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49 partitions trouvées
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26
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Piano, Voix
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AVANCÉ
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Giacomo Meyerbeer
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Nicole Elyse DiPaolo
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En vain j'espere...Idole de ma
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Per...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Take It Easy
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Chorale SATB
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INTERMÉDIAIRE
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The Eagles
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Rob Guest
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Take It Easy
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Rob Guest
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324337 By The Eagles. By Glenn Frey and Jackson Browne. Arranged by Rob Guest. Country,Pop,Rock,Singer/S...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324337 By The Eagles. By Glenn Frey and Jackson Browne. Arranged by Rob Guest. Country,Pop,Rock,Singer/Songwriter. 13 pages. Rob Guest #912536. Published by Rob Guest (A0.1324337). SATB and Piano arrangement of this Eagles classic. Take It East is a timeless slice of American Country Rock from one of the world's most successful bands.
$2.50
Eye Of The Tiger
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Rock
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Survivor
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Rob Guest
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Eye Of The Tiger
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Rob Guest
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SheetMusicPlus
Choral Choir (3-Part Treble) - Level 1 - SKU: A0.1153550 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Rob Guest. Pop,Rock. Octavo. 4 page...
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Choral Choir (3-Part Treble) - Level 1 - SKU: A0.1153550 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Rob Guest. Pop,Rock. Octavo. 4 pages. Rob Guest #753817. Published by Rob Guest (A0.1153550). An easy, fun, 3-part a capella arrangement of 'Eye of the Tiger' for upper voices. Ideal for school and youth choirs or small upper-voice ensembles. Approach with lots of energy!
$1.99
Thinking Out Loud
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Rob Guest
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Thinking Out Loud
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Rob Guest
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1129899 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Rob Guest. Pop,Rock,Singer/Songwriter. Octavo. 4...
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Choral Choir (SATB) - Level 3 - SKU: A0.1129899 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Rob Guest. Pop,Rock,Singer/Songwriter. Octavo. 4 pages. Rob Guest #730308. Published by Rob Guest (A0.1129899). An A Capella arrangement of the classic Ed Sheeran song, Thinking Out Loud, for SATB choir or small vocal ensemble.
$1.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Lullaby
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Chorale SATB
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INTERMÉDIAIRE
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Josh Groban
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Kevin Cincotta-Guest
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Lullaby
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Kevin Cincotta-Guest
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.823229 By Josh Groban. By David Matthews, Jochem Van Der Saag, and Josh Groban. Arranged by Kevin Cincotta-Guest...
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Choral Choir (SATB) - Level 3 - SKU: A0.823229 By Josh Groban. By David Matthews, Jochem Van Der Saag, and Josh Groban. Arranged by Kevin Cincotta-Guest. A Cappella,Contemporary,Pop. Octavo. 7 pages. Kevin Cincotta-Guest #5726317. Published by Kevin Cincotta-Guest (A0.823229). A lovely choral, contemporary a cappella SSAATBBB version of Josh Groban's record from his 2006 2x platinum, third studio album, Awake. Original record features South African Grammy-winning male choral group, Ladysmith Black Mambazo.
$1.99
New Year's Day
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rob Thomas
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Denise Flatness
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New Year's Day
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Denise Flatness
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1112514 By Rob Thomas. By Chris Trapper and Robert Kelly Thomas. Arranged by Denise...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1112514 By Rob Thomas. By Chris Trapper and Robert Kelly Thomas. Arranged by Denise Flatness. Contemporary,Holiday,Pop. Score and parts. 13 pages. Denise Flatness #714518. Published by Denise Flatness (A0.1112514). Another beautiful song from Rob Thomas. This is a string quartet arrangement that is sure to wow your guests. This song is a great solemn song for when you need to bring the energy of the event down just a little bit. It's absolutely beautiful and fits well in any gigging book.
$14.99
The Little Drummer Boy
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Chorale SATB
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INTERMÉDIAIRE
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Josh Groban Featuring Andy Mck
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Kevin Cincotta-Guest
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The Little Drummer Boy
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Kevin Cincotta-Guest
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.823225 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, Katherine K Davis, and Katherine K....
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Choral Choir (SATB) - Level 3 - SKU: A0.823225 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, Katherine K Davis, and Katherine K. Davis. Arranged by Kevin Cincotta-Guest. A Cappella,Hip-Hop,Holiday,Pop,R & B. Octavo. 10 pages. Kevin Cincotta-Guest #5708311. Published by Kevin Cincotta-Guest (A0.823225). A lovely contemporary a cappella SAATBB+Trio+Vocal Percussion version of the popular Christmas song. Influenced by, and in the style of American vocal group, The Temptations. Inspired by their version from their 1970 album, The Temptations Christmas Card.
$1.99
All The Way
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Chorale SATB
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INTERMÉDIAIRE
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Timeflies
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Kevin Cincotta-Guest
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All The Way
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Kevin Cincotta-Guest
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.823221 By Timeflies. By Alessandro Benassi, Benny Benassi, Caleb Shapiro, James Abrahart, Marco Benassi, Pierre ...
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Choral Choir (SATB) - Level 3 - SKU: A0.823221 By Timeflies. By Alessandro Benassi, Benny Benassi, Caleb Shapiro, James Abrahart, Marco Benassi, Pierre Antoine Melki, Pierre-Antoine Melki, Raphael David Judrin, Raphael Judrin, Robert Resnick, Sabrina Louise Bernstein, and Sizzy Rocket. Arranged by Kevin Cincotta-Guest. A Cappella,Pop. Octavo. 13 pages. Kevin Cincotta-Guest #4621577. Published by Kevin Cincotta-Guest (A0.823221). *Winner of the 2014 Contemporary A Cappella Recording Award (CARA) for Best Contemporary A Cappella League (CAL) Song.A fun contemporary a cappella SSAATTB+Solo+Vocal Percussion version of Timeflies' US Billboard Hot Dance/Electronic Songs, hit single from their 2014 charting US Billboard 200, 2nd studio album, After Hours.As performed by Boston, MA, USA based, award-winning co-ed Contemporary A Cappella League (CAL) group, Sound Off (www.soundoffacappella.com).
$1.99
See It Through!
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Chorale 3 parties
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Ruth Morris Gray
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See It Through!
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Chorister's Guild - Digital
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SheetMusicPlus
SAB chorus - SKU: C7.CGE187 Composed by Ruth Morris Gray. General. Sing! With Kazoos. Octavo. 12 pages. Chorister's Guild - Digital #CGE187. Published b...
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SAB chorus - SKU: C7.CGE187 Composed by Ruth Morris Gray. General. Sing! With Kazoos. Octavo. 12 pages. Chorister's Guild - Digital #CGE187. Published by Chorister's Guild - Digital (C7.CGE187). This rollicking, robust original is a setting of an Edgar Guest text from Just Folks and conveys an important and positive message: When you're up against a trouble, meet it squarely face to face; Lift your chin and set your shoulders, plant your feet and take a brace. When it's vain to try to dodge it, do the best that you can do; You may fail, but you may conquer, see it through! Kazoo parts are optional but would add to the enthusiasm and fun! A creative change-of-pace selection with melodies that are infectious, this winner would make a terrific closing number or encore. A Learning Resource Page is included.
$2.45
The Secret
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Chorale 2 parties
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Greg Gilpin
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The Secret
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Chorister's Guild - Digital
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SheetMusicPlus
Two-part chorus - SKU: C7.CGE179 Composed by Greg Gilpin. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE179. Published by Chorister's...
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Two-part chorus - SKU: C7.CGE179 Composed by Greg Gilpin. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE179. Published by Chorister's Guild - Digital (C7.CGE179). This rollicking, robust original is a setting of an Edgar Guest text from Just Folks and conveys an important and positive message: When you're up against a trouble, meet it squarely face to face; Lift your chin and set your shoulders, plant your feet and take a brace. When it's vain to try to dodge it, do the best that you can do; You may fail, but you may conquer, see it through! Kazoo parts are optional but would add to the enthusiasm and fun! A creative change-of-pace selection with melodies that are infectious, this winner would make a terrific closing number or encore. A Learning Resource Page is included.
$2.60
See It Through!
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Chorale SATB
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Ruth Morris Gray
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See It Through!
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGE186 Composed by Ruth Morris Gray. General. Sing! With Kazoos. Octavo. 12 pages. Chorister's Guild - Digital #CGE186. Published ...
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SATB chorus - SKU: C7.CGE186 Composed by Ruth Morris Gray. General. Sing! With Kazoos. Octavo. 12 pages. Chorister's Guild - Digital #CGE186. Published by Chorister's Guild - Digital (C7.CGE186). This rollicking, robust original is a setting of an Edgar Guest text from Just Folks and conveys an important and positive message: When you're up against a trouble, meet it squarely face to face; Lift your chin and set your shoulders, plant your feet and take a brace. When it's vain to try to dodge it, do the best that you can do; You may fail, but you may conquer, see it through! Kazoo parts are optional but would add to the enthusiasm and fun! A creative change-of-pace selection with melodies that are infectious, this winner would make a terrific closing number or encore. A Learning Resource Page is included.
$2.45
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Gregory Fritze
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Three Pieces for Tuba Ensemble
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Musica Nova USA
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Mus...
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00
The Pink Panther
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Henry Mancini
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Petey C
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The Pink Panther
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Petey C.
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SheetMusicPlus
Horn - Level 3 - SKU: A0.1223588 Composed by Henry Mancini. Arranged by Petey C. 20th Century,Film/TV,Jazz. 14 pages. Petey C. #819743. Published by Pet...
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Horn - Level 3 - SKU: A0.1223588 Composed by Henry Mancini. Arranged by Petey C. 20th Century,Film/TV,Jazz. 14 pages. Petey C. #819743. Published by Petey C. (A0.1223588). For university or professional groups probably. Thick harmonies and killer walking bass. Optional solo section if you have a guest, or if you want to trade the horn 2 or 3 part for a solo in that section (please note, there is no solo written, just merely an accompaniment part written into the arrangement that you can skip if you like). Includes score and parts. If you want to check out my public domain arrangements, please go to peteyc.com. Thankyou!
$12.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
Plaintes arabes
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jeno Hubay
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Plaintes arabes
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: She...
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Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53352. Published by Schott Music - Digital (S9.Q53352). English • German.Hungarian composer and violinist Jenö Hubay, born Eugen Huber, received his musical training in Budapest and made his concert début with Viotti’s Violin Concerto No. 22 in A minor. He spent three years in Berlin, where he studied violin with Joseph Joachim. After his return he met Franz Liszt, who recommended that he travel to Paris. In that city he was a welcome guest at musical salons; he also formed a friendship with Henri Vieuxtemps. Hubay taught groups of violin students first in Brussels, then for a long time in Budapest. For twenty-five years he toured Europe as a virtuoso violinist, settling in Switzerland for a while before returning to Budapest for the rest of his life. His chamber compositions include a series of little pieces very probably written for his own use at musical salons, along with character pieces reminiscent of his Hungarian homeland and exotic pieces such as Plaintes arabes (Arabian Lament), an expressive and mournful lament on the violin. Plate no. 23388, published in 1882.
$3.99
Among the Signs
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Chorale 3 parties
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Robinson McClellan
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Among the Signs
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McClellan Music
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.1028186 Composed by Robinson McClellan. Contemporary,Holiday,Spiritual. Octavo. 8 pages. McClellan Music #3425079. Publishe...
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Choral Choir (SAB) - SKU: A0.1028186 Composed by Robinson McClellan. Contemporary,Holiday,Spiritual. Octavo. 8 pages. McClellan Music #3425079. Published by McClellan Music (A0.1028186). TEXT:Koran / Qur'an, Romans: 20, 24, 25 (words by Isaac Watts are in italics)And among the signs of God is creating you all from dust; and there you are, humankind, propagating widely.And among the signs of God is showing you lightning, occasion for fear and for hope; and God sends water down from the sky, enlivening the earth after it has died.Surely in that is a signThe sure provision of my God attend me all my days Oh may my house be Thine abode and all my work be praise There would I find a settled rest while others go and come No more a stranger or a guest but like a child at home[Watts] for an intelligent people.And among the signs of God is that sky and earth stand by divine decree. Then when God calls you with a call from earth, you will all come forth.Translated by Thomas Cleary Text used by permission of HarperCollins Publishers, Inc.
$2.49
Lion of Jordan
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Piano seul
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INTERMÉDIAIRE
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ZADE
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Lion of Jordan
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ZADE
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.947194 Composed by ZADE. Pop,World. Score. 9 pages. ZADE #2012103. Published by ZADE (A0.947194). Lion of Jorda...
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Piano Solo - Level 3 - SKU: A0.947194 Composed by ZADE. Pop,World. Score. 9 pages. ZADE #2012103. Published by ZADE (A0.947194). Lion of Jordan by ZADE. For Piano. Adult Contemporary. 9 Pages. Published by Zaitun Music/BMI Digital Sheet Music One Night in Jordan album description: For this album, Zade and other accomplished musicians from 40 nations traveled to Jordan, transcending national boundaries to celebrate the power of Zade's music and promote world peace in incredible, enlightening concert event. Guests include violinists Karen Briggs(Soul II Soul, Yanni, Wynton Marsalis) and Grammy-winner Charlie Bisharat (Elton John, Fiona Apple, John Tesh, Black-Eyed Peas), Grammy winning Drummer John Robinson, Guitarist Ramon Stagnoro (Luis Miguel, Josh Groban, Shakira) and Michael Thompson (Eric Clapton, David Foster), World woodwinds player Pedro Eustache (Shakira, Yanni, Paul McCartney and Don Henley) and many more outstanding artist.
$4.99
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestre
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AVANCÉ
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World....
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Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
Weather Systems
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Piano seul
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AVANCÉ
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Contemporain
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Andrew M
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Weather Systems
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Andrew M. Smith
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.938731 Composed by Andrew M. Smith. Contemporary. Score. 33 pages. Andrew M. Smith #6686851. Published by Andrew M. Smith...
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Piano Solo - Level 5 - SKU: A0.938731 Composed by Andrew M. Smith. Contemporary. Score. 33 pages. Andrew M. Smith #6686851. Published by Andrew M. Smith (A0.938731). Weather Systems Weather Systems, for piano and spoken word, is a suite in seven movements. Each movement is inspired by, and named after, a weather pattern. The spoken word text is lovingly borrowed from literary greats Walt Whitman, Mary Shelley, James Joyce, Emily Dickinson, Ralph Waldo Emerson, and Robert Frost. I. Sunshower Text: Rain Has Fallen All the Day, James Joyce To One Shortly To Die, Walt Whitman II. Cloudless Breeze Text: Proud Music of the Storm, Walt Whitman III. Frost Text: Frankenstein, Mary Shelley Awake Ye Muses Nine, Sing Me A Strain Divine, Emily Dickinson IV. Flurries Text: The Snow-Storm, Ralph Waldo Emerson V. Approaching Storm Text: Frankenstein, Mary Shelley VI. Tempest Text: Rise, O Days Walt Whitman VII. Rainfall Text: My November Guest, Robert Frost
$9.99
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Rob Guest