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Ylan Chu
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Sight Reading Chord Progressio
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Ylan Chu
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1284524 Composed by Ylan Chu. Classical,Instructional. Score. 54 pages. Ylan Chu #875697. Published by Ylan Chu (A0.12845...
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Piano Solo - Level 3 - SKU: A0.1284524 Composed by Ylan Chu. Classical,Instructional. Score. 54 pages. Ylan Chu #875697. Published by Ylan Chu (A0.1284524). These exercises were originally used for ear training purposes (students would listen to the exercise twice and write and/or name the chord progression). They were also used as sight reading exercises (as regular playing through and as playing with naming the chords). Every example has the Roman numeral analysis written underneath each chord. This first book containing 150 exercises is the companion to videos 1-30 of the Chord Progressions with Melodies ear training series. This PDF is for personal use only.• Playlist for Book 1: https://youtube.com/playlist?list=PLBjX9Vsck-AC2R9d3SzxW8jNYp7Ib-72B&si=_329F0qnuXM9xBym• Playlist for Chord Progressions Ear Training: https://youtube.com/playlist?list=PLBjX9Vsck-AD1U3fAsRHhFEVBfNiZW6zO&si=02WWov4CcpFjbDWT• Playlist for Sight Reading: https://www.youtube.com/playlist?list=PLBjX9Vsck-ABLcGTqn6S4OEhcLSS5BNxCLinks to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicplus.com/title/beginner-piano-exercises-sight-reading-c-major-pentascale-digital-pdf-download-digital-sheet-music/22365196 Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$8.00
More Piano Sight-Reading 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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More Piano Sight-Reading 3
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - SKU: S9.Q41707 Additional Material for piano solo. This edition: Sheet music. Schott Sight-Reading Series. Dow...
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Piano - intermediate to advanced - SKU: S9.Q41707 Additional Material for piano solo. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 3. Schott Music - Digital #Q41707. Published by Schott Music - Digital (S9.Q41707). English • French • German.This collection presents over 100 carefully graded sight-reading pieces and exercises in a range of musical styles, for piano. Taking an approach based on self-learning, the book focuses on developing different key technical skills. Suitable for intermediate, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING & MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kember’s ‘Piano Sight-Reading Series’ jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Six Guitar Duets for the development of Sight Reading Intermediate Level
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Guitare
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FACILE
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Dennis Greensmith
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Dennis Greensmith
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Six Guitar Duets for the devel
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Green...
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Solo Guitar - Level 2 - SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Greensmith #4361477. Published by Dennis Greensmith (A0.954714). Six Spanish and Latin American duets written for finger style guitar for sight reading development at Intermediate level (Trinity College London Grade 3 to 5). I have arranged and written a number of popular Spanish and Latin American songs specifically to help the development of Sight Reading at Intermediate Level - this means you should be able to read and play finger style guitar from Early intermediate levee (Grade 3 Trinity College) or above. In the range Grade 3 to 5 the keys used in sight reading exams are C major/A minor, G Major /E minor (one sharp) and F Major/D Minor (one flat) and this book contains songs using these keys. This verison of the book contains no marking on the music at all except the key and time signature in order to develop sight reading and note recognition skills. Both parts of the duet are written at the same level so you can interchange which part you wish to play. This book will also be made available on the SMP with full supporting information for those players who wish to play the songs as normal notation reading.The audio tracks to listen to the songs can be found at https://www.greensmith.info/duet-and-ensemble-materials/six-duets-for-sight-reading/and further information about other fingers style duets I have written and arranged can be found at https://www.guitarfingers.co.uk
$16.00
Note by Note sight-reading sheet music for Middle C primer piano students
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Piano Facile
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DÉBUTANT
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Amanda Tero
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Note by Note sight-reading she
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Amanda Tero
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1113652 Composed by Amanda Tero. Children,Instructional. Score. 32 pages. Amanda Tero #715541. Published by Amanda Tero (...
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Easy Piano - Level 1 - SKU: A0.1113652 Composed by Amanda Tero. Children,Instructional. Score. 32 pages. Amanda Tero #715541. Published by Amanda Tero (A0.1113652). Note by Note sight-reading sheet music for Middle C primer piano students is a collection of thirty sight-reading pieces. Each piece is in the middle C position and has dynamics and finger numbers. There are no illustrations which provides the student distraction-free sight-reading practice. Each piece has simple timing, a few staccatos, minimal accidentals, and no key signatures. Musical elements for Note by Note primer sight-reading sheet music include: - Key of C - No key signature - Finger numbers - Time signatures 3/4 and 4/4 - Quarter notes, half notes, dotted half notes, whole notes - Quarter rests - 2 pieces with optional pedal - 5 pieces with staccatos - 7 pieces with flats - 6 pieces with sharps - 3 pieces with harmonic intervals Teaching tip for Note by Note primer sight-reading sheet music These pieces are intended to supplement primer lesson books for the students who need extra practice specifically with note reading. My students love these pieces as bonus pieces. They have nostalgic titles, but the student can certainly come up with their own title for the piece.
$14.99
Piano Sight-Reading 1
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Piano seul
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Piano Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Piano - very easy to intermediate - SKU: S9.Q19479 A fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Die Stücke in die...
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Piano - very easy to intermediate - SKU: S9.Q19479 A fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Die Stücke in dieser Ausgabe sind nicht nur gute Übungen, sondern geben auch eine frühe Einführung in die grundlegende Kunst des Vom-Blatt-Lesens. Downloadable. Op. 1. Schott Music - Digital #Q19479. Published by Schott Music - Digital (S9.Q19479). English • French • German.This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping the movement limited to steps, skips and repeated notes in a 5-note range. PIANO SIGHT-READING & MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kember’s ‘Piano Sight-Reading Series’ jumps to the top of my list of recommendations. - PIANODAO.COM.
$12.99
Bassoon Sight-Reading
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Basson
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Bassoon Sight-Reading
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Schott Music - Digital
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SheetMusicPlus
Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music ...
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Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music - Digital #Q20293. Published by Schott Music - Digital (S9.Q20293). English • French • German.Sight-reading is an important aspect of making music and should in some form become a regular part of a student’s routine each time they play their instrument. Regular sight-reading helps the pupil to gain greater confidence when approaching any new piece of music for the first time. Schott's Sight-Reading books aims to establish the habit early in every student’s learning process and the emphasis is on providing idiomatic tunes and structures for the specific instruments rather than sterile sight-reading exercises. Starting from very easy pieces with familiar shapes and rhythms, the range of notes, keys and rhythms gradually develops. In addition to this, each section of the books concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing. Accompaniment exercises can be found at the end of the piano books.
$15.99
More Piano Sight-Reading 1
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Piano seul
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DÉBUTANT
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Methodes
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More Piano Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Piano (2 and 4 hands) - very easy to easy - SKU: S9.Q19482 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-R...
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Piano (2 and 4 hands) - very easy to easy - SKU: S9.Q19482 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19482. Published by Schott Music - Digital (S9.Q19482). English â?¢ French â?¢ German.- Provides supplementary material to Piano Sight-Reading 1 - An approach based on independent learning and the recognition of rhythmic and melodic patterns - 175 exercises in a range of musical styles and keys - Each section concludes with duets to encourage players to develop musicianship and to have fun playing with your teacher, family or friends - Tunes are progressive with 'hands together' exercises in the final section - Preliminary towards grade 2 PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
My First Hands Together Piano Sight Reading
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Piano Facile
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DÉBUTANT
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Methodes
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Ellen Creighton
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My First Hands Together Piano
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Teaching With Ease
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1233709 Composed by Ellen Creighton. Instructional. Score. 40 pages. Teaching With Ease #829277. Published by Teaching Wi...
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Easy Piano - Level 1 - SKU: A0.1233709 Composed by Ellen Creighton. Instructional. Score. 40 pages. Teaching With Ease #829277. Published by Teaching With Ease (A0.1233709). Some students find the transition from Grade 1 sight reading, where only one hand is played at a time, to Grade 2 sight reading, where the hands often play together, to be a sudden change. This book is born out of individual pages that I startedwriting for one of my students to introduce her very gradually to sight reading with both hands together as none of the books I could find had enough easy examples. Now a complete digital book of 185 sight reading examples that increase in difficulty very gradually, it is perfect for the students who need more time to build their confidence and ability.All of the examples are in five finger positions, the hands never having to move within the piece. I have followed the ABRSM Grade 2 sight parameters for sharps and flats, time signatures and note range. The rhythms have been kept simple. This book is the ideal precursor to working on Grade 2 standard pieces.Features:- 185 sight reading examples. That’s more than enough to do three a week for an entire year!- Simple pieces with the emphasis on a very slow, gradual increase in difficulty- Examples with right hand and left hand melodies- 2/4, 3/4 and 4/4 time- Up to two sharps or two flats.
$15.12
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Violin Sight-Reading 1
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Violin Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Violin - very easy - SKU: S9.Q19484 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music -...
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Violin - very easy - SKU: S9.Q19484 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19484. Published by Schott Music - Digital (S9.Q19484). English • French • German.Violin Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section begins with several solo examples, beginning with open strings (pizzicato and arco) and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing.
$13.99
Daily Reading Level 5 - music reading comprehension for piano students
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Piano seul
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INTERMÉDIAIRE
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Christine Donkin
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Daily Reading Level 5 - music
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Chrisitne Donkin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1407341 Composed by Christine Donkin. Instructional. Score. 195 pages. Chrisitne Donkin #990017. Published by Chrisitne D...
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Piano Solo - Level 3 - SKU: A0.1407341 Composed by Christine Donkin. Instructional. Score. 195 pages. Chrisitne Donkin #990017. Published by Chrisitne Donkin (A0.1407341). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 5:Key signatures: up to 4 sharps/flatsTime signatures: anyPitches: anyNote/rest values: 16th to whole, tripletsChords: anySymbols: articulation, dynamics, ottava signs, root/quality chord symbolsTerms: adagio, allegretto, allegro, andante, andantino, cantabile, dolce, grazioso, larghetto, largo, lento, maestoso, marcato, moderato, prestissimo, presto.
$22.99
Daily Reading Level 3 - music reading comprehension for piano students
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Piano seul
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FACILE
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Christine Donkin
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Daily Reading Level 3 - music
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Chrisitne Donkin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne D...
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Piano Solo - Level 2 - SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne Donkin (A0.1173900). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 3:Key signatures: up to 3 sharps/flats Time signatures: 2/4, 3/4, 4/4, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to 5th Symbols: articulations, dynamics, ottava indicationsTerms: allegretto, allegro, andante, andantino, largo, lento, moderato.
$22.99
Daily Reading Level 4 - music reading comprehension for piano students
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Piano seul
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FACILE
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Methodes
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Christine Donkin
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Daily Reading Level 4 - music
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Chrisitne Donkin
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne D...
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Piano Solo - Level 2 - SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne Donkin (A0.1173902). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experienceSuggested Pre-Requisite Knowledge for Level 4:Key signatures: up to 3 sharps/flatsTime signatures: 2/4, 3/4, 4/4, 2/2, 3/2, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to octave; triads with inversionsSymbols: articulations, dynamics, ottava indicationsTerms: adagio, allegretto, allegro, andante, andantino, larghetto, largo, lento, moderato, presto.
$22.99
The Ballad of Reading Gaol, an Accompanied Reading
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Burnell
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The Ballad of Reading Gaol, an
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Paul Burnell
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Pau...
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Percussion Ensemble - Level 3 - SKU: A0.835743 Composed by Paul Burnell. Contemporary. Score and parts. 23 pages. Paul Burnell #511043. Published by Paul Burnell (A0.835743). Composed 2010, revised 2014. One of a series of fourteen accompaniments to texts published between 1886-1899. Text: ‘The Ballad of Reading Gaol’, Oscar Wilde (1854-1900). For narrator (amplified if necessary), flutes (and/or tenor/bass recorders), clarinets, muted strings, percussion. Programme note: ‘The Ballad of Reading Gaol’ was written by Oscar Wilde in France on release from Reading Gaol in 1897 after being sentenced to two years hard labour. During his imprisonment Charles Thomas Wooldridge, who had been convicted of murdering his wife, was hanged. The poem was published in 1898 under the name C.3.3., which stood for cell block C, landing 3, cell 3. The text is a mixture of the first and second versions of Wilde’s poem.
$1.99
Play - Sing (Multi-dimensional Music Reading Studies)
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Piano, Voix
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FACILE
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by O...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00
Trumpet Sight-Reading
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Trompette
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Trumpet Sight-Reading
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Schott Music - Digital
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SheetMusicPlus
Trumpet - easy to advanced - SKU: S9.Q19500 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott...
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Trumpet - easy to advanced - SKU: S9.Q19500 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19500. Published by Schott Music - Digital (S9.Q19500). English • French • German.This collection of original tunes presents 180 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as trumpet duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember.
$13.99
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