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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
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Red Front Door Music
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Vous avez sélectionné:
Red Front Door Music
SheetMusicPlus
Partitions à imprimer
22 partitions trouvées
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Two Quarantine Variations (on a theme by Leo Schwartz) - x+y
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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Two Quarantine Variations
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1185724 Composed by Andrew M. Edwards. Broadway,Chamber,Contemporary,Film/TV,Instructional,Musical/Show. Score. 5 pages. ...
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Piano Solo - Level 3 - SKU: A0.1185724 Composed by Andrew M. Edwards. Broadway,Chamber,Contemporary,Film/TV,Instructional,Musical/Show. Score. 5 pages. Red Front Door Music #785386. Published by Red Front Door Music (A0.1185724). From a theme by Leo Schwartz. Oblique, whimsical, challenging. andrewmedwards.com
$2.50
The Echo Praxis - II. Dyadra
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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The Echo Praxis - II. Dyadra
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1184779 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Do...
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Piano Solo - Level 3 - SKU: A0.1184779 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Door Music #784452. Published by Red Front Door Music (A0.1184779). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Dyadra explores Major and Minor Seconds.andrewmedwards.com.
$1.99
The Echo Praxis - VII. Heptadra
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Andrew M
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The Echo Praxis - VII. Heptadr
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1218165 Composed by Andrew M. Edwards. 20th Century,Chamber,Contemporary,Film/TV,New Age. Score. 7 pages. Red Front Door ...
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Piano Solo - Level 3 - SKU: A0.1218165 Composed by Andrew M. Edwards. 20th Century,Chamber,Contemporary,Film/TV,New Age. Score. 7 pages. Red Front Door Music #814660. Published by Red Front Door Music (A0.1218165). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Heptadra explores Major and Minor Sevenths.andrewmedwards.com.
$1.99
subatomic particles
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2 Hautbois (duo)
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INTERMÉDIAIRE
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Andrew M
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subatomic particles
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Red Front Door Music
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.1184869 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Pop. Score. 15 pages. Red Front Door Mu...
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Oboe Duet Oboe - Level 3 - SKU: A0.1184869 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Pop. Score. 15 pages. Red Front Door Music #784548. Published by Red Front Door Music (A0.1184869). These short, dynamic pieces explore reflections. Each player takes turns creating a ping or event, with the other player reflecting or echoing those events, subsequently. Similar to the effect of a delay or echo guitar pedal. Players should stand 6-10 feet apart, facing each other.  andrewmedwards.com
$5.99
Dances with the Devil - I. A Bureaucracy of Furies
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Violon et Piano
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INTERMÉDIAIRE
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Andrew M
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Dances with the Devil - I. A B
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Red Front Door Music
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SheetMusicPlus
Bassoon,Piano,Violin - Level 3 - SKU: A0.1184831 Composed by Andrew M. Edwards. 20th Century,Chamber,Classical,Contemporary,Film/TV. 35 pages. Red Front...
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Bassoon,Piano,Violin - Level 3 - SKU: A0.1184831 Composed by Andrew M. Edwards. 20th Century,Chamber,Classical,Contemporary,Film/TV. 35 pages. Red Front Door Music #784502. Published by Red Front Door Music (A0.1184831). Intense and exciting chamber piece for intermediate players. Chamber Trio: Violin, Bassoon, and Piano. andrewmedwards.com
$9.99
The Echo Praxis - V. Pentala
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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The Echo Praxis - V. Pentala
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1184813 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 10 pages. Red Front D...
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Piano Solo - Level 3 - SKU: A0.1184813 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 10 pages. Red Front Door Music #784488. Published by Red Front Door Music (A0.1184813). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Pentala explores Perfect, Diminished, and Augmented Fifths.andrewmedwards.com.
$1.99
The Echo Praxis - III. Trianda
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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The Echo Praxis - III. Trianda
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1184792 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 6 pages. Red Front Do...
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Piano Solo - Level 3 - SKU: A0.1184792 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 6 pages. Red Front Door Music #784467. Published by Red Front Door Music (A0.1184792). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Trianda explores Major and Minor Thirds.andrewmedwards.com.
$1.99
The Echo Praxis - I. Lineara
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Piano seul
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FACILE
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Andrew M
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The Echo Praxis - I. Lineara
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1184733 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Do...
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Piano Solo - Level 2 - SKU: A0.1184733 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Door Music #784417. Published by Red Front Door Music (A0.1184733). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Lineara explores Perfect and Augmented Unisons.andrewmedwards.com
$1.99
The Echo Praxis - IV. Quadrila
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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The Echo Praxis - IV. Quadrila
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1184803 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 6 pages. Red Front Do...
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Piano Solo - Level 3 - SKU: A0.1184803 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 6 pages. Red Front Door Music #784479. Published by Red Front Door Music (A0.1184803). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Quadrila explores Perfect and Augmented Fourths. andrewmedwards.com
$1.99
The Echo Praxis - VI. Hexaga
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Piano seul
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INTERMÉDIAIRE
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Andrew M
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The Echo Praxis - VI. Hexaga
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Red Front Door Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1184821 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Do...
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Piano Solo - Level 3 - SKU: A0.1184821 Composed by Andrew M. Edwards. Chamber,Classical,Contemporary,Film/TV,Instructional. Score. 5 pages. Red Front Door Music #784496. Published by Red Front Door Music (A0.1184821). The Echo Praxis is a series of 12 etudes for solo piano. Each etude focuses on a discrete intervallic relationship. Hexaga explores Major and Minor Sixths. andrewmedwards.com.
$1.99
We Want A King (Elders) from "The Kings" - ACT 1:Song 3
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Piano, Voix
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INTERMÉDIAIRE
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McCorkle, Dennis F
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We Want A King
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.784816 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 30 pages. DF McCorkle M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.784816 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 30 pages. DF McCorkle Music and eBook Publications #11639. Published by DF McCorkle Music and eBook Publications (A0.784816). ACT ONE: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:4-5 - 4 Then all the elders of Israel gathered themselves together, and came to Samuel unto Ramah, 5 And said unto him, ‘Behold, you are old, and your sons do not walk not in your ways: now make us a king to govern us like all the nations.’] The ELDERS, with their own agenda at heart, use the political climate and fears of the people to force a change in the governmental system. Gathering at SAMUEL’S front door, the ELDERS confront SAMUEL about his sons and demand that a king be appointed over them like all the other nations. [We Want a King – Elders and Samuel]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Flute Trio - Fairy Tales
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Trio de Flûtes: 3 flûtes
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AVANCÉ
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Servi...
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
Returning Home
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Jeff Bjorck
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Jeff Bjorck
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Returning Home
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1272492 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 21st Century,Contemporary,New Age. Score. 6 pages. Pure ...
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Piano Solo - Level 3 - SKU: A0.1272492 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. 21st Century,Contemporary,New Age. Score. 6 pages. Pure Piano Music by Jeff Bjorck #864717. Published by Pure Piano Music by Jeff Bjorck (A0.1272492). This original solo piano composition by Jeff Bjorck appears on his album/CD, Keepsakes in the Attic. The nostalgic strains of this melody were inspired by the feelings experienced when travelling back to one's hometown and to the house where one grew up and where one's parents, now old, still live. As one draws nearer, the familiar sights and sounds can actually make one more homesick the closer one gets, a sickness instantly cured by walking through the front door and reuniting with family.
$5.50
May Day: A Basket Of Flowers For You A Children's Song
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Piano Facile
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DÉBUTANT
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Enfant
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Darcy Hill
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May Day: A Basket Of Flowers F
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Darcy Hill
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.960872 Composed by Darcy Hill. Children. Score. 4 pages. Darcy Hill #1791837. Published by Darcy Hill (A0.960872)....
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Piano,Vocal,Voice - Level 1 - SKU: A0.960872 Composed by Darcy Hill. Children. Score. 4 pages. Darcy Hill #1791837. Published by Darcy Hill (A0.960872). Everyone loves the delightful surprise of a May basket on the front door. This lovely tradition bespeaks the exciting, delightful nature of Spring itself, a joyful season of new life awakening from a long season of slumber. Spring is a season of heart-tickling surprises as each new day finds fresh brightly colored flowers erupting from the earth and the sounds of new life singing all around. This sweet song lilts happily along, complete with the shhh necessary for the sneaky, tiptoe delivery of the precious May basket of flowers. This song is well suited for students in grades 1-3. One Arts Infusion Collaborative seeks to create original music that supports and enhances curricular content, celebrates holidays, and captures traditions with gentle songs.
$2.00
Celtic Sun
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Piano seul
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FACILE
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LeAnn Halvorson
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Celtic Sun
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Music Perceptions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1198459 By LeAnn Halvorson. By LeAnn Halvorson. Celtic,Children,Comedy,Folk,Irish,Multicultural,World. Score. 4 pages. Mu...
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Piano Solo - Level 2 - SKU: A0.1198459 By LeAnn Halvorson. By LeAnn Halvorson. Celtic,Children,Comedy,Folk,Irish,Multicultural,World. Score. 4 pages. Music Perceptions #797601. Published by Music Perceptions (A0.1198459). Celtic Sun is inspired by my neighbor, Kim, she knows I'm incredibly busy and sneaks over and decorates the flower pot by my front door. This early intermediate level piano piece is an Irish tune in 6/8 and celebrates the sun bringing us warmth in springtime and St. Patrick's Day.
$2.99
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
HARD TIMES
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Chorale Unison
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen Foster
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Clay Boland Jr
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HARD TIMES
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.913679 Composed by Stephen Foster. Arranged by Clay Boland Jr. Folk,Traditional. Octavo. 4 pages. BOLAND MUSIC...
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Choral Choir (Unison) - Level 3 - SKU: A0.913679 Composed by Stephen Foster. Arranged by Clay Boland Jr. Folk,Traditional. Octavo. 4 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #5791669. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913679). UNFORTUNATELY, THERE HAVE BEEN MANY HARD TIMES IN THE HISTORY OF AMERICA. THE HARD TIMES REFERRED TO IN THIS SONG WERE IN 1855 BUT, EXCEPT FOR THE REFERENCE TO CABIN DOOR (WHICH CAN BE REPLACED WITH OLD FRONT OR ‘PARTMENT) ARE DEFINITELY APPROPRIATE IN 2020.
$4.56
Gator Come Later piano solo for beginner, includes two versions
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Piano seul
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DÉBUTANT
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Joy Gilmore, Hsin Hui Gilmore
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Gator Come Later piano solo fo
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.906721 Composed by Joy Gilmore, Hsin Hui Gilmore. Contemporary,Instructional,Jazz. Score. 6 pages. Joyful Sound Music #21...
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Piano Solo - Level 1 - SKU: A0.906721 Composed by Joy Gilmore, Hsin Hui Gilmore. Contemporary,Instructional,Jazz. Score. 6 pages. Joyful Sound Music #21749. Published by Joyful Sound Music (A0.906721). One day, Mrs. Fagan was teaching piano at her home studio. And the door bell rings while she was teaching. A sheriff was there to tell her to be aware of a walking alligator. This alligator came to Mrs. Fagan's front porch. But sadly, the alligator got captured and back to his pond later.
$2.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
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