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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Real -Horn in F
Sheetmusicplus
Non classifié
121
Piano & claviers
Piano seul
53
Piano, Voix
44
Piano Facile
8
Orgue
4
Instruments en Do
4
Accompagnement Piano
3
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
8
2 Guitares (duo)
2
Guitare (partie séparée)
2
Mandoline
1
Basse electrique
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Voix haute
25
Chorale SATB
13
Chorale 3 parties
11
Voix Soprano, Piano
10
Voix moyenne, Piano
8
Voix Alto, Piano
7
Chorale SSAA
5
Voix duo
2
Voix seule
2
Chorale 2 parties
2
Chorale TTBB
2
Voix Tenor
1
Voix basse, Piano
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
8
Clarinette et Piano
7
Saxophone (partie séparée)
6
3 Clarinettes (trio)
5
2 Saxophones (duo)
4
Flûte traversière
3
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
3
Saxophone Tenor et Piano
3
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette
2
2 Flûtes traversières (duo)
2
Flûte et Guitare
2
Hautbois (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
1
Flûte, Violon, Piano
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Flûte, Clarinette (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
3 Saxophones (trio)
1
2 Saxophones, Piano
1
Ensemble de saxophones
1
Flûte à bec Soprano
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
+ 29 instrumentations
Retracter
Cuivres
Trompette, Piano
6
Trombone (partie séparée)
5
Trombone et Piano
5
Ensemble de Trombones
4
3 Trombones (trio)
4
Euphonium, Piano (duo)
4
Trompette (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Tuba et Piano
2
Trombone
2
Trompette
2
3 Tubas (trio)
1
Trompette, Saxophone (duo)
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Tuba
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
+ 13 instrumentations
Retracter
Cordes
Harpe
16
Violon et Piano
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violoncelle
5
Violon (partie séparée)
4
Violoncelle, Piano
4
Alto (partie séparée)
3
Alto, Piano
3
Violon
3
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto seul
2
2 Violons (duo)
1
Alto et Basson
1
2 Violoncelles (duo)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
36
Jazz combo
7
Orchestre à Cordes
6
Ensemble Jazz
6
Orchestre
6
Cloches
4
Orchestre de chambre
4
Orchestre d'harmonie
4
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Vous avez sélectionné:
Real -Horn in F
SheetMusicPlus
Partitions à imprimer
641 partitions trouvées
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Verdi-È sogno?O realtà...,in F Major,from Falstaff,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Verdi Giuseppe
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Open Cloud
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Verdi-È sogno?O realt&a
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675391 Composed by Verdi Giuseppe. Arranged by Open Cloud. Classical,Romantic Period. Score. 14 pages. Open Cloud ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675391 Composed by Verdi Giuseppe. Arranged by Open Cloud. Classical,Romantic Period. Score. 14 pages. Open Cloud #6661817. Published by Open Cloud (A0.675391). This product is a digital sheet music in PDF format. The music was composed by Verdi (Verdi Giuseppe), 1813-1901,for Voice and Piano, published by More Sheet Music Press.
$11.99
Piano Sonata in F Minor - II. Minuet and Trio
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Piano seul
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INTERMÉDIAIRE
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Classique
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Gabriel Lagos
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Gabriel Lagos
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Piano Sonata in F Minor - II.
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1244847 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Chamber,Classical,Romantic Period. Sc...
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Piano Solo - Level 3 - SKU: A0.1244847 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Chamber,Classical,Romantic Period. Score. 2 pages. Lagos Music #839768. Published by Lagos Music (A0.1244847). I wrote this one over the last week, but the amount of hours that it took was quite ridiculous. I wasn't expecting this one to take as much work as it did, but I'm happy with it. The second movement of my first sonata is complete! I'll admit the trio section is a bit more of a scherzo - I was looking at Beethoven's Sonatas and realized he commonly wrote scherzos after his minuets (or similar compositions). I probably should have titled it that way but, oh well. I'm self-titling this as The Empress Minuet because it reminds me of a gig I did where I played for a huge ball at The Fairmont at The Empress in Victoria, BC. This ball was Jane Austen themed, so everyone was dressed in costumes and danced to Minuets and more - all played by a live String Quartet. I was hired to play piano during the breaks and dinner, so I had to play music from the classical period and it was so much fun :) especially since most of my favorite music of all time was composed in that era of history! This took me longer to write than expected, but that's ok. I really wanted to get the feel right. Sounds I'm trying to get: royalty/nobility, and a balance between strength, beauty, and dignity, like our late Queen Elizabeth. I hope you like it. Thank you, Gabe.
$4.99
Bach - Oboe Concerto in F major BWV1053 for Oboe, Strings and Continuo - Score and Parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Oboe Concerto in F majo
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Santino Cara
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.516833 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 75 pages. Santino Car...
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String Orchestra - Level 4 - SKU: A0.516833 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 75 pages. Santino Cara #2885013. Published by Santino Cara (A0.516833). Oboe Concerto in F major BWV 1053 for Oboe, Strings and Continuo (realized for harpsichord) by Johann Sebastian Bach, reconstructed in Rome in 2016 by Santino Cara. With the complete score of the concerto, it is also inserted the separate parts for oboe, string instruments (first violins, second violins, violas, violoncellos) and continuo realized for harpsichord. Movements: 1. Allegro, 2. Siciliano, 3. Allegro. This concerto, is also available, in the version for oboe and Piano on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492
$18.99
In the Bleak Midwinter
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Matthew M Tang
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Matthew M Tang
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In the Bleak Midwinter
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Matthew M Tang
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1088976 By Matthew M Tang. By Words: Christina Rossetti Melody: Gustav Holst, Harold Darke. Arranged by M...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1088976 By Matthew M Tang. By Words: Christina Rossetti Melody: Gustav Holst, Harold Darke. Arranged by Matthew M Tang. A Cappella,Christmas,Classical,Holiday. Octavo. 13 pages. Matthew M Tang #693187. Published by Matthew M Tang (A0.1088976). This beautiful arrangement combines two of the most common and well known melodies of “In the Bleak Midwinter,’ a poem written by Christina Rossetti into the same song. The first by Gustav Holst and the second by Harold Darke. This arrangement will take the audience through a journey of key signatures beginning in F Major, continuing through Bb, G, E and finally ending in Ab Major. Each key signature helps to convey the meaning of that particular verse. This is geared more towards a smaller choir, preferably a choir of 16 singers and it is also meant for one on a part situations. The harmonies in this arrangement are simple, yet powerful and reverent. I hope this arrangement helps remind us of the real reason why we celebrate Christmas. Gifts and Santa Claus are fun traditions but the real reason why we celebrate Christmas is because it is the birth of our Savior, Jesus Christ. I hope you guys enjoy it!!!
$1.99
In the Locked Room
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Huw Watkins
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In the Locked Room
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Schott Music - Digital
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SheetMusicPlus
1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkin...
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1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkins. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q23800. Published by Schott Music - Digital (S9.Q23800). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.
$40.99
In the Locked Room
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Huw Watkins
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In the Locked Room
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Schott Music - Digital
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SheetMusicPlus
1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkin...
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1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23450. Published by Schott Music - Digital (S9.Q23450). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.
$53.99
Gruber - Silent Night in F Major for Low Voice & Piano - Easy
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Piano, Voix
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DÉBUTANT
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Noël
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Franz Xaver Gruber, Lyric by J
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Piacere Music Sheets
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Gruber - Silent Night in F Maj
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1151968 Composed by Franz Xaver Gruber, Lyric by Joseph Mohr, Bishop John Freeman Young. Arranged by Piacere Music...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1151968 Composed by Franz Xaver Gruber, Lyric by Joseph Mohr, Bishop John Freeman Young. Arranged by Piacere Music Sheets. Chamber,Christmas,Instructional,Romantic Period,Standards. Score. 6 pages. Piacere Music Sheets #752175. Published by Piacere Music Sheets (A0.1151968). Key/Tone:Â F Major Movements/Sections:Â Largo Year/Date of Composition:Â 1818 Difficulty:Â Grade 3/12 (Easy) Vocal Range: F3 to Bb4 (C4 = middle C) Obs.:Â This beautiful Christmas carol is one of the best-loved carols in the world. The author of the original lyrics (in German) was Joseph Mohr (1792-1848), a Catholic priest. The composer of the music, Franz Xaver Gruber (1787-1863), was an Austrian primary school teacher, church organist and composer of the 19th century. Mohr and Gruber first performed Silent Night on December 24, 1818, at Christmas Mass in St. Nicholas Church in Austria, with guitar accompaniment, and with the St. Nicholas choir repeating the last two lines of each verse. This score is an arrangement for Low Voice and Piano, set in the key of F Major. This score includes the complete lyrics in English (3 verses). The English translation was realized by Bishop John Freeman Young (1820-1885). Included:Â Full score and separated parts for each instrument.
$4.95
Angels from the realms of glory in F Flute Easy Christmas carol
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Flûte traversière
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DÉBUTANT
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Noël
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Christmas Carol
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Milanov
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Angels from the realms of glor
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Milanov
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.1128787 Composed by Christmas Carol. Arranged by Milanov. Children,Christmas,Film/TV,Holiday,Traditional. Individual part...
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Flute Solo - Level 1 - SKU: A0.1128787 Composed by Christmas Carol. Arranged by Milanov. Children,Christmas,Film/TV,Holiday,Traditional. Individual part. 1 pages. Milanov #729314. Published by Milanov (A0.1128787). Angels from the realms of glory in F Flute Easy Christmas carol. Falicitation of the rhythm of the melody for flute.
$2.99
Faure Pavane in F Sharp Minor Op.50 Arranged for Solo Piano
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Piano seul
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Dirk Chan
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Dirk Chan
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Faure Pavane in F Sharp Minor
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Dirk Chan Music Pty Ltd
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SheetMusicPlus
Piano Solo - SKU: A0.1337366 By Dirk Chan. By Gabriel Faure. Arranged by Dirk Chan. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score. 5 p...
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Piano Solo - SKU: A0.1337366 By Dirk Chan. By Gabriel Faure. Arranged by Dirk Chan. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score. 5 pages. Dirk Chan Music Pty Ltd #923181. Published by Dirk Chan Music Pty Ltd (A0.1337366). Faure Pavane in F Sharp Minor Op.50 Arranged for Solo Piano is my arrangement of this beautiful work by Gabriel Fauré with that wonderful melody that is haunting, ethereal and memorable. The Pavane was first performed in 1888 in its orchestral version, with a version with choir appearing a few days later. The dotted notes give the famous melody a lovely sense of movement and lilt and the harmonies are romantic and nostalgic, and has made this piece so popular and well loved, and has inspired Pavanes by other composers including Debussy and Ravel. Faure's harmonies move from familiar places with a development section that eventually emerges in A major which feels like alien territory. Nevertheless the harmonies are beautiful, comforting and nostalgic. There are a few deceptive cadences including the B dominant 7th chord near the conclusion before a return to the tonic in F Sharp Minor. This piece is wonderful to play and listen to. Enjoy!
$11.99
Piano Sonata in F Minor - III. Funeral March
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Lagos
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Gabriel Lagos
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Piano Sonata in F Minor - III.
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Lagos Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Scor...
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Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99
Opus #59 In F Major
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Classique
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Joseph Pugh
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Opus #59 In F Major
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Joseph Pugh
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1389173 Composed by Joseph Pugh. Classical,Contemporary. Score. 1 pages. Joseph Pugh #972704. Published by Joseph Pugh (A...
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Piano Solo - Level 3 - SKU: A0.1389173 Composed by Joseph Pugh. Classical,Contemporary. Score. 1 pages. Joseph Pugh #972704. Published by Joseph Pugh (A0.1389173). This is a beautiful piece, by Joseph from his Opus Series, centered on honing volume comtrol and expression of the beginer and intermediate player . Set in a light , contemporary style and great for recitals, concerts, and is a real crowd pleaser.Download it today and broaden you and your students musical horizens.
$9.99
Sonata in F for Flute (or violin,oboe,recorder) and Keyboard by Geoge Frideric Handel
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Classique
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George Frideric Handel
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Dr
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Sonata in F for Flute
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Dr. Gregory Hamilton
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SheetMusicPlus
Small Ensemble Flute,Oboe,Piano,Recorder,Violin - SKU: A0.771786 Composed by George Frideric Handel. Arranged by Dr. Gregory Hamilton. Baroque. Score an...
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Small Ensemble Flute,Oboe,Piano,Recorder,Violin - SKU: A0.771786 Composed by George Frideric Handel. Arranged by Dr. Gregory Hamilton. Baroque. Score and parts. 10 pages. Dr. Gregory Hamilton #2894487. Published by Dr. Gregory Hamilton (A0.771786). Sonata in F for Flute and Keyboard by George Frideric Handel.This edition is realized for intermediate pianists.The work can be performed by any C instrument - flute, recorder, violin, oboe.www.gregoryhamilton.org
$15.00
Twinkle, Twinkle, Little Star - in F for flexible ensemble
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Traditional
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David Woodcock
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Twinkle, Twinkle, Little Star
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394009 Composed by Tradition...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394009 Composed by Traditional. Arranged by David Woodcock. Folk,Instructional,Traditional. 39 pages. David Woodcock #977462. Published by David Woodcock (A0.1394009). This is an arrangement of the famous melody, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00
Russian Dance from the Nutcracker - in F for flexible ensemble
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Classique
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Peter Ilyich Tchaikovsky
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David Woodcock
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Russian Dance from the Nutcrac
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394044 Composed by Peter Ily...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394044 Composed by Peter Ilyich Tchaikovsky. Arranged by David Woodcock. 19th Century,Classical,Instructional. 71 pages. David Woodcock #977500. Published by David Woodcock (A0.1394044). This is an arrangement of the famous work from the Nutcracker ballet by Tchaikovsky, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Long Long Ago - in F for flexible ensemble
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Thomas Haynes Bayly
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David Woodcock
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Long Long Ago - in F for flexi
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394027 Composed by Thomas Ha...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394027 Composed by Thomas Haynes Bayly. Arranged by David Woodcock. 19th Century,Instructional. 40 pages. David Woodcock #977483. Published by David Woodcock (A0.1394027). This is an arrangement of the famous melody, scored for flexible ensemble in F. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00
Mary Had a Little Lamb - in F - flexible ensemble
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Traditional
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David Woodcock
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Mary Had a Little Lamb - in F
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394024 Composed by Tradition...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394024 Composed by Traditional. Arranged by David Woodcock. Folk,Instructional,Traditional. 35 pages. David Woodcock #977480. Published by David Woodcock (A0.1394024). This is an arrangement of the famous melody, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00
Austrian Folk Song - in F for flexible ensemble
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Anon
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David Woodcock
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Austrian Folk Song - in F for
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 2 - SKU: A0.1394003 Composed by Anon. Arr...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 2 - SKU: A0.1394003 Composed by Anon. Arranged by David Woodcock. 19th Century,Instructional. 35 pages. David Woodcock #977456. Published by David Woodcock (A0.1394003). This is an arrangement of the famous American civil war melody, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$15.00
Jingle Bells - in F for flexible ensemble
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James Lord Pierpont
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David Woodcock
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Jingle Bells - in F for flexib
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394031 Composed by James Lor...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 1 - SKU: A0.1394031 Composed by James Lord Pierpont. Arranged by David Woodcock. 19th Century,Christmas,Instructional. 39 pages. David Woodcock #977487. Published by David Woodcock (A0.1394031). This is an arrangement of the famous melody, scored for flexible ensemble in F. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$10.00
J.S. Bach - Menuet in F Major (BWV 113) - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Menuet in F Major
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1103833 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 pa...
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Piano Solo - Level 3 - SKU: A0.1103833 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #707111. Published by Piacere Music Sheets (A0.1103833). Opus/Catalog Number: BWV Anhang 113Key/Tone: F MajorYear/Date of Composition: Included in the 1725 volume of Notebooks for Anna Magdalena Bach (No. 3)Difficulty: Grade 4/12 (Intermediate)Obs.: This score is an Urtext based on the original manuscripts available.This minuet has a simple A-A-B-B musical form, and this arrangement contains suggestions for realizing the ornaments in accordance with the performance practice of the Baroque period.
$2.95
Trio Sonata in F (no.1, op. 1) - Arcangelo Corelli
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Arcangelo Corelli
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Nicholas Palmer, ASCAP
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Trio Sonata in F
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Nicholas D Palmer
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Violin - Level 3 - SKU: A0.782813 Composed by Arcangelo Corelli. Arranged by Nicholas Palmer, ASCAP. Baroque,Standards,...
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Small Ensemble Harpsichord,Organ,Violin - Level 3 - SKU: A0.782813 Composed by Arcangelo Corelli. Arranged by Nicholas Palmer, ASCAP. Baroque,Standards,Wedding. Score and parts. 19 pages. Nicholas D Palmer #5790665. Published by Nicholas D Palmer (A0.782813). This is the first of 12 trio sonatas for two violins, cello, and continuo. The continuo part has been realized for ease of performance, and includes the complete v2 and cello parts, ad lib, for use with violin alone. The cello part includes continuo, where there are gaps in the part, for string trio performance without keyboard.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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