English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rhythm: Simple
Non classifié
537
Piano & claviers
Piano grosses notes
3 293
Orgue
1 534
Piano Facile
377
Piano seul
238
Instruments en Do
204
Clavier
59
Piano, Voix
33
Piano, Voix et Guitare
22
1 Piano, 4 mains
11
Piano (partie séparée)
7
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
25
Guitare
21
Guitare (partie séparée)
13
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
4
4 Guitares (Quatuor)
3
Ukulele
3
Ensemble de guitares
2
2 Guitares (duo)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Banjo
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale 3 parties
41
Chorale 2 parties
34
Voix Alto, Piano
25
Voix Soprano, Piano
21
Voix Tenor, Piano
19
Chorale Unison
16
Chorale SSAA
13
Chorale TTBB
13
Voix seule
4
Voix Tenor
3
Voix haute
1
Voix moyenne, Piano
1
+ 8 instrumentations
Retracter
Vents
Ocarina
262
Flûte à bec Soprano
252
Flûte à bec Alto
182
2 Saxophones (duo)
165
2 Clarinettes (duo)
92
2 Flûtes traversières (duo)
68
Clarinette, Violon (duo)
63
Saxophone, Clarinette (duo)
59
Clarinette, Trompette (duo)
56
2 Flûte à bec (duo)
45
Saxophone (partie séparée)
35
Hautbois, Basson (duo)
34
Flûte, Clarinette (duo)
33
2 Hautbois (duo)
33
Hautbois, Clarinette (duo)
33
Flûte, Alto (duo)
32
Flûte à bec Alto, Piano
31
Clarinette et Alto
31
Flûte, Violon
29
Flûte, Saxophone (duo)
28
Flûte, Trompette (duo)
23
Flûte traversière et Piano
22
Flûte traversière
20
Clarinette et Piano
20
Flûte, Hautbois (duo)
19
Hautbois, violon (duo)
16
Quatuor de Saxophones: 4 saxophones
16
Hautbois, Flûte
15
Clarinette
15
Hautbois, Piano (duo)
14
Flûte, Hautbois, Clarinette, Basson
14
Quintette de Saxophone: 5 saxophones
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto
12
Trio de Flûtes: 3 flûtes
12
Quatuor de Clarinettes: 4 clarinettes
11
3 Saxophones (trio)
11
Clarinette, Trombone (duo)
9
Saxophone Alto et Piano
9
3 Clarinettes (trio)
9
Saxophone Tenor et Piano
9
Hautbois (partie séparée)
8
Saxophone Tenor
8
Flute (partie séparée)
8
Clarinette (partie séparée)
6
3 Flûtes à bec (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois
5
Clarinette, Basson (duo)
5
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Clarinette Basse
3
Ensemble de Clarinettes
3
Ensemble de saxophones
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Hautbois et alto (duo)
2
Hautbois, Violoncelle
2
Quintette de Clarinettes: 5 clarinettes
2
5 Flûtes à bec
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes à bec
1
+ 65 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
45
2 Trombones (duo)
43
2 Trompettes (duo)
41
Trompette, Trombone (duo)
31
Trombone (partie séparée)
23
Trompette (partie séparée)
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone
17
Trompette
15
Trompette, Piano
15
Trombone et Piano
14
Cor
13
Cor et Piano
12
2 Euphoniums (duo)
10
Tuba
8
Quatuor de Cuivres
8
3 Trompettes (trio)
6
Cor (partie séparée)
6
Tuba (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
4
2 Tubas (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
3
Euphonium
2
Euphonium, Piano (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette et Guitare
2
2 Cors (duo)
2
Ensemble de Cors
2
Cor, Tuba (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
2 Violons (duo)
43
Violon, Violoncelle (duo)
42
Violon, Alto (duo)
39
2 Altos (duo)
36
Violon
34
Violon et Piano
33
2 Violoncelles (duo)
32
Harpe
22
Violoncelle
21
Violoncelle, Piano
20
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Alto seul
11
Contrebasse, Piano (duo)
10
Contre Basse
10
Contrebasse (partie séparée)
8
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Guitare (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Basson (duo)
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
3 Harpes
2
5 Harpes
2
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
113
Orchestre à Cordes
57
Ensemble Jazz
38
Cloches
35
Orchestre
20
Ensemble de Percussions
14
Ensemble de cuivres
13
Batterie (partie séparée)
7
Batterie
7
Orchestre de chambre
6
Fanfare
6
Ensemble d'École
5
Jazz combo
5
2 Xylophones
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bongos
1
3 Marimbas
1
2 Caisses Claires (duo)
1
Percussion
1
Xylophone, Piano
1
Marimba
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Rhythm: Simple
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Rhythm: Simple & Compound Time educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569856 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569856 Composed by Austin Ralphson. Instructional. Score and parts. 92 pages. Austin Ralphson #4731861. Published by Austin Ralphson (A0.569856). Rhythm: Simple & Compound Time - Perform, Compose, Understand Series. This pack comprises a piece called What Time Is It?, worksheets and questions which relate to the piece. It is all about understanding these two metrics, although it asks many other general musical questions as well.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: RHYTHM backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$5.99
5.52 €
#
Austin Ralphson
#
Rhythm: Simple & Compound Time educational pack - Perform Compose Understand PCU Series
#
Austin Ralphson
#
SheetMusicPlus
L'étude rhythmique #2
Drum Set - Interactive Download SKU: A0.482529 Composed by J. Randolph Hall. This e…
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Drum Set - Interactive Download SKU: A0.482529 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 4 pages. Duration 23. Published by J. Randolph Hall (A0.482529). A study in counter rhythms: simple vs. compound feel.
$3.00
2.77 €
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J
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L'étude rhythmique #2
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J. Randolph Hall
#
SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
#
Chorale SATB
#
Nathan Petitpas - Dots and Beams
#
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
#
Dots and Beams
#
SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
#
Nathan Petitpas - Dots and Beams
#
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.22 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.22 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
SIMPLE SALSA -Piano Duet Advanced Beginner
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1077842 By Francis …
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1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1077842 By Francis Osentowski Digital KB recording. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Jazz,Latin. Score. 2 pages. Francis Osentowski #681825. Published by Francis Osentowski (A0.1077842). Simple Salsa was composed for my grandchildren Franklin and Faye and is meant to be fun for new pianists They began piano lessons nine months ago and have made great technical progress and love to perform. The lower part, Piano II, is easier and repeats a basic bass line and simple three note chords. Piano 1 is slightly more difficult but more melodic. The slower section on page two is more melodic and relaxed. The performer can double some of the melody pitches one octave above for more drama and volume. The optional egg shaker part (or any similar shakers) is just a basic Latin rhythm part and is not notated with normal rhythm notation. but just a text suggestion. The music can be played Piano Four Hands or with two pianos. Feel free to add or subtract to the notation and rhythms depending on the level of the young pianists. If other y kids own Latin percussion instruments...they are welcome to join in! Hope you enjoy performing this lively music.
$4.99
4.6 €
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1 Piano, 4 mains
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Francis Osentowski Digital KB recording
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Original composition
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SIMPLE SALSA -Piano Duet Advanced Beginner
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Francis Osentowski
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SheetMusicPlus
Rhythm Workbook for Ensemble Players by Dr. Kathy Bundock Moore
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.878895 Composed by Ka…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.878895 Composed by Kathy Bundock Moore. Arranged by Eric Moore. Instructional. Score. 68 pages. Cello Loft #3400213. Published by Cello Loft (A0.878895). Comprehensive Rhythm Workbook (60+ pages) for any instrument.A must-have for any private lesson (age 8+) and used by hundreds of students in classrooms (including college).Perfect to accompany an absolute beginner all the way until they're professional; three unique ways to work through the book dramatically increase its difficulty.Two activities profoundly shape the way students understand rhythm: - Tap a steady beat while saying ta for the rhythms on the page. - Tap independent rhythms with both hands.Starts easily (without barlines), with only Quarter Notes and Half Notes. Then adds: - Simple Meters | Compound Meters | Asymmetrical Meters | Changing Meters | Mixed Meters - Eighth Notes | Dotted Note Values | Sixteenth Notes | Thirty-Second Notes | Triplets - Corresponding Rests - Contemporary Trends including Feathered Beams, Uncommon Tuplets, and (somewhat ironically) a return to no barlines.By Dr. Kathy Bundock Moore(please note that there are no worksheets, questions for students, etc. - students speak or tap all rhythms.)
$15.00
13.83 €
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Piano, Voix et Guitare
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Dr
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Kathy Bundock Moore
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Eric Moore
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Rhythm Workbook for Ensemble Players by Dr. Kathy Bundock Moore
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Cello Loft
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SheetMusicPlus
Between The Devil And The Deep Blue Sea (from Rhythmania)
Piano grosses notes
Digital Download SKU: HX.454453 Standards. E-Z Play Today. 3 pages. Published by Ha…
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Digital Download SKU: HX.454453 Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454453). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
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Piano grosses notes
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Between The Devil And The Deep Blue Sea
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Hal Leonard - Digital
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SheetMusicPlus
Dirt Simple Electric Guitar Solos on Open Strings
Guitar (rock & blues) - Beginning-Intermediate - Digital Download SKU: M0.30701MEB …
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Guitar (rock & blues) - Beginning-Intermediate - Digital Download SKU: M0.30701MEB Composed by Sven Nier. Dirt Simple. Rock. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30701MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30701MEB). ISBN 9781619118225. 8.75x11.75 inches.This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Nier’s exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part.
$9.99
9.21 €
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Sven Nier
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font-size: 13px
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Dirt Simple Electric Guitar Solos on Open Strings
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
20 Rhythm Reading Examples (Intermediate Middle School - High School)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.883698 Composed by Matthe…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.883698 Composed by Matthew Gawronski. Instructional. Octavo. 7 pages. Matthew Gawronski #3628803. Published by Matthew Gawronski (A0.883698). This PDF packet features 7 pages of 20 different rhythm examples, organized from simple to more advanced rhythms (quarter note thru sixteenth notes), perfect for an intermediate middle school level all the way through high school choir!
$3.99
3.68 €
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Chorale SATB
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Matthew Gawronski
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20 Rhythm Reading Examples
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Matthew Gawronski
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SheetMusicPlus
Simple Strumming Patterns (A Beginner Rhythm Guitar Primer)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1329644 Composed by Dan…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1329644 Composed by Danny Crocome. Arranged by Danny Crocome. Children,Folk,Instructional,Pop,Traditional. Tablature. 2 pages. Danny Crocome Music #917625. Published by Danny Crocome Music (A0.1329644). These info sheets show beginning guitarists how to count and strum basic rhythms using whole notes, half notes, quarter notes and eighth notes, whilst navigating changing chords from the C to Em chords.A great resource for developing ones sense of timing, and streamlining this common chord change.
$2.99
2.76 €
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Guitare notes et tablatures
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Danny Crocome
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Danny Crocome
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Simple Strumming Patterns
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Danny Crocome Music
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SheetMusicPlus
Simple Strumming Patterns (A Beginner Rhythm Guitar Primer)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1329865 Composed by Dan…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1329865 Composed by Danny Crocome. Arranged by Danny Crocome. Children,Folk,Instructional,Pop,Traditional. Tablature. 2 pages. Danny Crocome Music #917851. Published by Danny Crocome Music (A0.1329865). These info sheets show beginning guitarists how to count and strum basic rhythms using semibreves, minims, crotchets and quavers, whilst navigating changing chords from the C to Em chords. A great resource for developing ones sense of timing, and streamlining this common chord change.
$2.99
2.76 €
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Guitare notes et tablatures
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Danny Crocome
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Danny Crocome
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Simple Strumming Patterns
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Danny Crocome Music
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SheetMusicPlus
Danzas Simples Argentinas
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1034463 By Javier Contreras. By Ja…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1034463 By Javier Contreras. By Javier Contreras. Classical,Folk,Latin,Multicultural,Traditional,World. Individual part. 10 pages. Javier Contreras #639751. Published by Javier Contreras (A0.1034463). 4 traditional Argentine rhythms in a simple presentation to perform but with all the grace and strength of Latin American music and a fine treatment of melodies and harmonies.
$16.00
14.75 €
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Guitare
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Javier Contreras
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Danzas Simples Argentinas
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Javier Contreras
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SheetMusicPlus
Lynyrd Skynyrd : Simple Man (niveau facile, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare Simple Man (niveau facile, …
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Téléchargez la tablature et la partition Guitare Simple Man (niveau facile, rhythm guitar) de Lynyrd Skynyrd. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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Lynyrd Skynyrd
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Simple Man
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Tomplay
Classroom Performance educational pack: RHYTHM backing tracks
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoo…
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Digital Download SKU: A0.1071284 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 393. Austin Ralphson #4757643. Published by Austin Ralphson (A0.1071284). This pack comprises backing tracks of the 5 performance pieces with the PCU: Rhythm pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Dotted notes & triplets backing track1:48 - Simple & compound backing track3:18 - Dotted notes & triplets full track5:06 - Simple & compound full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99
1.83 €
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Austin Ralphson
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Classroom Performance educational pack: RHYTHM backing tracks
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Austin Ralphson
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SheetMusicPlus
I Got Rhythm
Saxophone
Instrumental Solo,Saxophone - Level 2 - Digital Download SKU: A0.1476038 Composed b…
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Instrumental Solo,Saxophone - Level 2 - Digital Download SKU: A0.1476038 Composed by George Gershwin. Arranged by SaxExpress. Blues,Jazz. Individual part. 2 pages. SaxExpress #1053587. Published by SaxExpress (A0.1476038). This is a Saxophone arrangement of ‘I Got Rhythm’ By George Gershwin. It uses the revolutionary Presto System which is a short cut to being able to easily play songs on the saxophone using a combination of music notation and Presto symbols. It is by far the simplest way to master songs on the saxophone. Within a very short period of time songs become incredibly easy to play. For more information on the 'Presto' system visit SaxExpress.com
$1.99
1.83 €
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Saxophone
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George Gershwin
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George Gershwin
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SaxExpress
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I Got Rhythm
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SaxExpress
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SheetMusicPlus
Foxtrot from Easy Dances (simpler version)
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1378327 Composed by Matyas Seiber. …
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Easy Piano - Level 2 - Digital Download SKU: A0.1378327 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee Chin #962950. Published by Thomas Swee Chin (A0.1378327). Mátyás Seiber's Foxtrot from Easy Dances Vol. 2 is a delightful piece that embodies the elegance and sophistication of the foxtrot dance style. As part of the Easy Dances series, it is tailored to intermediate pianists, offering accessible yet musically rewarding material.The foxtrot, characterized by its smooth, flowing movements, is reflected in the piece's graceful melody and gentle rhythmic pulse. Seiber's composition captures the essence of this classic dance form, with its suave elegance and understated charm.The piece unfolds with a catchy and memorable melody, accompanied by a rhythmic pattern that evokes the swaying motion of dancers on the dance floor. Seiber infuses the music with subtle jazz influences, incorporating bluesy harmonies and syncopated rhythms that lend a touch of sophistication to the composition.Despite its simplicity, Foxtrot showcases Seiber's skillful craftsmanship and attention to detail. The melodic lines are beautifully crafted, with a sense of lyricism and grace that invites pianists to express themselves freely. Meanwhile, the harmonies provide a rich and colorful backdrop, adding depth and texture to the overall sound.Whether performed as a standalone piece or as part of a set, Foxtrot is sure to captivate audiences with its timeless appeal and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a delightful addition to any pianist's repertoire.
$4.00
3.69 €
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Piano Facile
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Matyas Seiber
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Thomas Ling
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Foxtrot from Easy Dances
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Thomas Swee Chin
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SheetMusicPlus
Simple Gifts - Trumpet Trio with Piano Accompaniment
Accompagnement Piano
Small Ensemble Piano Accompaniment,Trumpet - Level 1 - Digital Download SKU: A0.880645
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Small Ensemble Piano Accompaniment,Trumpet - Level 1 - Digital Download SKU: A0.880645 Composed by Traditional. Arranged by Lisa Nelson. Folk,Holiday. Score and parts. 14 pages. Lisa Nelson #5983419. Published by Lisa Nelson (A0.880645). Framed against a drone-like accompanying figure, this melody of this beloved folk tune, Simple Gifts, is presented by each instrument in the opening segment, then adds variety in the middle with momentum-building accompaniment, climaxing with a brief chorale section. Â The ostinato accompaniment returns at the end, complimenting the simplicity of this traditional tune. The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this traditional tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests. Â
$15.00
13.83 €
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Accompagnement Piano
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Traditional
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Lisa Nelson
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Simple Gifts - Trumpet Trio with Piano Accompaniment
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Lisa Nelson
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SheetMusicPlus
Simple Times
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.991816 Composed by Bradley R Meholi…
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Piano Solo - Level 2 - Digital Download SKU: A0.991816 Composed by Bradley R Meholick. Concert. Score. 4 pages. Bradley R Meholick #3456147. Published by Bradley R Meholick (A0.991816). As the title implies, Simple Times is a short countryside style ballad for the young pianist. This is the perfect piece for the beginner mastering the dotted quarter note. The left hand accompaniment to the simple melody makes use of a simple two-note ostinato rhythm as well as arpeggiated harmony patterns that are easily reachable by young hands. Explore more works by Bradley Meholick at www.BMMcreate.com.
$1.99
1.83 €
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Piano seul
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Bradley R Meholick
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Simple Times
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Bradley R Meholick
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SheetMusicPlus
Quarters (Beginning Rhythm Ensemble)
Hand Percussion,Instrumental Solo - Level 1 - Digital Download SKU: A0.795927 Compo…
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Hand Percussion,Instrumental Solo - Level 1 - Digital Download SKU: A0.795927 Composed by Christopher Esther. Instructional. Individual part. 12 pages. Christopher Esther #5887919. Published by Christopher Esther (A0.795927). Quarters (part of the beginning rhythm ensemble series) is a simple and easy method to teach student the beginning principles of rhythm.
$6.99
6.44 €
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Christopher Esther
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Quarters
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Christopher Esther
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SheetMusicPlus
I got rhythm
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.883885 Composed by George Gershwin. A…
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Choral Choir (SAB) - Digital Download SKU: A0.883885 Composed by George Gershwin. Arranged by Fiona Evans. A Cappella. Octavo. 2 pages. Fi Evans #4299571. Published by Fi Evans (A0.883885). This brilliantly upbeat well-known number is a fantastic vocal smile for audiences and performers alike. This simple arrangement for SAB brings it to the use of simple three part harmony and will be a great addition to any programme.
$3.99
3.68 €
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Chorale 3 parties
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George Gershwin
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Fiona Evans
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I got rhythm
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Fi Evans
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SheetMusicPlus
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