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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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2 Cors (duo)
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3 Euphoniums
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Quatuor de cuivres: 4 trombones
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2 Euphoniums (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Harpe
20
Violon, Violoncelle (duo)
12
Violon, Alto (duo)
9
Contrebasse (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
3
Violon et Piano
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2 Violons (duo)
2
5 Harpes
2
2 Altos (duo)
2
4 Violoncelles
2
2 Harpes (duo)
2
3 Harpes
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Piano
1
4 Harpes
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Violon
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Harpe, Voix
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Alto, Violoncelle (duo)
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Piano Trio: Violon, Alto, Piano
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Violoncelle, Contrebasse (duo)
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Ensemble Jazz
80
Orchestre d'harmonie
39
Orchestre
30
Orchestre à Cordes
23
Jazz combo
20
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13
Ensemble de Percussions
9
Batterie (partie séparée)
8
Orchestre de chambre
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Cloches
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Fanfare
2
Piano et Orchestre
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Percussion
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Percussion (partie séparée)
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Rhythm Change- parts
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Rhythm Change- score
Hautbois, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.854297 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 3 pages. Melanie B Guerin #7757. Published by Melanie B Guerin (A0.854297). This energetic duet for oboe and clarinet begins with the title spelled out in Morse code, and ends with a quote from I Got Rhythm. In between is a sly tango with some Arabian flair, including stomping, hissing, and pencil tapping to add to the rhythmic drive. The range is appropriate for intermediate high school players, with some challenging syncopations and cross-rhythms as well as a few technical passages for both instruments. Parts available.
$4.00
3.69 €
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Hautbois, Clarinette (duo)
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Melanie Guerin
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Rhythm Change- score
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Melanie B Guerin
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
23.09 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Nu Tal (Mi Tierra) - Set of Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos …
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Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00
115.44 €
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Orchestre
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.55 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
A Raggy Boogaloo for Brass and Rhythm
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.931695 Composed by Dr. John D. Swan. Conc…
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Brass Ensemble - Digital Download SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Trombacor Music (A0.931695). Here’s A Raggy Boogaloo scored for standard brass quintet with rhythm section of piano, bass, and drums. Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the octet throughout. There is an extended jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the octet to use is included. A performance for a jazz audience can extend the solo section for as many improvisers as a feature piece for other soloists. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone, and tuba, is joined by a rhythm section. This is a great opportunity to expand your brass quintet into a larger group with an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo, with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long. **Watch for other works in the Trombacor Music Library for quintet and rhythm section as they become available. They are currently being transcribed into the Sibelius software by the composer’s assistant.
$27.95
25.81 €
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Ensemble de cuivres
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Dr
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A Raggy Boogaloo for Brass and Rhythm
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Trombacor Music
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SheetMusicPlus
Flight of the Star Owls Harp Arrangement- Full score and parts (E minor)
Harpe
Harp - Level 5 - Digital Download SKU: A0.1212021 By Laura Olson. By Laura Olson. A…
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Harp - Level 5 - Digital Download SKU: A0.1212021 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #807217. Published by Blue Steer Studios (A0.1212021). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement. You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
9.23 €
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Harpe
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Laura Olson
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Laura Olson
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href=https://www
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Flight of the Star Owls Harp Arrangement- Full score and parts
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Blue Steer Studios
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SheetMusicPlus
Flight of the Star Owls Harp Arrangement- Full score and parts (F minor)
Harpe
Harp - Level 4 - Digital Download SKU: A0.1212320 By Laura Olson. By Laura Olson. A…
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Harp - Level 4 - Digital Download SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #809584. Published by Blue Steer Studios (A0.1212320). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
9.23 €
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Harpe
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Laura Olson
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Laura Olson
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Flight of the Star Owls Harp Arrangement- Full score and parts
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Blue Steer Studios
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SheetMusicPlus
Last Autumn for jazz trombone quintet and rhythm section
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.749096 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.749096 Composed by Andy Derrick. Jazz,Latin. Score and parts. 12 pages. Andy Derrick #4608067. Published by Andy Derrick (A0.749096). This is my composition LAST AUTUMN scored for 5 trombones and rhythm section. A floaty latin groove with a haunting melody and easy solo changes makes this a straightforward chart for your group.I have plenty more originals for trombones and rhythm, please browse my other tunes.
$19.99
18.46 €
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Ensemble Jazz
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Andy Derrick
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Last Autumn for jazz trombone quintet and rhythm section
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Andy Derrick
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SheetMusicPlus
4 Prague Poems of Altered Minds - Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1090455 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1090455 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia's Forte Music #694633. Published by Elia's Forte Music (A0.1090455). The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Score is available separately.
$49.99
46.17 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Elia Cmiral
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4 Prague Poems of Altered Minds - Parts
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Elia's Forte Music
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SheetMusicPlus
The Seven Joys of Mary (with optional flute and clarinet parts)
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1127914 Composed by …
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1127914 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Easter,Sacred. 57 pages. Philip Le Bas #728523. Published by Philip Le Bas (A0.1127914). A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes the optional flute and B flat clarinet parts. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.
$1.99
1.84 €
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Chorale 3 parties
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Traditional
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Philip Le Bas
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The Seven Joys of Mary
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Philip Le Bas
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SheetMusicPlus
My Land of the Sun (Instrumental Score and Parts)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1419869 By Santa F…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1419869 By Santa Fe and the Fat City Horns. By Dave Richardson. Arranged by Garrett Breeze. Pop,Singer/Songwriter. 59 pages. Lagom Music #1001291. Published by Lagom Music (A0.1419869). Full of groovy rhythms and mystical lyrics, this arrangement of Santa Fe and the Fat City Horns original song is a fantastic change of pace number that will keep audiences on the edge of their seats! Â Available in SATB, with instrumental accompaniment score and parts sold separately.
$150.00
138.53 €
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Ensemble Jazz
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Santa Fe and the Fat City Horns
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Garrett Breeze
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My Land of the Sun
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Lagom Music
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SheetMusicPlus
The Ritual - A Folk Fantasia (score and parts)
Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin…
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Large Ensemble Celesta,Cello,Clarinet,Double Bass,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - Digital Download SKU: A0.942952 Composed by Aris Antoniades. Contemporary,Folk,World. Score and parts. 92 pages. Aris Antoniades #4996771. Published by Aris Antoniades (A0.942952). The Ritual - A Folk Fantasia (2015) for Chamber Ensemble Composed by Aris AntoniadesInstrumentation: Flute, Clarinet, Bendir, Guitar, Harp, Celesta, Violin, Violoncello, ContrabassRunning time: approx. 10'The Ritual is a fantasia based on Greek folk rhythms and idioms. The piece tries to musically depict the experience of a traveler who witnesses a pagan ritual. The strange ceremony takes place around a bonfire at a cold and distant mountain settlement. Masked people burst into a frenzy of dance and ecstatic priests pray to their gods. As the ritual progresses, the traveler’s mind becomes misty. Soon he transcends reality and enters a strange world-a world of dreams, a world of fantasy. There he discovers hidden spiritual treasures that will change his life forever. Finally, his spirit gets pulled back into his body while the natives continue their dance and end the ritual. The piece combines heterophonic dance elements (representing the secular part of the ritual) with strict contrapuntal writing, including a double canon (representing transcendence to the spiritual world).Cover Design - Dimitris I. StivarosWebsite: www.arisantoniades.com
$40.00
36.94 €
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Aris Antoniades
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The Ritual - A Folk Fantasia
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Aris Antoniades
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SheetMusicPlus
Ar Lan y Môr (Beside the Sea) FULL SET score & parts for harp ensemble
5 Harpes
Harp, Ensemble of 3 to 6 harps (lever and/or pedal) - Easy/Beginner - Digital Downlo…
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Harp, Ensemble of 3 to 6 harps (lever and/or pedal) - Easy/Beginner - Digital Download Composed by Traditional Welsh, arranged for Harp Ensemble by Stephanie Bennett. Arranged by Stephanie Bennett. World, Folk. 26 pages. Published by Harpworld Music Co.
A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes).<br> <br> Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required. That is, they wouldn't be suitable for harps with NO levers.<br> <br> Harps 5-6 are optional; they can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed! Great for letting beginners enjoy playing in ensemble, learning to listen and count!<br> <br> This item contains the SCORE and a full set of parts (Harp 1, Harp 2, Harp 3&4 together, and Harp 5&6 together.)<br> <br> You can also buy the score individually, it is S0.493007<br> <br> Harp 1 only is S0.493013<br> <br> Harp 2 only is S0.493015<br> <br> Harp 3&4 only is S0.493017<br> <br> Harp 5&6 only is S0.493019.
$22.00
20.32 €
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5 Harpes
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Traditional Welsh, arranged for Harp Ensemble by Stephanie Bennett
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Stephanie Bennett
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Ar Lan y Môr
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Harpworld Music Co.
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SheetMusicPlus
Most Certainly - Swingin' Trombone Quartet with Rhythm Section
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.782017 Composed by Aaron Hettinga. …
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Jazz Combo - Level 4 - Digital Download SKU: A0.782017 Composed by Aaron Hettinga. Jazz. Score and parts. 29 pages. Aaron Hettinga #6064461. Published by Aaron Hettinga (A0.782017). Here’s an easy-going swing tune to feature your trombonists! This original from Aaron Hettinga features some nice soli section playing along with space for solos. There are plenty of texture changes around: tight high harmony, call & response, solo support, group articulations, great chances to showcase quartet section playing and provide opportunities to teach developing players about ABAC form and ensemble.While the top two bone parts can be a bit taxing in range (the lead part especially as it hangs around high C for the much of the last page), the lower parts are mostly straightforward for what’s found in Big Band swing charts.
$35.00
32.32 €
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Jazz combo
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Aaron Hettinga
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Most Certainly - Swingin' Trombone Quartet with Rhythm Section
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Aaron Hettinga
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SheetMusicPlus
Rhythm-A-Ning
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1405082 By Theloni…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1405082 By Thelonious Monk. By Thelonious Monk. Arranged by Clint Bleil. Jazz. 96 pages. Clint Bleil #988119. Published by Clint Bleil (A0.1405082). This chart on Monk's Rhythm-A-Ning is a great up-tempo swing feature for a solo trumpet player. The melody is presented initially through some awkward phrasing and feel changes before going into a driving swing feel for the solo and shout chorus. This is a great chart to feature a guest trumpet artist, as the ensemble parts are very accessible!
$70.00
64.65 €
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Ensemble Jazz
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Thelonious Monk
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Clint Bleil
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Rhythm-A-Ning
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Clint Bleil
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SheetMusicPlus
Gospel Truth for jazz trombone quartet and rhythm section
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.749085 Composed by And…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.749085 Composed by Andy Derrick. Contemporary,Jazz. Score and parts. 19 pages. Andy Derrick #3692739. Published by Andy Derrick (A0.749085). Gospel Truth is a groovy piece for 4 jazz trombones and rhythm section. Featuring harmonised melody and chord changes for everyone to improvise, this accessible piece goes down well with audiences.See Leeds College of Music jazz trombones perform it here: https://www.youtube.com/watch?v=Y-CSo4BC2KgAndy Derrick is a professional trombonist, teacher and composer and has written many works for brass players of all standards. Please check out his other works.
$15.99
14.77 €
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Andy Derrick
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Gospel Truth for jazz trombone quartet and rhythm section
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Andy Derrick
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SheetMusicPlus
Most Certainly - Swingin' Trombone Quartet with Rhythm Section - mp3
Bass Guitar,Drums,Piano,Trombone - Digital Download SKU: A0.1072119 Composed by Aar…
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Bass Guitar,Drums,Piano,Trombone - Digital Download SKU: A0.1072119 Composed by Aaron Hettinga. Jazz. Full Performance. Duration 179. Aaron Hettinga #6064465. Published by Aaron Hettinga (A0.1072119). Here’s an easy-going swing tune to feature your trombonists! This original from Aaron Hettinga features some nice soli section playing along with space for solos. There are plenty of texture changes around: tight high harmony, call & response, solo support, group articulations, great chances to showcase quartet section playing and provide opportunities to teach developing players about ABAC form and ensemble.While the top two bone parts can be a bit taxing in range (the lead part especially as it hangs around high C for the much of the last page), the lower parts are mostly straightforward for what’s found in Big Band swing charts.
$1.99
1.84 €
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Aaron Hettinga
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Most Certainly - Swingin' Trombone Quartet with Rhythm Section - mp3
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Aaron Hettinga
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SheetMusicPlus
Them Changes
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.586351 By Buddy Mi…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.586351 By Buddy Miles. By Buddy Miles and George Buddy Miles. Arranged by Jeff Tincher. Contemporary. Score and parts. 60 pages. Jeff Tincher #6685375. Published by Jeff Tincher (A0.586351). One of the big hits of the 70's by one of the premier drummers. Most garage bands learned this tune. Title cut in the original key, this song has been covered by Carlos Santana, Jimi Hendrix, and others. This arrangement includes the ending from the Carlos Santana & Buddy Miles! Live! LP. Trumpets 1 & 2 have the melody, the saxes have the chordal rhythm and trumpets 3 & 4 plus the bones play the horn parts on the recording. Duration = 3:46. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$40.00
36.94 €
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Ensemble Jazz
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Buddy Miles
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Jeff Tincher
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Buddy Miles! Live! LP
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Them Changes
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Jeff Tincher
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.08 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
The Rhythm Of Life
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1284562 By Cy Coleman. By C…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1284562 By Cy Coleman. By Cy Coleman and Dorothy Fields. Arranged by Jenny Walker. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show. Octavo. 16 pages. J Walker #875735. Published by J Walker (A0.1284562). This iconic song, written by composer Cy coleman and lyricist Dorothy Fields, became famous when used in the the 1966 Broadway musical Sweet Charity. The frequent key changes and tongue-twisting phrases and sentences, makes it a fairly challenging sing. This arrangement aims to incorporate most of the elements used in the movie, including other parts mingling and contrasting with the main melody, which is passed between them. A fun song, fully of life and vitality.
$4.00
3.69 €
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Chorale 3 parties
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Cy Coleman
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Jenny Walker
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The Rhythm Of Life
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J Walker
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SheetMusicPlus
Sue's Changes
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.1042938 By Charles Mingus. By Charl…
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Jazz Combo - Level 5 - Digital Download SKU: A0.1042938 By Charles Mingus. By Charles Mingus. Arranged by Michael T. Geib. Jazz. Score and parts. 16 pages. Geib Musik Publishing #647652. Published by Geib Musik Publishing (A0.1042938). The iconic Mingus composition arranged for Trumpet in Bb, Alto Saxophone, Trombone, and Rhythm Section (piano, bass, & drum set(.
$24.99
23.08 €
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Jazz combo
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Charles Mingus
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Michael T
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Sue's Changes
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Geib Musik Publishing
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SheetMusicPlus
3x3 for Percussion Trio (all parts)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.928500 Composed by Jared R…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.928500 Composed by Jared Rountree. Contemporary. Score and parts. 11 pages. Jared Rountree #6857559. Published by Jared Rountree (A0.928500). 3x3 is a trio for snare and bass drums written for the Southern Oregon University Percussion Ensemble. It features numerous sections that contain contrapuntal exchanges and complex rhythmic patterns between groups of 2 or 3 players. There is an open solo section followed by a contrasting soft section played with soft timpani mallets. It ends with a unison section that is restated in increasingly quick tempos that build tension until the final decrescendo into nothing. (approx. 5’30’)
$19.99
18.46 €
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Ensemble de Percussions
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Jared Rountree
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3x3 for Percussion Trio
#
Jared Rountree
#
SheetMusicPlus
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