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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Robert Howard
Non classifié
75
Piano & claviers
Piano seul
84
Piano, Voix
7
Orgue
4
Piano Facile
2
Clavecin
1
1 Piano, 4 mains
1
Instruments en Do
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Piano grosses notes
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Guitare
4
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
1
Voix
Chorale SATB
29
Chorale Unison
19
Chorale 2 parties
16
Chorale 3 parties
5
Chorale TTBB
3
Voix haute
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Chorale
1
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
Saxophone (partie séparée)
13
Clarinette (partie séparée)
12
Flute (partie séparée)
3
Hautbois (partie séparée)
3
Hautbois
3
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse
1
Quatuor de Flûtes à bec
1
2 Clarinettes (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Piano (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette
1
Flûte traversière
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
+ 16 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
7
Cor (partie séparée)
2
Tuba ou Euphonium ou Saxhorn
2
Trombone (partie séparée)
2
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
Tuba
1
Cor
1
Trompette
1
+ 5 instrumentations
Retracter
Cordes
Violon (partie séparée)
12
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon
6
Contrebasse (partie séparée)
4
Violoncelle
4
Alto (partie séparée)
3
Contre Basse
3
Violon, Violoncelle (duo)
2
Alto seul
2
Harpe
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon et Piano
1
2 Violons (duo)
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
12
Percussion (partie séparée)
8
Percussion
4
Orchestre à Cordes
4
Timbales
3
Batterie
2
Cloches
1
Ensemble Jazz
1
Vibraphone
1
Marimba
1
Orchestre de chambre
1
+ 7 instrumentations
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Autres
Instruments
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ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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LATIN - BOSSA - WORL…
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METHODE : ACCORDS ET…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
Robert Howard
Partitions à imprimer
467 partitions trouvées
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Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Near The Cross / The Best-Loved Hymn Tunes of William Howard Doane
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Piano seul
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William H
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Doug Little
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Near The Cross / The Best-Love
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Robert D Little
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SheetMusicPlus
Piano Solo - SKU: A0.503545 Composed by William H. Doane. Arranged by Doug Little. Instructional,Sacred,Traditional. Score. 39 pages. Published by Rober...
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Piano Solo - SKU: A0.503545 Composed by William H. Doane. Arranged by Doug Little. Instructional,Sacred,Traditional. Score. 39 pages. Published by Robert D Little (A0.503545). Nine intermediate-level piano solos of favorite hymn tunes composed by Wm. H. Doane. Arrangement use various technical and interpretive skill-developing means for the growing pianist. Performance-worthy for church, school, recital, and other public settings.
$19.95
Gloria Patri (SSA version)
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Robert A
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Gloria Patri
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages....
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064405. Published by Robert A. Howard (A0.998806). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 3-part choirs of any size and most standards, including school, student, community, church and cathedral choirs. The original 4-part SATB version of this Gloria Patri is also available via Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Gloria Patri (SATB version)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Robert A
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Gloria Patri
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Rob...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064399. Published by Robert A. Howard (A0.998805). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 4-part choirs of any size and most standards, including schools, students, community, church and cathedral choirs. The work is also available in a version for SSA choir, from Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Violin Sonata No. 1 ('Circling')
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2 Violons (duo)
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AVANCÉ
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Robert A
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Violin Sonata No. 1
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Robert A. Howard
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SheetMusicPlus
Instrumental Duet,Violin - Level 5 - SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 45 page...
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Instrumental Duet,Violin - Level 5 - SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 45 pages. Robert A. Howard #1078708. Published by Robert A. Howard (A0.1503126). This piece is an extended, three movement Violin Sonata for violin and piano. The work explores the subtitle concept of 'circling'. This is pursued through a wide variety of musical elements. These include: circling melodies, repetitive chains of (modulating) chord sequences, motoric cross-rhythms and syncopation, heterophonic canonic textures, and large-scale concentric structures. The fast, first movement is in a loose symmetrical sonata form in D (modal) minor. The resolute and scalic first subject, based on the opening core motif, is followed by a transition to a more lyrical and repetitive, cantabile second theme. The ensuing development section passes through various keys, with a new, modal third theme at its centre, featuring parallel motion, syncopation, and an ostinato in the accompaniment. The varied recapitulation presents the opening two themes in reverse order (thus giving overall structural symmetry to the movement). The heart of the work as a whole is the slow romanza-like second movement, centred on G. In ternary form, the outer sections present a highly memorable lyrical theme in a series of modulating and canonic textural variations. The contrasting middle section is much more unsettled in its three varied statements of a new theme accompanied by uncertain minor sevenths chords. The rondo-like finale in D is the most minimalist in style and rhythm. A circling, motivic and scalic main theme appears between highly contrasting episodes. The first of these is a folk-like rustic theme, while the second is a sentimental melody, played over an arpeggio and descending bass line accompaniment. Heard 3 times, in 3 different keys and registers, this idea leads to an recap of the main rondo theme, signalling the end of the work. Overall, the piece is genuinely melodic and is accessible to the listener. The work is suitable for performance by higher grade or professional violinists and pianists. Please note that the document provided is the full score only (also serves as the piano part), with reference audio.Duration: 22 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$14.99
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Mirage Sextet - Score Only
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Robert A
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Mirage Sextet - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 4 - SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Publi...
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Level 4 - SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Published by Robert A. Howard (A0.1471113). Mirage Sextet is a single movement work, and is scored for a mixed chamber ensemble of clarinet (in A), bassoon, piano, violin, viola and cello. The work focuses on an exploration of the octatonic scale on C, in the semitone-tone variant. The piece has a loose ternary feel, as the outer sections present primary material and main themes that recur. Meanwhile, a middle section offers some contrast in a succession of mini cadenza-style solos for most of the instruments. The work develops 20th century folk-influenced idioms, such as those of Bartok, Kodaly, early Lutoslawski and Ligeti, as well as Stravinsky, Shostakovich and perhaps even Messiaen. The main compositional interests are: changing, as well as irregular, time signatures; the aforementioned octatonic scale to create folk-like motifs and melodies, added-note harmonies (with the importance of the augmented fourth interval); and percussive doublings of instruments in their lower (gritty/folky) registers, in octaves, as well as liberal actual doubling by the piano. The work is generally accessible to performers and audience. The attached document is the score only, with audio for reference.Duration: 8 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
May You Always Be Joyful - Score Only
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Robert A
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May You Always Be Joyful - Sco
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1471091 Composed by Robert A. Howard. 20th Century,Chamber,Christian,Contemporary,Sacred. 7 pages. Robert A. Howard #1048722. Publishe...
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Level 3 - SKU: A0.1471091 Composed by Robert A. Howard. 20th Century,Chamber,Christian,Contemporary,Sacred. 7 pages. Robert A. Howard #1048722. Published by Robert A. Howard (A0.1471091). 'May You Always Be Joyful' sets a biblical text from the New Testament (Philippians 4:4-9, in the New International Version). This setting is for solo mezzo-soprano voice, with wind quintet and piano. The piece aims to give appropriate musicial expression to the text. Several key ideas, motifs and chords recur, and are juxtaposed in a mosaic-like manner. The piece focuses on harmonies with added augmented fourths, reminiscent of Messiaen, in an attempt to express joy or even ecstasy. The influence of Berio (Folksongs) can be seen in the doubling, colouring, and sustaining of the vocal line by the wind quintet and piano, creating an 'accidental' form of harmony, as well as supporting the singer. The piece is appropriate for most standards of singer and instrumentalist. The attached document is the score only, with audio for reference. Another version of this work, for solo mezzo soprano and piano only, is available from Sheet Music Plus.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
May You Always Be Joyful - (Voice & piano version)
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Piano, Voix
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INTERMÉDIAIRE
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Robert A
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May You Always Be Joyful -
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Robert A. Howard
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1471108 Composed by Robert A. Howard. 20th Century,Chamber,Christian,Contemporary,Sacred. Score. 8 pages. Robert A...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1471108 Composed by Robert A. Howard. 20th Century,Chamber,Christian,Contemporary,Sacred. Score. 8 pages. Robert A. Howard #1048747. Published by Robert A. Howard (A0.1471108). 'May You Always Be Joyful' sets a biblical text from the New Testament (Philippians 4:4-9, in the New International Version). This setting is presented here in a version for solo mezzo-soprano voice and piano. The piece aims to give appropriate musicial expression to the text. Several key ideas, motifs and chords recur, and are juxtaposed in a mosaic-like manner. The piece focuses on harmonies with added augmented fourths, reminiscent of Messiaen, in an attempt to express joy or even ecstasy. The influence of Berio (Folksongs) can be seen in the doubling, colouring, and sustaining of the vocal line by the piano, creating an 'accidental' form of harmony, as well as supporting the singer. The piece is appropriate for most standards of singer and pianist. The original version of this work, for solo mezzo soprano, wind quintet and piano, is also available from Sheet Music Plus.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.49
Dances of the Dead - Score Only
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Robert A
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Dances of the Dead - Score Onl
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Robert A. Howard
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SheetMusicPlus
SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by ...
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SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by Robert A. Howard (A0.1471488). This work aims to depict a common theme of certain pieces by some classical composers: that of deathly or devilish dances, and the like. This piece is an extended single movement structure for a mixed chamber ensemble that is an octet of oboe, 2 clarinets, bassoon, piano, viola, cello, and double bass. The form is divided into a series of contrasting dances (labelled as Dance, Folk Lament, Jig, Meditation, and Funeral March), all of which are interspersed with differing statements of an ostinato-based 'chorale' idea on the piano. The whole work is framed by an 'intrada', which builds the germinal motif on which the whole piece is based, characterised by semitones and fourths. Indeed, the 'devil's interval' of the augmented fourth has a particular function and significance. The piece actually ends with an 'epilogue', which features mysterious and ghostly reminiscences of the previous main sections. The title of this work also refers to the episode 'Dance of the Dead' from the 1960s cult TV series 'The Prisoner'. In part, the piece attempts to capture the mystery and atmosphere of the series, and of that specific episode. Indeed, the music's series of related but contrasting sections act almost as an original sequence of dramatic TV incidental music cues. The work is accessible to both performers and audience alike. The attached document is the full score only, with audio provided.Duration: 11 minutes 40 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
New Routes from an Old Castle - Score Only
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Robert A
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New Routes from an Old Castle
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Robert A. Howard
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SheetMusicPlus
Level 4 - SKU: A0.1477352 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 17 pages. Robert A. Howard #105477...
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Level 4 - SKU: A0.1477352 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 17 pages. Robert A. Howard #1054775. Published by Robert A. Howard (A0.1477352). This grandiose, ceremonial piece is for a wind ensemble of woodwind and brass, with piano and 2 percussionists. The work takes a fragment from a theme by Bela Bartok, from his 1911 one-act opera Duke Bluebeard's Castle, and is a set of free variations, like a fantasy, upon this theme, within a vague ternary structure. The whole ensemble is often treated quite percussively, exploring angular snap rhythms, as well as inversions and symmetry of pitch. One percussionist plays marimba, while the other plays snare drum. The piece takes Bartok's motif as a starting point, before developing beyond this idiom. The work remains accessible to audiences, and can be played by more advanced performers. Please note that the attached document is the full score only, with audio provided.Duration: 5 minutes 20 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
Vigil
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Orgue
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INTERMÉDIAIRE
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Robert A
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Vigil
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part. 6 pages. Robert A. Howard #992998. Published by Robert A. Howard (A0.1410578). This work for solo organ aims to recreate the atmosphere of a vigil. Concepts of watching, waiting, meditating, and remembering are all associated with the various forms of 'vigils' that have and do exist worldwide. The piece is based on 8 ascending and varied cycles of a 9-bar added-note chord sequence and theme. Only the white notes are used, in the modal aeolian scale (A-A), within a slow, reverential tempo. There is an aspect of symmetry roughly about the centre, or apex of the work; dynamics and rhythmic complexity increase until the central variation, before receding until a quiet, reflective ending and quasi resolution.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
Three-Way Piece - Score Only
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Robert A
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Three-Way Piece - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1405940 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 9 pages. Robert A. Howard #988987....
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Level 3 - SKU: A0.1405940 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 9 pages. Robert A. Howard #988987. Published by Robert A. Howard (A0.1405940). This piece was inspired by the small bronze sculpture by Henry Moore titled 'Three-Way Piece'. This artwork has three similar but slightly different sides to it. This evokes a musical equivalent similar to Satie's Gymnopedies. The piece attempts to capture these concepts, for example by using the number three in various ways. This involves a predilection for three-part harmony, and an overall structure of three cycles, varied on each statement. Note: this document is the score only. The full set of parts (and score) are available via a search of the COMA Music Library.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.49
Fantasy on Anna's Theme - Score Only
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Robert A
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Fantasy on Anna's Theme - Scor
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Robert A. Howard
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SheetMusicPlus
Level 2 - SKU: A0.1405932 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pages. Robert A. Howard #988973. Publishe...
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Level 2 - SKU: A0.1405932 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pages. Robert A. Howard #988973. Published by Robert A. Howard (A0.1405932). This work is flexibly scored in four instrumental parts. It evokes an imaginary film scene that gradually builds in tension, from a single, simple melody. Parts are gradually added as the texture thickens, pitch rises, and dynamics increase. The opening theme recurs in variation, including by adding harmonies created through symmetry. The piece reaches a climactic conclusion at the very end. Note: this document is the full score only. A full set of parts (with the score) is available by searching via the COMA Music Library.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.49
Carousel - Score Only
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Robert A
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Carousel - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 2 - SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Publishe...
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Level 2 - SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Published by Robert A. Howard (A0.1407270). Carousel is flexibly scored in up to seven instrumental parts. The piece attempts to evoke the motion and momentum of a fairground merry-go-round. This work is texturally cumulative as each of the 7 parts is added in turn, in crescendo, until the whole ensemble is playing and repeating, in a series of contrasting, but related musical figures. The simplicity of the piece's concept belies the increasing complexity of the music. Note: this document is the score (includes transpositions). The set is also available by searching via the COMA Music Library. No audio track is provided due to the flexibility and variability of the work.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
Music to Hear (Flexible Version) - Score Only
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Robert A
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Music to Hear
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Robert A. Howard
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SheetMusicPlus
Level 2 - SKU: A0.1407282 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Wedding. 7 pages. Robert A. Howard #989959. Publishe...
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Level 2 - SKU: A0.1407282 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Wedding. 7 pages. Robert A. Howard #989959. Published by Robert A. Howard (A0.1407282). This flexibly scored work is an SATB choral piece, with exact instrumental doubling in four parts. It sets a famous sonnet by William Shakespeare. The work develops a series of memorable motifs as it delicately expresses the inherently 'musical' text. Vocal lines are carefully designed to be singable, and pitches can be obtained with relative ease (aided by the instrumental doublings). The piece is appropriate for most standards and size of 4-part choir and instrumentalists, and was composed with good amateur performers in mind. Note: this document is the score only. The complete set of (instrumental) parts, with score, is available via a search for the COMA Music Library. The work can be performed by SATB voices only, and there is a score available from SMP entitiled 'Music to Hear (Unaccompanied SATB Version)'.Duration: 4 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
Ghost - Score Only
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Robert A
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Ghost - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 2 - SKU: A0.1407989 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Thriller. 5 pages. Robert A. Howard #990552. Publish...
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Level 2 - SKU: A0.1407989 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Thriller. 5 pages. Robert A. Howard #990552. Published by Robert A. Howard (A0.1407989). Ghost takes its title from the art work by Ron Mueck (1998), which is in the collection of the Tate Gallery, Liverpool. Mueck's Ghost is an extraordinarily realistic, larger-than-life-sized mannequin. This model is of a young lady in a swimsuit, with exceptionally long legs and an embarrassed glance about her face. This musical work attempts to capture the ghostly, solitary and threatening qualities of the work. It is flexibly scored, in four instrumental parts, and there are opportunities for 'solo' and 'tutti' playing. Character is depicted in a four note motif (heard at the beginning), which is transformed across five highly contrasting sections. There is a significant cadenza-like solo passage, for a treble clef instrument. Ghost was commissioned by COMA for the Autumn Residency at Tate Liverpool in October 2002. Note: this document is the score only. The full set of parts (with score) are available via a search of the COMA Music Library.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.99
Promenade II - Score Only
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New Age
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Contemporain
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Robert A
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Promenade II - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1408422 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 4 pages. Robert A. Howard #991006. Publishe...
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Level 3 - SKU: A0.1408422 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 4 pages. Robert A. Howard #991006. Published by Robert A. Howard (A0.1408422). Promenade II a flexibly scored, open form, improvisatory version of the original Promenade piece for full orchestra, based on the same musical material. This second piece features 21 separate musical 'blocks' (labelled A-U). These are to be allocated to the available musical instruments. The blocks can be freely stated and repeated, in an improvisatory manner, as players sensitively respond to the changing texture during the course of a performance. Full playing instructions are given on the score. Note: the document provided is the full score (with indicated transpositions). No audio track is provided due to the considerably flexibility and variability of performances. The original version is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.99
Critical Mass - Score Only
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New Age
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Contemporain
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Robert A
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Critical Mass - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 2 - SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Publishe...
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Level 2 - SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Published by Robert A. Howard (A0.1408403). Critical Mass is a sculptural installation by Antony Gormley (1995), which as been displayed at Tate St. Ives, Cornwall. It consists of multiple iron casts of the artist's body, in various poses. These are randomly distributed around the gallery space. This flexibly scored piece is a musical reflection of this artwork, in 6 sections (labelled A-F), for any mixed ensemble, with an untuned percussion part (F). Rhythms and pitch material remain similar throughout. However, following an initial solo statement (A), the texture is continually varied within the context of multiple free canons (B-E). The piece concludes with a conventionally notated and conducted unison section (in octaves), as the work comes full circle (F). Note: this document is the full score (with transpositions indicated). No audio track is provided here due to the considerable flexibility and variability of performances. The original score is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
Lines on a Walk II - Score Only
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Robert A
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Lines on a Walk II - Score Onl
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1408376 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,March. 6 pages. Robert A. Howard #990958. Published ...
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Level 3 - SKU: A0.1408376 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,March. 6 pages. Robert A. Howard #990958. Published by Robert A. Howard (A0.1408376). Lines on a Walk II takes its title from the Pedagogical Sketchbook by the Swiss-born artist Paul Klee (1925). Klee was fascinated by music (he played the violin) and many composers have interpreted Klee's notion of 'line' as a way to conceive musical melody. Lines on a Walk II is an abridged chamber version of the original Lines on a Walk piece that was flexibly scored in 15 instrumental parts. This second version is specifically written for flute, clarinet, piano, percussion (any 3 apt untuned instruments, plus marimba & vibraphone), violin, and cello. It was written for IXION and first performed by them, conducted by composer Michael Finnissy in 2001. Note: this document is the full score only. The full set of parts (and score) are available via a search of the COMA Music Library.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.ukÂ
$4.99
Timanfaya
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Chorale SATB
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INTERMÉDIAIRE
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Robert A
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with or without narrator
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Timanfaya
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Robert A. Howard
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Level 3 - SKU: A0.1403284 Composed by Robert A. Howard. 21st Century,A Cappella,Contemporary,New Age,Thriller. 3 page...
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Choral,Mixed Chorus Choir,Choral - Level 3 - SKU: A0.1403284 Composed by Robert A. Howard. 21st Century,A Cappella,Contemporary,New Age,Thriller. 3 pages. Robert A. Howard #986476. Published by Robert A. Howard (A0.1403284). 'Timanfaya' is an experimental, open form text piece. It was conceived for any voices, though instruments can be used in addition. The score provides instructions and options for the performers, as well as an extended text from an eye-witness account of the volcanic eruptions in the island of Lanzarote, Canary Islands. Essentially, perfomers are free to create a (quasi) improvised piece, using the given text as they wish (for example, in full or in extract; with or without narrator; etc.). It is suggested that the work can even be used in a workshop context with performers, or even other composers, contributing musical material. All performers make use of the text-based 'score' provided. There is no audio track provided due to the potenital variation of performance types.Duration: variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Mikrokosmos No. 149 - Score Only
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Bela Bartok
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Robert A
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Mikrokosmos No. 149 - Score On
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Robert A. Howard
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SheetMusicPlus
Level 3 - SKU: A0.1409084 Composed by Bela Bartok. Arranged by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Instructional. 7 pages. Rob...
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Level 3 - SKU: A0.1409084 Composed by Bela Bartok. Arranged by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Instructional. 7 pages. Robert A. Howard #991687. Published by Robert A. Howard (A0.1409084). This work is an arrangment of the solo piano piece No. 149 (of 153) from 'Mikrokosmos' by Bela Bartok (No. 2 of Six Dances in Bulgarian Rhythm). The piece is for a 7-part mixed chamber ensemble of oboe, clarinet, bassoon, French horn, violin, viola, and cello. The instrumentation was originally for single string players, though multiple players can be used. The arrangement aims to convey typical Bartokian timbres, as well as recreating Bartok's contrasting use of the piano; this is both occasionally percussive, and sometimes sustained (due to the use of the right pedal in Bartok's piano piece). This arrangement can also include a pianist playing the original piece on the piano, as the chamber ensemble doubles exaxctly. Note: this document is the full score only.Duration: 2 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
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Robert Howard