ISBN 9781619119284.

Mentored by three legendary guitarists, Michael OaDorn is the living repository of not only the Merle Travis thumbstyle technique, but also the fingerstyle legacies of Chet Atkins and French guitarist, Marcel Dadi. This book contains a discussion of the differences between fingerstyle and thumbstyle technique, plus the most advanced exercises and tunes of any of the authoras three books for Mel Bay Publications a a must-have for any serious fingerstyle guitarist!The book begins with a series of progressive picking patterns with practice points that guide the player through intermediate and advanced licks and techniques. The harmony of each exercise was intentionally left unresolved so that it can be repeated to perfection. Soon, you will be playing OaDornas challenging Travis/Atkins/Dadi-inspired licks and compositions using the left-hand hammer-on, pull-off, and thumb-over techniques, and the right-hand thumb rake and palm mute.While the purpose of this book is to help you establish study habits that enhance your performance abilities, the exercises can also be used as intros, outros or springboards to kickstart your own compositions. At the end, as a payoff for completing the bookas lessons, the author presents three original compositions for player and audience enjoyment.Learn the evolutionary, often unconventional fingerstyle techniques of Travis, Atkins, Dadi, and OaDorn withKiller Technique(r): Fingerstyle Guitar! Includes access to an outstanding online audio recording of the bookas 47 exercises and solos.

ISBN 9781610650380. The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.