Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Remains of the Day
Non classifié
83
Piano & claviers
Piano seul
45
Piano, Voix et Guitare
13
Piano Facile
11
Instruments en Do
10
Piano, Voix
9
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Orgue
1
Accompagnement Piano
1
1 Piano, 6 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Basse electrique
2
Ukulele
1
2 Guitares (duo)
1
Voix
Chorale SATB
19
Chorale 3 parties
16
Chorale 2 parties
8
Chorale TTBB
7
Chorale SSAA
4
Chorale Unison
3
Voix duo
2
Voix Tenor
1
Voix Baryton, Piano
1
+ 4 instrumentations
Retracter
Vents
2 Saxophones (duo)
31
2 Clarinettes (duo)
20
2 Flûtes traversières (duo)
20
Saxophone, Clarinette (duo)
12
Flûte traversière et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Violon (duo)
9
Hautbois, Piano (duo)
8
Clarinette, Trompette (duo)
8
2 Hautbois (duo)
7
Saxophone Alto et Piano
7
Flûte, Clarinette (duo)
7
Clarinette et Piano
6
Flûte, Alto (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Hautbois, Flûte
4
Flûte, Trompette (duo)
4
Clarinette et Alto
4
Quatuor de Saxophones: 4 saxophones
4
Ensemble de Flûtes
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
3
Clarinette
3
Flûte traversière
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon
3
Saxophone Baryton, Piano
2
Flûte, Saxophone (duo)
2
Hautbois
2
Cor anglais, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Alto
2
Clarinette Basse, Piano
1
Flûte, Hautbois (duo)
1
2 Flûte à bec (duo)
1
Ensemble De Flûte à bec
1
3 Clarinettes (trio)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Flûtes à bec
1
Hautbois, violon (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
+ 42 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
2 Trombones (duo)
6
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Trombone et Piano
4
Cor et Piano
3
Trompette
3
Trompette, Piano
3
Trombone
2
Cor anglais, Piano
2
Cor
2
2 Euphoniums (duo)
1
Tuba et Piano
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Tuba
1
Ensemble de Trombones
1
2 Cors (duo)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Alto, Piano
19
Violon et Piano
17
Violon, Violoncelle (duo)
12
2 Violons (duo)
11
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Violoncelle, Piano
9
2 Altos (duo)
7
Violon
5
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
2
Alto, Violoncelle (duo)
2
Harpe
2
Violoncelle, Orchestre
1
4 Violoncelles
1
2 Contrebasses (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
119
Fanfare
26
Ensemble de cuivres
9
Orchestre à Cordes
8
Orchestre
6
Ensemble Jazz
5
Cloches
2
Jazz combo
1
Orchestre de chambre
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Remains of the Day
Partitions à imprimer
889 partitions trouvées
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876
After the harvest brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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ArboretumSunday
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ArboretumSunday
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After the harvest brass Quinte
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Mr Scribe
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.934953 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Hol...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.934953 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Holiday,Wedding. Score and parts. 10 pages. Mr Scribe #4792287. Published by Mr Scribe (A0.934953). Picture sunshine and a meandering path, walking with friends after a hard days work to sit a while and share the remains of the day.
$9.95
After the Harvest for Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
ArboretumSunday
#
ArboretumSunday
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After the Harvest for Strings
#
Mr Scribe
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.934942 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Holid...
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String Quartet String Quartet - Level 2 - SKU: A0.934942 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Holiday,Wedding. Score and parts. 10 pages. Mr Scribe #4592503. Published by Mr Scribe (A0.934942). Picture sunshine and a meandering path walking with friends after a hard days work to sit a while and share the remains of the day.
$9.95
After the harvest Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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FACILE
#
ArboretumSunday
#
ArboretumSunday
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After the harvest Clarinet Qui
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Mr Scribe
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - SKU: A0.934950 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Ho...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - SKU: A0.934950 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Holiday,Wedding. 11 pages. Mr Scribe #4792179. Published by Mr Scribe (A0.934950). Picture sunshine and a meandering path, walking with friends after a hard days work to sit a while and share the remains of the day.
$9.95
After the Harvest Basson Quintet
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ArboretumSunday
#
ArboretumSunday
#
After the Harvest Basson Quint
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Mr Scribe
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Oboe - Level 2 - SKU: A0.934952 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporar...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Oboe - Level 2 - SKU: A0.934952 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Holiday,Wedding. 11 pages. Mr Scribe #4792191. Published by Mr Scribe (A0.934952). Picture sunshine and a meandering path, walking with friends after a hard days work to sit a while and share the remains of the day.
$9.95
After the Harvest Sax Quintet
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Quintette de Saxophone: 5 saxophones
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FACILE
#
ArboretumSunday
#
ArboretumSunday
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After the Harvest Sax Quintet
#
Mr Scribe
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.934940 Composed by ArboretumS...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.934940 Composed by ArboretumSunday. Arranged by ArboretumSunday. Concert,Contemporary,Graduation,Holiday,Wedding. 15 pages. Mr Scribe #4592535. Published by Mr Scribe (A0.934940). Picture late evening sunshine and a meandering path, walking with friends to sit a while and share the remains of the day
$9.95
Mrs Stewart of Garth
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Guitare notes et tablatures
#
FACILE
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Traditional
#
Calum Wood
#
Mrs Stewart of Garth
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Calum Wood
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1050124 Composed by Traditional. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 1 pages. Calum Wood #6544...
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Guitar - Level 2 - SKU: A0.1050124 Composed by Traditional. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 1 pages. Calum Wood #654499. Published by Calum Wood (A0.1050124). Attention all guitar players and Scottish music enthusiasts! Are you looking for a unique and authentic Scottish tune to add to your repertoire? Look no further than Miss Stewart of Garth - a beautiful and haunting melody that captures the essence of traditional Scottish music.Our guitar score of Miss Stewart of Garth features both TAB and music notation, making it accessible to players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll be able to master this timeless tune in no time.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and rhythm is transcribed with precision, so you can play the song exactly as it was meant to be played.With Miss Stewart of Garth in your repertoire, you'll be able to transport yourself and your audience to the rolling hills and misty glens of Scotland. The haunting melody will linger in your mind long after you've put down your guitar, and you'll find yourself returning to it again and again.Don't miss out on the opportunity to add this unique and authentic Scottish tune to your collection. Order your guitar score of Miss Stewart of Garth today and start playing this beautiful melody for yourself!The History of the Tune 'Miss Stewart of Garth'Miss Stewart of Garth is a Scottish reel with a long and interesting history. The tune is believed to have originated in the early 18th century and was likely composed by a Scottish fiddler. It was first published in the late 18th century in the Scots Musical Museum, a collection of Scottish songs and tunes compiled by James Johnson.The title Miss Stewart of Garth refers to a woman named Anne Stewart, who was the daughter of John Stewart, the laird of Garth. The Garth estate was located in Perthshire, Scotland, and was known for its picturesque beauty and its association with the Jacobite cause.During the 18th century, the Jacobites were a political movement in Scotland that sought to restore the Stuart dynasty to the throne of Great Britain. Many Highlanders supported the Jacobite cause, and the Garth estate was known to be sympathetic to their efforts.It's possible that Miss Stewart of Garth was composed as a tribute to Anne Stewart or as a way of expressing support for the Jacobite cause. The tune has a melancholy and wistful quality that has made it a favorite among Scottish musicians and dancers for centuries.Over the years, Miss Stewart of Garth has been played in many different contexts, from traditional Highland gatherings to modern concerts and recordings. Its enduring popularity is a testament to the beauty and power of Scottish music, and it remains a beloved part of Scotland's cultural heritage to this day.
$1.99
Remains Of The Day
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Piano seul
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FACILE
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Danny Elfman
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Danny Elfman
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Remains Of The Day
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Mr. Lu Lai
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1458108 By Danny Elfman. By Danny Elfman and John August. Arranged by Danny Elfman. Multicultural,World. Score. 3 pages. ...
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Piano Solo - Level 2 - SKU: A0.1458108 By Danny Elfman. By Danny Elfman and John August. Arranged by Danny Elfman. Multicultural,World. Score. 3 pages. Mr. Lu Lai #1037078. Published by Mr. Lu Lai (A0.1458108). Remains of the Day Piano score.
$4.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
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Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
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Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Another Day In Paradise
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Instruments en Do
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INTERMÉDIAIRE
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Pop musique
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Phil Collins
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Fae Book Guy
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Another Day In Paradise
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Fakebook Guy
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1176882 By Phil Collins. By Phil Collins. Arranged by Fae Book Guy. Pop. Lead Sheet / Fake Book. 2 pages. Fakebook Guy ...
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C Instrument - Level 3 - SKU: A0.1176882 By Phil Collins. By Phil Collins. Arranged by Fae Book Guy. Pop. Lead Sheet / Fake Book. 2 pages. Fakebook Guy #776965. Published by Fakebook Guy (A0.1176882). Get ready to play one of the most iconic ballads of the 80s with this sheet music for Another Day in Paradise by Phil Collins. With its haunting melody and thought-provoking lyrics, this song has stood the test of time and remains a staple in contemporary music. This sheet music is perfect for pianists, singers, and musicians of all levels who want to bring this timeless classic to life. Whether you're a seasoned performer or just starting out, this sheet music will provide you with all the notes and chords you need to perform this timeless hit with ease. So why wait? Order your copy of Another Day in Paradise sheet music today!Discover the ultimate collection of high-quality sheet music for all your musical needs! Our sheet music is carefully crafted to bring you the best in notation and layout, so you can play your favorite tunes with confidence and ease.With our sheet music, you'll enjoy exceptional detail and clarity in every note and chord, ensuring that you can play with accuracy and precision. Our sheet music is designed with the musician in mind, with a clean, easy-to-read layout that makes it simple to follow along and practice.Whether you're a beginner or an experienced musician, our sheet music is perfect for anyone who wants to improve their skills and enjoy the full expression of their musical talents. So why wait? Order your sheet music today and start playing like a pro!#Iconic ballad#Timeless classic#Phil Collins#Piano sheet music#Easy to play#Popular song#Haunting melody
$5.00
Yesterday
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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Yesterday
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271201 By The Beatles. By John Lennon and Paul McCartney. Arran...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271201 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards,Wedding. 9 pages. RayThompsonMusic #863596. Published by RayThompsonMusic (A0.1271201). Arranged standard wind quintetYesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) first released on the album Help! in the United Kingdom in August 1965.Yesterday, with the B-side Act Naturally, was released as a single in the United States in September 1965. While it topped the American chart in October the song also hit the British top 10 in a cover version by Matt Monro.The song also appeared on the UK EP Yesterday in March 1966 and the Beatles' US album Yesterday and Today released in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today with more than 2,200 cover versions and is one of the most covered songs in the history of recorded music.My arrangement differs from others you may find.Rather than giving the tune to one player, I have given it in turn to oboe, horn, flute and tutti.The flute enters after the 1st verse.The accompaning parts are not simply block chords, but are varied and full of interest to each player.The chorus section is treat as a chorale, with all the players playing.This is the wind quintet version you need!
$19.95
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Kol Adoshem (Psalm 29) from "The Day of Rest" for Treble Chorus and Cantor (Piano-Vocal Edition, S'f
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Chorale 3 parties
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Klezmer
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Sylvan
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Kol Adoshem
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.733226 Composed by Sylvan (Sholom) Kalib. Jewish. Octavo. 11 pages. Ayotte Custom Musical Engravings #6695809. Published by...
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Choral Choir (SSA) - SKU: A0.733226 Composed by Sylvan (Sholom) Kalib. Jewish. Octavo. 11 pages. Ayotte Custom Musical Engravings #6695809. Published by Ayotte Custom Musical Engravings (A0.733226). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams. It is a Sabbath service suitable for either concert or liturgical use.Kol Adoshem bakoach,Kol Adoshem bahadar,Kol Adoshem shoveir ªrazim,vay’shabeir Adoshem et ar’zei hal’vanon,vayarkideim k’mo eigel,l’vanon v’siryon k’mo ven r’eimim.Kol Adoshem chotzeiv lahªvot eish,Kol Adoshem yachil midbar,Yachil Adoshem midbar kadeish,Kol Adoshem y’choleil ayalot,Vayech•sof y’arot,Uv’heichalo kulo omeir kavod.Adoshem lamabul yashav,vayeishev Adoshem melech l’olam.Adoshem oz l’amo yitein,Adoshem y’vareich et amo vashalom.The voice of the lord is powerful; The voice of the lord is majestic. The voice of the lord breaks cedars;The lord shatters the cedars of Lebanon. He makes them leap like a calf; Lebanon and Sirion like a young wild ox.The voice of the lord hews out flames of fire.The voice of the lord makes the desert tremble;the lord causes the desert of Kadësh to tremble.The voice of the lord causes the oaks to whirl, and strips the forests bare; and in His Sanctuary, all proclaim His glory.The lord was enthroned at the Flood; the lord remains enthroned King forever.The lord will give strength to His people; the lord will bless His people with peace.
$14.99
Yesterday
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The Beatles
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Ray Thompson
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Yesterday
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RayThompsonMusic
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SheetMusicPlus
Instrumental Duet - Level 3 - Interactive Download SKU: A0.1407206 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. This edit...
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Instrumental Duet - Level 3 - Interactive Download SKU: A0.1407206 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. This edition: Interactive Download. Pop,Rock,Standards,Wedding. 4 pages. Duration 119. RayThompsonMusic #6uPFcDfQsYj8lvAXleFiWO. Published by RayThompsonMusic (A0.1407206). Key: F major.Yesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) first released on the album Help! in the United Kingdom in August 1965. Yesterday, with the B-side Act Naturally, was released as a single in the United States in September 1965. While it topped the American chart in October the song also hit the British top 10 in a cover version by Matt Monro. The song also appeared on the UK EP Yesterday in March 1966 and the Beatles' US album Yesterday and Today released in June 1966. McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today with more than 2,200 cover versions and is one of the most covered songs in the history of recorded music. It is arranged for 2 saxophones.The melody is shared between both, and I have composed alternative music for the other player, rather than purely sustaining the bass line. Fun for both players. It will work as a duet for 2 altos, 2 tenors or even 2 baris!!
$14.95
Hallelujah Chorus from The Messiah for String Orchestra, Grade 3
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Orchestre à Cordes
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INTERMÉDIAIRE
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G
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Steven Kruse
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Hallelujah Chorus from The Mes
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String Play for All
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.859917 Composed by G. F. Handel. Arranged by Steven Kruse. Baroque,Christian,Christmas,Easter. Score and parts. 52 ...
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String Orchestra - Level 3 - SKU: A0.859917 Composed by G. F. Handel. Arranged by Steven Kruse. Baroque,Christian,Christmas,Easter. Score and parts. 52 pages. String Play for All #3687893. Published by String Play for All (A0.859917). This arrangement of one of the holiday’s great classics is accessible for most high schoolorchestras and advanced junior high groups. The Violin IA and IB parts are designed so either or bothparts can be performed, depending on the technical level of your players. The Violin IA part ascends to third position while the Violin IB parts remains in first position, along with the other parts. Grade 3, Duration approximately two minutes.
$9.99
Yesterday
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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En Vogue
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Javier MartÃnez Maya
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Yesterday
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃ...
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Full Orchestra - Level 3 - SKU: A0.742588 By En Vogue. By Caroline Riddick, Issac Phillips, John Lennon, and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 36 pages. Arte Nova Music Lab #6431889. Published by Arte Nova Music Lab (A0.742588). Yesterday is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. Yesterday was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century.Taken from https://en.wikipedia.org/wiki/Yesterday_(Beatles_song)
$60.00
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
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Orchestre d'harmonie
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FACILE
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Brian Harris
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articulations
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MARCH OF THE CZAR'S BRIGADE
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com...
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Concert Band - Level 2 - SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
$39.00
Valentine's Day Waltzes for Two Violins
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Dacre, Friedman, and Joseph Iv
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Steven Kruse
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Valentine's Day Waltzes for Tw
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String Play for All
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.859870 Composed by Dacre, Friedman, and Joseph Ivanovici. Arranged by Steven Kruse. Holiday,Love,Pop,Romantic Per...
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Violin Duet Violin - Level 4 - SKU: A0.859870 Composed by Dacre, Friedman, and Joseph Ivanovici. Arranged by Steven Kruse. Holiday,Love,Pop,Romantic Period. 8 pages. String Play for All #2932785. Published by String Play for All (A0.859870). This duo arrangement is for advanced students, amateurs, or professionals. Everyone will love these old classic waltzes, including Daisy Bell (Harry Dacre), Waves of the Danube (Ivanovici) and Let Me Call You Sweetheart (Friedman). The arrangement includes the sound of screeching bicycle brakes as well as whistling. The first violin part extends to fifth position. The second violin part remains within the range of first position, however both parts contain challenging double stops.The arrangement is perfect for perfect for parties and informal gatherings.. The duration of this suite is approximately 3 ½ minutes. Get into the mood for Valentine’s Day with this fun arrangement!
$5.99
(they Long To Be) Close To You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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The Carpenters
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Sarah Cellobat Chaffee
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(they Long To Be) Close To You
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1262770 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Sarah Cello...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1262770 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock,Wedding. 17 pages. Sarah Cellobat Chaffee #855779. Published by Sarah Cellobat Chaffee (A0.1262770). Originally written by Burt Bacharach and Hal David, (They Long To Be) Close To You was recorded and released by the Carpenters as a single in 1970. Although the song had been recorded by other groups before, the Carpenters' version was by far the most successful, topping the charts in America as well as four other countries. And it's no wonder -- its catchy melodies, lovestruck lyrics, and intriguingly innovative harmonic progressions truly make for a song you want to put on repeat! Since its release, the song's album has been named one of Rolling Stone's 500 Greatest Albums of All Time, and to this day it remains an extremely popular request for weddings. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet maintains the beautiful lush harmonies, soaring melodies, clever countermelodies, and joyous feel of the original for a chart that your group and your audience will both love. Rated intermediate; this won't be hard to sightread, but it will make a major impact!Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Yesterday for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Diego Marani
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Yesterday for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
By The Beatles. Arranged by Diego Marani. Score, Set of Parts. 11 pages. Published by Diego Marani...
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By The Beatles. Arranged by Diego Marani. Score, Set of Parts. 11 pages. Published by Diego Marani
"Yesterday" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon ? McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and Rolling Stone magazine the following year.
This arrangement for clarinet quartet includes the following part: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
It is suitable for classroom, repertoire and recital.
$19.99
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Remains of the Day