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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
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MARIMBA
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ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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Non classifié
7207
PIANO & CLAVIERS
Piano seul
3164
Piano grosses notes
3036
Orgue
1558
Piano Facile
1227
Piano, Voix
610
Piano, Voix et Guitare
366
Instruments en Do
264
Piano (partie séparée)
161
Accompagnement Piano
131
1 Piano, 4 mains
122
Clavier
52
2 Pianos, 4 mains
28
Piano Trio: piano, violon, violoncelle
26
Piano Quatuor: piano, violon, alto, violoncelle
26
Accordéon
15
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Trompette (duo)
6
1 Piano, 6 mains
6
Clavecin
5
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
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GUITARES
Guitare notes et tablatures
707
Guitare
471
Guitare (partie séparée)
176
Ligne De Mélodie, (Paroles) et Accords
122
Basse electrique
54
Dulcimer
42
Ukulele
38
2 Guitares (duo)
19
Mandoline
17
Paroles et Accords
16
Piano, Guitare (duo)
15
4 Guitares (Quatuor)
15
Ensemble de guitares
14
Banjo
12
Basse électrique (partie séparée)
8
3 Guitares (trio)
7
2 Dulcimers (duo)
3
2 Mandolines (duo)
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
2 Ukuleles
1
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VOIX
Chorale SATB
1709
Chorale 3 parties
588
Chorale Unison
302
Chorale 2 parties
298
Chorale TTBB
230
Chorale SSAA
188
Chorale
34
Voix Soprano, Piano
30
Voix duo, Piano
16
Voix duo
14
Voix Tenor, Piano
12
Voix seule
11
Voix Alto, Piano
9
Chorale SSATB
9
Voix haute
8
Chorale SSAATTBB
6
Voix moyenne, Piano
5
Voix Tenor
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Chorale SSAB, Piano
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Voix Soprano
2
Chorale SSATTB
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Voix Mezzo-Soprano, Piano
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Chorale SSAB a cappella
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Male Voice
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Voix basse, Piano
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Voix basse
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Chorale SSAATB
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VENTS
Saxophone (partie séparée)
574
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566
Quatuor de Saxophones: 4 saxophones
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2 Clarinettes (duo)
282
Saxophone, Clarinette (duo)
257
2 Flûtes traversières (duo)
254
Flûte à bec Soprano
240
Flûte traversière et Piano
209
Clarinette, Violon (duo)
202
Flûte à bec Alto
188
Clarinette
182
Flûte, Hautbois, Clarinette, Basson
175
Clarinette, Trompette (duo)
172
Flûte traversière
172
Quatuor de Clarinettes: 4 clarinettes
158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
158
Hautbois, Piano (duo)
136
Saxophone Alto
135
Saxophone Alto et Piano
130
Clarinette et Piano
128
Flûte, Clarinette (duo)
124
Hautbois (partie séparée)
113
2 Hautbois (duo)
107
Clarinette (partie séparée)
107
Hautbois, Clarinette (duo)
104
Clarinette et Alto
102
Flûte, Violon
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Hautbois, Basson (duo)
97
Flûte, Saxophone (duo)
94
Quatuor de Flûtes : 4 flûtes
92
Flûte, Alto (duo)
85
Saxophone Tenor et Piano
82
Flute (partie séparée)
81
Flûte, Trompette (duo)
78
Hautbois, Flûte
77
Quintette de Saxophone: 5 saxophones
76
3 Saxophones (trio)
54
2 Flûte à bec (duo)
50
Saxophone Soprano et Piano
48
Trio de Flûtes: 3 flûtes
45
Quintette de Clarinettes: 5 clarinettes
43
Ensemble de Flûtes
42
Ensemble de saxophones
42
3 Clarinettes (trio)
42
Ensemble de Clarinettes
40
Flûte à bec Alto, Piano
33
Saxophone Baryton, Piano
28
Flûte, Hautbois (duo)
28
Flûte et Guitare
23
Hautbois, violon (duo)
20
Cor anglais, Piano
19
Quintette de Flûte : 5 flûtes
16
Clarinette Basse, Piano
16
Clarinette, Basson (duo)
15
Hautbois
14
Flûte, Clarinette et Basson
14
Clarinette, Violoncelle (duo)
13
Clarinette, Trombone (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Violoncelle
10
Quatuor de Flûtes à bec
10
Cor Anglais
10
3 Flûtes à bec (trio)
9
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Soprano
8
Hautbois, Violoncelle
8
Saxophone Tenor
8
Flûte, Violon, Piano
7
Flûte, Clarinette, Piano (trio)
6
Flûte à Bec
6
Flûte, Hautbois, Basson
6
Ensemble De Flûte à bec
5
Clarinette, Harpe (duo)
5
2 Saxophones, Piano
5
Ocarina
5
Flûte traversière, Orgue (duo)
5
Saxophone Baryton
5
Hautbois et alto (duo)
5
Clarinette, Guitare (duo)
5
Flute, harpe et violon
4
5 Flûtes à bec
4
2 Flûtes traversières, Piano
4
Flûte, Basson et Piano
4
Saxophone
4
Piccolo
3
Clarinette Basse
3
Ensemble à vent
3
3 Hautbois
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, Harpe
3
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano, Piano
3
Flûte, Alto et Piano
3
Piccolo, Piano
3
Saxophone et Guitare
3
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, trombone et piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, trompette et piano
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Tenor
2
Harmonica
2
2 Clarinettes, Basson
2
Flûte à Bec, Piano
1
Ensemble de Hautbois
1
4 Hautbois
1
Clarinette, Tuba
1
Saxophone et Orgue
1
Flûte irlandaise
1
Hautbois, trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Contrebasse (duo)
1
Harmonica, Piano
1
Flûte, Trombone (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte, alto et harpe
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Violon
1
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CUIVRES
Trombone (partie séparée)
376
Trompette (partie séparée)
307
Trompette, Saxophone (duo)
187
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
184
Trompette
145
2 Trombones (duo)
139
2 Trompettes (duo)
133
Quatuor de Cuivres : 2 trompettes, trombone, tuba
120
Trombone
116
Trombone et Piano
116
Trompette, Trombone (duo)
106
Trompette, Piano
96
Cor (partie séparée)
90
Cor
86
Cor et Piano
70
Tuba (partie séparée)
70
Quatuor de Cuivres
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Tuba et Piano
39
Tuba
38
Euphonium, Piano (duo)
37
Quatuor de cuivres: 4 trombones
26
Ensemble de Trombones
20
Cor anglais, Piano
19
Ensemble de Trompettes
13
Quatuor de cuivres: 4 cors
12
2 Cors (duo)
12
2 Euphoniums (duo)
11
2 Tubas (duo)
10
Cor Anglais
10
Trombone, Orgue
8
Euphonium
7
3 Trompettes (trio)
7
Quatuor de cuivres: 4 trompettes
6
Euphonium, Tuba (duo)
6
Ensemble de Cors
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
3 Trombones (trio)
5
4 Tubas
4
Trio de Cuivres
4
Cornet A Pistons
3
Trombone, Cor (duo)
3
Trompette et Guitare
3
Bass Clef Instruments
2
Instruments en Sib
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Trombone basse
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trombone et orchestre
1
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Harpe
1
Trombone basse et Piano
1
3 Euphoniums
1
Trompette, Harpe
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
791
Violon et Piano
356
Violon
306
Contrebasse (partie séparée)
272
Violon, Violoncelle (duo)
254
2 Violons (duo)
177
Violoncelle (partie séparée)
160
Harpe
153
Violoncelle, Piano
146
2 Violoncelles (duo)
146
Violon (partie séparée)
144
Violon, Alto (duo)
137
2 Altos (duo)
137
Alto, Piano
124
Trio à Cordes: violon, alto, violoncelle
112
Alto seul
97
Trio à Cordes: 2 violons, violoncelle
84
Alto (partie séparée)
64
Violoncelle
47
Contrebasse, Piano (duo)
46
Contre Basse
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Alto, Violoncelle (duo)
20
4 Violoncelles
18
Violoncelle, Contrebasse (duo)
16
2 Harpes (duo)
15
Violon, Guitare (duo)
15
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
11
2 Contrebasses (duo)
10
Harpe, Flûte (duo)
8
Piano Trio: Violon, Alto, Piano
8
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Violon, Basson (duo)
7
Harpe, Violoncelle (duo)
5
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Autoharp
4
3 Harpes
3
Violoncelle , Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Ensemble de Violoncelles
3
Alto et Basson
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
4 Contrebasses
2
5 Harpes
2
4 Harpes
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Alto et orchestre
1
Violon, Trompette et Piano
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3365
Ensemble Jazz
772
Orchestre à Cordes
760
Orchestre
538
Cloches
376
Jazz combo
297
Batterie
210
Ensemble de cuivres
184
Batterie (partie séparée)
147
Ensemble de Percussions
113
Fanfare
92
Orchestre de chambre
91
Percussion (partie séparée)
82
Marimba
24
Percussion
18
2 Xylophones
7
Xylophone
5
Vibraphone
5
Piano et Orchestre
5
Ensemble d'École
5
Xylophone, Piano
4
Timbales (partie séparée)
4
Caisse Claire
4
Bongos
3
Conga
3
Big band
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bodhran
2
Vibraphone et Marimba
2
Cajon
2
Timbales
1
3 Marimbas
1
Instrumentation Flexible
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
3
Théorie de la musique
2
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Rhythm
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9976
"Us" for Jazz Trombone Quintet & Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
(+)
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
22.86 €
#
Ensemble de Trombones
#
Thad Jones
#
Fletcher, David
#
"Us" for Jazz Trombone Quintet & Rhythm Section
#
Cherry Classics Music
#
SheetMusicPlus
ROXY for Jazz Trombone Quintet and Rhythm Section
Ensemble de Trombones
Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by E…
(+)
Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by Edmonds, Euan. Jazz, Latin Jazz, Big Band, Funk Jazz, Bossa Nova. Score, Set of Parts. 41 pages. Published by Cherry Classics Music
ROXY by Euan Edmonds is a chart written for Jazz Trombone Quintet and Rhythm section and is part of the University of Illinois Jazz Trombone Ensemble series.<br> <br> This work begins with a funky bass line that returns several times throughout the work. A sultry melody featuring a solo trombone follows and eventually the work opens up for solos and ends with the entire ensemble laying down some lush rhythmic chords.<br> <br> ROXY is about 8 minutes in length.
$25.00
22.86 €
#
Ensemble de Trombones
#
Edmonds, Euan
#
ROXY for Jazz Trombone Quintet and Rhythm Section
#
Cherry Classics Music
#
SheetMusicPlus
Three And One for Jazz Trombone Quintet and Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
(+)
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. Published by Cherry Classics Music
Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.<br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.
$25.00
22.86 €
#
Ensemble de Trombones
#
Thad Jones
#
Fletcher, David
#
Three And One for Jazz Trombone Quintet and Rhythm Section
#
Cherry Classics Music
#
SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.15 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
#
I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
RHYTHMICAL DIAGRAMS FOR MUSIC EDUCATION
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.513312 Composed by Marcelo Borba.…
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C Instrument - Level 1 - Digital Download SKU: A0.513312 Composed by Marcelo Borba. Multicultural,Pop,Rock,Traditional,Video Game,World. Lead Sheet / Fake Book. 14 pages. Marcelo Borba #124076. Published by Marcelo Borba (A0.513312). RHYTHMICAL DIAGRAMS FOR MUSIC EDUCATION - In this e-book you will find exercises with rhythmic diagrams. The exercises can be performed with claps or any other percussive instrument. It is possible to practice and create rhythmic writing exercises with children and young people at school level. Sound innovations for elementary school.Rhythm diagrams are visual representations of musical rhythms that help musicians understand and communicate the timing and duration of notes and rests within a piece of music. They are a way to notate rhythm in a simplified and intuitive manner.In a rhythm diagram, the vertical axis represents time, while the horizontal axis represents the different subdivisions of the beat. Each subdivision is represented by a box or a symbol, and the presence or absence of a mark inside the box indicates whether a note or rest is played at that specific moment.
$2.50
2.29 €
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Piano Facile
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Marcelo Borba
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RHYTHMICAL DIAGRAMS FOR MUSIC EDUCATION
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Marcelo Borba
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SheetMusicPlus
If it Ain't Got That Rhythm
Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Be…
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Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and parts. 3 pages. Published by Kian Beatty (A0.494041). A trio piece I wrote for a composition module for Snare drum, Bongos and Piano. This piece displays polyrhythms, rhythmic displacement and metric modulation.
$3.99
3.65 €
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Kian Beatty
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If it Ain't Got That Rhythm
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Kian Beatty
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SheetMusicPlus
Rhythm of the Winds: (wp) 2nd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2BC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN2BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Winds: (wp) 1st Horn in E-flat
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH1 (wp) 1st Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH1). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
#
Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Winds: (wp) B-flat Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPBBBC (wp) B-flat Baritone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPBBBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 2nd Horn in E-flat
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH2 (wp) 2nd Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH2 (wp) 2nd Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH2). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 3rd B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3TC (wp) 3rd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN3TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN3TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 2nd B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2TC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN2TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 3rd & 4th Horngs in E-flat
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH34 (wp) 3rd & 4th Horn…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH34 (wp) 3rd & 4th Horngs in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH34. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH34). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 3rd B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3BC (wp) 3rd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3BC (wp) 3rd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN3BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN3BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) E-flat Tuba T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBETC (wp) E-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBETC (wp) E-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBETC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN1TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
#
Orchestre d'harmonie
#
Frank Erickson
#
Rhythm of the Winds:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Rhythm of the Winds: (wp) 1st B-flat Trombone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN1BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Winds: (wp) E-flat Tuba B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBEBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Winds: (wp) B-flat Tuba T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBTC (wp) B-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBBTC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Orchestre d'harmonie
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm of the Winds: (wp) B-flat Tuba B.C.
Tuba (partie séparée)
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBBBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
2.74 €
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Tuba (partie séparée)
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rhythm Change- score
Hautbois, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.854297 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 3 pages. Melanie B Guerin #7757. Published by Melanie B Guerin (A0.854297). This energetic duet for oboe and clarinet begins with the title spelled out in Morse code, and ends with a quote from I Got Rhythm. In between is a sly tango with some Arabian flair, including stomping, hissing, and pencil tapping to add to the rhythmic drive. The range is appropriate for intermediate high school players, with some challenging syncopations and cross-rhythms as well as a few technical passages for both instruments. Parts available.
$4.00
3.66 €
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Hautbois, Clarinette (duo)
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Melanie Guerin
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Rhythm Change- score
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Melanie B Guerin
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SheetMusicPlus
Rhythms of the Spirit
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…
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Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
128.04 €
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Orchestre d'harmonie
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
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