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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Rest, Madrid
Partitions à imprimer
8 partitions trouvées
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Rest, Madrid
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1284608 Composed by Jacob Mashak. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1284608 Composed by Jacob Mashak. Classical,Contemporary. Individual part. 2 pages. Editions d'Ys #875782. Published by Editions d'Ys (A0.1284608). Rest, Madrid for solo guitar by Jacob MashakWritten for Aaron Larget-Caplan for his New Lullaby Project and premiered in 2009, Rest, Madrid is composed of almost entirely in natural harmonics, meant to ring as long as accoustics allow.
$10.00
9.17 €
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Guitare
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Jacob Mashak
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Rest, Madrid
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Editions d'Ys
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SheetMusicPlus
When Morning Gilds the Skies: Five Trumpet Solos on Familiar Hymns
Trompette
A very useful collection of five hymn arrangements. Contents:…
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A very useful collection of five hymn arrangements. Contents: Come Christians, Join to Sing Fairest Lord Jesus Jesus Shall Reign Lead On, O King Eternal When Morning Gilds the Skies
Song List: Crusader's Hymn (Schonster Herr Jesu/St. Elizabeth) Duke Street Lancashire Laudes Domini Spanish Hymn (Madrid)
Song List
: Crusader's Hymn (Schonster Herr Jesu/St. Elizabeth) Duke Street Lancashire Laudes Domini Spanish Hymn (Madrid)
$23.50
21.55 €
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Trompette
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When Morning Gilds the Skies: Five Trumpet Solos on Familiar Hymns
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SheetMusicPlus
El Sitio de Zaragoza
Fanfare
Marching Band - Level 3 - Digital Download SKU: A0.1516009 By Alicia Domínguez Arc…
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Marching Band - Level 3 - Digital Download SKU: A0.1516009 By Alicia Domínguez Arcos Sonay. By Cristóbal Oudrid y Segura. Arranged by Alicia Domínguez Arcos. 19th Century,Contemporary,Historic,Patriotic,Traditional. 24 pages. Alicia Dominguez #1090255. Published by Alicia Dominguez (A0.1516009). Cristóbal Oudrid y Segura was a Spanish pianist, composer of zarzuelas and conductor. He was the son of Cristóbal Oudrid y Estarón, born in Madrid in 1793, a musician in the Napoleonic troops stationed in Badajoz, and director of the National Militia's band from 1825, and Antonia Segura González, born in Badajoz in 1801. He was married to Vicenta Muñoz Vallejo, a native of the same city. As a composer, he is remembered for revitalizing the genre, for pieces in his zarzuelas El molinero de Subiza and El postillón de la Rioja, and for the piece El sitio de Zaragoza, originally the incidental music he composed for the eponymous drama by Juan Lombía. In 1851, together with Joaquín Gaztambide, Rafael Hernando, Francisco Asenjo Barbieri, José Inzenga y Olona y Salas, he founded the Sociedad Artístico Musical para el cultura de la zarzuela. As a conductor, he directed the orchestra of the Teatro Real in Madrid and the Teatro de la Zarzuela. He is buried in the patio de la Concepción de la Sacramental de San Isidro. His grave has a medallion with the composer's effigy made by the Italian sculptor Benedetto Civiletti, a specialist in funerary monuments for cemeteries. The siege of Zaragoza is a descriptive fantasy on military themes composed by Cristóbal Oudrid around 1848. The work was originally conceived as incidental music for the play El Sitio de Zaragoza of 1808 by Juan Lombía, a drama in three acts and written in verse. The music was to be played throughout the play and ended with a rondalla playing the Jota aragonesa. As the piece became very popular with the public, Oudrid made an anthology with it and the rest of the work to create the instrumental work in the form of a descriptive fantasy, independent of the play. During the second half of the 20th century, the work gained popularity due to the national exaltation of heroes of the sieges such as Agustina de Aragón. It was common for military bands and police groups to perform it in recitals and today it continues to be performed by municipal and military bands as well as by orchestras and groups in various versions that offer different readings of the work.
$10.00
9.17 €
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Fanfare
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Alicia Domínguez Arcos Sonay
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Alicia Domínguez Arcos
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El Sitio de Zaragoza
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Alicia Dominguez
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SheetMusicPlus
"De la Sierra Morena" - Two Versions of a 17th-Century Baroque Song - José Marín - Score Only
Digital Download SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Ar…
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Digital Download SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Escorza #1052224. Published by Arturo Escorza (A0.1474647). This sheet music features two versions of a 17th-century song composed by the renowned Spanish composer José Marín (1618-1699). Marín, a tenor of the Royal Chapel of King Philip IV, had a tumultuous life that took him to Rome, the New World, and eventually into a ten-year exile. He was praised as the best musician in Madrid and was known both within and outside Spain for his exceptional skill in composition and performance.Interestingly, the famous Mexican song Cielito Lindo shares a small connection with this piece, at least in the opening lines of both the Mexican and the 17th-century Spanish songs: De la Sierra Morena.... This sheet music includes two versions of Marín's song, one from the Libro de tonos de José Miguel de Guerra (also known as Codice Guerra) and the other from the National Library of Spain. The composition is for voice and continuo, encompassing 5 pages.
$10.00
9.17 €
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Arturo Escorza
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Arturo Escorza
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"De la Sierra Morena" - Two Versions of a 17th-Century Baroque Song - José Marín - Score Only
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Arturo Escorza
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SheetMusicPlus
Agnus dei: Gloriosa spes reorum, from Anonymous 4's "Secret Voices" - Score Only
Digital Download SKU: A0.878599 By Anonymous 4. By Anonymous. Arranged by Susan Hel…
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Digital Download SKU: A0.878599 By Anonymous 4. By Anonymous. Arranged by Susan Hellauer. Early Music,Medieval,Sacred. 3 pages. Susan Hellauer #3213269. Published by Susan Hellauer (A0.878599). An ornate 13th-century Agnus dei, featured on Anonymous 4's cd Secret Voices  (2011; harmonia mundi 807510). This chant for the Mass liturgy (duration 3' 27) is adorned with two-voice polyphony, and expanded with a trope (added text and music), both of which increase the solemnity of the Agnus dei chant for a high feast.The Las Huelgas Codex (c. 1300) contains the polyphonic tropes. The rest is taken from a 13th-century chant manuscript from Madrid.
$1.99
1.83 €
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Anonymous 4
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Susan Hellauer
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harmonia mundi 807510)
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Agnus dei: Gloriosa spes reorum, from Anonymous 4's "Secret Voices" - Score Only
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Susan Hellauer
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SheetMusicPlus
String Quintet C major
Quintette à cordes: 2 violons, 2 altos, violoncelle
2 violins, 2 violas and cello - Digital Download SKU: S9.Q6743 Composed by Gaetano …
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2 violins, 2 violas and cello - Digital Download SKU: S9.Q6743 Composed by Gaetano Brunetti. This edition: score and parts. Downloadable, Score and parts. Op. 3/6. Schott Music - Digital #Q6743. Published by Schott Music - Digital (S9.Q6743). Key: C major.Gaetano Brunetti, who was born in Italy, probably in Fano, in 1744 and died in Madrid in 1798, was among the most progressive composers of his time. He joined the court of Madrid early on and under King Charles III rose to the post of violin teacher and bandmaster of the Prince of Asturia, the later King Charles IV. Under his reign, the musical life at the Spanish court gained in importance and Brunetti rose to be the director of the royal chamber orchestra founded in 1795. The present string quintet is committed to the concertante style. As all parts in this piece can change their function, the registers are often changed as well which leads to a string setting with the most subtle tonal nuances. This quintet is a valuable addition for interested ensembles.
$42.99
39.43 €
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Gaetano Brunetti
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String Quintet C major
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Schott Music - Digital
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SheetMusicPlus
La Paloma
Violon et Piano
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53339 S…
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53339 Sérénade espagnole. Composed by Sebastian de Yradier. Edited by Wolfgang Birtel. Arranged by Otto Langey. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 7 pages. Schott Music - Digital #Q53339. Published by Schott Music - Digital (S9.Q53339). English • German.On the occasion of the 100th anniversary of the German performing rights society GEMA in 2003 La Paloma von Sebastián de Yradier was chosen as the ‘song of the century’. The Spanish composer began his career as an organist and then taught singing in Madrid before moving to Paris. In 1857 he travelled to the Caribbean, developing an interest in the Habañera form and Creole music. Drawing inspiration from this experience he composed numerous pieces with Spanish influence which were published individually by Schott in 1870 in the series Fleurs d’Espagne, 2me collection. Of these, only No. 14 has survived: The Dove (in Spanish La Paloma) is possibly the most often played, arranged and recorded piece of all time. Otto Langey added a pretty introduction to his arrangement for violin (1890). It is a popular piece for domestic music-making. More recent recordings featuring Hans Albers, Freddy Quinn, Elvis Presley and many others, have made this Spanish serenade with its typical Habañera accompaniment famous, and it can readily be played at home, too. Edition based on plate no. 02567, first published in 1890 as plate no. 24490.
$3.99
3.66 €
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Violon et Piano
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Sebastian de Yradier
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Otto Langey
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La Paloma
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Schott Music - Digital
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SheetMusicPlus
Tientos
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.58 €
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Guitare
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
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