English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
38
Partitions
Numériques
268
Librairie
Musicale
2 191
Matériel
de Musique
34
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
41
PIANO & CLAVIERS
Piano seul
25
Piano, Voix et Guitare
17
Piano, Voix
5
Piano Facile
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Orgue
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
1
VOIX
Chorale SATB
17
Chorale 3 parties
5
Chorale 2 parties
3
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Alto, Piano
2
Chorale TTBB
1
Chorale SSAA
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Flûte traversière et Piano
3
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Saxophone Tenor
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto
1
Quintette de Flûte : 5 flûtes
1
Clarinette et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
2
Ensemble de Trombones
2
Trompette (partie séparée)
1
Tuba
1
Trombone basse et Piano
1
Trombone
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
2
Violon
2
Harpe
2
Ensemble d'Altos
1
Harpe et Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Voix
1
2 Violoncelles (duo)
1
Alto, Piano
1
Ensemble de Violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
53
Orchestre
4
Orchestre à Cordes
4
Ensemble de cuivres
1
AUTRES
Vous avez sélectionné:
River In The Rain
Partitions à imprimer
268 partitions trouvées
<
1
26
51
....
251
The River
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
(+)
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.53 €
#
Voix Alto, Piano
#
Sydney Stevens
#
The River
#
Sydney Stevens, Water Music
#
SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
(+)
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.14 €
#
Alto, Piano
#
Traditional Scottish
#
James M
#
The Water is Wide for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
(+)
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.65 €
#
Chorale SSAA
#
Adrienne Inglis
#
La ciudad sumergida
#
Adrienne Inglis
#
SheetMusicPlus
Echoes Of The American West
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Stein…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
41.16 €
#
Orchestre d'harmonie
#
Randy A
#
Echoes Of The American West
#
Randy A. Steinberg
#
SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
(+)
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
27.43 €
#
James Smith
#
Variations, Für Elise
1
#
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
#
Ensemble Llama Music
#
SheetMusicPlus
Jump Right In! (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Compo…
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.66 €
#
Voix Baryton, Piano
#
Gwyneth W
#
Jump Right In!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Jump Right In! (Downloadable)
Voix Tenor, Piano
Tenor voice and piano - Moderately Easy - Digital Download SKU: MQ.8825-3E Composed…
(+)
Tenor voice and piano - Moderately Easy - Digital Download SKU: MQ.8825-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8825-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8825-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.66 €
#
Voix Tenor, Piano
#
Gwyneth W
#
Jump Right In!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Let It Rain
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015536 By Diana Krall. By Hal …
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015536 By Diana Krall. By Hal Dyson and James Kendis. Jazz. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015536. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015536). ISBN 9780739093771. UPC: 038081452937.This official piano sheet music companion folio to Diana Krall's 11th studio album will delight any pianist who loves jazz and blues. The melodic 1920s- and '30s-era songs are naturally enjoyable at the keys, as are the songs from later eras, like Lonely Avenue and Wide River to Cross. Vocal melodies, complete lyrics, and chords are included. Titles: We Just Couldn't Say Goodbye * There Ain't No Sweet Man That's Worth the Salt of My Tears * Just Like a Butterfly That's Caught in the Rain * You KnowF--I Know Ev'rything's Made for Love * Glad Rag Doll * I'm a Little Mixed Up * Prairie Lullaby * Here Lies Love * I Used to Love You but It's All Over Now * Let It Rain * Lonely Avenue * Wide River to Cross * When the Curtain Comes Down.
$3.99
3.65 €
#
Piano, Voix et Guitare
#
Diana Krall
#
Let It Rain
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Old Palmer Song
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditi…
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
2.01 €
#
Chorale SATB
#
the time the rush was over, the Palmer had yielded over 100 tons of gold!
The Old Palmer Song
is set to the tune of
Ten Thousand Miles Away
, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century
#
Traditional
#
Sandra Milliken
#
The Old Palmer Song
#
Sandra Milliken
#
SheetMusicPlus
When the Curtain Comes Down
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015535 By Diana Krall. By Al L…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015535 By Diana Krall. By Al Lewis, Al Sherman, and Carl Hoefle. Jazz. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015535. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015535). ISBN 9780739093771. UPC: 038081452937.This official piano sheet music companion folio to Diana Krall's 11th studio album will delight any pianist who loves jazz and blues. The melodic 1920s- and '30s-era songs are naturally enjoyable at the keys, as are the songs from later eras, like Lonely Avenue and Wide River to Cross. Vocal melodies, complete lyrics, and chords are included. Titles: We Just Couldn't Say Goodbye * There Ain't No Sweet Man That's Worth the Salt of My Tears * Just Like a Butterfly That's Caught in the Rain * You KnowF--I Know Ev'rything's Made for Love * Glad Rag Doll * I'm a Little Mixed Up * Prairie Lullaby * Here Lies Love * I Used to Love You but It's All Over Now * Let It Rain * Lonely Avenue * Wide River to Cross * When the Curtain Comes Down.
$3.99
3.65 €
#
Piano, Voix et Guitare
#
Diana Krall
#
When the Curtain Comes Down
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/ We Three Kings) - piano accompaniment
Accompagnement Piano
Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H.…
(+)
Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Accompaniment. Duration 223. Cartecay River Music Publishing #3493773. Published by Cartecay River Music Publishing (A0.1069619). This is the piano accompaniment track for SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings). This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40 The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.
$4.00
3.66 €
#
Accompagnement Piano
#
Kings of Orient, John H
#
Richard Donn
#
SAW YOU NEVER, IN THE TWILIGHT
#
Cartecay River Music Publishing
#
SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings o…
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Octavo. 12 pages. Cartecay River Music Publishing #3493767. Published by Cartecay River Music Publishing (A0.891181). SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings) This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40  A piano accompaniment track is available through SheetMusicPlus.com.
$2.00
1.83 €
#
Chorale SATB
#
Kings of Orient, John H
#
Richard Donn
#
SAW YOU NEVER, IN THE TWILIGHT
#
Cartecay River Music Publishing
#
SheetMusicPlus
The Palatka Port March - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.15 €
#
Orchestre d'harmonie
#
David M
#
The Palatka Port March - Score Only
#
DMStewart Music
#
SheetMusicPlus
The Palatka Port March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
45.74 €
#
Orchestre d'harmonie
#
David M
#
The Palatka Port March
#
DMStewart Music
#
SheetMusicPlus
Whiter Than the Snow
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
2.74 €
#
Chorale SATB
#
Text: Eden Reeder Latta
#
Ken Litton
#
Whiter Than the Snow
#
Artist of Note, Inc.
#
SheetMusicPlus
I Told The Brook
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779570 Composed by Marty Rob…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Published by Kim Kirkman (A0.779570). I Told the Brook by Marty Robbins in G for alto/bass voice. Top note B naturalAlso sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99
4.56 €
#
Piano, Voix
#
Marty Robbins
#
Kim Kirkman
#
I Told The Brook
#
Kim Kirkman
#
SheetMusicPlus
I Told The Brook
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779569 Composed by Marty Rob…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Published by Kim Kirkman (A0.779569). I Told the Brook by Marty Robbins in D (top note F#)Also sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99
4.56 €
#
Piano, Voix
#
Marty Robbins
#
Kim Kirkman
#
I Told The Brook
#
Kim Kirkman
#
SheetMusicPlus
Deep River
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918261 Arranged by Dillon's Music G…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.918261 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013047. Published by Dillon's Music Group (A0.918261). Deep River, perhaps the best known and best-loved of all spirituals, referred to the slaves' yearning for freedom and the rivers that would have to be crossed to get to the Promised Land. They thought of these mighty waters as rivers flowing into distant horizons. Campgrounds may refer to secret worship services. They sang longingly: Deep River, My home is over Jordan, Deep River, Lord, I want to cross over into campground. (included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00
2.74 €
#
Piano seul
#
Dillon's Music Group
#
Deep River
#
Dillon's Music Group
#
SheetMusicPlus
"Deep River" (Arranged in 5-Keys)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1339954 By Kenneth Martin. B…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1339954 By Kenneth Martin. By Harry T. Burleigh. Arranged by Kenneth Martin. 20th Century,Classical,Historic,Instructional,Spiritual. Score. 17 pages. Martin Music Editions #925614. Published by Martin Music Editions (A0.1339954). Certainly! Crafting an effective YouTube video description involves incorporating relevant keywords while providing valuable information. Here's an SEO-rich description for your YouTube video on the 5-key edition of Deep River arranged by Harry T. Burleigh:🎵 Explore the Depths of Deep River | 5-Key Edition by Harry T. Burleigh 🎵🌟 Welcome to Martin Music Editions, where musical heritage comes alive! 🌟🎶 Immerse yourself in the timeless beauty of Deep River, a poignant African-American Spiritual arranged by the maestro Harry T. Burleigh. Our 5-Key Edition is meticulously crafted to cater to voices of all ranges and types, making it an invaluable addition to the repertoire of singers and voice studio instructors.🎹 Piano Accompaniment Crafted for Emotion:Harry T. Burleigh's masterful touch extends to the piano accompaniment, shaping the melodic leaps, especially during phrases like my home is over Jordan. The carefully crafted intervals not only present a vocal challenge but also express the profound distance one feels on the journey to freedom. 🚀🌈 A Symbol of Hope and Resistance:Deep River is more than a song; it's a symbol of hope, resilience, and resistance. Rooted in the African-American experience, this spiritual's adaptability and enduring popularity transcend cultural boundaries. Burleigh's arrangement mirrors the emotional depth of the lyrics, creating a powerful musical experience. 🌊🎤 Versatile for All Voices:Our 5-Key Edition ensures versatility for singers of all voice types. Voice studio instructors can tailor the piece to showcase the unique qualities of each student's voice, making Deep River a versatile gem in vocal training. 🌈📜 Educational and Inspirational:Join us on a journey through history and culture. Deep River found new life as a Civil Rights anthem, championed by luminaries like Marian Anderson and Paul Robeson. Delve into the meanings behind the text and experience the profound emotional and historical significance of this spiritual. 📖🌠Connect with Cultural Heritage:Performing African American spirituals demands cultural sensitivity. Learn how to navigate the rich history of these songs with respect, authenticity, and a deep understanding of the oral tradition. ðŸŒðŸŽ¼ Experience the Power of Deep River with Martin Music Editions - Where Tradition Meets Versatility! 🎼Don't forget to like, share, and subscribe for more musical treasures! 🌟 #DeepRiver #HarryTBurleigh #MartinMusicEditions #MusicHeritage #VocalRepertoire #Recital #Repertoire #IHSA #Contest #NATS.
$7.99
7.31 €
#
Piano, Voix
#
Kenneth Martin
#
Kenneth Martin
#
"Deep River"
#
Martin Music Editions
#
SheetMusicPlus
The Diamantina Drover
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774725 Composed by Hugh Th…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774725 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346161. Published by Sandra Milliken (A0.774725). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
2.01 €
#
Chorale SATB
#
Hugh Thomas Mcdonald
#
Sandra Milliken
#
The Diamantina Drover
#
Sandra Milliken
#
SheetMusicPlus
The Diamantina Drover
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Th…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346163. Published by Sandra Milliken (A0.774726). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
2.01 €
#
Chorale TTBB
#
Hugh Thomas Mcdonald
#
Sandra Milliken
#
The Diamantina Drover
#
Sandra Milliken
#
SheetMusicPlus
Shall We Gather at the River
Small Ensemble,Strings High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - D…
(+)
Small Ensemble,Strings High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.923200 Composed by Denny Glasscock. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. Denny Glasscock #6054255. Published by Denny Glasscock (A0.923200). A new and different rendition of a very old and beloved christian hymn. After an instrumental introduction, based on the refrain from the original hymn by Robert Lowry (1864), the newly composed verses begin with a musical theme meant to represent flowing water in a rippling river or stream. The original lyrics are adapted for all five verses and the refrain. The first verse is followed by the refrain, adapted from the original hymn. After that the refrain follows verses 3 and 5. The song ends on the final refrain, as the tempo slows and the flowing water theme ends. The vocals start out unison, but quickly divide out to three parts, all in a comfortable range. The melody in the verses shifts from soprano to alto, just before it gets too low for some sopranos. However altos or baritones could probably sing the melody, as the highest notes are likely still contained within their upper range. Thus the piece could be performed as a solo for altos or baritones. Though the melody shifts, a bit, from soprano to alto, it is easily heard in continuity. Thus, intuitively, the audience, or congregation, will clearly hear the melody, and be easily able to sing along. The Lead Sheet (with chord symbols) and scores provided here, contain the three vocal parts, violin, viola and piano. With the chord symbols provided, add guitar, bass, etc. As you listen to the example provided, you will hear a string trio playing in the accompaniment, along with the piano. The violin, viola and violoncello adds a nice dimension to the accompaniment sound. A digital recording of this accompaniment is also available by this publisher; see item number S0.870603. Denny Glasscock (Lyrics and Refrain adapted from Original Hymn by Robert Lowry, 1864).
$3.99
3.65 €
#
Denny Glasscock
#
Shall We Gather at the River
#
Denny Glasscock
#
SheetMusicPlus
Shall We Gather at the River (SAB)
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.923199 Composed by Denny Gl…
(+)
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.923199 Composed by Denny Glasscock. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 8 pages. Denny Glasscock #6054113. Published by Denny Glasscock (A0.923199). A new and different rendition of a very old and beloved christian hymn. After an instrumental introduction, based on the refrain from the original hymn by Robert Lowry (1864), the newly composed verses begin with a musical theme meant to represent flowing water in a rippling river or stream. The original lyrics are adapted for all five verses and the refrain. The first verse is followed by the refrain, adapted from the original hymn. After that the refrain follows verses 3 and 5. The song ends on the final refrain, as the tempo slows and the flowing water theme ends. The vocals start out unison, but quickly divide out to SAB parts, all in a comfortable range. The melody in the verses shifts from soprano to alto, just before it gets too low for some sopranos. However altos or baritones could probably sing the melody, as the highest notes are likely still contained within their upper range. Thus the piece could be performed as a solo for altos or baritones. Though the melody shifts, a bit, from soprano to alto, it is easily heard in continuity. Thus, intuitively, the audience, or congregation, will clearly hear the melody, and be easily able to sing along. The score provided here, contains the SAB parts and piano (with chord symbols). As you listen to the example provided, you will hear a string trio playing in the accompaniment, along with the piano. The violin, viola and violoncello adds a nice dimension to the accompaniment sound. An accompaniment track is also available under item no. S0.870603. Denny Glasscock (Lyrics and Refrain adapted from Original Hymn by Robert Lowry, 1864).
$1.99
1.82 €
#
Chorale 3 parties
#
Denny Glasscock
#
Shall We Gather at the River
#
Denny Glasscock
#
SheetMusicPlus
<
1
26
51
....
251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
