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Rhythm of the Winds: Timpani
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Rhythm of the Winds: Timpani
Partitions à imprimer
60 partitions trouvées
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1
26
51
Four Winds
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Contemporain
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Don Bowyer
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Four Winds
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Dolphin Don's Music School
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpa...
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - SKU: A0.990176 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 105 pages. Dolphin Don's Music School #6475223. Published by Dolphin Don's Music School (A0.990176). The title refers to the Four Winds of the Apocalypse. This single movement work is based entirely on a six-note synthetic scale including the notes C, D, E, G, Ab, A. Every other note of this scale is combined into two different triads, one augmented and the other suspended. The alternation of these two triads serves as the only harmonic structure for the piece.The trombone begins by stating a simple idea, which is blown around the ensemble until it develops into the first theme when the woodwinds take over. Following a driving ostinato percussion transition, the trumpet states the second theme.The chimes state the third theme, a twisted interpretation of the Medieval hymn, Dies Irae. The bass instruments join the chimes in repeating the third theme, while the rest of the winds restate the second theme and the percussion continue their ostinato.Each section states and repeats its own motive in a group effort that constitutes the fourth theme, then the woodwinds gently return to the first theme, accompanied by a subdued and rhythmically altered version of the third theme.The percussion ostinato returns, though rhythmically altered. The trumpets and horns bring back an altered version of the second theme, while the woodwinds do the same for the first theme. Just before the end, the trombone tries to return to the calm that began the performance. A final strong gust from the entire ensemble puts an end to this idea, simultaneously signaling the end of the piece.
$39.99
Helios Rising: Timpani
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Orchestre d'harmonie
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Methodes
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Todd Stalter
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Festival.
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Helios Rising: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017441_TMP Timpani. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-...
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Concert Band - SKU: AX.00-PC-0017441_TMP Timpani. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017441_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017441_TMP). UPC: 038081517636.In Greek mythology, Helios is a Titan who faithfully drove the Sun's chariot across the sky each day, disappearing in the west into Oceanus (the ocean, which the Greeks believed encircled the Earth), and rising out of it again in the east the next morning. Helios' journey at sunrise is referenced musically by the ascending leap in the main theme and the strong driving rhythms of the low winds and percussion. The contrasting light and dark textures in the slow section depict twilight inevitably giving way to the darkness of night. (2:45)Concert/Contest; Festival.
$3.00
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
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Orchestre d'harmonie
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FACILE
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Brian Harris
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articulations
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MARCH OF THE CZAR'S BRIGADE
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com...
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Concert Band - Level 2 - SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
$39.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Broken Bow: Timpani
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Orchestre d'harmonie
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Methodes
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Carl Strommen
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Festival.
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Broken Bow: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014377_TMP Timpani. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00...
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Concert Band - SKU: AX.00-PC-0014377_TMP Timpani. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_TMP). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
The Impossible Dream (from Man of La Mancha): Timpani
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Orchestre
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Methodes
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Mitch Leigh
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Victor López
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The Impossible Dream
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016220_TMP Timpani. Composed by Mitch Leigh. Arranged by Victor López. Instructional. Part. 1 pages. Alfre...
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Full Orchestra - SKU: AX.00-PC-0016220_TMP Timpani. Composed by Mitch Leigh. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016220_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016220_TMP). UPC: 038081438849.This fabulously flexible arrangement of the ever-inspirational song will be useful in many settings. It can be performed by full orchestra, string orchestra with piano and/or rhythm section, winds with piano, with soloists or without, and in other combinations! Keep this one forever!Solo with ensemble.
$3.00
Are You Washed In the Blood - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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Are You Washed In the Blood -
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742691 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742691 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 79 pages. AnderKamp Music #3637261. Published by AnderKamp Music (A0.742691). This is a fun, gospel arrangement. The drums have a ‘train’ sort of feel (the ‘choo choo’ not ‘soul sister’ variety). This arrangement is a medley of Are You Washed In the Blood with There Is Power In the Blood. Toe tapping for sure. These type arrangements play themselves and everyone will love this energetic opener. This arrangement is in the Key of F then changes key up to G. You don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part and go to town! As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
Rejoice the Lord Is King - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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Rejoice the Lord Is King - 8 C
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742695 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742695 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 73 pages. AnderKamp Music #3637271. Published by AnderKamp Music (A0.742695). Beginning with a simple to play, yet bold sounding brass fanfare, this orchestral driven piece is a great opener to a service. Based around a snare drum type cadence, this arrangement features the brass at the beginning and end and slows down in the middle a little to feature the woodwinds. Plenty of energy in this piece makes this a ‘go to’ piece when wanting to feature the orchestra. This arrangement is in the Key of F and changes keys to C.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
Red Rock Mountain: Timpani
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Orchestre d'harmonie
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Methodes
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Rossano Galante
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Festival.
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Red Rock Mountain: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017469_TMP Timpani. Composed by Rossano Galante. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #...
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Concert Band - SKU: AX.00-PC-0017469_TMP Timpani. Composed by Rossano Galante. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017469_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017469_TMP). UPC: 038081518053.This composition is an episodic work that paints a musical portrait of Red Rock Mountain, a beautiful mountain landscape in Pennsylvania. Brass fanfares and soaring wind lines begin the piece, transitioning into an emotional section depicting the mountains at dusk. As the sun rises and sheds light on its peaks, the music becomes lyrical and rhythmically incisive, culminating in a heroic brass finale depicting the grandeur of these stunning East Coast mountains. (6:00) This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
Slavonic Legend: Timpani
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Orchestre
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Methodes
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Elliot Del Borgo
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Slavonic Legend: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014253_TMP Timpani. Composed by Elliot Del Borgo. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Musi...
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Full Orchestra - SKU: AX.00-PC-0014253_TMP Timpani. Composed by Elliot Del Borgo. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014253_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014253_TMP). UPC: 038081152028.All of the power and rhythmic energy that you've come to associate with Elliot Del Borgo's work is evident in this new composition for full orchestra. Scored to be playable by strings alone or with the addition of any or all of the winds and percussion, this selection provides the optimum in flexibility and is performable by groups with reduced instrumentation and/or limited rehearsal time.List/syllabus: TX UIL PML: Orch, Strings, Guitar.
$3.00
Chase the Shouting Wind: Timpani
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Orchestre d'harmonie
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Methodes
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Vince Gassi
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Festival.
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Chase the Shouting Wind: Timpa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016447_TMP Timpani. Composed by Vince Gassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0016447_TMP Timpani. Composed by Vince Gassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016447_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016447_TMP). UPC: 038081471327.Inspired by the poem, High Flight, by American WWII pilot, John Gillespie Magee, Jr., this energetic work calls to mind the thrill and freedom of flight. Opening with rhythmic energy in the winds and rich harmonic statements in the brass, the mood gives way to a sensitive lyrical section. A dynamic development of the opening statement leads, ultimately, to a powerful and climactic ending. An excellent contest piece, this selection will enhance any program. (3:40) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
Fiesta Tropicale: Timpani
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Orchestre
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Methodes
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Victor Lopez
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Fiesta Tropicale: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015715_TMP Timpani. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #0...
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Full Orchestra - SKU: AX.00-PC-0015715_TMP Timpani. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015715_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015715_TMP). UPC: 038081324005.If you are looking for high energy Latin sounds for your orchestra, this sizzling arrangement will do the trick. Feel the rhythm with this new rendition of El Juego Chirimbolo, Quando, Quando, Quando, Beautiful Maria of My Soul and La Bamba. This arrangement integrates the salsa sounds of Latin rock, meringue and bolero. An excellent opportunity to introduce your students to authentic Latin rhythms with strings alone or any combination of winds. (5:00).
$3.00
Escape from Dead Raider's Hollow: Timpani
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Orchestre d'harmonie
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Methodes
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Jeremy Bell
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Festival.
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Escape from Dead Raider's Holl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017453_TMP Timpani. Composed by Jeremy Bell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0017453_TMP Timpani. Composed by Jeremy Bell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017453_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017453_TMP). UPC: 038081517810.Escape from Dead Raider's Hollow is a fast-paced adventure. Opening quietly, the introduction gradually builds in volume and energy up to a tempo change where the piece takes off and doesn't relent until the end. Combining rhythms of 3 over a pulse of 2 creates a hemiola effect that drives the piece forward, creating a feeling of anxiety and being chased. This is a bombastic, action-packed piece with loud percussive hits, huge brass, and soaring woodwinds that ends with a bang. (2:30)Concert/Contest; Festival.
$3.00
Rhythm of the Winds: Timpani
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Timbales (partie séparée)
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Methodes
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Frank Erickson
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Rhythm of the Winds: Timpani
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Frank Erickson. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By Frank Erickson. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Intermezzo from Cavalleria Rusticana: Timpani
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Orchestre d'harmonie
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Pietro Mascagni
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Harry I
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Festival.
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Intermezzo from Cavalleria Rus
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017506_TMP Timpani. Composed by Pietro Mascagni. Arranged by Harry I. Phillips. Masterwork Arrangement. Part. 1 pag...
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Concert Band - SKU: AX.00-PC-0017506_TMP Timpani. Composed by Pietro Mascagni. Arranged by Harry I. Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017506_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017506_TMP). UPC: 038081190167.Cavalleria Rusticana is Mascagni's most popular opera. Intermezzo is the instrumental interlude that accompanies villagers leaving an Easter service. This operatic gem brings relief to the tensions of a plot that realistically deals with tragic triangles of love. Beginning with a sensitively treated section for woodwinds, it's not long before the brass enters to create a lush sound. Rhythmically simple, this piece allows the conductor to focus on the execution of long, lyrical passages, including dynamics, legato line, and phrasing. A beautiful treatment of an equally beautiful work.Concert/Contest; Festival.
$3.00
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Strange Gravity - for Contrabassoon and Symphonic Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jason McChristian
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Strange Gravity - for Contraba
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian #3108221. Publis...
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Concert Band - Level 4 - SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian #3108221. Published by Jason Gary McChristian (A0.886144). Forceful and sinister, this is music that might emanate from a witch’s cauldron or some primordial ooze. The contrabassoon slithers through the scene, mocked by brass fanfares, accompanied by timpani strikes, and interrupted by violent guiro scratches. A faster tempo ensues; the woodwinds and mallet percussion announce scalar flourishes followed by an angular theme presented by the contrabassoon. The section concludes with nimble music in the woodwinds, marked by sprightly accents and dramatic changes of color. The middle section of the piece begins with a murky background and a plaintive statement from the orchestral bells and vibraphone. Marked Ethereal, this section features a rhythmic motive that develops into a distant ostinato. The simple bell statement matures, growing powerful and triumphant. The music settles, the menacing music from the beginning returns. What was once sinister, now takes on a rhapsodic and mildly optimistic nature. All of the earlier themes are now cast in different guises and pitted against each other. The cauldron is stirred, the ooze flows, and the contrabassoon, now alone, simmers. As the piece comes to a close the instruments return one by one to join each other in one final, primal scream.
$80.00
Patriotic Salute
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Brian Ackley
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Patriotic Tunes
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Patriotic Salute
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Brian P. Ackley
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1487746 Composed by Brian Ackley. Arranged by Patriotic Tunes. 21st Century,Patriotic,Standards,Traditional. 72 pages. ...
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Concert Band - Level 4 - SKU: A0.1487746 Composed by Brian Ackley. Arranged by Patriotic Tunes. 21st Century,Patriotic,Standards,Traditional. 72 pages. Brian P. Ackley #1064684. Published by Brian P. Ackley (A0.1487746). Triumphant and noble, Patriotic Salute is the quintessential piece to honor America and everyone of us who make up this glorious country. This arrangement will bring audiences to their feet while leaving your ensemble feeling like they have reached out and touched stars and stripes. Filled with patriotism and American pride, Patriotic Salute showcases ear-turning harmonies and integral moving parts, while keeping to the traditional rhythms of your favorite American Folk songs. Arranged for your advanced high school band or community group, audiences will be delighted in this rendition that includes three main themed sections; Battle Hymn of the Republic—featuring a call-and-response with When Johnny Comes Marching Home and Yankee Doodle—God Bless America and America the Beautiful. Each instrument not only shares in performing the melodies throughout, but also is harmonized to fit these picturesque imageries of America in this arrangement. Patriotic Salute is driven by the attention given to rhythmic ingenuity. The percussion section—snare, bass, auxiliary, timpani and glockenspiel—are the motor of this piece. The percussionists’ unique parts are separate from the ornamentations and pulsating rhythms of the brass and woodwinds, but also align with many of the syncopated and off-beat rhythms in the harmonies, as well. While Patriotic Salute starts in the Key of F before settling in the key of Bb 2/3's of the way through, this arrangement by no means feels like a piece that sticks to just two keys, as modulations and borrowed chords are filled from top to bottom. Each section is also written in such a way that the chords are not only cross-sectional, but also fulfilled within the section, adding to the lush textures. As each instrument’s ranges are stretched high and low, so are the intricacies of each passage that exemplify each instrument’s unique technicalities. Patriotic Salute is not only satisfying to the audience members, but also enjoyable to the performers. If you are looking for a straight-forward, yet exciting piece for your Patriotic celebrations, this is the piece for your library!
$40.00
How Firm a Foundation - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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How Firm a Foundation - 8 Core
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 74 pages. AnderKamp Music #3637263. Published by AnderKamp Music (A0.742692). This arrangement has a ‘little’ bit of the feel of a Bruce Hornsby type song for the piano and rhythm section. Though it has some life and energy to it, there are no tricky rhythms in this arrangement. This should be a pretty easy arrangement to pull together with limited rehearsal time that sounds GREAT! This arrangement begins in the Key of Eb and changes keys to F. You don’t have to have a rhythm section to play this piece. It’s great if you do, but it’s not critical. As long as you have a piano player, they can play the written out piano part and you are good to go. As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
Mass Effect: Suicide Mission
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Orchestre d'harmonie
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AVANCÉ
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Jack Wall and Sam Hulick
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David Boyd
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Mass Effect: Suicide Mission
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David Boyd
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1489135 Composed by Jack Wall and Sam Hulick. Arranged by David Boyd. 21st Century,Instructional,Video Game. 207 pages....
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Concert Band - Level 5 - SKU: A0.1489135 Composed by Jack Wall and Sam Hulick. Arranged by David Boyd. 21st Century,Instructional,Video Game. 207 pages. David Boyd #1065985. Published by David Boyd (A0.1489135). General OverviewSuicide Mission is a pivotal piece in the soundtrack of the Mass Effect 2, capturing the high-stakes and intense emotions of the video game's climax. The original composition by Jack Wall and Sam Hulick is characterised by its unique driving rhythms, dramatic melodies, orchestral grandeur and bombastic tension. This arrangement for concert band and wind ensemble aims to retain the epic and cinematic quality of the original, while adapting the instrumentation and dynamics to suit a modern wind band setting.This piece is crafted to subtly unsettle the listener, mixing heroism with barely under control anxiety. The irregular time signature and rhythms, combined with counter melodies and eerie open fifths and octaves, all contribute to this effect. The alterations to the familiar Commander Shepard Theme, first introduced here in bar 17 by the horns and alto clarinet, add to the tension, keeping your audience on the edge of their seats until the final note!InstrumentationThis arrangement is scored for a wind ensemble or concert band with some extended percussion, including:Woodwinds: Piccolo, Flute 1 & 2, Oboe, English Horn, Bassoon, Contrabassoon, Eb Clarinet, Bb Clarinet 1, 2, & 3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone. Note the Bassoon part uses bass and tenor clefBrass: Trumpet 1, 2, French Horn 1, 2, Trombone 1, 2, & 3, Bass Trombone, Euphonium, TubaPercussion: Timpani, Snare Drum, Bass Drum, Roto Toms/Tenor Drum, Suspended Cymbals, Woodblock, Vibraphone, Tubular BellsA synthesiser may be used in place of vibes
$79.99
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Rhythm of the Winds: Timpani